Entries tagged with: JEFF the Brotherhood
The second annual Hopscotch Festival will go down in downtown Raleigh, North Carolina, across 12 different venues with over 135 bands, from September 8th through 10th. The lineup this year runs the gamut of independent music... from traditional indie staples (The Flaming Lips, Guided By Voices, Superchunk) to southern-inflected rock (Drive-By Truckers) to noise (Prurient) to hip hop (Beans) to garage (Jeff The Brotherhood) to funk (Budos Band) to metal (Krallice), and everywhere in between (Swans, Rhys Chatham, etc etc). Tickets are currently on sale. Full lineup is below.
Hopscotch happens almost three months after Guided By Voices play a Brooklyn Northside Festival show in McCarren Park (tickets) which is one day after Beirut plays a Northside Festival show on the same McCarren Park stage with... Sharon Van Etten (though she may have been accidentally announced at one point, they officially kept her placement on the bill under wraps until after Saturday's Music Hall of Williamsburg show). Tickets for Beirut/SVE are still on sale, and another opener will be added too.
Hopscotch lineup below...
photos by Leia Jospe
JEFF The Brotherhood played their second of two NYC dates at Death By Audio on Saturday (4/2), joined by their Infinity Cat compatriots Heavy Cream and Hell Beach as well as X-Ray Eyeballs and Colleen Green. Pictures from that show are in this post. For Heavy Cream, it was their second time at Death By Audio in around three weeks. The band also teamed with Ty Segall on their way to SXSW in early/mid March. JEFF played Santos a few days before where they shared a bill with an awesome cast including Screaming Females and Ninjasonik.
The Death by Audio show was special for opener Hell Beach who were playing live for the first time, and were playing a record release show. The band welcomed their new LP Welcome to Hell Beach this week via Infinity Cat (Jeff's label). You can listen to two songs below.
More pictures from Death By Audio (though unfortunately none of X-Ray Eyeballs or Colleen Green), and more JEFF dates, also below...
JEFF the Brotherood @ Santos Party House - 3/31/2011 (by Tamara Porras)
In case you didn't hear (because it was kind of kept secret, though Bill did mention it), JEFF the Brotherhood, who played Santos Party House with Screaming Females on Thursday night, are playing Death By Audio with Heavy Cream TONIGHT (4/2). Flyer and more tour dates below...
by Bill Pearis
DOWNLOAD: BOAT - Forever in Armitron (MP3)
DOWNLOAD: The Fleshtones - Bite of My Soul (MP3)
DOWNLOAD: STRFKR - Death as a Fetish (MP3)
DOWNLOAD: Obits - You Gotta Lose (MP3)
DOWNLOAD: Destroyer - Chinatown (MP3)
Welcome to the You Didn't Get Tickets to LCD Soundsystem edition of This Week in Indie. Or maybe some of you don't care about James Murphy's Last Hurrah, and if so you can consider this the I Don't Give a Crap About LCD Soundsystem edition of TWII. Luckily for everyone, this is another bonkers week for shows and there's bound to be something for everyone -- even if I don't write about it here.
Let's begin with what is my most-anticipated show of the weekend -- Destroyer, who play Webster Hall on Sunday (4/3). (Tickets are still available.) I have friends who are Dan Bejar obsessives, but I've always been more of a casual fan. Destroyer's new album, Kaputt, is a masterpiece and easily my favorite of 2011 so far. Gone are the chintzy synths and thin production, replaced by glorious '80s widescreen pop that brings to mind (mine, at least) The Blue Nile and Prefab Sprout. It's got the scope and the arrangements I always imagine Bejar wanted for his songs but never had the means to make real.
It's also the first album I've loved in a long time that has this much saxophone on it. I don't think there's a song on Kaput without it, and it's of the variety that makes you think of a city in the rain. Maybe the saxophonist is playing in the rain on a fire escape somewhere? Or maybe that's just every music video from the '80s. Anyway, Kaputt is evocative of that era for sure but Bejar's unmistakable urbane style keeps it out of cheeseball territory.
For this tour, Bejar has assembled an "eight-piece Destroyer orchestra" to bring Kaputt to life on stage. My friend Toby (who does the blog The Finest Kiss) saw the show in Seattle and said, "Seeing Dan Bejar play with a small band or solo under the his Destroyer moniker was always good, but I had never been blown away. I knew I was going to hear the songs from his latest Kaputt, but I had no idea that what I would get would far exceed that very good record and as well as any expectations I had." That raises my expectations quite a bit, but it does make me more excited... even if the show is at Webster Hall.
