Entries tagged with: Jack White
Neil @ Carnegie Hall recently (more by Dana (distortion) Yavin)
It was widely reported last week that Neil and Jack were getting together, but Neil Young just posted the following to his Facebook. "False Rumours: Neil Young and Jack White are not doing a record of duets as has been erroneously posted on various outlets. We are certain those rumours have no basis in truth." Well, that's too bad!
HOWEVER, Jack White's label Third Man Records reports today that,
Third Man Records unearths NEIL YOUNG's A LETTER HOMEThat's kind of vague, but Rolling Stone seems to confirm that "Neil Young's Low-Tech New Album 'A Letter Home' [is] Due in March"! Neil told Rolling Stone, "it's one of the lowest-tech experiences I've ever had."
An unheard collection of rediscovered songs from the past recorded on ancient electro-mechanical technology captures and unleashes the essence of something that could have been gone forever. -- Homer Grosvenor
Governors Ball 2013 (more by Amanda Hatfield)
We already knew that Outkast would be headlining this year's Governors Ball music festival, which goes down on NYC's Randall's Island from June 6-8, and now, one day after the lineup of Firefly Fest was announced, and a few days after we found out who was playing Coachella, the full lineup has been announced. It includes Jack White, Vampire Weekend, Phoenix, Interpol, TV on the Radio, Julian Casablancas, Disclosure, Spoon, Broken Bells, Damon Albarn, James Blake, Neko Case, The Kills, Grimes, Janelle Monae, Tyler the Creator, Washed Out, Earl Sweatshirt, Kurt Vile, Chance the Rapper, Deafheaven, Run the Jewels and many more.
UPDATE: The Strokes are playing too!
Tickets go on sale today (1/15) at 3 PM. Full lineup and flyer below...
The Dead Weather at Prospect Park in 2010 (more by Jessica Amaya)
As discussed, The Dead Weather -- whose lineup includes Jack White, Alison Mosshart (The Kills), Dean Fertita (Queens of the Stone Age), and Jack Lawrence (The Raconteurs) -- are planning a new album, and they've just released the first single from that album, "Open Up (That's Enough)." The song will be backed by "Rough Detective" for the series of singles being released leading up to the album's release (due out in 2015). The 7" is available via Third Man's subscription series and it will be out digitally on January 14.
Queens of the Stone Age and The Kills (who both have members in The Dead Weather) just played Barclays Center on Saturday (12/14).
Stream "Open Up (That's Enough)" below...
photos by Dana (distortion) Yavin, words by PSquared
So how does a music recording label from Wisconsin who -- paraphrasing the words of renowned musicologist Greil Marcus -- used materials from dirt and recorded what they thought was dirt, end up with one of the great catalogs in the history of the American songbook. Well that was the subject of the discussion last night (11/19) at the NY Public Library's Live from NYPL series. Held in the beautiful 5th Ave Saloman Room, it was in honor of the release of the massive gorgeous box set The Rise and Fall of Paramount Records 1917-1932. Jointly put out by Jack White's Third Man Records and Revenant Records which was founded by the late great guitar player John Fahey and Dean Blackwood. This is actually the first in a 2 volume set. The 2nd volume will be released this time next year. Along with Jack White and Dean Blackwood, the panel included Dean's brother Scott Blackwood, Princeton professor and writer Daphne Brooks (who moderated the panel) and rounded out with the aforementioned Greil Marcus.
Before the evening began, attendees were able to view the set which was on display as well as see actual original Paramount 78s. Extremely collectible and rare, the ones on display have also been preserved in beautiful form which is some feat as most existing ones are beat to hell and of course most of the recordings were only ever available in limited quantities. As one story goes, when Paramount Records went out of business, employees were able to take whatever remaining supply was available in lieu of pay. Some used them to cover holes in walls while some employees just flew them off the roof of the buildings into the river.
