Entries tagged with: Irving Plaza
Gogol Bordello @ All Points West on August 1st (more by Tim Griffin)
In what's becoming an annual thing, Gogol Bordello will be playing a series of NYC shows around New Year's Eve. This year's gigs will be at Webster Hall from December 27th to Dec. 29th. A Fan Club presale is happening now. Regular tickets go on AmEx presale Wednesday at noon, and then general sale begins October 9th at noon.
Before then, Gogol Bordello will play a packed schedule of shows in North & South America, Europe and Asia. Full dates are below.
The group released today (10/6) a live CD/DVD Live From Axis Mundi on SideOneDummy Records.
The set features footage from two sold-out nights at Irving Plaza in New York City filmed in 2007. The package features live performances of "Start Wearing Purple," "Ultimate," "Not A Crime" and "Baro Foro" as well as music videos for "Start Wearing Purple," "Not A Crime," "Wonderlust King," "American Wedding," bonus chronicles and extra tracks.The massive tracklist and a video trailer for that package, and all tour dates are below...
It will also feature a CD of previously unreleased tracks including "Stivali E Colbacco" from the Super Taranta! sessions, the "Troubled Friends" from the Gypsy Punk sessions, "Roumania," a demo of "60 Revolutions" and an instrumental version of "Immigrant Punk." The CD also features six tracks from the band's BBC sessions, recorded on BBC-Radio 1's "In The Company Of (with Colin Murray)" in March 2008.
The Jesus Lizard @ ATP NY 2009 (more by Ryan Muir)
photos by Tim Griffin
"New Zealand rocker Ladyhawke may sing about Paris burning, but on Wednesday it was New York City that was on fire. At the headliner of the "Perez Hilton Presents" concert at the Fillmore at Irving Plaza, Ladyhawke was well-worth her witching-hour performance, featuring crowd-friendly renditions of "Back of the Van" and "My Delirium." Unfortunately, fellow co-headliner Ida Maria was a no-show because of illness. No matter. The two surprises Hilton pulled out of his sleeve certainly made up for it.By "across town", they mean at Bowery Ballroom where Little Boots also played on Wednesday night (9/16). Ida Maria was in fact a no-show, though the type of illness is unclear - it may have been a case of Perez-itis because she seemed to be doing okay when she performed at the Betsey Johnson fashion show a night or two earlier. Officially it became this:
"I'm marveling that I was able to pull it off, because I've never put on a tour before," Hilton told MTV News. "The reason why I'm doing the tour, the reason I have a record label, the reason why I write about music on my Web site is because I think music lovers like sharing good music with other music lovers."...
...Last-minute surprise act Little Boots hit the stage sans her band mates (they were stuck across town) and performed solo with only a piano to accompany her. She thanked Hilton with a run through a haunting cover of Kate Bush's "Running Up That Hill" and was followed by another surprise in Kat DeLuna, whose high-octane hip-swirling show made the walls sweat." [MTV]
Friday, September 18, 2009One night before the Irving show Ladyhawke played the Apple Store. More pictures from Irving Plaza (NSFW - there were strippers), below...
Ida Maria will not be finishing the current Perez Hilton Presents Tour. She is suffering from total exhaustion and will be heading home to Norway to rest and be under Doctor's care. Her personal statement to everyone is:
Dear Friends and Fans. I am so very sorry but I cannot finish this tour. After touring in Scandinavia, Europe, the UK, Australia, Japan and the USA for 3 years straight I am just completely exhausted. I have learned that I am not a superwoman.
I love all the bands, musicians and crew on this tour. Go see these bands! I will be back and look forward to playing you my music both new and old. The new music is in forefront of my mind. Thank you all again. See you soon. I wish you peace.
