Entries tagged with: James Murphy
"I make a lot of coffee," James Murphy told NY Mag in an interview after the movie's premiere. "For my birthday, my girlfriend got me a training course with the world champion. That's what I'm going to do when I get back to London."Yet another one! Joining Wilco, David Lynch, Bonnie 'Prince' Billy, and Starfucker in the coffee business is former LCD Soundsystem frontman James Murphy.
Most recently done by Bonnie 'Prince' Billy with his limited edition "Bonny Billy Blend" from Kona Rose Coffee (available for purchase via Drag City), Murphy is planning on reiterating the trend with his own espresso blend.
According to Murphy himself, he plans to "just go to a roaster who lives near me and just start tweaking beans and temperatures," for the fun of it.
He loves coffee so much, he's releasing the hits, "Never As Tired As When I'm Waking Up (Without Coffee)", "Disco Percolator", and "Bean Connection."
Well, not really, but James is keeping busy in the art world too. The LCD Soundsystem documentary Shut Up and Play the Hits just premiered at the Sundance Film Festival on January 22. Billboard reports:
The film is reminscent of Martin Scorsese's "The Last Waltz" (1978), about rock group The Band's final show, in that it documents an influential group's guest star-laden final live performance and largely focuses on the frontman (in "Waltz's" case, Robbie Robertson). When asked during a post-screening Q&A about trying to best Waltz, Murphy joked: "I was just like, 'that chump Robbie Roberston, I'm gonna take him --'"In the film, Murphy is often shown "crouched by an espresso machine," depicting his love of coffee, and inspiration for his blend.
Going into the project, Murphy said he was aware of the thematic similarities with "Waltz." "We all talked about it. Knowing that it is there, you can't not deal with it," he said.
And, "Shut Up and Play the Hits" was just one of two movies Murphy was involved with at Sundance this year. He also stars in The Comedy along with Bonnie Prince Billy's Drag City labelmate Neil Hamburger, Tim Heidecker (of Tim & Eric who also premiered another movie at Sundance), Eric Wareheim (of Tim & Eric who also premiered another movie at Sundance), Matador-signed comedian Jeffrey Jensen, Will Sheff (of Okkervil River), and many more. The film was directed by the Jagjaguwar-signed Rick Alverson, and the indie label is also involved with the film. Check out a clip with James,Tim & Eric below...
LCD Soundsystem at MSG 4/2/11 (more by Dominick Mastrangelo)
From where I was in the middle of the front GA section nobody stopped dancing, or singing along or smiling the entire night. (Save for, like at all four Terminal 5 shows, the couple of awkward, yet brief and deserved intermissions.) Every turn to scan the Garden saw people full-on, in the groove dancing; not just some barely-registered shuffling back and forth. Honestly, everyone who was there should take a bow because they were fantastic.A documentary of the show, titled Shut Up and Play the Hits, was made and will debut at the Sundance Film Festival this month. It was directed by Dylan Southern and Will Lovelace. Watch the trailer, with more info about the movie too, below...
And no, there was no Daft Punk, but there was Arcade Fire singing joyously along on "North American Scum" (the third set's highlight) and an appearance by Reggie Watts who also played with the band at three of the four Terminal 5 shows. The boys choir featuring members of Mr. Dream was there, as were the two female backup singers, and the horn section that included Kelly Pratt and Colin Stetson. Original LCD guitarist Phil Mossman was back and featured a few times in addition to LCD band members
Nancy Whang, Tyler Pope, Pat Mahoney, Matt Thornley, Gavin Russom, and David Scott Stone.
photos by Dana (distortion) Yavin
The three-night Brooklyn Night Bazaar kicked off last night in its warehouse location on Kent between North 5th & 6th. Entrance to the food and shopping and portapotties is free, but you'll need to pay to see the music in the big back room. Tonight that means spending $10 to see 5 bands including Dom and Fucked Up (tickets will be available at the door). Last night was a DFA-curated lineup that had headliner James Murphy DJing to a sizeable amount of people until well past midnight. Pictures from the whole evening, lots of the vendors included, below...
