Entries tagged with: Interpol
There's a new Interpol (logo and) song you can get below..
Daft Punk's first album had helped refresh house music in the mid 1990s; the second went further, rewriting electronic pop's pleasure principles to such a degree that when it came out a lot of people thought Discovery must be a put-on. They took the joy in the record for irony. Rather, the band had simply plunged into the raw popstuff of their 70s childhoods, from AOR to disco, Buggles to Manilow, rock to robotics. They wanted their listeners to get the rush of context-free delight they had hearing music as kids, and on "Aerodynamic" and "Digital Love" they succeeded wildly, dissolving a decade-plus of dance music good taste. And not all of Discovery looked back. The middle of the album is house music as string theory, with the duo finding dimensions of pleasure coiled within the tiniest loops: "Crescendolls" releases an awesome, gleeful energy by repeatedly triggering one five-second sample.Daft Punk grabbed the #3 spot on Pitchfork's list of the Top 200 albums of the 2000s (now fully announced) (yesterday they were only up to #21). The top 20 are also listed below...
Discovery was simply the decade's best good-times record, with Daft Punk as pyramid-toting party wizards and the chipmunk Kraftwerk of "Harder Better Faster Stronger" their anthem. But this most celebratory of records has a bittersweet streak, too: Daft Punk know that a rush always carries the risk of exhaustion. Perhaps the album's most underappreciated track is the sad but gorgeous "Short Circuit", a three-minute robot graveyard of crumbled transistors and dying LEDs. But from Romanthony's first blissful, vocoded shout of "one more time!" the dominant emotion on Discovery is joy. A joy that wasn't afraid to be sentimental and funny as well as hard and futuristic, and is all the better for that. When a generation looks back and tries to catch a fuzzy hold of the music that made them happy this decade, Daft Punk's will be top of the list. --Tom Ewing [Pitchfork]
photos by Vincent Cornelli
"On Friday night we stopped in at the Guggenheim for the second in the museum's "It Came From Brooklyn" concert series [(the first featured The Walkmen)]. This time around, the main event was Paul Banks' solo project Julian Plenti, with a solid dose of comedic input from MC Eugene Mirman...Banks/Plenti's core band consisted of the unmistakable Damian Paris of The Giraffes (who played their own show one night later at The Studio) on guitar, Nick Stumpf of The French Kicks on drums, and Dmitry Ishenko of I'm In You on bass. I'm In You was also the opening band and is currently still on tour with Julian. Banks was also joined by Yuiko Kamakara on viola, Erica Dicker on violin, and The Great Yoed Nir on cello.
...Banks took to the stage around 10:30, with a band significantly larger than his usual four piece. In addition to Banks on guitar, there was an additional guitarist, bass, drums, and a three piece string section. The mix of instrumentation served to flesh out the sound, and moreover it served as a solid foundation for the atmospheric sound of Julian Plenti....
...One of the more interesting points of the evening was Banks' choice of covers. They included America's "Horse With No Name" and the Pixies B-Side "Into The White". [Hippies Are Dead]
There were also readings by Hampton Fancher and Rivka Galchen before Julian played.
Due to Julian's 10:30 set time, there was actually time on Friday to see Passion Pit and Phoenix at Summerstage before Julian, and then Rorschach and Hellbastard at The Charleston afterwards. At least a few people did just that.
More pictures from the Guggenheim (where Kandinsky works are now on display), and Julian Plenti's setlist, below...
Though the solo debut of Julian Plenti (aka Paul Banks of Interpol) has been out for over a month, the singer still hasn't played any shows. His official live debut takes place September 25th gig at the Guggenheim Museum, as part of its It Came From Brooklyn series (which brought the Walkmen and High Places in August). Also on the bill are I'm In You, authors Rivka Galchen and Hampton Fancher, and host Eugene Mirman. Tickets are still on sale to that show. We also has a pair to give away - details are below.
Past that it looks like Julian will be going on a North American tour in November, though not many dates are public yet. NYC was announced though, and the shows are November 24th at Bowery Ballrom and November 25th at Brooklyn Bowl. Ticket info TBA (on sale Friday?). He's also scheduled to play Europe in December.
Two tracks from Julian Plenti is Skyscraper are posted above. Contest details and known tour dates are below...
'Plenti' of tour dates on the way?
The inaugural "It Came From Brooklyn" show at the Guggenheim happens this Friday, August 14th with The Walkmen (who also play Summerstage on the 16th with Dinosaur Jr. and Saviours), High Places and the Brooklyn Steppers Marching Band (plus Colson Whitehead and emcee Leo Allen). Tickets are still on sale.