'New York City concert was hotter than a whore in heat! So amazing!' - Perez Hilton
'Ida Maria appeared to be drunk and phoning it in' in DC, Sep 12 (Francis Chung)
"So, you'd assume that the self-proclaimed "queen of all media" would have been tweeting the crap out of Ida Maria walking off stage at her Boston show on Monday night. Perhaps a few scathing blog posts on his 20-million-hits-per-day web site and maybe some speculation -- totally unwarranted and without any actual, factual reporting -- that drugs and/or alcohol are to blame for the rising star's troubled performance.That interesting, but somewhat unsympathetic article, fails to mention that Ida was crying, and that when she returned, she emotionally finished "Keep Me Warm" before apologizing "in broken English" and then finally leaving the stage for the last time. Video of the incident below.
But, no. Not one word was uttered, tweeted, typed or mentioned on any of the multiple social-networking sites to which Perez Hilton regularly contributes and certainly nothing on his astronomically famous web site, PerezHilton.com.
The gossip blogger and frenemy to the stars, has recently been toting his "Perez Presents" tour all over the internet, giving him even further bragging rights (in the past, Perez has taken credit for the successes of Lady GaGa and Mika) for "discovering" new talents Ladyhawke, FrankMusik, Eric Hutchinson, Sliimy, Semi Precious Weapons, and Ida Maria.
Despite the fact that most, if not all of the artists have been touring their home countries -- most artists are from overseas -- for the past year, and anyone who reads any sort of music news would know some of their names, Perez continues to promote his gig as a musical experience worth the $30plus price tag, because it will expose you to a whole "new" world or music.
I'd beg to differ. And I'm sure the mere 250 people who attended the event at the House of Blues [in Boston on Monday, September 14th] would agree, especially once co-headliner Ida Maria had a melt-down during song one-and-a-half, rendering her unable to perform the rest of her set.
The Norwegian rocker seemed less-than-impressed by the dwindling crowd as she took the stage (the three-story music venue can hold more than 2,400 people). She pouted her way through her first tune, refusing to sing the last two lines on the song, and opting, instead, to have a pow-wow with her guitarist, who pleaded with her to continue the performance under hushed mics.
As she led into her second song, the singer put down her own guitar and stood facing the audience folding her arms with an un-entertained, unenthusiastic, "I could care less" look written all over her face, before storming off mid-song leaving her band clueless. After a brief period of confusion, the stage managers reeled out a screen from which the audience could watch music videos. Already angry concert goers booed as Kanye graced the screen. Management were quick to replace his video with Janet, Madonna and of course, Taylor Swift.
Later, Maria would return from her fit back stage to apologize in broken English..." [Boston Daily Free Press]
Two nights earlier at the DC show, things weren't much better...
DOWNLOAD: Little Boots - "Earthquake" (Yes Giantess remix) (MP3)
Little Boots' Tenori-On @ LPR (more by Chris La Putt)
Little Boots is in town to play a sold out show at Bowery Ballroom tonight (9/16) with Plasticines and Yes Giantess. The latter is responsible for the remix you can download on top of this post. The show goes right up against the Perez Hilton tour stop which is happening not that far away at Irving Plaza.
Thanks to a tip by Renaldo, I called Irving Plaza. In addition to a recording saying the show wasn't sold out, it listed these set times:
8:00 doorsLadyhawke also played the Apple Store yesterday. All Little Boots dates below...
9:30 Little Boots
10:00 Semi Precious Weapons
Meat Puppets have a slew of upcoming tour dates: In September, they go across the West Coast with Athens grunge-rock band Dead Confederate, who also joins them on on their October dates in the South (which include a Halloween-in-Houston show with Those Darlins). Meat Puppets then spend November touring the Midwest and East Coast before heading to NC & TN. They visit NYC on east coast leg of that tour for a show at Bowery Ballroom on November 25th. Tickets go on sale Friday, September 11th at noon.
In July, Meat Puppets opened some shows for Stone Temple Pilots which I think is as good a way as any to segue into a mention of "Alice in Chains" who played Irving Plaza in NYC last night (9/8)...