The discussion was set up in 2 parts. For the first one, Daphne Brooks discussed the history of the label with both White and Dean Blackwood. They traded off stories about this company whose main objective was to sell record players and had decided to boost those sales by recording any type of black "race records" they could. There was no quality control either in who was recorded or how they were recorded. It was cheap (75 cents for each C.O.D.) and quick and when it began, very inauspicious. In the 1920s though, with the great migration and under the guidance of a persuasive "A & R man" named Mayo "Ink " Williams, the label was recording out of Chicago and finding itself with some remarkable talent. From there they would go on to amass this singular historical archive. The discussion was interspersed with selections from the label chosen by each speaker. There was everything from Jelly Roll Morton's New Orleans stomp and spooky gospel (chosen by Jack White) to underrated blues singer Ethel Waters who Daphne Brooks asked the audience to make sure to not sleep on.
After an hour of this, they invited Scott Blackwood and Greil Marcus onstage for the throwdown. The part where each panelist picked songs that they thought were unbeatable from the rest. This was the best part of the evening with each choosing some fascinating numbers. One of the Blackwoods chose an incredible song, "My Man Rocks Me", by washboard player Jimmy O'Bryant and his famous original band containing some syncopated beats that would make a few of today's producers salivate. Jack White picked a song he said he wished he would have wrote called "Mamas Angel Child" by an artist named Sweet Papa Stovepipe. That song and the b side were his only known recordings. But the moment for me was when Greil Marcus chose his pick. Original Stack O'Lee Blues was recorded in 1927 by Papa Harvey Hull and Long 'Cleve' Reed also known as the Down Home Boys, Not the first version (that would be Ma Rainey in 1917) of Stack O'Lee or Stagger Lee which has been recorded by countless artists over the years but one of the most beautiful I've ever heard.
Marcus, a master storyteller, enlivened the audience with the story of how this recording came to be. It was actually recorded by Mayo Williams who had formed a separate company called Black Patti which was at some point absorbed by Paramount. Black Patti was named after a soprano star in the 1920s. Apparently at that time in Chicago, Black Patti was so influential that any song given a seal of approval was bought up by the public without even first being heard. An irony that could not possibly be lost on the person (Jack White) sitting next to Marcus whose got much the same sway in music today. Oh and I've read that apparently the owner of the only known copy of this specific record in existence today has turned down offers of up to $20,000 for it. I only wish they had given more time to Greil Marcus to spin some more tales.
At that point, Daphne Brooks thanked the audience, a Third Man staffer, in the standard bowler hat and getup, whisked Jack White out of the building and a very entertaining evening came to an end. As people exited the room they were given one last parting gift which was a special limited edition (200 copies maybe?) Third Man replica of a Paramount '78. It features 2 gospel blues shouters so loved by Jack White, the A-Side being "You Better Run" by Sister Ernia Mae Cunningham and the B-Side "The New Birth" by Rev. H.C. Greenwood.
Pictures of the evening are in this post. More below...
Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.The sounds of legendary label Paramount (which grew out of a furniture company) are being archived in The Rise and Fall of Paramount Records 1917-1932, a two volume set being co-released by Jack White's Third Man Records and John Fahey's Revenant Records. Volume 1, which is out now, is a whopper of a package, containing:
By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.
800 newly-remastered digital tracks, representing 172 artistsAt $400, this is for serious collectors but if it's out of your budget range, Third Man is also giving one away. You can check out a video "unboxing" of the set below.
* 200+ fully-restored original 1920s ads and images
* 6x 180g vinyl LPs pressed on burled chestnut colored vinyl w/ hand-engraved, blind-embossed gold-leaf labels, housed in a laser-etched white birch LP folio
* 250 page deluxe large-format clothbound hardcover art book
* 360 page encyclopedia-style softcover field guide containing artist portraits and full Paramount discography
* Handcrafted quarter-sawn oak cabinet with lush sage velvet upholstery and custom-forged metal hardware
* First-of-its-kind music and image player app, allowing user mgmt of all tracks and ads, housed on custom-designed USB drive
Jack White will be in NYC to talk about Paramount and the new box set for an event at New York Public Library 5th Ave's Salomon Room on November 19. The program will feature a discussion with White, Revenant's Dean Blackwood, and Princeton professor and author Daphne A. Brooks, and close examinations of recordings from Paramount's catalogue by acclaimed music journalist Greil Marcus and author Scott Blackwood. Tickets go on sale today (11/4) at noon, and all attendees will get a free 78 RPM record specially pressed for the event and be entered into a raffle for the box set.