The next edition of that monthly series on September 25th will feature a headlining set by Julian Plenti (aka Paul Banks of Interpol). Presumably this will be his first real show as Julian Plenti (and the September show that was promised). Also on the museum bill are I'm In You, readings from Rivka Galchen and Hampton Fancher and host Eugene Mirman. No tickets yet.
Banks's Julian Plenti is Skyscraper album came out on August 4th. Two tracks from it are above, and the full record is streaming at Rhapsody. It looks like he'll be planning a bigger tour around the Plenti material this fall.
Interpol frontman Paul Banks has revealed today (August 11) that he plans to tour as his solo alter-ego Julian Plenti.He played the album's first single, "Games For Dates," August 8th on Jimmy Fallon. That video, with the Emily Haines-starring official music video, below...
The singer, who recently released the album 'Julian Plenti... Is Skyscraper', spoke to NME Radio about his plans for his solo project.
"I'm really enthused about this music and making more of this music and doing everything that goes into it," he told DJ Iain Baker. "There are some shows that are just getting booked now. There will be a tour!" [NME]
"after seeing this video I lost any respect I had for Perry Farrell. Why is he even bothering with music anymore? He and his wife should stick with porn exclusively". - Anonymous | August 8, 2009 1:32 AM
"Perry's" stage @ Lollapalooza - August 8, 2009 (by kazahel)
Julian Plenti FTW....
We just wrote about Julian Plenti, the solo project of Interpol's Paul Banks. His debut under that name, Julian Plenti Is Skyscraper, is due out August 4th on Matador. A second MP3, "Games for Dates," is now legally available for download above.
It was also announced today that Plenti/Banks will be making a TBA live appearance in September (stay tuned for details), and that he'll be on Late Night With Jimmy Fallon on Friday, August 7th. Album art and tracklist (again), below...
DOWNLOAD: Julian Plenti - Fun That We Have (MP3)
Since we just mentioned one new solo project from a band on hiatus (Julian from The Strokes), it'd be good to mention two other similar albums in the works.
In May, it was announced that Paul Banks of Interpol will be releasing a solo record called Julian Plenti is Skyscraper (Plenti being his own moniker) through Interpol's ex-label Matador on August 4th. Listen to "Fun That We Have," from the record, above.
This'll be the recording debut from "Julian Plenti," but the project itself is nothing new.
From 1998 to 2003, Julian Plenti performed in and around Manhattan as an acoustic solo artist. Venues that played host included Tobacco Road, Pete's Candy Store, The Knitting Factory, The Living Room, and "Lach's Antihoot" at Sidewalk Cafe.Shows in support of the record are expected (...as are Julian Casblancas shows. I vote they play a show together).
In 2006 Plenti began to demo a selection of his music using Logic Pro, including some older acoustic songs ("Girl on the Sporting News," "On the Esplanade," "Fly as you Might," "Fun that We Have") with added beats and string arrangements.
In the Fall of 2008 Mr. Plenti took the demoed album to the Seaside Lounge in Brooklyn to be re-recorded with live instrumentation.
He hired session performers to play the string and horn arrangements, and also enlisted some friends. Mike Stroud of Ratatat and Charles Burst of The Occasion guest on "Skyscraper;" Sam Fogarino of Interpol plays drums on "Games For Days;" and Striker Manley of Stiff Jesus appears on "No Chance Survival" and "Fun That We Have."
And it was announced this week that another frontman-cum-solo-performer, Alec Ounsworth of Clap Your Hands Say Yeah (who we reported in January will be taking a break... possibly a very long one), will be releasing his debut, Mo Beauty, on October 20th on Anti- Records. That album was recorded at New Orleans' Piety St. recording studio...
For Mo Beauty, Ounsworth was backed by George Porter, Jr. on bass, Stanton Moore on drums, Robert Walter on keys, and Matt Sutton on baritone and pedal-steel guitars, with additional help from some members of the diversely talented New Orleans community such as Mark Mullins, Craig Klein, Greg Hicks, Washboard Chaz, Shannon Powell, John Boute, Al "Carnival Time" Johnson, and Meschiya Lake. The album was produced by veteran musician/producer and fellow Philadelphian Steve Berlin (Los Lobos, Blasters, John Lee Hooker, The Replacements).This is not the first non-CYHSY project from Alec (though maybe the first that has a record), and this is not the first announcement this month from Anti regarding a new solo album from a popular Brooklyn band member (though I think Alec actually calls Philly home).
Tracklists for Mo Beauty and Skyscraper, with a YouTube video that purports to be the first 30 seconds or so of each Julian Plenti track, below...