"New vocalist William DuVall (well at this point he's not really new anymore, but I guess he's new-ish) didn't just sing the phrase "Again and again and again" - he belted it, jumping up onto the monitors to give himself just a little extra boost in the rockstar god department. Then, as it came time for him to grunt and signal the start of the "Doo-doo, doo-doo" sing-along section (and sing along the crowd did), DuVall lept off the monitor and started pumping his fist in the air, prompting the audience to do the same. As he finally turned to face drummer Sean Kinney, Kinney started grinning; and then the grin spread across the stage like an infectious disease, and by the end of the song, guitarist Jerry Cantrell and bassist Mike Inez were smiling, too." [Metal SucksMeat Puppets' newest disc, Sewn Together, came out in May, and they played two nights at Mercury Lounge shortly after. The new-ish video for "Rotten Shame" off that record, videos from the Alice in Chains show, and all MP tour dates are posted below...
DOWNLOAD: Death - Politicians In My Eyes (MP3)
Death of Detroit
Forgotten except by the most fervent punk rock record collectors... Death would likely have remained lost in obscurity if not for the discovery last year of a 1974 demo tape in [bassist] Bobby [Hackney]'s attic. Released [in February] by Drag City Records as "... For the Whole World to See," Death's newly unearthed recordings reveal a remarkable missing link between the high-energy hard rock of Detroit bands like the Stooges and MC5 from the late 1960s and early '70s and the high-velocity assault of punk from its breakthrough years of 1976 and '77. Death's songs "Politicians in My Eyes," "Keep On Knocking" and "Freakin Out" are scorching blasts of feral ur-punk, making the brothers unwitting artistic kin to their punk-pioneer contemporaries the Ramones, in New York; Rocket From the Tombs, in Cleveland; and the Saints, in Brisbane, Australia. They also preceded Bad Brains, the most celebrated African-American punk band, by almost five years. [NYTimes]Just a few months after Drag City breathed life into ...For The Whole World To See, Death (not to be confused with the legendary Floridian death metal band featuring the late Chuck Schuldiner) was resurrected. The Brothers Hackney have scheduled three US shows over the last weekend in September in their former hometown of Detroit (they reside in Bulington, VT), Chicago, and Cleveland. They're also now confirmed to play Austin's Fun Fun Fun Fest in November.
No word on who will fill the shoes of guitarist David Hackney (he passed from lung cancer in 2000), though odds are one of the Hackney's sons in Rough Francis will probably be elected. Rough Francis, who routinely cover material by Death, will provide support on all dates (minus Fun Fun Fun). Earlier this year they appeared with members of Death at Joey Ramone's 58th birthday show on May 19th at Irving Plaza. Videos of their performance are posted below.
Death's back story is an interesting one:
In 1975 at Detroit's United Sound Studios with engineer Jim Vitti, they recorded seven songs written by David and Bobby. According to the Hackney family, Columbia Records president Clive Davis funded the recording sessions, but asked the band to change its name to something more commercially palatable than Death. When the Hackneys refused, Davis ceased his support. The following year they self-released 500 copies from the session on the 7" single "Politicians in My Eyes" b/w "Keep on Knocking," on their Tryangle label, which eventually became a collectors' item."Politicians In My Eyes", a song that Jack White of The White Stripes/Dead Weather/The Raconteurs described as "ahead of punk, and ahead of their time," is available for download above (and in one of the videos below). The videos and all tour dates are below...
Three-time Grammy Award-winner, and Lost Highway recording artist Lucinda Williams announces a series of special performances to celebrate her 30th anniversary as a recording artist.Tickets for those Irving Plaza dates, including a three-night package, are on sale now.
On October 3, 4 & 5 Williams will play a three night stand at New York's The Fillmore at Irving Plaza...The first set of the three-night runs will feature selections from specific periods of Williams celebrated career. The opening night will feature songs from 1979-1989, in which she recorded Ramblin', Happy Woman Blues and Lucinda Williams. The second night will cover music from 1992-2001, when Williams recorded Sweet Old World, and Grammy Award-winners Car Wheels On A Gravel Road and Essence. On the final night of each run, Williams will perform music from 2004-present, in which she recorded World Without Tears, West and her latest acclaimed album Little Honey. Following each opening set will be a full second set of songs from throughout Williams celebrated career...Additional multi-night shows will be added in early 2010.