This weekend also marks the return of Seattle's BOAT, longtime TWII faves whose scrappy underdog status may be in jeopardy. Pitchfork, who has barely acknowledged their existence in the past, gave BOAT's great new album Dress Like Your Idols a 7.6 (besting the day's big review by about two points):
"BOAT's fourth album, then, finds the Crane-fronted four-piece going through something of an underachiever's quarter-life crisis. On one hand, Dress Like Your Idols sees Crane, drummer Jackson Long, bassist/guitarist Mark McKenzie, and multi-instrumentalist Josh Goodman finally making their way into a real studio for the first time. On the other hand, that studio-- Seattle's Two Sticks Audio-- is already defunct. And the songs, like the album cover, are as inspired by the band's youth as ever, merging Stephen Malkmus's obliquely deadpan twang, Tullycraft's sugary scene-skewering, and Modest Mouse's "reptile boy" yelp. Where some slightly younger slackers have been opting for warped 1980s synth-pop, BOAT continue to love the 90s: an era when they didn't know, as per the rueful title track, that "the job you wanted doesn't exist." The result is the best album yet from a band whose style finally appears to be back in vogue, though its sometimes-bitterly sardonic humor still won't be for everybody."Now part of this may be that the '90s are indeed now fully in fashion again, but if DLYI is of slightly higher fidelity (none of their albums could be called low-fi), it's still what BOAT has done along -- make tuneful, smart, funny, occasionally anthemic indie rock. This time they're just wearing their influences on the cover of their album. Check out "Forever in Armitron" at the top of this post.
BOAT play The Rock Shop on Saturday (4/2) with Miniboone, Landlady and Creeping Weeds. This is the start of an East Coast tour that will have the band back in town next weekend for an early show at Mercury Lounge on Saturday, April 9 with Moon Taxi and The Human Hearts.
Also Saturday night (4/2) is the record release party for Obits' second album, Moody, Standard and Poor, which is happening at The Bell House. As a bunch of indie rock vets, Obits aren't so much set in their ways as they know what they like. You know what you're getting with an Obits album, but this new one has a little more breathing room than I Blame You, but rocks all the same. And anyone who's seen Obits play knows they bring it live, no muss no fuss.
Also playing the Bell House show are California's Tijuana Panthers who were last here in December. As I wrote then, these guys are pals with The Soft Pack and evoke a similar -- if less aggressive, more party-oriented -- style of '60s surf rock. You can listen to the entirety of Tijuana Panthers' self-released debut, Max Baker, via a widget at the bottom of this post. Good stuff. Tijuana Panthers also play Friday (4/1) at Pianos as part of a solid bill that includes the Sundelles (also playing Obits' show), Shark?, and Air Waves. That is an excellent Friday night option.
What else? As you may have heard, WU LYF are making their U.S. debut this weekend, playing tomorrow night at Glasslands (a show BV is presenting) which is sold out, and then Saturday (4/2) at Shea Stadium. To go to the Saturday show, you have to RSVP. And once you get there, you have to pay $10. I don't know what to make of this Manchester band -- they are careful controllers of their image and we haven't heard much in the way of released music -- but I am intrigued. Says UK music mag The Fly:
Far from being arrogant or appearing above their audience, tonight the band seem lost in their own world, having left the window open for all to see. Roberts is an intense and unforgettable performer, but his bandmates back him with a sound that flits between sparkling and cavernous with a rhythm section pounding a self-affirmed beat destined for far bigger venues than this South London archway. Connected to his organ throughout, Roberts only separates himself from the instrument to sip from a teacup between songs. The cacophony of noise he and his band make is not ground-breakingly unique, a meeting point of Nick Cave and Wild Beasts as displayed on 'Spitting It Concrete Like The Golden Sun God' for example, however, the fire burning inside Wu Lyf, a light that only shines in the souls of a select few, is a truly special one off.We'll see, right? The Glasslands show features Wise Blood, True Womanhood, and DJ True Panther. Saturday's will feature sets by Total Slacker and Wise Blood.
That's the bulk of this weekend's action. Actually that's not true, there's lots more but I hit most of the stuff I'm interested in. More picks, day-by-day, are below.
JEFF the Brotherhood
THURSDAY, MARCH 31
JEFF the Brotherhood are at Santos tonight. Their second album, We Are the Champions, is out sometime soon and features songs called "Ripper" and "Shredder" so you know it both rips and shreds. It does! JEFF rules and surely you've seen them by now and if you haven't...go to this show! And more reason to go: Screaming Females, Juiceboxxx and Teen Witch. They also play their NYC spiritual home, Death by Audio, on Saturday but I'm gonna guess that show will be sardine city...not for the squeamish!