Video "unboxing" below...
THOM YORKE plays Barclays Center (with Flea) tonight/Friday with James Holden who then opens for Thom's good friend Four Tet in Williamsburg on Saturday, two days before Thom Yorke's good friend Flying Lotus plays Le Poisson Rouge (where Thom Yorke last played NYC, though Thom will be in Virgina by then).
ARCADE FIRE play Saturday Night Live (with Tina Fey) and a show after SNL Saturday, and then maybe will be around for the premiere of the Spike Jonze movie they soundtracked (along with Karen O) as part of the New York Film Festival, or related events (though "Her" doesn't actually premiere until the end of the film fest which runs through October 13). Superchunk, led by Arcade Fire's Merge Record label boss Mac, are also conveniently in NYC for the weekend.
JACK WHITE is on the lineup of Sunday's "Inside Llewyn Davis" event at Town Hall, another NY Film Fest related event (that Patti Smith, Colin Meloy of The Decemberists, Conor Oberst, Joan Baez, Marcus Mumford, Gillian Welch & David Rawlings, Punch Brothers, and the Avett Brothers are also playing) (if you miss it, it's being recorded for Showtime).
BONUS: Guy Picciotto (Fugazi), Jim White (Dirty Three), T. Griffin (The Quavers), Efrim Manuel Menuck and Sophie Trudeau (Godspeed You! Black Emperor), Jessica Moss (Thee Silver Mt. Zion), and Mira Billotte (of White Magic) are all at BAM Saturday night, Massive Attack, Horace Andy and Cocteau Twins singer Liz Fraser are at Park Ave Armory for multiple days, John Zorn is having a birthday party with Mike Patton and more, Eugene Mirman is having a comedy festival, Jimmy Cliff is at Webster Hall, and Stevie Wonder, Kings of Leon, Elvis Costello and more are playing in Central Park Saturday.
The possibilities are endless.
Watch the Arcade Fire's SNL teaser video and a teaser for the post-SNL show, below (see if you can decode the clues in Win's shirt to discover the location of Thom, Win and Jack's secret meeting)...
photos by Dana (distortion) Yavin
Queens of the Stone Age at Made In America - 9/1/13
Queens of The Stone Age just played the Jay Z-curated Made In America festival in Philly on Sunday (9/1), and like some of the other big names on that festival, they're coming to NYC later this year for a show at the Jay Z-affiliated Barclays Center (12/14). Since we last spoke, it's been announced that The Kills will be opening that show, making for an excellent double bill. Tickets for that show go on sale Thursday (9/5) at 10 AM.
Like we just said, QOTSA played the second day of Made In America over the weekend. For their 13-song set, they played mainly off of 2002's Songs for the Deaf and this year's ...Like Clockwork, in addition to a few others. Their full setlist and pictures from their set at the festival are in this post. Stay tuned for more day 2 coverage, and check out pictures of day 1 (part 1) and day 1 (part 2).
Meanwhile, both Queens of the Stone Age and The Kills have members in Jack White's supergroup, The Dead Weather (Dean Fertita and Alison Mosshart, respectively). Jack's label, Third Man Records, tweeted last week (8/29) that The Dead Weather were "working on new songs in the studio yesterday... (and searching for bodies)." The TBA third album follows 2009's Horehound and 2010's Sea of Cowards.
More pictures of QOTSA at Made In America and their setlist, below...
Dan Auerbach, no longer the owner of Dylan's hair (more by Dana (distortion) Yavin)
Black Keys singer/record producer Dan Auerbach had been going through a divorce with Stephanie Gonis, and TMZ reports that his wife has obtained a pretty interesting piece of their assets...