Williams has also posted a message on her website saying she knows how "tough it is out there during the current economic climate", so she is offering concert-goers discounted merchandise to offset ticket fees that "blatantly gouge" fans (thus giving people an incentive to spend even more money!). That message with all tour dates, below...
To our Tristate Funkateers and Chromettes,The duo will play that NYC gig on Friday, October 16th at Irving Plaza. Tickets are on sale.
We'll be doing ONE SHOW in the NY area this fall. This is special...and just for our peeps in our, er, second hometown. This is the only show until the new album comes out -- more info on that in a bit, -- so who knows...maybe we'll test out a couple of the new songs too *cough cough*... [Chromeo]
In other news, Chromeo put together a new mix for !K7 Records' DJ-KiCKS series. Arists mixed and remixed on the disc include oldies Leo Sayer, France Joli and Alan Parsons Project, and new acts Lifelike and Chateau Marmont. Chromeo's contribution will be the first in the series since Booka Shade's Numbers in 2007.
Their cover of the Eagles' "I Can't Tell You Why," which appears on the mix, is currently available for free through Chromeo-DJKiCKS.com.
Before the Irving Plaza show, Chromeo's upcoming schedule brings them to L.A.'s Hard Fest in August (but not the NYC edition happening on October 10th) as well as Monolith Festival in September. They've been on the festival circuit this summer, most recently playing a set at Camp Bisco on July 17th (where it looks like the weather was not so nice). A video from their set at Rothbury Fest in June, which isn't the best quatlity but gives you a good idea of their live show, with a clip from their appearance on Yo Gabba Gabba (the song is about washing your hands), with all tour dates, below...
Live Nation santas outside Irving Plaza - 7/14/2009 (Jason DeCrow/AP Images)
Live Nation has been dealing with the recession, or at least their recession, by putting tickets on sale like crazy this summer. They've been continuing week after week with their No Service Fee Wednesdays (for lawn tickets at amphitheater shows). This past Tuesday they sent multiple Santa Clauses to give out tickets outside Irving Plaza here in NYC. And there are $5.00 ticket promotions running for both Citi Cardmember holders and Subway sub eaters (code = Subway$5tix). NYC show tickets you can get for $5.00 include Pinback, Bob Mould, Son Volt, Alice in Chains AND STRYPER, Suffocation (playing with Necrophagist on Sunday), Marduk, Obituary, Vader and KMFDM, Brian Wilson in Westbury, and Motorhead, Psychedelic Furs, Happy Mondays, and Islands. Supposedly Pet Shop Boys are $5.00 too, but I can't get that to work.
DOWNLOAD: Son Volt - Down To The Wire (MP3)
Aquarium Drunkard: The new record seems like it's a combination of everything within Son Volt, all the way back to Trace [the band's 1995 debut] - it seems like something that spans the 13 or 14 years of the band.Son Volt's new album, American Central Dust, its sixth, comes out July 7th on Rounder Records. That's a week after Farrar's ex-Uncle Tupelo bandmate Jeff Tweedy & Wilco put out their seventh LP, Wilco (The Album).
Jay Farrar (of Son Volt): That's interesting. Perhaps that's true. I'm not sure. [laughs] All I do know is that I follow wherever inspiration takes the writing and you have to get away from certain kinds of instrumentation, like violin, in order to really feel like starting to use it again.
AD: The new album has this prevalent dark feel to it - in a certain sense - even though there are songs that escape that. There's this sense of, as one of the songs says, that there's "no turning back." You talked about this being a more focused record, but can you explain how the album title ties in with that?
JF: Basically they are three words that were pulled from three different songs - "American," "central" and "dust." I've done that before, but it seems like that's the best way to come up with a representative title for all of the songs.
Tweedy & Co. are on tour this summer. So are Son Volt. They'll play a co-headlining tour with the Cowboy Junkies in July. Then, Son Volt picks up for a second leg in September. Those dates include a show at NYC's Irving Plaza on September 17th. Tickets are on sale now.