Photos by Tim Griffin
[Swervedriver's] Adam Franklin: Most of the earlier tunes were [Interpol's] Sam [Fogarino]'s, and mostly started with simple guitar lines, to which I would then place chord sequences beneath or counter-melodies on top. Sam also gave me a nine-minute Mellotron jam, which I cut and arranged into a verse/chorus/verse arrangement. I also wrote the lyrics and vocal melodies. Although 90 percent of the lyrics are mine, probably 50 percent of the titles are Sam's, due to the fact that he tends to name his demos. This makes it interesting for me, because the lyrical threads follow paths suggested by the titles. After we established a sound aesthetic, I began bringing in some song ideas to which Sam would add keyboards, guitars, atmospherics, rhythmic patterns.Both of those quotes are from an interview Adam gave to Wired. More pictures from last week's show at Southpaw below....
Adam Franklin: The live show should be fun. Myself and Sam essentially inhabit the engine room of a kick-ass live unit. The band sounds out-of-this-world after a week or two of rehearsal. Bolts of Melody's Josh Stoddard is on bass; Blasco, who has previously played live with Interpol and Secret Machines is on guitar, melodica and psychedelic banjo; and The Album Leaf's Jimmy LaValle is on keyboards. He was an obvious choice, as Sam and I have both known him separately for some time.
by Bill Pearis
Before blogs, before the internet as we know it, Jack Rabid was writing up all the shows he attended, the records he listened to, and interviewing his favorite bands. Since 1980 he's been publishing The Big Takeover which started as a Xeroxed 'zine but is now a legit glossy mag, thick as a phone book, and even more crammed with reviews and meaty interviews with some of the biggest indie/alt bands and artists on the planet. The passion (and the encyclopedic knowledge of the staff) makes it such an awesome read to this day.
In addition to The Big Takeover, Jack is also a great drummer. Having played in a number of bands over the years (early '80s punks Even Worse, and more recently Last Burning Embers), he might be best known as one-third of '90s-era trio Springhouse. While lumped in with the then UK dreampop scene (Ride, MBV, etc), Springhouse (Mitch Friedland on treated classical acoustic, and bassist Larry Heinemann) was closer to early-'80s groups like The Sound, The Comsat Angels and The Chameleons, the latter of whom they opened for on their 2002 reunion tour.
Springhouse released two very good, if under-heard, albums on Caroline in the '90s and have been slowly working on a third that will finally see the light of day in October. As Jack wrote on Bigtakeover.com:
"From Now to OK, which we've been working on for the better part of 10 years, is finally finished and will be released in October...on limited edition, 550 copies deluxe Bruce Licher-designed letterpress multi-layered foldout CD art package and free internet digital download, Radiohead-style (i.e. pay what you want!). Then we hit the road!"That tour is a "Big Takeover Presents" triple bill. Headlining are Magnetic Morning (previously known as The Setting Suns), the "supergroup" (my term) of Swervedriver's Adam Franklin, Interpol drummer Sam Fogarino and Jimmy LaValle of the Album Leaf. I saw them at their debut show back in December and despite a then-dearth of material (they've only got a six-song EP out so far, including three versions of one song and a cover) Magnetic Morning had it together, as you'd expect from a group of pros like this. They've been holed away in the studio all summer so I imagine we'll really find out what MM are all about in October.
Opening the Big Takeover tour is Washington DC's Julie Ocean, which is fronted by two veterans of the '90s DC/Arlington indie scene: Jim Spellman was in Velocity Girl and The High-Back Chairs (and is now a producer for CNN where he recently got Tasered on purpose); and Terry Banks was in Tree Fort Angst, The Saturday People and Glo-Worm. Julie Ocean's debut, Long Gone and Nearly There, is ridiculously catchy power pop.
Adam Franklin has also been keeping busy with his old band Swervedriver and Magnetic Morning's dates are part of a much bigger fall tour. All scheduled stops, and a video, are below...
This Saturday, April 19th, Other Music is excited to be taking part in Record Store Day along with hundreds of other independently owned music shops across the country. Throughout the day we'll be selling limited vinyl singles and EPs (exclusive to shops participating in Record Store Day) from the likes of Vampire Weekend, the Breeders, Stephen Malkmus and Built to Spill, along with give aways, prizes, and 10% off of everything in the shop for the entire day. Also, various members from great bands will be stopping by to spin their favorite tunes throughout the afternoon. We hope that you can come by the shop and celebrate the day with us, and for those of you not in New York City, please make sure to visit your favorite local record store and show them your support!Regina Spektor is playing Sound Fix on Record Store Day. Read what Regina had to say about it below....
DJ SET SCHEDULE:
TAPES 'N TAPES - 12:30 to 2PM
BLACK KEYS - 2 to 3PM
DEAD MEADOW - 3 to 4PM
GRIZZLY BEAR & DEERHUNTER - 4 to 5PM
INTERPOL - 5PM
Check out the video of Kazu (Blonde Redhead) performing with Paul Banks & Samuel Fogarino of Interpol, below...