PS I Love You and Diamond Rings are at Glasslands tonight which is also a highly recommended. It may seem like an odd pairing but both these artists love each other's music and you're gonna get their collaboration "Leftovers" for sure.
by Bill Pearis
Pete & the Pirates @ SXSW Convention Center
"This is the weirdest gig we've ever played. I feel like we're in Las Vegas and you are all eating dinner." Pete & the Pirates singer Thom Sanders was remarking on the weirdness of playing the Dot Com Day Stage at 1PM in the Austin Convention Center. Folding chairs were set up near the stage, there were couches around the periphery, more the kind of place where some CEO reveals annual earnings than hearing some sprightly indie pop.
Yet Pete & the Pirates made it work, 'cause they're so damn good. (The bloody mary I was drinking probably also helped.) They charmed the pants off the room. We got a smattering of songs from their first album, and a few from One Thousand Pictures which is due out in May. This was a great way to start my final day of SXSW.
From there it was off to our final day party of the week, which we were throwing with our friends at the M for Montreal festival. The line-up was pretty sick, if I do say, with !!!, Weekend, Austra, Braids, PS I Love You, Braids, Trail of Dead, Owen Pallet and more. The weather had cooled off a bit making both the outside stage at Barbarella and Swan Dive more comfortable than Friday and it was a great afternoon of music. Highlights for me: Versus, who I'd seen the night before, a kick-ass set from !!! who I don't think I've seen play in three years, an abbreviated but great Suuns, and another killer set from Weekend. (Look for an interview with Weekend soon.) I wish I'd gotten there in time to see Montreal's quirky, funky Misteur Valaire who I heard were the perfect lead-in to !!! (editor's note: they were!).
words & photos by Andrew Frisicano
Twin Shadow @ Fader Fort
A crowded backyard tent filled with cigarette smoke, free open-faced tacos (pork, chicken, brisket or veggie), a man carting a dolly of Lone Star cases through the crowd, and a pair of middle-aged guys picking a fight with each other on a Wednesday afternoon. "Doesn't he know I'm a ticking time bomb?" the offended guy says, a bit like he's not joking. JEFF the Brotherhood is playing too, which is more or less the occasion for all of this, my first show of SXSW 2011. The JEFF brothers aren't really the focus though, since they'll be playing a dozen other times this week, and most of the people are concentrating on the tacos, their conversations or their inability to get away from the door of the totally (did I say?) packed room.
In spite of that, the band is tearing through songs from Heavy Days and their new LP We Are the Champions, and between songs tossing out free vinyl singles into the crowd: "Those are going to slice someone's neck open," says Jake before slinging a few more across the room. They go into "Bummer," a ballady, Dino Jr.-style headbanger, that's one of the standout new tunes.
Trash Talk @ BV/Feed the Beat Day Party (photo by Samantha Marble)
Ty Segall's entertaining and totally worthwhile band is up next, but the BrookylnVegan day show at Emo's is also currently happening, the highlight of which has to be the simulatneous staging of Cali punks Trash Talk (who went on before Kylesa) and Mister Heavenly (who went on before Surfer Blood). Mister Heavenly are a supergroup of-sorts you've heard about. On the inside, Trash Talk frontman Lee Spielman towers over everyone with the body of a scarecrow and a scary-as-hell perma-scowl; he smashes his forehead with the microphone a few times to draw blood. "Stick around for Surfer Blood," he says, before crawling into the crowd and standing on what I can only hope were someone's shoulders. People start edging toward the door. On the outside stage, Mr. Heavenly performs an appropriately lovely set, its two frontmen trading verses in their own styles.
After that, the Fader Fort brought Twin Shadow on stage, the bedroom-pop project of George Lewis Jr. that's become a wildly good live band. For an outdoor venue, the system sounded impressively balanced and clear - which would turn out to be a rarity at the festival. That was 'specially good for Yelawolf, whose songs sounded vital in a way that your iPod just can't do. With no crew to speak of, his solo athletics put in an early bid for best-of.
Yelawolf @ Fader Fort
Later that night at Stubb's, Yuck and James Blake played what would be the first of several for both. Both did well on the big stage, a portent of things to come, vibing out in their respective styles: fuzz rock and chilled-out pop. Check out both of their sets for yourself at NPR- Blake and Yuck.
photos by Andrew St. Clair
As soon as the Marissa Paternoster, front woman of Screaming Females, began hollering through the songs from the 2010 LP Castle Talk, the crowd took to moshing near the front of stage. Paternoster rules the stage with utter confidence and energy that seemed to possess the crowd. More than at any point during the night, it felt like a punk show with Screaming Females on stage. -[NYPress]One night after they rocked Purchase, Screaming Females headlined the Don Giovanni showcase at Music Hall of Williamsburg on Saturday 2/12 alongside Laura Stevenson & The Cans, Shellshag, Lemuria, and Byrds of Paradise. The show sold out at the door, and was the 2nd of two Don Giovanni showcases over the weekend. The first was at Death By Audio on Friday night.