American Central Dust's twelve songs include "Down to the Wire," which is posted above, and "Cocaine and Ashes," a song allegedly about Keith Richards and that incident that happened a few years ago. Album art and tracklist are below with all tour dates...
photos by Toby Tenenbaum
"Nouvelle Vague went on stage at 10:20 after Electric Black played their second live show (ever). The band made a pledge of solidarity with the protesting Iranian public - with green scarves ties to the mic stands.Though their new album NV3 doesn't even have a release date in the US yet, the French cover band decided to pay a short visit to the US this week. This weekend there are two shows in California (dates below). This week there was a show in DC, and one on Wednesday night at Irving Plaza in NYC (6/17).
NV played a good mix of new and old material the highlight of the show was when
Phoebe KilldeerNadeah decided to climb onto the terrace at the Fillmore. Upon her return to the stage she claimed with incredulity, "can you believe security tried to throw me out!?"" -Toby
Electric Black play a CD release show at The Delancey on June 25th ("free cd will be given the evening of the show with ticket purchase"). More pictures from Irving Plaza (the Fillmore) below...
The Jesus Lizard @ the primavera festival - May 2009 (Miss Rosa)
"Touch & Go Records is going to reissue the Pure EP and the albums Head, Goat, Liar, and Down on September 22, 2009. These records have been remastered and sound noticeably better than the original releases. All of the albums will include songs from the 7' singles and other rarities as bonus tracks." [David Wm. Sims]More Jesus Lizard dates have been confirmed, and as hoped, but expected, there are shows in NYC (2 of them!). Slightly unexpected is that those city shows will come over two months after the band make an appearance further upstate at the ATP festival (which is a month after they play a show for Pitchfork in Chicago).
The NYC shows are November 16th and 17th at Irving Plaza. Tickets for the first one go on sale Friday, June 19th, at noon. The second is isn't listed at Live Nation yet. The Jesus Lizard are also playing the 9:30 Club in DC on November 19th. All dates and reissue track lists, below...
Bob Mould @ Joe's Pub in April (more by Jacob Blickenstaff)
Bob Mould will head out on a full band North American tour this October. That includes a show at NYC's Irving Plaza on Thursday, October 8th. Tickets for that go on sale Wednesday, June 10th at noon. Sets on the tour will include material from "Husker Du to Sugar to Mould's latest Life And Times."
Bob Mould toured solo earlier this year (accompanied on some songs by a bassist/guitarist). The tour included a two-nights run at Joe's Pub. This time his band members will be Richard Morel on keyboard, Jon Wurster on drums, and Jason Narducy on bass.
We speculated that Mould might be appearing as a guest vocalist with No Age at ATP NY, as the band will perform a Husker Du LP in full. The two have performed together before -- a video of No Age and Bob Mould performing "Miner" and "New Day Rising" in March 2009, with all tour dates, below...
photos by Paul Birman, words by Klaus Kinski & Black Bubblegum
Aaron Turner of Isis
Isis, assisted by Chi-town's Pelican and local heroes Tombs, hit up Irving Plaza on June 2nd as part of a larger tour for the ex-Boston, now-LA band. The Irving Plaza show marks the home stretch for Pelican and Tombs who have basically been on tour since March, having hit up SXSW and joined forces with Wolves In The Throne Room (who recently played NYC).
Klaus Kinski was at the show Tuesday night, he writes...
photos by Paul Birman, words by Black Bubblegum
In their first NYC show in eight years, and first since the return of legendary vokillist Attilla Csihar, Mayhem played Irving Plaza last night (5/21) as part of The Blackened Fest with Cephalic Carnage, Withered, and Lair of The Minotaur. When I arrived, I was greeted by quite a few disappointed faces due to an announcement that Marduk would not be performing. Word is that there was an issue with their flights, and that their appearance at Maryland Death Fest tonight is in jeopardy as well. Hopefully Baltimore will have more luck than we did.
Missing Lair Of The Minotaur completely, Withered were setting up when I arrived at the venue. The Atlanta foursome's Weakling-inspired take on Black Metal pleased the sea of Mayhem and (sadly) Marduk tee-shirt wearers. I am not one to encourage/mix it up in the pit (anymore), but it was good to see a considerable amount of movement for the upstart band.