James Murphy at Terminal 5 in March (more by Andrew St. Clair)
HARD Events and Mouth Taped Shut are presenting five free shows in five cities this month (Chicago, NYC, London, San Francisco, LA). NYC gets theirs this Saturday (12/10) with Bloody Beetroots (DJ), James Murphy (DJ), Proxy, and Eye. The show is free but RSVP is required.
James Murphy will DJ again a few days later at Brooklyn Bazaar on December 15 with Poolside, The Crystal Ark Party Machine, Midnight Magic, and DJ Justine D. Tickets are still available for that and for the show happening in the same venue the next night.
All HARD dates and a flier below...
by Bill Pearis
DOM @ Pier 54 (more by Chris La Putt)
Last week when we announced the 12/16 BrooklynVegan Presents holiday show with Fucked Up at Brooklyn Night Bazaar there was still one band TBD. Well it turns out here that the "D" in TBD stood for Dom. Yep, we're pleased to announce the poppy Worcester, Mass quintet round our our five band line-up. You can stream the entirety of Dom's still fresh Family of Love EP at the bottom of this post.
So let's recap. Here's what you're getting for your very reasonably-priced $10 ticket: Fucked Up, Dom, Big Troubles, Caged Animals and Radical Dads, plus Frankie Rose (and myself) spinning tunes. Brooklyn Night Bazaar is a three-day holiday shopping, eating, drinking and music extravaganza all under one roof, just a few blocks from the Bedford L stop (specifically 149 Kent Ave at N.5th St.). It's free to get in the shopping area; getting into the shows is extra.
In addition to our night, on Thursday, December 15 it's a headlining DJ set from James Murphy, plus the Crystal Ark Party Machine, Poolside (who were recently added too) and Midnight Magic; on Saturday, December 17 it's The Hold Steady plus Titus Andronicus, Wakey Wakey and W/O. For those curious about the shopping and eating side of things, a full list of vendors is here. Hope to see you there.
Click through to listen to Dom's new EP, and check out the Brooklyn Bazaar flyer.
As Bill just pointed out, BrooklynVegan is handling the Fucked Up Friday night show at the new Williamsburg version of the Brooklyn Night Bazaar (holiday shopping, eating and music), but I figured the fact that The Hold Steady, Titus Andronicus and James Murphy and Midnight Magic were playing the other nights deserved its own headline too.
Fucked Up were recently here for shows at Warsaw and Le Poisson Rouge., which they played with Titus.
The Hold Steady's Craig Finn goes on a solo tour in February.
by Bill Pearis
Fucked Up at House of Vans in July (more by Chris La Putt)
BrooklynVegan is really in the holiday spirit this year. In addition to the BV holiday party with Anna Calvi and Eleanor Friedberger at Music Hall of Williamsburg on December 13 and the Twin Sister/Widowspeak/Ava Luna show at Bowery Ballroom on December 17, we've added a third BV Presents show to the holiday themed mix.
We're psyched to be presenting a full evening of bands at Brooklyn Night Bazaar on Friday, December 16, headlined by Toronto's amazing Fucked Up. Making things more festive will be Big Troubles, Caged Animals, Radical Dads and one more we'll be announcing shortly. DJing in between bands will be Frankie Rose and myself. Tickets are a Bob Crachett-friendly $10 and on sale now.
If you don't know, Brooklyn Night Bazaar is a holiday shopping, eating, drinking and music extravaganza happening Dec. 15 - 17 at a giant warehouse in Williamsburg (149 Kent at N.5th). Shopping and food vendors is free, you gotta pay to see the bands. Thursday 12/15 is James Murphy DJ set with Poolside, Crystal Ark and Midnight Magic, and Saturday 12/17 is The Hold Steady with Titus Andronicus and Wakey Wakey. Full list of vendors is here.
Do come out it should be fun. (Did I mention it's only ten bucks for our night?) Flyer for the Brooklyn Night Bazaar is below.
My favorte part about these Toyota Antics events is the part where you have to decide if you want to "Check here if you would like to be contacted by a dealer."