High Places @ Market Hotel, Brooklyn, NY (mercurialn)
For rock bands this is a great time to be weird and independent in Brooklyn. After years in which the sound of New York was defined by various shades of retro monochrome -- the new wave minimalism of the Strokes, the disco-punk of the Rapture and LCD Soundsystem, the moody Anglophilia of Interpol -- a new generation is making music that is indefinably eclectic and complex, and finding acclaim around the world. [NY Times]SEE ALSO: MTV NEWS' "The Noise From Brooklyn"
School of Seven Bells is a new band formed by Benjamin Curtis of Secret Machines. He left Secret Machines in early 2007 to concentrate on the new band solely. The band also includes twins Alejandra and Claudia Deheza, formerly of On! Air! Library!, and James Elliot aka Ateleia. Curtis and the Deheza sisters met when both were opening on an Interpol tour. [Wikipedia]They're on tour with Prefuse 73. That means they play Bowery Ballroom in NYC tonight (Nov 26, 2007). All tour dates below....
DOWNLOAD: Cassius - Toop Toop (streetlab remix) (MP3)
DOWNLOAD: Chemical Brothers - The Salmon Dance (streetlab mix) (MP3)
DOWNLOAD: M.I.A. - Boyz (Time Machine Remix) (MP3)
DOWNLOAD: Black Lips - Veni Vidi Vici (Diplo Remix) (MP3)
King Khan & BBQ Show @ Paradiso, Amsterdam - Jan 2007 (CRED)
* King Khan & BBQ Show play Montana's Party Place
* Drive by Truckers are playing Bowery Ballroom
* Shout Out Louds played Bowery Ballroom last night
* Shout Out Louds play Music Hall of Wlmsbrg tonight
* Later on they DJ with Bjorn @ Union Pool
* The Brunettes are playing Union Hall
* The Detroit Cobras are playing Mercury Lounge
* Small Sins played Mercury Lounge last night
* Small Sins play Luna Lounge tonight
* Film School & Land of Talk move to Maxwell's
* Reuben Butchart is playing Europa
* a Beastie Boys tribute band is playing Lion's Den
* An actual Beastie Boy came to see Black Kids @ R Bar
* Bon Jovi & MCR return to Newark Arena
* Morrissey returns to Hammerstein Ballroom
* Kristeen Young does not
* Saul Williams is making like Radiohead
* new Ween is streaming
Interpol played Jimmy Kimmel. AOL won't hire Tim Harrington. Videos below. What else?
and I never posted about Interpol @ Madison Square Garden...
New video below....
Devendra Banhart molesting Chan @ Coachella 2006 *
* photo by Jenny Applebaum
Cat Power added a bunch of tour dates including one where she'll be playing Madison Square Garden with Interpol and Liars! What a great triple bill...but Cat Power as an opener for Interpol at MSG? I don't know, but I'm a very cynical person. Could be good. Hopefully people will pay attention.
Chan (Cat)'s next record is going to be another covers one, which is a great thing if it's as amazing as the last one. Details on that, and all tour dates, below...
words & photos by Bao Nguyen
So this was a very last minute idea, meaning I left New York for Baltimore at 12 PM on Saturday when gates had already opened at 10 AM. Not knowing at the time whether I had a pass waiting for me at the festival, I made the 4 hour drive, hindered by the beach bound crowd on the NJ Turnpike, armed with a Polaroid, 4 hours of sleep, and a sense of regret for missing the previous night's CSS show. I arrived at Pimilico Field at exactly 4 PM and after nearly being run over by Richard Branson on a golf cart, I made it just in time to catch the start of Peter Bjorn and John's set. I think their music plays better in a small club than a large festival type atmosphere especially when the entire crowd seems to be waiting for only one particular song that everyone can whistle to. Following Peter Bjorn and John was an high energy set from LCD Soundsystem that included a very unusual mosh pit where three people were doing their best Thom Yorke seizure dance....
Yeah Yeah Yeahs' Karen O
more pictures below....
DOWNLOAD: Liars - It Fit When I Was A Kid (Crystal Castles Remix) (MP3)
"Liars are set to release their self-titled, fourth studio album on Mute Records on August 28." Liars are the band opening for Interpol at MSG and elsewhere. Check out a new interview with Liars @ Paste. More new album info below....
new album, new Letterman appearance....
For a mid-summer week, the music CD release list is surprisingly bountiful. Spoon's Ga Ga Ga Ga Ga and Interpol's Our Love To Admire lead the pack of new releases, and I can also highly recommend St. Vincent's debut album, Marry Me, former Drive-By Trucker Jason Isbell's Sirens Of The Ditch (which includes my current favorite protest song, "Dress Blues"), and Patton Oswalt's comedy album Werewolves and Lollipops).
Have I left anything noteworthy off the list? What new music releases can you recommend this week?