Entries tagged with: IFC Center
New Jersey's WFMU has occupied a unique position as an independent, commercial-free, listener-supported radio station since its inception in the late 1950s. At its heart is the dedicated station manager Ken Freedman, committed to an unstructured, free- form broadcasting model which has won WFMU acclaim as the best--and perhaps weirdest-- radio station in the tristate area, if not the country. Facing a budget crisis, can Ken rally both his volunteer staff and his listeners to keep the station afloat?Find out by watching Sex and Broadcasting, a new film about one of our favorite radio stations. It makes its world premiere this Saturday (11/15) at IFC Center in NYC, and then plays again at the same place on 11/17. On 11/20 you can catch it at SVA Theatre in Chelsea. Get your tickets. Filmmaker Tim K. Smith is expected to be at two or all of the screenings, and film subject Ken Freedman should be around too. Watch a clip at Indie Wire and the trailer below.
All three screenings are part of DOC NYC which kicked off yesterday and runs through 11/20. As mentioned, the film lineup also includes a "Sonic Cinema" series with films about Elliott Smith, the DC punk scene and more.
Bjork at Berlin Festival 2013 (more by Dana (distortion) Yavin)
Directed by Nick Fenton and Peter Strickland, the Biophilia Live film augments the live show with additional animated sequences, taking viewers into Björk's immersive performances, which included a number of custom-built experimental instruments, such as a Tesla Coil, a pendulum harp, and a hybrid gamelan-celesta. The show also featured an Icelandic female choir and a series of nature films. [The Creators Project]Bjork: Biophilia Live, the Bjork documentary on the multimedia live shows she played in support of her 2011 album Biophilia, already premiered at Tribeca Film Fest, and now it's being screened at several more locations worldwide, including two more in NYC. First, it screens at IFC Center from September 26 to October 2, along with a screening of the 2013 documentary When Bjork Met Attenborough. Then, once again at Brooklyn's Nitehawk Cinema from October 10 to October 16. Showtimes TBA, and tickets are not on sale yet but you can check here for updates. There will be one more chance to see it just outside of NYC at Long Island's Camera Arts Centre in Huntington on October 29 (tickets).
The Creators Project just made a new trailer for the film, which you can watch below. Also below is the full list of theaters it will screen in and what night it opens in each one. More info, including how long each theater will be showing it for, here.
And as mentioned, Bjork's getting a retrospective at MoMA in 2015.
Kembra Pfahler & Antony Hegarty
[Last night] at New York City's IFC Center, Antony Hegarty's long in-process Turning film finally began its American theatrical run, following the U.S. premiere last weekend at the DOC NYC festival.The film is playing now at IFC Center in NYC with tickets on sale for multiple screenings each day through 11/20, and special guests at select screenings. See IFC's site for more info, and head below for a clip and the trailer of the movie, and a list of upcmoming European screenings...
The film, a collaboration with Charles Atlas (The Legend of Leigh Bowery), documents the pair's 2006 European "Turning" tour, which featured Antony performing alongside large-scale projections of 13 models, who individually took the stage and slowly turned on circular platforms. It includes backstage clips and interviews with each of the models, many of whom are transgendered or grappling with issues of gender and sexuality. At the premiere, Antony said he hoped Turning would unveil the essence of its subjects' humanity. [Pitchfork]
Mike Birbiglia's movie Sleepwalk With Me, which he co-wrote with Ira Glass, is opening at NYC's IFC Center in NYC tonight, Thursday, August 23, 2012. Tickets are on sale for tons of shows between now and August 30, but some are more special than others, especially the one at midnight tonight. Not only will Mike and Ira be there, but "wear your pajamas and get free popcorn and soda!" PLUS: "Birbiglia & Glass in person Fri Aug 24 & Sat Aug 25 at ALL SHOWS! Birbiglia in person Sun Aug 26 at 12:15, 2:05 & 4:00!"
More details, including who will be selling the popcorn, and what cities Mike and Ira are travelling with the movie next (hint: LA and Chicago), in the NY Magazine exclusive video below.
We've all been there. Those big creative dreams we had when we were young fall prey to the practical concerns of student loans, rents, and families. Maybe we loved piano lessons as a kid but our father couldn't afford them. Maybe we fell in love with a sailor but our parents forbid us from seeing him. Maybe we went ahead and saw him anyways. And maybe when his ship sunk and he died, our mother told us: "what you refuse to give up yourself, God will take from you." After that, maybe we ran away to Iceland, where we worked odd jobs for many years until one day, at the tender age of 70, we rediscovered music.Documentary Grandma Lo-Fi will screen as part of Rooftop Films at The Old American Can Factory (232 Third St. at Third Avenue, Brooklyn) on Saturday, July 28. Tickets for that are still available. In addition to the screening, there will be a performance by Kira Kira which is actually Kristín Björk Kristjánsdóttir, one of Grandma Lo-Fi's three directors. There is also a reception in the Can Factory courtyard following the screening with complimentary beverages.
