Entries tagged with: Japandroids
by Andrew Sacher
Yesterday, Pitchfork posted their top 200 tracks of the decade so far, and today they've listed the top 100 albums to have come out between 2010-2014. There's some surprises on there. For example, I didn't expect to see Bon Iver's self-titled, their #1 album of 2011 and with a score of 9.5, rank as low as #27 on this list. I was also surprised to see Chief Keef make it but not, say, Shabazz Palaces or Schoolboy Q. And there's a few other glaring omissions: nothing by The National? Grizzly Bear? One thing that will surprise no one though, is their #1 pick.
You can check out the full list below...
Dan Boeckner w/ Handsome Furs in 2011 (more by Tim Griffin)
Brooklyn's Northside Festival is just around the corner (June 12-15) and we're proud to last-minute-announce that the official BrooklynVegan showcase will happen on Friday the 13th at Baby's All Right. It's an early show (8 PM doors, over by 11), and will be the NYC live debut of Operators, the new band of Dan Boeckner (Wolf Parade, Handsome Furs, Divine Fits) with his Divine Fits bandmate Sam Brown (also of New Bomb Turks) and Devojka. There's two openers TBA, and $15 advance tickets are on sale now. Limited Northside badges also welcome. 21+.
Devojka (of Operators), Meredith Graves (of Perfect Pussy) & friend (via)
Operators, whose upcoming album will have guest vocals from Perfect Pussy's Meredith Graves (picture from the studio above), played their first-ever show this past November in San Jose, and last month they made their Canadian debut during Canadian Music Week. One of their shows was at the Silver Dollar which The Toronto Star caught and wrote:
Operators, rounded out by enigmatic Macedonian electronics whiz Devojka, came into CMW hard, though. The trio's first, utterly blazing midnight set at the Dollar on Thursday left a representative sample of Toronto's music-industry intelligentsia -- label reps, promoters, festival programmers, publicists, bloggers, critics and jaded scenesters in general -- tizzying about in a froth of unanimous excitement this writer has rarely witnessed in his two decades on the job.That show was also the one where fellow Canadian band Japandroids joined Dan Boeckner & co. joined them for a cover of Wolf Parade's "This Heart's On Fire." You can watch a video of that, with a video of one of their original songs, below.
Operators slayed, in other words. I went back for the other two shows just to make sure I wasn't delusional, and I wasn't alone. There were numerous fellow "three-peats" in the room on Saturday, and by then pretty much every friend with whom I'd witnessed the first show had returned for a second taste with at least one other friend in tow. Clearly, Operators were the CMW band to beat this year.
Dan was also recently interviewed by Noisey, and discussed the new band's sound:
My main impression of Operators' sound is how direct and immediate it is. It's really hook-heavy. Of course your past projects have been pop-oriented to varying degrees, but this seems like a more aggressive step in that direction. Why did you decide to go down that route?The band also have an upcoming appearance scheduled for Sled Island.
I felt like I needed to push myself after the Divine Fits record. I really liked that record, and there was a vibe to it, but given what was going on in my personal life when I recorded it... the songs that I contributed to that record were really dark. I toured the record and I cheered up a lot. With Operators, the gear lends itself to repetitive grooves, and I've always loved pop music. I was like, okay, I'm going to push myself with the vocals and the melodies of these songs. If we're going to have the same bass line running through this song, we're going to need a keyboard hook in it, there needs to be a vocal hook in it, and it needs to be really, really direct. It needs to be immediately accessible. I just really didn't want to make a record that was ponderous, like a think piece record. I wanted to make something that people could dance to, that had a ton of weird, noisy crap going on, but at its core was pop music. That's what I wanted with the band. We experimented with s lot of different formats, and this is what we hit on.
Watch those videos below...
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
"Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace." [Wikipedia]If you've been closely following along with the blogosphere lately, you've probably noticed talk, especially amongst the indie rock community, about an "emo revival." Some sites, like Stereogum and Buzzfeed, have directly written about the "revival," whereas others like Pitchfork -- a site which has previously derided even the most classic albums of the genre -- didn't explicitly call it a revival, but offered a valuable spotlight on the modern emo scene. NPR weighed in, asking, "Is Emo Back?," but still some, like Noisey, claim, "There's no emo revival, you just stopped paying attention." A writer at NYU Local agrees. Meanwhile, bloggers and local papers, like OC Weekly and Baltimore Sun, are running with this.
All of this attention is only doing the genre a service. As Chad Jewett points out on Half Cloth, "How did you find out about Diary, person born in 1988? Because you would have to have been preternaturally cool to have picked up on it in 1994 when it came out." In other words, maybe in 19 years someone will hear Is Survived By, and they'll thank their lucky stars for all these listicles and thinkpieces that pointed out that record and so many other great records. But does the increased attention for these bands (many of which have been around for years) in indie rock circles warrant calling it a revival? Maybe it's that people are realizing these "emo revival" bands have a lot more in common with indie rock bands than a lot of people thought.