If you missed it, you're in luck, as Screaming Females have added another pair of new NYC-area dates. First up, the previously discussed Jeff the Brotherhood show at Santos on 3/31 (tickets still now available) will now be a co-headlining show with Marissa and the gang. In addition, the band has added a show at Maxwell's on 3/30, though not a show of the regular sort:
Something different! For this show artists from the NJ based Doodle Drag Art Collective will be creating unique images for our songs which will be projected behind us while we perform. For the song 'Lights Out' we humbly request YOUR artistic assistance.More details on how to contribute to the show can be found at their website, and tickets for the NJ show are on sale.
We would like YOU to take a listen to "Lights Out" and then visually illustrate the song with your drawings, photos, collage, etc, (but we love drawing.) Be creative! You may illustrate the song however you see fit - create a narrative, create abstractions, or interpret the lyrics literally. Surprise us and most of all have fun with it! We ask that you provide us with a maximum of five drawings.
After submitting the images, they will be compiled into a slide show that will be projected behind Screaming Females during their set at the Maxwell's show, and it will be super cool.
All dates, and more pictures and some videos from Saturday's Music Hall show are below...
Jeff The Brotherhood at Fun Fun Fun Fest (more by BBG)
Like last year, Jeff the Brotherhood are heading down to Texas for SXSW this year, but not before they finish a European tour that is underway now. After Austin, the duo will scoot up the Northeast, hitting Princeton University with Screaming Females, The Meat Locker in Montclair and NYC along the way. The NYC show is at Santos Party House on March 31 with Ninjasonik, Juiceboxxx, Teen Witch, and DJ Thanksgiving Brown. Tickets are on sale, and full tour dates are below.
Jeff's partners in crime Heavy Cream are also planning a tour around SXSW this year including a string of dates with Ty Segall. The two groups will play Death By Audio on March 10th. Ty Segall is also scheduled to play NYC two days earlier at Mercury Lounge (on March 8th) with Devin Therriault (tickets still on sale).
Ty Segall has announced two shows at SXSW so far, 3/18 as part of the Goner Showcase at Beerland and 3/19 as part of the Panache showcase. All other Ty Segall dates, Heavy Cream dates and Jeff dates, below...
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
Digital Retribution: When I last interviewed you, you said of the Dead Kennedys reunion, "I thought it was fucking pathetic, though, when The Dead Kennedys went out without Jello as their singer." What I meant to say instead of whatever monosyllabic witticism I spouted is: What's the difference between DK and the reformed Misfits, who GWAR toured with?With 46 acts spanning multiple genres, all worth at least checking out, and most worth more than that, playing on four stages in a 10 hour period along with side attractions like a bungee jumping thing and a mechanical bull, and with three of us at Fun Fun Fun Fest, it shouldn't be surprising that it took us ONE, TWO, THREE, and now FOUR posts to cover just the pictures from Saturday. They continue below...
Dave Brockie (aka Oderus): I think there is a big difference, but don't expect the original product in either. I like Jerry and I would rather have him out touring and having fun than have him working in his machine shop. You can't blame him for wanting to cash in on how great The Misfits were, and enjoy himself in the process, plus give all of his pals jobs in his crew, and show his kids the time of their lives! So in that aspect, I think Jerry and what's left of The Misfits is cool, as long as you don't go in there expecting to see Glenn Danzig! I feel Jerry has earned the right to do whatever the fuck he wants through 30+ years of dedication to this music. Jerry never lets up, he is always gigging. Whereas the Dead Kennedys thing was just a one-shot money grab. They knew they could get away with it, do a year or two, cash in, and bail...and also, The Misfits actually got away with replacing their singer, with Mike Graves, and did a couple of great records! That was when we toured with them, and that was great! American Psycho is a great fucking album!
Tim's complete set of pictures from FFF Fest Saturday are split into two posts: HERE and HERE. A third set, that I took with far inferior skills and camera, but that fills in some blanks and includes stuff like a dude being thrown into a pool filled with thumbtacks, a member of Gwar storming the stage during Municipal Waste's set, and people waiting in line to get Wavves' autograph, continues below...
photos by Leia Jospe
"Memphis' JEFF The Brotherhood closed the night by splitting it wide open. This duo incorporates channel splitters (to fill out the entire tonal spectrum, and to avoid paying a bass player) through a Jucifer-inspired pile of amps, speakers, and doodads. It was big, bad, and beautiful, and with just two players on stage handling guitar and drums, it was dynamic, fantastic, and raw." [a review from Rochester]As you know, JEFF the Brotherhood headlined a show at Music Hall of Williamsburg on Thursday night (10/28). Support came from Ninjasonik, Liquor Store and ELKS.