Cephalic Carnage's weed-tech-grind followed, along with dedications to cheetos, masturbation, and glass pipes (that they also sold at the merch table!), and props like a horse mask. It was well-executed and entertaining, but somewhat of a mild comedown following the energetic and pummeling assault of Withered.
Finally, the night belonged to the black metal pioneers. Mayhem took the stage a little before 10:30, playing a set that lasted until before midnight, when they retired sans encore. The core duo of Hellhammer and Necrobutcher with live members Morfeus and Silmaeth banged out rapid-fire blasts of black metal fury, spanning their entire discography.
For all of their impressive technical prowess and energy (lots), the highlight of their live set is the infinitely watchable Attila Csihar. Attila's formidable on-stage presence can only be described as dictatorial; he towers over his bandmates, gives the thumbs down as if he is deciding the fate of a man's life, punctuates lyrics with a clenched fist, and barks at his devoted minions with his thick Hungarian accent. In between a pair of impaled "heads", Attila sang from behind a "tree stump" podium which doubled as an area to hide both effects triggers and various gross-out props. Attila made sure to fondle and rub his face against those heads and an IV cart with dangling arm for further nauseating effect. Kitschy? a little. Fun/ny? Definitely.
Besides being visually arresting, Attila is one of the most versatile vocalists in all of heavy music. Barks, pitch perfect viking vocals, Celtic Frost grunts, screams that last longer than it seemed humanly possible, and what I like to call "squeaking elf"... a low end screech that was part Gollum and part creaking door, were all present and impressive.
by Black Bubblegum
Attila, all dressed up and ready to destroy! (Photo by Perole)
Mayhem has arrived, both literally and figuratively. After a failed tour attempt in 2007, the legendary Norwegian Black Metal band will concurrently celebrate their 25th anniversary and kick off their first EVER US tour TONIGHT (5/21) at Irving Plaza! Tickets are still available at the door. All dates below...
Joining Attila, Necrobutcher, and Hellhammer (not their real names), are corpsepainted Swedes Marduk, hazy deathgrinders Cephalic Carnage, sickos Lair Of The Minotaur, and blackened doom favorites Withered!
You won't see any pictures on BrooklynVegan by Justina Villanueva for the next month. That's because she is hitting the road with this historic Blackened Fest, documenting her, and Mayhem's, travels along the way. Her first shot comes from a practice session that Mayhem had in the five boroughs... Dig on drummer Hellhammer's kit, and all tour dates, below...
Leftover Crack fan in Texas (more)
Leftover Crack, Star Fucking Hipsters, Trash Talk, and The Casualties are playing Irving Plaza on July 3rd. Assuming Irving Plaza doesn't get shut down (unlikely) (or even if it does), this punk show is sure to be a good time. Tickets are on sale.
Less of a good time will probably be had at the punk show happening at Madison Square Garden on July 27th. Tickets for Green Day's big NYC show are on sale (@ 10am). They are also playing a few shows at much smaller venues, and Saturday Night Live this weekend.
The opposite of a good time will probably be had at the same big venue on October 5th. The Ting Tings are playing MSG with Pink. Tickets are on presale (@ 10am). PASSWORD = LEAPFROG
Probably fun, but still kind of lame? Aerosmith and ZZ Top play MSG on September 14th. Tickets are on AmEx and Internet presale now, and go on general sale Monday, May 18th, at 10am. It's the same day Kings of Leon play Nassau Coliseum.
Same venue, same summer (move over Blondie, Pat Benatar and The Donnas): The Pretenders, Cat Power and Juliette (and the Licks) Lewis are playing the Stone Pony's Summerstage on August 9th. Tickets are currently on Ticket Rush presale (password = live), and they go on general sale Saturday at noon. The same three ladies (bands) have an August 22nd Colorado show scheduled, so let's home for a full tour with NYC date too.