James Murphy @ Virgin FreeFest - 9/11/11 (photo by sanchita)
Holy Ghost! play a Fashion Week party at the Tribeca Grand hotel tonight (9/13). Additional sounds will be made by DJs Pat Mahoney (LCD Soundsystem), Harley Viera Newton, Steven Rojas, Mike Nouveau, and Mandy Brooks. The invite says to RSVP at Events@GrandLifeNYC.com. The DFA-signed Holy Ghost's only other upcoming show at the moment is 11/4 at Grog Shop in Cleveland.
Speaking of DFA, Juan Maclean has some DJ gigs coming up including September 25th at Cameo Gallery in Brooklyn, part of Asa Ransom's residency. All JM dates are listed below.
As just mentioned, Free Energy are playing this year's CMJ Music Marathon in NYC. To be more exact, their show is at Brooklyn Bowl on 10/22 with Gotye, The Good Natured, and Bleeding Knees Club and you can get tickets now. All of their dates are listed below...
Chairlift @ All Points West 2009 (more by Tim Griffin)
After realizing that I couldn't find any info today confirming that James Murphy was DJing a VPL block party on Mercer Street tonight (9/8), I looked into it a little more and found out that the block party is cancelled, James Murphy included. Instead, and as listed at the Fashion's Night Out website, VPL (5 Mercer Street) is having this @ 6:30PM --- "Seldom House: A Covers Set by Caroline Polachek (Chairlift), Jorge Elbrecht (Violens), Will Berman (MGMT) and Leo Fitzpatrick." That's inside the store.
If you still want to some DFA action, Holy Ghost! plays the Prada store @ 6PM.
You can also catch Andrew VanWyngarden from MGMT aka DJ iDEATH with DJ Patrick from Chairlift entertaining people for Fashion's Night Out at Curve @ 8PM (that's at 83 Mercer St).
Also Tanlines AND MNDR AND Freelance Whales play Theory (38 Gansevoort St) starting @ 6PM.
Upcoming Chairlift shows are listed HERE.
James @ Terminal 5 in March (more by Andrew St. Clair)
The annual 'Fashion's Night Out' is this Thursday (9/8), and that means free events at clothing stores all over NYC.
One of those events takes place at VPL @ 5 Mercer Street in Manhattan. Running from 6-11pm, the "Mercer x Howard Block Party" will feature a performance (DJ set most likely, though they never speficy) by James Murphy "and more". James will also DJ on 9/10 in Columbia, MD at Virgin Freefest (who also initially advertised the performance as "James Murphy solo").
UPDATE: :Block Party is cancelled.
In related news, Tokyo Police Club have been keeping busy releasing cover songs including "All My Friends" by LCD Soundsystem. Listen below...
Shit Robot at Terminal 5 (more by Andrew St Clair)
Shit Robot has a few DJ and performance dates in the near future as part of a tour that kicks off in Chicago on Friday night at The Mid where James Murphy will also DJ. The NYC date is a DJ set at Le Bain on August 14th (no James). Full tour dates and a new mixtape and a remix by Shit Robot are below.
In other DFA Records news, The Rapture will play a sold-out Music Hall of Williamsburg on 8/20 which is followed by a bunch of European touring (updated dates below). The band recently released a new remix via an Adult Swim series. You can download the original for the price of your email at DFA. Adult Swim has since released the new Clams Casino track, "Wizard".
Juan MacLean has a few upcoming dates as well, including the previously discussed date on 8/20 at PS1 with Pictureplane (who just played a hot 285 Kent), Blood Orange, Solange Knowles and more. Full tour schedule is below.
Rewards aka Aaron Pfenning of Chairlift has signed to DFA and is releasing a 12" called Equal Dreams which is a track featuring vocals by Solange Knowles. Blood Orange aka Devonté Hynes contributes to the flip, "Asleep with the Lights On". Stream both songs below.
LCD Soundsystem guitarist Phil Mossman and Will Bates are Fall On Your Sword, and the duo are preparing to release the DFA debut too. The new single features extended versions of tracks from the soundtrack of Another Earth. Stream both songs, with a video for one too, below.
And last but not least, Holy Ghost hit the road as part of the Identity Festival in middle August, tagging PNC Bank Arts Center on 8/14 and Jones Beach Ampitheater on 8/21. Tickets are still available for both dates (they are no longer $20 though).