Here comes the story of Bob Dylan's hair ... which apparently belongs to the ex-wife of Black Keys singer Dan Auerbach. Seriously (according to court docs obtained by TMZ).Jack White's divorce has also taken a bad turn (though nothing to do with celebrity body parts), and in emails sent to ex-wife Karen Elson, he revealed some hard feelings about the other singer/guitarist-of-blues-rock-duo-whose-name-has-a-color-in-it (namely, their kids being enrolled in the same Nashville school):
We've learned ... Auerbach's extremely bitter divorce with Stephanie Gonis was finalized this week in Tennessee ... after the warring couple came to terms on splitting up their assets.
First, the money: She gets more than $5 million. Plus, she gets the couple's 2012 Toyota Highlander and one of the family homes.
But who cares, because the real story here is BOB DYLAN'S HAIR.
According to the divorce docs, the couple owns an asset described as "Bob Dylan Hair."
It's unclear how the hair was obtained ... when it was obtained ... if the hair contains any product ... etc. -- but the point is, Dan agreed to part ways with it in the divorce.
My concern with Auerbach is because I don't want the kids involved in any of that crap ... That's a possible twelve f***ing years I'm going to have to be sitting in kids chairs next to that a**hole with other people trying to lump us in together.Meanwhile, Jack's label, Third Man Records, just released a live King Tuff album, and there's a live Melvins LP due out September 10. You can stream "Just Strut" from the King Tuff LP, below.
To take this all full circle, a recording recently surfaced of Jack White and Bob Dylan performing The White Stripes' "Ball and Biscuit" back in 2004. Listen below...
still from 'Inside Llewyn Davis'
Inside Llewyn Davis is the new Coen Brothers film starring Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund and Justin Timberlake, which has been on the festival circuit this year (including this fall's New York Film Festival) and will open in December. The music in the film was executively produced by T-Bone Burnett, and mostly consists of covers of old folk songs. The soundtrack will be released on November 12 via Nonesuch.
The film's music will be celebrated and performed in NYC on September 29 at Town Hall during a big concert that features Jack White, Patti Smith, Colin Meloy (The Decemberists), Conor Oberst, Joan Baez, Marcus Mumford, Gillian Welch & David Rawlings, Punch Brothers, Avett Brothers, Milk Carton Kids, Rhiannon Giddens (Carolina Chocolate Drops), and more, in addition to some of the film's cast, including Oscar Isaac, John Goodman, Carey Mulligan, and Stark Sands.
Concert flyer and film trailer, below...
Tame Impala at Terminal 5 in February (more by Dana (distortion) Yavin)
We know these kinds of listicles get published all the time, and that everyone will always find ways to argue them, but this one is kind of interesting. Rolling Stone published their '50 Greatest Live Acts Right Now' list, where they asked a panel of writers, industry figures, and artists, "who rules the road in 2013?" It's got much of the stuff you'd think Rolling Stone would have on this kind of list (like insisting The Rolling Stones and Bruce Springsteen are still better live than basically anyone else in 2013), but there's still some surprises, like the inclusion of Tame Impala amongst mainly rock/pop stars.
Check out the full list below...
The xx @ Coachella 2013 (more by Wei Shi)
As you may be aware, Baz Lurhmann's glitzy, big-budget adaptatation of F. Scott Fitzgerald's 1925 novel, The Great Gatzby, is out May 10 and stars Leonardo DiCaprio, Toby Maguire, and Carey Mulligan. That same week will see the release of its soundtrack which was curated by Jay-Z and features Jack White, The Bryan Ferry Orchestra, Gotye, Lana Del Rey, Beyonce with Andre 3000, and Jay-Z himself.
It's also got a new track by The xx, titled "Together," which was specifically written for the film. You can stream it, and check out the soundtrack art, full tracklist and a trailer for the film, below....