For one reason or another (perhaps because kids who grew up on Drive-Thru Records comps are forming bands now), emo has been sneaking its way more and more into accepted indie rock. Nobody was screaming "emo revival" when Japandroids went from a well-liked indie rock band to one of the genre's most beloved with 2012's Celebration Rock, a record full of heart-wrenching lyrics, youthful spirit, and fast, catchy power chords -- all common descriptors of emo. (Not to mention it was released by Polyvinyl Records, home to such emo classics as Frame and Canvas, American Football, Look Now Look Again, and more.) Likewise, no one said it when Cloud Nothings' 2012 LP Attack On Memory got tons of love from indie rock critics upon its release and went on to appear in multiple year-end lists, including Pitchfork, Stereogum, Spin, and more. It's an indie record, but one with a heavy resemblance to early Sunny Day Real Estate and similarly emo lyrical themes ("I miss you 'cause I like damage / I need something I can hurt").
Japandroids at Bonnaroo 2013 (more by Dana (distortion) Yavin)
These records had all too much common with the great emo releases of that year, including Title Fight's Floral Green and Joyce Manor's Of All Things I Will Soon Grow Tired. Both of those albums embraced raw production, honest, innovative music, and were not geared towards a radio-pop fanbase, but yet were largely ignored in indie rock circles. It's essentially what indie rock is, and a far cry from what pop bands tagged as emo like Panic at the Disco, Hawthorne Heights, and Senses Fail were doing. Those pop-emo bands, and countless others, dominated rock radio, MTV, and a major part of the conversation on emo during the mid-2000s, scaring away many indie rock fans and critics from the genre all together. The two weren't always enemies. Emo kids and indie rock kids both hold equal claim to bands like Sunny Day Real Estate, Cursive, Bright Eyes, Death Cab for Cutie, Rilo Kiley, and others. Perhaps part of the split was because it was somehow cooler to look like this than like this.
Title Fight, who didn't appear on Pitchfork until the-year-of-the-revival despite notable album releases in 2011 & 2012, cited many of the same influences as modern indie rock bands for Floral Green, including Sebadoh, Hum, Nirvana, and Sonic Youth. And Joyce Manor did the same, namedropping Guided by Voices and Weezer's Pinkerton in interviews. It makes sense that fans who latched on to Japandroids/Cloud Nothings would gravitate towards Title Fight/Joyce Manor. So what makes them so different? Ian Cohen says in his 2013 Pitchfork review of the new Title Fight EP, "You're more likely to hear electro-pop or major-label bands such as Chvrches or Haim called "indie" more often than Title Fight. How is that? Is it because most of time, genre tags are used to described the perceived fanbase than the music itself?"
The question Ian poses in that review seems to be a huge factor in the need some have to cite an "emo revival." If Japandroids and Cloud Nothings are your kind of indie rock, or punkier indie-approved bands like Titus Andronicus and Fucked Up, or classic bands like Dinosaur Jr, Built To Spill, Superchunk, and Archers of Loaf, chances are you're going to (or already do) find a lot to like in Title Fight, Joyce Manor, Pity Sex (essentially a shoegaze band), Cloakroom (sludgy slowcore), Placeholder (fuzz rock/'90s-style indie/etc), and many more. And as certain people, like Jaded Punk Dan Ozzi in his Noisey article pointed out, these bands didn't come out of nowhere. This comparatively underground scene of emo has been co-existing with the mall-emo scene for years, and perhaps it's getting called a "revival" because of the sudden interest for it from a fanbase who, for the most part, previously ignored anything associated with that three-letter word.
I do think, to some extent, that at one point the "emo revival" tag meant something. Now-defunct bands like Algernon Cadwallader (who have a new band, Dogs On Acid, in the works and whose guitarist Joe Reinhart is now a sometimes-member of Hop Along) and Snowing/Street Smart Cyclist (whose singer John Galm now fronts the excellent garage punk band Slow Warm Death) revived a very specific type of emo in the late 2000s -- the math rock-influenced kind done (perhaps most notably) in the mid-'90s by Cap'n Jazz. That sound, which some people bafflingly call "twinklecore," can be heard in late-2000s bands Castevet, Empire! Empire! (I Was A Lonely Estate), 1994!, and bands who rose more recently, including The World Is A Beautiful Place & I Am No Longer Afraid To Die, Dads, and Prawn. But that's only a small sect of the genre as a whole. I recently said that Brand New's 2006 LP The Devil and God Are Raging Inside Me is my favorite emo album since Diary, and Devil and God only came out two years before Algernon's first, 1994!'s first, and La Dispute's first. Thursday's final record, No Devolucion, came out in 2011 and in my opinion it's one of their best. The genre had a rough period as it entered the mainstream (but so did so many other genres) but it never vanished.
Touche Amore at Riot Fest 2013 (more by Kirstie Shanley)
Why is it all happening now though? Perhaps with "indie rock's tuneful death rattle" and "the decline of guitar rock" in effect, with artists like Haim, Chvrches, Icona Pop, The 1975, and Lorde currently dominating the indie rock discussion, there are still people yearning for raw, scrappy guitar rock with DIY ethics and an alternative mindset. And a lot of us are finding that those cravings are satisfied by this large, thriving group of "emo" bands. In his "indie rock death rattle" piece on Grantland, Steven Hyden welcomed indie turning pop as a natural progression, but did point out some may be seeking something less pleasant, which he finds in Touche Amore's latest LP, Is Survived By.