All tour dates and those Shit Robot mixes are below.
The above pictures is a screen shot from the Virgin Freefest lineup announcement video that they posted to YouTube. The girl behind the words exclaims, "James Murphy solo!" as she reads her piece of the September 10th free MD festival lineup. The full lineup, video, poster and press release is below...
photos by Brook Bobbins
The Rusko & Doorly tour hit Terminal 5 in NYC on Wednesday night (4/27). Pictures from that HARD-presented show are in this post.
LA is also where HARD is holding a 'Summer Festival' on Saturday August 6th. That craziness will include sets by:
"DUCK SAUCE, Boys Noize, CHROMEO live, RATATAT live, Skrillex, ODD FUTURE, JAMES MURPHY AND PAT MAHONEY DFA TENT SPECIAL DISCO VERSION, DIGITALISM live, Jack Beats, KARLSSON and WINNBERG / MIIKE SNOW DJ SET, Caspa, NERO, Noisia, Emalkay, CARTE BLANCHE live featuring dj Mehdi and Riton, BUSY PICTIONARY featuring BUSY P and SO ME, Holy Ghost ! live, SIRIUSMO, GESAFFELSTEIN, GASLAMP KILLER, DESTRUCTO, Juan MacLean, Shit Robot (The Shit Robot Show), Still Going, Nadastrom, DILLION FRANCIS, Acid Jacks, Visuals by Vello V2 labs, + more."Tickets are on sale.
HARD Cruise sails out of Florida in January, and though no lineup has been announced for that yet, I'm sure the lineup will contain at least a few of the artists mentioned in this post.
More pictures from Terminal 5 are below...
You could see glo-sticks being passed back among the crowd as LCD Soundsystem began their third straight night at Terminal 5, the hump day of their week-long career wind-down extravaganza. The moment set-opener "Dance Yourself Clean" goes from quiet to loud, someone near the stage flung about a hundred of those glo-sticks into the air, making for the first of many memorable moments of the night.
Despite having done this three-hour tour-de-force the last two nights, James Murphy and crew didn't show any signs of flagging. The eight or so musicians on stage -- not including female backup singers, male chorus and occasional horn sections -- seemed to be having a blast. As did the crowd that pretty much went mental for the entire first hour of the set, which included "Too Much Love" for the first time this week.
High point for me was watching the crowd react to "All My Friends." I was looking down from the third floor balcony and it was amazing to see so many people connect so deeply to it. That will definitely be one of my top concert moments of the year. I stayed against the balcony for the whole show (my first time at T5 if you can believe it) which I think probably made things more tolerable for me.
The bulked up band really made a difference, especially that male choir which includes members of the band Mr. Dream -- "Get Innocuous" and "Sound of Silver" sounded much fuller because of them. It was also nice to have Hot Chip's Al Doyle back, his presence was missed on last year's This Is Happening tour. He kept his shirt on tonight, but played guitar, vibes, timbales and even trumpet at one point.
The mid-section, an attempt to recreate the Nike-commissioned "45:33" was a bit hit or miss. Some parts were fleshed-out into more song-like structure, but without much singing it seemed like a good opportunity for the crowd (and band) to catch its breath.
For the third act, LCD Soundsystem got the crowd moving again with "Us Vs. Them" and kept the crowd bouncing through "North American Scum" and "You Wanted a Hit." With the pingpong bass of "Tribulations" the crowd surfing began, and then it turned into a pit for the thrashy "Movement."
There was also crowd favorite "Yeah" (it always kind of destroys), the throbbing "Someone Great," and LCD signature tune (and first single) "Losing My Edge" which seemed to take on extra meaning (and some new lyrics) in the hours before their retirement. Al Doyle also threw the keyboard hook from "Da Funk" into it at one point -- probably the closest we'll get to Daft Punk playing in LCD's house this week. (Though who knows what surprises are in store at MSG?) Also a treat: the band also threw in their cover of Harry Nilsson's "Jump into the Fire" in the encore, plopped in-between "All I Want" and "New York I Love You." Another highlight.