Alabama Shakes on a boat in February (more by David Andrako)
Blues rockers Alabama Shakes just can't seem to stay off the road. They've already been announced for some festivals this year, like Delaware's Firefly Music Festival, and now they've announced an extensive tour surrounding those dates. That tour brings the band to the NYC area for a show on June 23 at The Capitol Theatre in Port Chester. Tickets for that show go on sale Friday (3/15) at noon. All dates are listed below
Alabama Shakes frontwoman Brittany Howard is teaming up with singer Ruby Amanfu for a collaborative single, which they will release this Tuesday (3/12) via Jack White's Third Man Records. The single features a cover of "I Wonder" by Rodriguez (who, thanks to the Searching for Sugarman documentary, is huge now) on the A-side, backed by a cover of "When My Man Comes Home" by Memphis Minnie. You can listen to the Rodriguez cover at Rolling Stone.
All Alabama Shakes dates are listed below...
Alt-J at Mercury Lounge in May (more by Dominick Mastrangelo)
Big day for award nominations. The Oscars announced theirs this morning and the Brit Awards just wrapped up their ceremony for 2013 nominations, with Emeli Sandé grabbing four and Mumford & Sons and Alt-J each getting three. All three of those artists were nominated for British Album of the Year, a list that also included Paloma Faith and Plan B. If you don't know, The Brits are basically the UK's equivalent of the Grammys, though nominees are all British apart from a few "International" awards.
Jessie Ware, Muse, and Adele each got two nominations, and single-digit noms went to Bat for Lashes, The xx, Richard Hawley and The Vaccines.
The entire 2013 Brit Awards nominees list is below.
Nashville's PUJOL got their start with the Nashville garage scene but this year's United States of Being (the band's first for Saddle Creek) is a crunchy, big-sounding record that, like the new JEFF the Brotherhood, owes more to early-'90s alterna-rock than anything else. You can stream the whole thing below (via Rolling Stone). Maybe you saw them at one of our Hotel Vegan day parties in Austin this year during SXSW? Main man Daniel Pujol was kind enough to send us a list of his favorite LPs of 2012 which includes records from fellow Tennesseans Natural Child, Heavy Cream and Turbo Fruits. Check out his complete list below...
by Bill Pearis
Frank Ocean at Angel Orensanz Center, 9/24/2012 (more by Fred Pessaro // BBG)
One of the saddest losses of 2012 for me was the NYC print edition of The Onion which I always looked forward to picking up on Wednesdays and browsing while on the subway or getting some food on the neighborhood. (I still have my copy of the "CHINA STRONG" issue, easily one of the funniest they've ever done.) I lament of it for the AV Club half as well, as I've long found it to be amongst the best pop culture criticism/journalism out there. While NYC can no longer get physical copies, you can still read it online where the AV Club has really flourished.
It's Year-End season there too and have just published their Top 25 LPs of 2012 list, which was tallied by a complicated system that led to a lot of ties, including three albums claiming the #18 spot. There was no doubt who was getting the top slot, though, as Frank Ocean's Channel Orange got the most votes by a wide margin. There's no stopping that album on year end polls. Elsewhere on the list, you'll find more than a few records that cater to the late-'30s indie rock fan crowd (The Walkmen, Bob Mould, Field Music) and even Rush's Clockwork of Angels. You can look at individual writers' ballots as well. Check out the whole list below.
The photos are not in any particular order. Jack White above. More below...
Check out the entire list of 2013 Grammy Nominations below...
Jack White @ ACL 2012 (more by Glen Brown)
Jack White has issued the following statement to correct an excerpt from his upcoming cover story in British Esquire that was taken completely out of context--and actually edited to change its original meaning--in an NME.com news post.Jack White's 2012 album has been named one of the best of the year by NME - and by MOJO, Rolling Stone, SPIN, Q Magazine, The Alabama Shakes and UNCUT
The original quote referred to the state of image-based celebrity in general was twisted by the NME who changed the original quote, tacking the words "Lady Gaga's music" on to the original quote--words Jack never actually said.