JEFF, who have a new album on the way, were then supposed to open for The Zeroes at Maxwell's last night, but they got stuck in traffic and never made it to the show. They hopefully won't have similar problems before their next show which is at Union Pool tonight (10/30). More pictures from Music Hall, below...
JEFF the Brotherhood @ MHOW - 10/28 (photo by Leia Jospe)
OK, so it didn't exactly sell out, but JEFF the Brotherhood did headline Music Hall of Williamsburg last night (10/28). And now that the show has ended, it can be announced: they return to Brooklyn this Saturday night, 10/30, to play the much smaller Union Pool with Growler and Anima Animus Animal. Tonight, Friday, they're at Maxwell's in Hoboken with The Zeroes. Sunday they continue on tour. Saturday flyer below...
by Bill Pearis
DOWNLOAD: Oh No Oh My - Walking Into Me (MP3)
DOWNLOAD: The Suzan - Home (MP3)
DOWNLOAD: Bettie Serveert - Deny All (MP3)
DOWNLOAD: Elk City - Jerks on Ice (MP3)
DOWNLOAD: The Intelligence - Like Like Like Like Like Like Like (MP3)
DOWNLOAD: JEFF the Brotherhood - Diamond Way (MP3)
DOWNLOAD: Crystal Stilts - Shake the Shackles (MP3)
The Suzan @ Brooklyn Bowl for the Fool's Gold party (more by Brook Bobbins)
Unlike last year, I managed to make it through CMJ week without getting sick. Normally I try and do a sonic detox and not see any music after CMJ for at least a week. But that's not gonna happen as there's some seriously good stuff rolling through town in the next five days. Early next week too (Clinic/Fresh & Onlys), but let's not get ahead of ourselves too much.
Hey, remember Oh No Oh My? No? Oh. Well, people were going apeshit about them a few years ago. I kinda forgot about them, to the point where when I saw they were playing this week I thought it was Danish band Oh No Ono (editor's note: SAME). Anyway, Oh No Oh My are back!... and will release a new album of pleasant acousticy pop, People Problems, in early 2011. And they're here in NYC for a couple shows: tonight at the Rock Shop, and tomorrow (10/28) at Pianos.
More interesting to me are the bands they are playing with. Tonight at the Rock Shop, it's with Japanese bandThe Suzan whose new album Golden Week For The Poco Poco Beat was just released this week. It was produced by Bjorn Yttling of PB&J and you can definitely hear his touch on clever, catchy tracks like "Home" which you can download at the top of this post. Also playing are New Zealand's The Family Cactus.
The Pianos show has another New Zealand band,Street Chant, who were one of the funniest bands, stage-banter wise, I saw at CMJ. One memorable song intro: "We're the biggest rock band in New Zealand and this next song was Number One for nine months in a row!" Street Chant are pretty punk rock and definitely worth catching. Also playing the Pianos show: Boats (not Seattle's BOAT) and Estranged Estates.
The Intelligence @ Market Hotel in 2009 (more by Tim Griffin)
The Intelligence are visiting this weekend, playing Cake Shop on Saturday (10/30) and then the Todd P/Panache Halloween extravaganza on Sunday (10/31)at Ridgewood Masonic Temple . When it comes to surfy garage rock, The Intelligence are in the 99th percentile and if you haven't picked up the band's new album, Males, it's one of my favorites of the year. You can download a track from it above.
Further reading: Front dude Lars Finberg is keeping a tour diary for The Stranger and so far (one entry) it's a very entertaining read:
It's a 14-hour-plus drive to Fargo (basically 20 after my bathroom stops). We've learned to do this at the beginning of the tour as it can be so depressingly boring that all you can do is listen to Erik Satie and stare into the void. We finally stop around 2 am in Dickenson, North Dakota, and every hotel is booked for hunting season. I thought that the whole point of hunting was to drink the deer's blood and sleep under the stars in its carcass. It doesn't seem right to bag a deer and have a Rooty Tooty Fresh and Fruity breakfast and watch Becker in a warm bed at the Comfort Inn, so we drive on. Wait, there's a vacany sign--a true dump glowing like a beacon! "One room left," the clerk says. Highlights include two towels for five people (I am answered with a blank stare followed by a shrug when I ask if we can get more), a hornet in the room, and a shower curtain that emits such a powerful cigarette smell that I want to steal it to impress others.The Cake Shop show is with Philly's An Albatross, plus locals German Measles and McDonalds; the Todd P Halloween show has Cassie and Justin from The Babies performing as The White Stripes, plus The Beets, Das Racist, Janka Nabay, Pictureplane and more. All upcoming Intelligence tour dates are at the bottom of this post.