I don't know if he was saving his voice for singing, but James Murphy was rather unchatty between songs. Which is okay, the music spoke loud enough.
Shit Robot opened the show, and their set included LCD's Nancy Whang on vocals for "Take Em Up". They also later joined LCD on stage. Special guest Colin Stetson joined LCD on horns. Original LCD guitarist Phil Mossman played on some songs.
Only two more nights left for LCD's existence: tonight at Terminal 5 and then the big blowout Saturday at MSG. More pictures and video, and last night's setlist, after the jump.
LCD Soundsystem made their "last TV appearance" last night on Colbert Report. James Murphy discussed his LCD retirement. Videos below...
To quote James Murphy:
"we tried getting another day at msg. i'd mentioned this before and most everyone kind of rolled their eyes at me. "2 madison square garden shows, dude? really?" i thought, well, just in case, you know? maybe some people would fly from other places or something. but msg, being one of the most popular venues on the planet, was unsurprisingly booked. (for the record: just because it doesn't look booked on the internet, doesn't mean it's available. just saying.)"According to the Internet (see Internet screen shot above), MSG looks booked on every day of the LCD T5 shows, and it looks booked the day after. The only day it 'doesn't look booked' is April 1 (the Theater doesn't count). Big announcement coming soon? (yes).
UPDATE: according to the comments, this post is making some people think I'm hating or calling James Murphy a liar. Actually, it's just the opposite.
As you knew 417 comments ago, one less Radiohead album ago, and back before Arcade Fire had a grammy, LCD Soundsystem added four more NYC shows that will take place at Terminal 5 on March 28, 29, 30 and 31. That gives the band one day off before they play their final show on April 2nd at Madison Square Garden - the show that sold out instantly, but that nobody but scalpers seemed to get tickets for. That made many, including James Murphy (see above tweets), very mad, and so the T5 shows were added, and James wrote this letter (which says tickets will be on sale soon)...
LCD Soundsystem @ MHOW (more by Tim Griffin)
it's the end of an era as lcd soundsystem confirms an april 2 extravaganza at new york city's madison square garden that will be both its first time headlining the storied arena and the final, definitive and ultimate lcd live show.They also previously promised a February 8th presale. Bowery has announced that tickets will cost $49.50 and $35. UPDATE: Tickets and presale times are on Ticketmaster.
billed as lcd soundsystem: the long goodbye, this three-hour farewell performance will be the lengthiest most career-spanning set the band has ever played. those attending can expect the return of long dormant deep cuts to the lcd setlist as well as the first (and last) live performances of a number of never-before-played music spanning lcd soundsystem's decade-defining albums lcd soundsystem, sound of silver, this is happening, the acclaimed 45:33, and more.
lcd soundsystem: the long goodbye will see james murphy and company going out both on top and on their own terms: as the ultimate lcd live performance in both senses of the word, the show will see the lcd core live band of murphy, pat mahoney, nancy whang, al doyle, gavin russom, tyler pope and matt thornley augmented by a choir, string and horn sections plus contributions and collaborations from both one-time-only special guests and many of the musicians with whom the band has worked over the years.
lcd soundsystem: the long goodbye will cap a banner touring cycle that has seen the band play historic headlining sets at the hollywood bowl, pitchfork, V, wireless and more, from their native nyc to korea to the stretch of south american dates currently underway.
the members of lcd soundsystem will be observing a black and white clothing only dress code for the long goodbye. They respectfully request that the audience do the same.
nyc post-rock pioneers liquid liquid will open the show. further details and special guests will be announced as they are confirmed (or maybe they'll just show up that night).
tickets for lcd soundsystem: the long goodbye will be on sale february 11th. [press release]
LCD Soundsystem @ Webster Hall in April (more by Ryan Muir)
LCD Soundystem posted the following official message today:
good people of earth:They hadn't planned on announcing all that until Monday, but then they found out that the show was already announced thanks to posters hanging all over NYC. In reaction to that, James posted a message earlier in the day on the DFA message board:
lcd soundsystem are playing madison square garden on april 2nd, and it will be our last show ever. we are retiring from the game. gettin' out. movin' on. but for just one more night, we will be playing with friends and family for nearly 3 hours-playing stuff we've never played before and going out with a bang. and we'd like you to be there.