And don't forget Kylie Minogue tickets go on sale Saturday at 10am.
photos by Chris La Putt
"Mastodon played the entire Crack the Skye from the beginning to the end, to the utmost satisfaction of those who have been crazy about the album since it came out in March. They were projecting a video collage throughout the whole thing, with clips from old Russian movies, and various outer-space type scenarios. It was pretty cheesy, but it went well with the music. There was something spooky and uncanny about the combination of Mastodon's ridiculously amazing music, and sinister-looking Orthodox priests and iron-clad warriors from the tsarist times.Mastodon, Kylesa, and Intronaut are on tour and stopped at Irving Plaza in NYC last night (5/9). They do it again tonight (5/10, Mother's Day) at Music Hall of Williamsburg in Brooklyn. More pictures, including one of Mastodon's setlist, below...
Throughout the Crack the Skye part of the show, Mastodon had a keyboardist with them. He left when they moved on their older selections. They played a bunch from Blood Mountain, and then a few less from Leviathan and Remission."
[a review from an earlier show on the tour]
Celebrating what would have been the 58th birthday of punk icon Joey Ramone, the annual Joey Ramone Birthday Bash will take place Tuesday, May 19th at The Fillmore New York at Irving Plaza. Mickey Leigh, event organizer and brother of Joey Ramone, has announced that, as part of the 9th annual Bash, fans will be treated to a special advance sneak peek listen to rough mixes of never-before-heard Joey Ramone solo recordings. Various producers, including long-time Ramones producer Ed Stasium, are currently preparing tracks for a full album worth of material, slated for posthumous release at the end of the year.Tickets are on sale now. The annual event, organized by Joey's mom and brother, has been happening since 2001.
This year's headliners are Fishbone and Supersuckers. The spectacular party will conclude with The Friends Of Joey featuring Richie Ramone, Handsome Dick Manitoba, Jean Beauvoir, Ivan Julian, George Tabb, Al Maddy and Mickey Leigh. Also appearing are Death and Rough Francis (both bands were the subject of a feature story in the New York Times on March 12), Uncle Monk (featuring Tommy Ramone), Bebe Buell, and Tom Clark & The High Action Boys. As the audience enters the venue they will once again be greeted by musician Tracy Thornton, playing Ramones songs on the steel drum. And, in what has become a Birthday Bash tradition, Sean O'Sullivan's Punk Pipers will round out the night on the bagpipes. The fete will be emceed by Matt Pinfield and Peter Aschner. Additional surprises are expected at the evening's events...Net proceeds from the Bash go to support the Joey Ramone Foundation for Lymphoma Research.
Videos from the 2008 party, below...
photos by Leia Jospe
"at yann tiersen, irving plaza with, probably, every french person in new york city." - Soraya Darabi
"the good news is that we got there early enough to watch the whole thing in the very front! the bad news is : yann + an electric guitar + band - his violin = major midlife crisis. i love this man, but it was awful.I never saw Yann during the good ol' days. In fact, Amelie aside, I never even listened to Yann in the old days or the new days, but I do agree that the show wasn't what I expected, and it wasn't that exciting. You can see in the pic above that Yann was getting his Thurston on. "Awful" is kind of strong, but maybe that's because I like "alt rock", though I think my issue was that it wasn't "alt" enough, which I took more as a sign that I went to the wrong show. I wished I was at the Walkmen or Throbbing Gristle's 1st NYC performance - both shows happened the same night (4/16). Oh yeah, the violen parts were the best.
he DID move me to tears when he finally picked the violin up for sur le fil - but 99.9% of the time was alt. rock hell. he even managed to butcher the amelie theme beyond recognition. & there was no piano. or accordion.
why yann, why?! i miss the good ol' days" [photobear]
Asobi Seksu are on tour with Yann, and they sounded great as the opener (their first-ever show at the venue). A few of their songs sounded really great on the sound system - a few were so-so. All in all, I'm glad they were there. More pictures from the show (and yes there were a lot of French people there) below...
by Andrew Frisicano
DOWNLOAD: Femi Kuti - Eh Oh (MP3)
Femi Kuti, son of legendary Nigerian musician Fela and Afrobeat institution in his own right, is coming to New York this summer. His last set of NYC dates, scheduled for January '09, were canceled, with the rest of his tour, because of illness.