Visa issues kept Dutch band Bettie Serveert from playing Maxwell's and Southpaw earlier this month, but the band are here now, in the middle their North American tour that hits Bowery Ballroom on Friday (10/29), and Maxwell's a few days later. Their 1990 debut, Palomine, is one of my favorite Matador albums ever and they've consistently performed ever since. Pharmacy of Love is the band's ninth album and a little more rockin' than we've heard from the band over the last few LPs. Check out "Deny All" at the top of this post. Carol van Dyk's voice is still smoky cool, and catchy songs abound. And surely they'll play "Tomboy" and "Kid's Alright."
Opening are Elk City whose new album House of Tongues was kind of overlooked. Smart, well-arranged pop, with ex-Luna guitarist Sean Eden providing some shimmery flair. Download album track "Jerks on Ice" at the top of this post.
And finally, Austin's YellowFever are in town this weekend for a string of shows. Hopefully Jennifer made it through Airport security ok this time. They play tonight (10/27) at the Showpaper 42nd St. Gallery with The Babies, Sewn Leather and more. Then they play The Mug at Vassar College tomorrow (10/28), Dead Herring on Friday with Coasting, Julianna Barwick and more; and Saturday (10/30) at 171 Lombardy forThe Pelly Twins Halloween Party with DOM, Smith Westerns, Total Slacker and Sweet Bulbs.
Also, just in time for halloween, the spooky video for Total Slacker's "Crystal Necklace" which you can watch below.
That's the big stuff. A few more shows, day-by-day, not covered above.
'90s electronic superstars Underworld play Roseland Ballroom tonight. Lager, lager lager!
DOWNLOAD: JEFF the Brotherhood - Diamond Way (MP3)
Though lots of their friends and labelmates were in town last week for CMJ, JEFF the Brotherhood were not. That makes sense since 2009 was their big CMJ year, and 2010 is the year they headline the 600+ capacity Music Hall of Williamsburg. The full October 28th Brooklyn bill also includes Ninjasonik, Liqour Store, and ELKS, and tickets are still on sale.
Can't make it to Music Hall? The band also open for the Zeroes at Maxwell's the very next night. They're also on the bill of Fun Fun Fun Fest in Austin, and play other shows before and after. All dates are listed below.
JEFF's next LP entitled We Are The Champions (as the picture of the cover art above illustrates) "is expected in early 2011". But you don't have to wait that long to get a taste because we're very happy to present the premiere of a track off that album. Grab "Diamond Way" above! Full track list with the dates, below...
DOWNLOAD: Elks - "Destined For The Sun" (MP3)
photos by Andrew St. Clair
Heavy Suzan Cream
Liquor Store will team up with Heavy Cream, Grooms, and Hunters for a show at Death By Audio TONIGHT (9/7). It's one of a few shows that Heavy Cream have/had scheduled in the NYC area. They played Union Pool and Cake Shop last week and Rock Shop last night. Pics from the Cake Shop show, which featured a headlining set from Unnatural Helpers (who played a bunch of shows in town too) and support from The Suzan (ditto), are in this post.
Heavy Cream are on the road surpporing their new LP Danny which was just released on Infinity Cat Recordings. Dig on what's left of their tour sked below.
Meanwhile, the headliners at Death by Audio tonight, Liquor Store, will also play Music Hall of Wiliiamsburg on 10/28, alongside Elks, Ninjasonik, and "hosts" Jeff The Brotherhood (who are very good friends of Heavy Cream). Tickets are still on sale.
Elks also played Rock Shop last night with Heavy Cream, and are prepping to release their new six-song EP Elks In Space produced by Brendan Tobin of Made Out of Babies. No word on when/who will release the effort, but until then, download one of the tracks above.
More pictures from the Cake Shop show (which doubled as Heavy Cream guitarist Mimi's 23rd birthday party), and UH's setlist, and tour dates, below...
JEFF the Brotherhood @ Williamsburg Waterfront (by Keith Marlowe)
JEFF The Brotherhood soldiered through their Pool Party set on Sunday, despite singer-guitarist Jake's flu/pneumonia, which clearly had him worn out. The band was then forced to cancel another week's worth of tour dates (and they also couldn't play a post-Pool guest set with labelmates Heavy Cream later that night).