if you would, we'd love it if people all came in white. or black. or black and white. and come ready to have fun, please. and come early, as the festivities will be opened by our favorites, liquid liquid. yes: liquid liquid.
if it's a funeral, let's have the best funeral ever!!!
general onsale february 11th at bowerypresents.com and ticketmaster.com. check lcd website and pitchfork for fan pre-sale mid week, details posted on tuesday 8th.
photos by Chris Gersbeck
DJ James Murphy
James Murphy's next show with LCD Soundsystem is at Wellmont Theater in NYC with Sleigh Bells (9/23, tickets), but he spent his Wednesday night (9/15) flexing his considerable DJ muscle at a private party at Hudson Hotel in NYC. Pictures from the shindig are in this post.
In related news, LCD Soundsystem's James Murphy and Nancy Whang and Hot Chip's Alexis Taylor laid down vocals on the new Shit Robot disc, From the Cradle to the Rave, which is due on Tuesday (9/21) via DFA. Stream the entire LP at XLR8R.
Want to go to the NJ show for free? We have a pair of tickets to give away. Details on how to win, with all LCD tour dates and more pictures below...
"Once you've reached Madison Square Garden, you've reached the peak. You're the success story of the day, so one relaxes. There's no where to go, there's no higher, there's only the abyss waiting. So live free, for one night only." -Terry Gilliam on the Unstaged Pre-show video q
a win Win situation (by Jonathan Bayer)
Arcade Fire looked perfectly at home on the stage of Madison Square Garden Thursday night, the second show in their two-night run. At this one, the audience exceeded the nearly-full stadium, with an at-home crowd watching a live stream directed by Terry Gilliam broadcast over YouTube (the live channel has something like 600,000 views currently, though not sure that number means anything).
That bodes well for the band, who are still waiting on the first-week sales numbers for their possible #1, The Suburbs, which came out on Tuesday (and has been on sale digitally for $3.99 at Amazon). At the show, the new record's songs weren't totally unfamiliar. One, "The Sprawl II," even made the encore, and spurred a roar of recognition from the girls in front of me, who informed our cozy section of the song's title (with a peace sign for the two) and described its arc (slow at first, but then really awesome) as it started up. A faulty drum machine forced the band to restart the tune a minute in, allowing a reflective pause for the victory lap in progress.
The band was clearly reveling in the moments of the show. Win Butler sailed into the crowd multiple times, occasionally with his guitar still attached. In one impressive maneuver, the frontman walked along the seated section's railing like a balance beam, before jumping into the general admission pit, tangles of mic cord trailing behind him (a play from the Matt Berninger handbook). The band frequently rotated instruments, with pianos, keys, two drums kits, violins and an array of percussion all playing a part.
The second night's songs were close but not identical to night one's (and both differed from their Boston show a few nights ago). As before, their debut LP, Funeral, provided ripe stadium-level material for the set, filling a little less than half of it. The order changed, but only one new song was swapped outright: "Empty Room" replacing "Half Light II."
For me, the stadium aspect of MSG was kind of a strange novelty. From the distant seats, the experience of watching a band while reclining, huge soda and personal pizza/popcorn/whatever in hand, is in some ways closer to a YouTube stream than a crowded, sweaty live concert. Still, the in-person event had its rewards for those that weren't up front - the band's backdrop for the evening depicted an abandoned bridge overpass, with an rectangular block of lights similar to a football stadium. In front of that was a video screen, mostly likely meant to be a billboard, which projected forms and images for each song. Antiquated ghosts lit up "No Cars Go" and what I can only hope is the video for "The Suburbs" depicted a gang of kids riding bikes in Reservoir Dogs-style slo-mo through an eerie neighborhood development.
And the people: a view-obstructing beer vendor trolling the aisles, a group of teens trying to find someone to buy them beer, an energetic (chemically-enhanced?) man pirouetting around the stadium's perimeter, and thousands of fists raised in unison for the group rite of "Wake Up" (the latter being inspiring or frightening, depending).
and there was confetti...