Femi and the Positive Force visit the Fillmore NY at Irving Plaza for two Knitting Factory-presented nights on Wednesday, June 3rd and Thursday, June 4th. Tickets, including two-night passes, are on sale now at LiveNation.com. If you miss them, we suspect Femi might also be back later in the summer.
Femi's last record was Day By Day, which came out in November '08 on Downtown Records imprint Mercer Street Records. June 3rd will be his first North American show since its release.
All tour dates and videos of Femi live, and recording and discussing his latest record below...
the Hold Steady @ the Mohawk during SXSW (Angelina M)
I didn't catch the Hold Steady show at Irving Plaza in NYC last night (3/30), but I was at the one pictured above which took place Friday night, March 20th, at the Mohawk in Austin for SXSW. The packed show was in a relatively small venue. And as you can kind of see a piece of in the picture, everyone was having a good time during the energized performance. One review says...
"The Hold Steady: Renowned for its prowess in concert, Craig Finn and company are still touring behind last year's superb Stay Positive. Shortly after midnight, Finn strolled onto the tiny stage at the Mohawk, waved to the fans overhead and those in front, picked up his guitar and let fly. For the next 60 minutes and change, the Hold Steady affirmed its standing as one of America's greatest living rock bands, a no-fuss yet deeply poetic group that simply speaks from the heart." [Star-Telegram]And speaking of small venues, the band, who has already co-headlined the very big Terminal 5 (with a band who has 5 shows coming up at the much, much smaller Mercury Lounge), will return to the medium-sized Bowery Ballroom on June 8th, and then play a 2nd NYC show at the same-sized Music Hall of Williamsburg two days later. Tickets ($20) for both shows will be on Am Ex presale Wednesday at noon, and then regular sale on Friday.
And about last night...
The Hold Steady has become an unstoppable rock machine, with a catalog deep enough for the band to peel off song after powerful song in concert without getting to them all.The band's new live/documentary CD/DVD, A Positive Rage, is out April 7th. All tour dates below...
That about sums up the Hold Steady's performance Monday night at the Fillmore NY at Irving Plaza, on the second night of an extensive spring/summer tour. Playing to a packed house, the band drew from all four of its albums, with a particular emphasis on last year's "Stay Positive" and the group's first record, 2004's "Almost Killed Me."
Whatever the song, singer Craig Finn did his moppet dance while he sang, waving his arms around and gesticulating wildly while Tad Kubler cranked out huge, joyous guitar riffs like they were some kind of gritty rock 'n' roll astringent, good for a soul-scouring deep-cleanse.
And they were: the crowd sang along throughout, clapping out a staccato rhythm on some songs and pumping their fists on others, all to Finn's evident delight. [listen, damnit]
photos by Jacob Blickenstaff
"PJ Harvey's previous album with John Parish was 1998's Dance Hall at Louise Point, but the 12-year wait was worth it. Harvey's brutal doctrine - that nothing should sound like anything either of them has done before - has produced a thrilling, boundless work. The songs are riots of changing themes and multiple musical personalities. Black Hearted Love, in which Parish's granite riff fuels one of Harvey's best ever rockers, finds two lovers frolicking in the abyss, while Pointless, Passionless chillingly catalogues a stone-cold relationship. April, with its snail's pace, is plaintive and purifying. Harvey's vocals range from animalistic shrieks to haunted narratives, as she depicts everything from the gleeful humiliation of a cuckold ("lily-livered balls!") to the days that follow a death. It all hangs together brilliantly, suggesting the mutual understanding of two artists at the peak of their powers." [Guardian]PJ Harvey and John Parish have now finished up a short U.S. tour that included a stop at SXSW (pic, setlist), a stop on Leno (Hulu video), a visit to KCRW (video), a show in LA (setlist below), and a show at Irving Plaza in NYC last night (3/26). More pictures from that last one, below...