The cancelled dates run through July 22nd. So far all shows beginning on July 31st are still on. They start touring again in earnest this September with shows along the West Coast and in Canada and Texas. They'll return to NYC for a headlining show at Music Hall of Williamsburg on Thursday, October 28th. Tickets are on AmEx presale now, and general sale Friday at noon.
The band will soon be in the studio recording the follow-up to Heavy Days, titled Mellow Out, expected on vinyl in the fall and on CD early next year. They just released a 7" single of the LP's title track, and they recently released a split with Ty Segal, which you can get at Infinity Cat.
JEFF also has a new video for "Mind Ride," a clip that features lots of fire, desecrated wicker furniture and human sacrifice. That's posted, with another picture from their Waterfront show, and all tour dates below...
photos by Leia Jospe
As you may have guessed, the Death By Audio show that took place after Sunday's Pool Party was supposed to include an unannounced set by JEFF the Brotherhood, but Jake was coughing up blood so they left the show in the hands of their friends/tour/label-mates Heavy Cream, and The Splinters and Reading Rainbow.
Heavy Cream play one more NYC show before they leave and that's 100% free at Union Pool tonight (7/20). More pictures from Death By Audio (though Leia missed the first band, Elks - sorry!) below...
photos by Chris La Putt
Murder City Devils, Obits, JEFF the Brotherhood & Silverghost played the second of seven Pool Parties happening at the Williamsburg Waterfront this summer. Stay tuned for a full report that also encompasses the show MCD played at Maxwell's on Friday. In the meantime, check out more pictures from the Sunday show, below...
by Bill Pearis
DOWNLOAD: The Splinters - Mysterious (MP3)
San Francisco's The Splinters are teaming up with Nashville's Heavy Cream for two shows: Sunday, July 18 at Death by Audio with Reading Rainbow and Elks; and then Monday, July 19 at Cake Shop with Midnight Masses and Oxmen Girl Get Noticed.
While the mixing of '60s girl group melodies and punky edge is a common blend over the last 30 years, it's also a classic that can be successfully mined over and over. Especially when you've got really good songs like The Splinters do. Check out "Mysterious" at the top of this post which is from their new album, Kick. These ladies polish it all off with a does of new wave, which might be why their songs are so catchy.
Heavy Cream are pretty much straight-up punk, as can currently be heard on their debut 7" on JEFF the Brotherhood's Infinity Cat label who are also releasing their debut album, Danny, out August 24th. In addition to the two shows with The Splinters, Heavy Cream will also play a free show Union Pool on July 20 . The band are currently on tour with JEFF, though that pauses while they're in NYC where JEFF is instead scheduled to play a Pool Party at the Williamsburg Waterfront on July 18th (earlier in the day than the Death by Audio show...).
All Heavy Cream dates, plus two entertaining Splinters videos are below...
@ a 2009 Pool Party (more by Tim Griffin)
I don't know what Veoba is either. The press release explains it though...
For the past 4 years, JELLY has hosted over 200,000 people for what has become one of the most groundbreaking FREE concert series in New York. Summer Sundays in Brooklyn have become synonymous with The Pool Parties and in the series' 5th Anniversary year, Pool Parties promises not to disappoint.They didn't announce who is playing the Brooklyn Bowl block party on August 1st. One complication might be that one of the bigger bands cancelled.
This year, The Pool Parties are again on the Williamsburg Waterfront for 7 dates from July 11th--August 29th. Due to scheduling conflicts, our August 1st date will be moved to a "Block Party" in and around Brooklyn Bowl making it 8 total "FREE Pool Party Sundays".
In celebrating our 5th Year Anniversary, JELLY also would like to give a big thanks to Senator Chuck Schumer and Phillip Goldfeder from the Senator's office for all of their support ensuring JELLY'S return to the Williamsburg Waterfront. JELLY owners Alexander Kane and Sarah Hooper state that, "It has been a long hard road this year to bring this series back to Williamsburg and it 100% could not have been done without Senator Schumer's efforts. "
The Pool Parties will be co-presented by VEOBA, an online resource for artists, managers, and record labels. Based in Chicago, but with global reach, VEOBA provides the music community with select services to progress and maintain their livelihood. VEOBA launched in May 2010 as a collective made up of music industry veterans, writers, managers, artists, and cartoon characters. From co-founder Jay Parkin, "More often than not, musicians rely on others to take their careers to the next level. We're here for those who care enough to do it themselves." Sharing Jelly's values of creativity and innovation, the people at VEOBA are thrilled to be involved in this summer's production. Parkin concludes, "For the independent and the like- minded, VEOBA facilitates the next step."