Owen Pallett started out the night to a minimally filled stadium. "I'm so happy to be playing here for the 200 of you," he joked. Then responding to a heckler, "No, I'm not taking it off, I just got this. Sorry." The empty hall added a nice element of reverb for the people who were there, amplifying the work of Owen's orchestra-in-a-box loop pedal.
Similarly, Spoon sounded great, with help from a horn section and drums borrowed from Phil Collins (both on only a few songs). The band jammed through a taut set with favorites like "Jonathan Fisk" and "I Summon You" taking their place along the new Transference batch. For "No One Gets Me But You," the Roots' Owen Biddle joined to make a two-piece bass section (as he did on Fallon).
Some videos from the show's "Unstaged" live stream are already online. Fan videos too (including a nice close-up of Win in the crowd). The set list, some more picturs from night two (night one are HERE), and those videos are below...
photos by Vincent Cornelli
"In the 3 years since I've seen the band, they've become an even tighter and more powerful live act. Even songs I was not really a fan of on their records were delivered with such focused abandon that it was impossible to not shake a head or foot in timed unison. Stylistically, the songs and band seamlessly weaved in a rich cross-section of record geek "hip" subgenres (disco, electro, hip hop, no wave, new wave, post punk) with a decidedly nyc flair. Murphy takes his talking points in the definitive "Losing My Edge" as both an ironic critique of "hipster" authenticity and a genuine sonic blueprint for his own music and artistic influences" [In This Game a Minute]LCD Soundsystem and Holy Ghost! finished up their four-night run at Terminal 5 in NYC last night (5/23). They played the venue Thursday, Friday, Saturday and Sunday (there was also an official afterparty at Highline Ballroom on Saturday night). Pictures from the first night, are HERE (where you'll also find Holy Ghost's setlist). Pictures from night two are in this post.
The LCD setlist was exactly the same all four nights. According to Anon 4:33, James "commented on wanting to change up the set list for Sunday, but then said 'fuck it' and didn't. ok." That setlist is below.
And the (UK) numbers are in:
For the first time in 16 years, the Rolling Stones top the U.K. album chart, after their reissued 1972 album "Exile On Main St" (Polydor/Universal) hit No. 1. U.S. hip-hop artist B.O.B. debuted at the singles summit with "Nothing On You" (Rebel Rock/Grand/HustleAtlantic/Warner Music) featuring Bruno Mars...Those numbers are not to be confused with the U.S. Nielsen Soundscan numbers - a contest The National scored #3 in, one week earlier. This week's U.S. chart coming soon.
...long-running favorite dance act, LCD Soundsystem, got a No. 7 debut with "This Is Happening" (DFA) and Alicia Keys' "The Element of Freedom" (J/Sony Music Entertainment) raced 21-8. [Billboard]
No rest for LCD Soundsystem right now. The band, along with Holy Ghost!, are already playing their next show in Montreal tonight (5/24). This summer they'll hit festivals all over the world. In the U.S. it's Sasquatch (next weekend), Pitchfork, Bonnaroo, and ACL. All dates, more pictures from Friday, videos (including one of the balloons dropping) and the setlist, below...
"floor was literally shaking last night. I felt it and just stood still to see if my mind was playing tricks on me but the floor was taking me up and down on its own. and only the people in the front right were really jumping and dancing. if the entire venue was jumping and dancing i wonder how the floor would have moved." [Anonymous]If I wasn't having so much trouble keeping my eyes open right now, I would write more about how excellent last night's (4/12) Webster Hall show was. I might attempt to compare it more to the life-changing (don't get mad at me for being overly excited and slightly exaggerating) event that was Thursday's gig at Music Hall of Williamsburg, but let's just say that Webster Hall was also awesome, but different due to the band opening with the new song "Pow Wow" off the new leaked album that a less-drunk (which is a good or bad thing depending on your point of view) James Murphy begged the crowd not to leak (it leaked just a few hours earlier) from the stage. Pow Wow was one of three new songs they played, but the only one they were playing for the first time (they also played Drunk Girls and I Can Change at Music Hall). I almost didn't go to Webster Hall because I didn't want to be disappointed, but then I couldn't resist and I'm glad I did.