White commented in full:
I'd like to address the recent tabloidesque drama baiting by the press in regards to Lady Gaga. I never said anything about her music, or questioned the authenticity of her songs in any way. I was in a conversation about the drawbacks of image for the sake of image, and that it is popular nowadays to not question an image in front of you, but only to label it as "cool" or "weird" quickly and dispose of it. I don't like my comments about Lady Gaga's presentation being changed into some sort of negative critique of her music. If you're going to try to cause drama, at least get the quotes right. I think journalists should also be held accountable for what they say. Especially publications like the NME who put whatever words they feel like between two quotation marks and play it off as a quote. maybe somebody with more lawyers can take them to task, but I'll just use the internet and twitter instead. I also think that kind of tabloid drama encourages artists to not express their opinions in the press, and instead give polite soundbites that don't stimulate thought about creativity and the consumption of art in its many guises. Peace to lady gaga and I fully congratulate and compliment her on her championing of gay rights issues and the momentum it's given to help create change.
Jack White III
by Andrew Sacher
More of the big 2012 year-end lists have been rolling in, with NPR and SPIN recently revealing theirs, and now Rolling Stone have unleashed theirs. Similarly to Uncut, the expected albums from older artists are there, including Bob Dylan, Neil Young, Leonard Cohen, Dr. John, and the number one slot going to Bruuuuuuuuuuuce. It's got huge albums like Mumford and Sons, Taylor Swift, and fun., as well as the token high ranking indie album (Japandroids at #9), the token washed up band who was once classic (Green Day), things you knew you'd see on Rolling Stone's list like Jack White and Alabama Shakes, and... Grimes!
You can read the whole list below...
by Andrew Sacher
SPIN have revealed their list of the top 50 albums of 2012. It continues SPIN's trend of giving love to crossover punk and metal (which they've been pretty consistent with since naming Fucked Up's David Comes to Life their top album of 2011) with the inclusion of Baroness, Torche, Pallbearer, Cloud Nothings, and Japandroids, but rather surprisingly excludes the SPIN Essential'd Ceremony - Zoo and The Men - Open Your Heart, in favor of popular blowouts by Taylor Swift, fun., and Nicki Minaj. The list also shares its #1 and #2 with the two highest Pitchfork-rated albums of the year. And no Grimes.
The list begins with the Kanye-cribbed disclaimer, "Most critics' taste levels ain't at our waist level. Ain't nobody fucking with our clique." Check out SPIN's Top 50 LPs of 2012 list below.
UK music magazine Uncut put out their list of the top 75 albums of 2012. The top ten leans pretty heavy on long-running '60s/'70s survivors who put out new albums this year, but plenty of the list-topping regulars from newer acts are on there too, along with a few interesting surprises (Sun Araw, M Geddes Gengras & the Congos!). You can check out the full list below.
Alabama Shakes at Central Park Summerstage in June (more by Chris La Putt)
One of the biggest success stories of 2012 was blues rockers Alabama Shakes, who quickly escalated from selling out relatively small shows to much larger ones in a matter of months. They're already showing up on multiple year-end lists, and are sure to end up on more, but we reached out to them to see what their year-end list is.
Alabama Shakes' Best LPs of 2012 list includes some associates like Fly Golden Eagle, who they took on tour with them, and Jack White, who took the Shakes on tour with him. It also includes another supporter of theirs, Patterson Hood, who also took them on tour, and Deer Tick/Los Lobos side project Diamond Rugs, who they played with at Central Park.
Some other great albums are on there too. You can check out the whole list and a performance and interview video of the band filmed in Chicago. below...
Q Magazine put out their Top 50 albums of 2012 list, choosing to do so in no particular order this year, making it more a pile than a list. Check out Q's picks in alphabetical order below.
Long-running UK music weekly NME has just published their Year-End issue and have named Tame Impala's Lonerism as album of the year, with Grimes, Frank Ocean, Crystal Castles and Alt-J rounding out the Top 5. Tame Impala offshoot Pond comes in at #7. Check out the entire Top 50 list below.
NME's Top 50 LPs of 2012 are listed below.
Jack White @ Radio City Music Hall, 9/30/2012 (more by Greg Cristman)
In addition to the Fleetwood Mac cover story (and Rumours cover CD that comes with it), the new issue of MOJO is the 2012 Year-End wrap-up with the best albums list which is topped by Jack White's Blunderbuss. Their list is definitely different than most, but also in line with the mag that puts the Beatles on the cover at least once a year. You can check out MOJO's Top 20 below.