JELLY as well wants to give a shout out to all of their partners this summer from the new faces to old friends. Special thanks to AllSaints and Vans. As well as Amp Energy, vitaminwater®, SESAC, ZICO Pure Premium Coconut Water, ZYNC from American Express^(SM), Spin Magazine, KEXP, and Main Drag. Along with OSA sponsors: Time Out New York, Brooklyn Brewery, and Heineken.
Now onto our official Pool Parties 5th Year Anniversary lineup! Check back soon for surprise guests we cant announce yet, the official DJ lineup for The Pool Parties 2010, and more fun things that are SURE to make the 5th Year Anniversary series one you will never forget!
The Official After-Pool Parties, presented by Sailor Jerry Spiced Rum, will be held at Brooklyn Bowl following every Sunday's Pool Party!
The only difference between the leaked lineup and the official lineup is the addition of another "SECRET SPECIAL GUEST" and the listing of some curators. You can see the full list of confirmed free shows, below...
Murder City Devils at Nokia Theater (more by Brian Reilly)
Maxwell's may be sold out, but from the looks of it Murder City Devils have a FREE show in their midst not soon after! A Brooklyn show is slated to go down on July 18th.... a Sunday. Hmm. A free show on a Sunday. I wonder what that is... and if that show possibly also includes Jeff The Brotherhood.
The July 18th show is a week before No Age, Cap'n Jazz and Lightning Bolt are free on a Sunday. A member of Cap'n Jazz (possibly with the whole band in tow?) also has a show coming up at Maxwell's right around that time.
There will be seven total Pool Parties at the Williamsburg Waterfront this summer.
All Murder City Devils dates and some video is below...
Best Coast @ Knitting Factory in April (more by Dominick Mastrangelo)
Greetings from Toronto. NXNE, the Toronto music/film/interactive fest is happening this week. It kicked off its music programming last night, Wednesday, June 16th, and runs through Sunday with shows at 50+ venues (here's a map of the spots). The festival also coincides with the now-affliated Broken Social Scene-helmed Toronto Island concert that features Pavement, Band of Horses, Beach House and others on Saturday, June 19th.
There weren't many Wednesday night shows. The official kick off party was just Eagles of Death Metal (sadly, without their normal bass player) at The Phoenix. And there was a gig or two with Canada's Hollerado (who have at least six shows at the fest lined up). One of them was up in the CN Tower.Still Life Still played the Mod Club with Denmark's The Blue Van.
One of the main hubs will be the free-to-anyone outdoor stage at Yonge-Dundas Square with headliners Thursday night X and Mudhoney, Friday night Sloan and k-os, Saturday night Iggy and the Stooges preceded by The Raveonettes, Wavves, Surfer Blood and others, and Sunday's De La Soul, Kid Sister, Phenomenal Handclap Band and NOLA rapper Big Freedia.
photos by Leia Jospe
JEFF @ DBA
Miss Pussycat @ DBA
JEFF The Brotherood and Quintron & Miss Pussycat are on tour and made stops at Death By Audio (Friday), Asbury Lanes (Saturday) and Santos Party House (Sunday). NYC Taper was at the Sunday show and posted the JEFF audio...
"The show began with an extended solo by Jake and a dramatic entrance by Jamin to begin the the first number. Midway through the too-short set, Jake took a leap from the stage to the bar and worked his way briefly along the bar. Later, he would work through the crowd from front to back while performing the outstanding extended jam to end the set. These antics did not detract from the show, but rather enhanced the two-brothers-just-playing-rock-and-having-fun vibe that permeates JEFF's live performances."JEFF, who are making their way to Toronto for NXNE at the moment (Andrew Frisicano and I will both be there too), play Philly on Saturday 7/17. I wonder if they'll announce a 7/18 NYC show that is free and outdoors and in Brooklyn??? More pictures and some video from the Friday show at DBA (that PC Worship and Golden Triangle also played), below...
by Bill Pearis
As you hopefully know, JEFF the Brotherhood are visiting again this weekend, playing tonight (6/11) at Death by Audio, Friday in Asbury Park and Sunday (6/13) at Santos with Quintron & Miss Pussycat. What I failed to mention in This Week in Indie is Jake and Jamin have a new 7" that's part of Suicide Squeeze's new singles series.
The a-side is a new song, "Mellow Out" (a phrase I don't think of normally with JEFF), and the b-side is "Heavy Days" which is the title track to their debut LP from last year, which is now in its third vinyl printing (complete with new back cover photo). The single isn't out till July 20 but you can stream it. The single is limited to 750 copies, 250 of which are being pressed on glow-in-the-dark vinyl! That's pretty rad I think. Pre-order it here.
Other releases on the Suicide Squeeze Singles Series will include Coathangers, Iron & Wine and Memoryhouse. All JEFF tourdates are below.