Next up for the band is Coachella followed by a tour and then three shows at Terminal 5 (I'm definitely going to at least one of those) (and then more touring). The setlist and more pictures from Webster Hall, below...
"There's good news and bad news. The good news is we're here. The bad news is I'm wasted." James Murphy, who claimed to be swilling his "special drink" (champagne and whiskey) all night, kept trying to set the bar low for last night's LCD Soundsystem show at Music Hall of Williamsburg, the first the band has played in three years... a fact that he kept hammering into the crowd. "This is the longest we haven't played in the history of the band. It's not really a 'show,' it's a live rehearsal."
He was right, technically. Not only was it the live debut of new material from LCD's upcoming third album, This Is Happening, but also the first for the new six-piece (at times seven) version of the band, still anchored around the core of Murphy, keyboardist Nancy Whang and drummer Pat Mahoney. All of Murphy's hemming and hawing was for nought. This is contender for show of the year. LCD Soundsystem blew the lid off the joint for almost two hours.
The band mostly ignored the new album. "I made a conscious decision not to play too much of the new stuff in the early part of the tour," Murphy said. "I remember being a kid taking the train two hours just to hear 'This Charming Man' only to get 'Panic." (Of all the things to be jealous of, Murphy also saw the Smiths.) Instead we were treated to a cavalcade of hits including "Your City's a Sucker," "Tribulations," "All My Friends," "Losing My Edge," "Yeah," "Someone Great," and show-closer "New York, I Love You."
Only two new songs were played. The VU-meets-Bowie first single "Drunk Girls" and what will surely be the second single, "I Can Change" that is more Gary Numan or Eurythmics (you can hum "Love is a Stranger" to it). The latter was more successful, though I think "Drunk Girls" is gonna turn into a big summer single once people hear it spun in a club at maximum volume. I wish they'd have played a couple more tunes, especially the Roxy/Eno-ish rocker "All I Want" but we'll get those in time.
Seriously, no complaints at all. The crowd was going mental for the last half of the 90-plus minute set, especially during "Yeah" and "Someone Great." Maybe too mental. After an early attempt at a mosh pit, Murphy and Whang put the kybosh on such behavior. "If you're dancing and not within two people of a girl," Whang explained. "You're doing it wrong." Murphy added, "Dance up and down!" In addition to the crowd, the stage was packed on the side like a hip hop show, including Hot Chip's Al Doyle who was LCD's touring guitarist on previous excursions.
Murphy must've reminded us ten times that this was LCD's first show in ages and they were under-rehearsed. (Though I heard they used MHoW as a practice space all week.) But clearly New York had missed LCD Soundsystem. And they missed playing. Three years was definitely too long. But, thankfully, absolutely, they haven't lost their edge.
Light Asylum were a great opener and sounded booming on the Music Hall sound system. Bill said they're like a goth Yaz. I just wish they would showcase Shannon Funchess's frontwoman abilities more. She used to shine when she was on stage with !!!. She later joined LCD for a bit during "Someone Great", but mostly just in the background. Before she left the stage James gave her a great big bear hug.
Murphy pointed out that he was 40 years old "which means every show I saw had Fishbone opening". That was a nice intentional-or-not intro to "Losing my Edge".
The crowd really was moving all night. The closest thing to a mosh pit came during the punk rock "Movement", and there was a bit of a fight near the stage earlier in the night (I think because someone thought people were being too rowdy).
The lasers all over the walls and ceiling during "Yeah" were the coolest thing I ever saw visually happen at Music Hall.
Though the band took an encore break before "Someone Great", James announced before leaving the stage that it wasn't an "encore" because in NY aka home, we don't have encores. They're for "other places". Nancy moved from her keyboard to a piano for the show-closing "New York I Love You".
Definitely the show of the year (so far).
Stay tuned for the announcement that they're playing another one at Webster Hall on Monday (ANNOUNCED AND ON SALE). You can also catch them twice at Terminal 5 and at other places. More pictures and the full setlist from Music Hall below...