Grandma Lo-Fi, the directorial debut of three Icelandic musicians, tells just such a story. The story of Sigríður Níelsdóttir, who recorded 600 songs in seven years, mixing together the sounds of household items, pets, found toys, and a Casio keyboard, achieving cult status among Icelandic musicians. One of her albums is all Cowboy songs, another has lyrics that are complete gibberish. Her passion and enthusiasm are infectious. Don't be surprised if by the end of the film you want to go out and get a Casio keyboard and hand-whisk and start recording homespun hits in your living room.
Shot mostly on Super-8 and 16mm film, Grandma Lo-Fi uses charming lo-fi animation and a delightfully quirky visual style to celebrate the life of a remarkable woman and her irrepressible creative drive.
In other Rooftop Films music documentary news, the PS 22 Chorus documentary Once in a Lullaby will screen for free at Richmond County Bank Ballpark at St. George (home of the Staten Island Yankees) in PS 22's home borough of Staten Island on August 14. (More info here.)
If you haven't heard about this film about internet sensations and Oscar performers -- a big hit at the Tribeca Film Festival (where it premiered) -- here's the synopsis:
Public School 22 in NYC has more than just an amazing chorus, they have an amazing story. These 5th graders went from performing in their school auditorium on Staten Island to closing the show at the 83rd Annual Academy Awards! It all started when their dynamic and caring teacher Gregg Breinberg starting posting videos of their performances on YouTube. The videos went viral captivating viewers from your house to the White House (where they performed for President Obama) with the students' pure love of music. Celebrities and Indie Rockers alike started flocking to the elementary school to visit and perform. Then, at their annual Christmas concert they got a surprise visit from Oscar Co-Host Anne Hathaway who invited them to perform at the 83rd Annual Academy Awards. With unprecedented access our crew follows them from the hallways and streets of Staten Island to the Red Carpet and backstage at the Kodak Theater for their big Oscar performance. Back stage drama combines with homesickness as the 10 year olds navigate the world of the entertainment elite. The drama culminates when the chorus director and the producer of the Oscars broadcast clash over creative differences and half the chorus looses their voices screaming at Disney the day before the big show. This documentary is an inspiring feel-good story that shows us children have a lot to teach about music, and that a talented teacher can teach his students the most important lesson of all; within themselves is the power to do anything.If you can't make it to Staten Island for the free screening, Once in a Lullaby will also play at the Los Angeles Laemmle NoHo from Aug, 10-16, and IFC Center in Manhattan from Aug. 3 - 9 as part of Docuweeks and tickets for those NYC screenings are on sale now.
Trailers for both Grandma Lo-Fi and Once in a Lullaby are below.
by Bill Pearis
The Jay Reatard documentary Better Than Something shows tonight (11/8) at the IFC Center at 8:30 PM. (It also showed this past Friday.) The film began as a short film to help promote Jay's final album, Watch Me Fall, but directors Ian Markiewicz and Alex Hammond decided to expand it to a feature film before his untimely death last year. IFC.com interviewed Markiewicz and Hammond about the film:
IFC: Your film started out as a short called "Waiting For Something." At what point did you realize that you had enough for a feature?Before tonight's screening there's a pre-show party at Other Music starting at 6:30. Golden Triangle's Alix Brown DJs and there's complimentary PBR. No word on a DVD release date yet. Trailer for Better Than Something is below...
AH: At first they were like, "This is going to be like an EPK," but Jay didn't want a typical EPK. It started out as an eight to 10 minute piece, and then when we came back we said, "Holy shit, we don't have a 10-minute short, we have a film here."
IM: He kept bringing up this "warts and all" idea. He was like, "This has to be raw and rough." He kept saying things like that, and it turned out like that because he wanted to unload his whole story. He just really unleashed. That's the only word for it.
IFC: Obviously the nature of the project changed after Jay passed away. Did you begin seeking out his friends and family members immediately afterward?
AH: The moment we heard about his death, we weren't thinking about the film. Two months later, his friends were doing a big tribute show for him at South By Southwest.
IM: To be honest, I felt like, I don't know if I can handle looking at that stuff right now. It felt very dark at that point. And people were saying, you guys really have to be down here for this show. It kind of snuck up on us, like, "Okay, I guess we're doing this now." When we started doing it, you could just feel how palpable the emotion was coming off everybody. The wrong thing to do would be to wait a bunch of years, and then do something, when everybody's feelings weren't as strong. It seemed more in the spirit of what Jay did, being in the heat of the moment.