Touche's record, another getting extra attention now thanks to the "revival," is one of the finest releases of this year, and embodies so many of the key factors of "underground rock." Its aggression is raw and unpolished, but it's melodically and dynamically exploring new ground for rock music. Lyrically, the themes won't be unfamiliar to indie rockers, exploring existential uncertainties ("To swallow mortality is enough of a task / And leaving your mark is just too much to ask") that aren't too different from a band like Titus Andronicus ("Okay, I think by now we've established everything is inherently worthless / And there's nothing in the universe with any kind of objective purpose"). They also happen to be musically and communally connected to post-hardcore bands like Converge and Thursday who have influenced forward-thinking underground rock bands, just as Pavement and the Pixies have.
At The Drive-In at Coachella 2012 (more by Dana (distortion) Yavin)
It's not only newer bands though. Many now broken-up bands have been reuniting, and getting welcomed back very warmly. It's no surprise that the much-loved At the Drive-In caused excitement when they reunited, but in case there was any doubt how large that excitement would be in indie circles: They got huge spots on major indie rock festivals like Lollapalooza and Coachella, and the reunion also got notable coverage on many indie sites, including Pitchfork, who weren't too kind to their classic Relationship of Command LP upon its release but scored it significantly higher upon its April 2013 reissue.
The fact that the idea of "indie rock" is so vague and encompasses so many things, many of which are not "indie" or "rock," is a great thing, but there are still kids who can't settle for Chvrches when a past generation got Fugazi. And luckily those kids won't have to worry. In addition to many of the bands mentioned above, there's Speedy Ortiz, Waxahatchee, Swearin', A Great Big Pile of Leaves, Courtesy Drop, Little Big League, Frameworks, Calculator, Iron Chic, Big Eyes, Single Mothers, Sundials, Aye Nako, Worriers, Caravels, Pianos Become the Teeth and so many more that all satisfy a similar craving, whether or not you call them "emo," "indie," or a "revival."
photos by Autumn Andel
Beck / James Blake / Japandroids
Being an "I told you so" person is never a good look, but seeing everyone freak the fuck out over the sisters Haim at Treasure Island was kind of like, "well, yeah." They excel as performers, and everything about the way Haim presents itself to the world is somehow both impeccably rehearsed and completely natural and off-the-cuff. It's a wonder that it took the three sisters until their mid-twenties, even, to shred together for an elated, packed festival crowd, screaming while San Francisco sparkled in the background. I saw them play maybe six or seven years ago, to a handful of people at the Knitting Factory in Hollywood, and even then it was a no-brainer: Haim was a name we'd all be hearing. But don't necessarily expect Days Are Gone, their new successful new solo debut, to paint this whole picture; If anything the LP is just a roadmap for Haim's live show, which thrives on a shared musical chemistry that's better than anything that can be planned in advance. [SF Weekly]The 2013 Treasure Island Music Festival wrapped up on Sunday (10/20) after beginning a day earlier. Unlike day 1's mostly-electronic lineup, day 2 sold its turntables and bought guitars for sets from Beck, Sleigh Bells, Japandroids, Real Estate, Haim, Lord Huron, Palma Violets and more. Alright, James Blake and Animal Collective played too, but you get the picture. You can check out a set of pictures of day 2 in this post.
If you missed them, day 1 pics are here. More of day 2 below...
by Andrew Sacher
the real Vampire Weekend at Barclays Center this week (more by Dylan Johnson)
Last year around the holidays, Adam Horne of Brooklyn's Bear Ceuse (who released an album this year) and Animal New York uploaded an album to Soundcloud called Merry Indie X-Mas, which featured hilarious parodies of what it would sound like if famous indie bands did Christmas covers in their own styles. Now he's back with a new one called Indie Kidz Songs! which does the same thing, but for children's songs. Especially funny ones include Chief Keef's "Old MacDonald," Vampire Weekend's "I'm A Little Teapot," Alt-J's "Row Row Row Your Boat" and Pixies' "B-I-N-G-O." But they're all really funny and if you need to kill 6-ish minutes of your time with some hipster-baiting style laughs, stream the album and watch its commercial below.
Firefly 2012 (more by Dana (distortion) Yavin)
It's been crazy both in and not-in the NYC-area for festivals this past week. NYC was taken over by a very muddy Governors Ball last weekend (6/7-9), and this past weekend (6/14-16), while almost every Brooklyn venue took part in the Northside Festival, Toronto was hosting NXNE and Tennessee had Bonnaroo to name the ones we were most focused on. That's all behind us now, but those who are into festivals still have much more to look forward to this summer including another big one on the east coast this weekend.
This coming weekend, Friday, June 21-Sunday, June 23, the Firefly Music Festival is returning to Dover, Delaware's Dover International Speedway, which is only about a 3 hour drive (directions) from NYC. The festival debuted last year, and like Governors Ball, they've upped their game a bit this year. There will be a bunch of great bands across four main stages, like:
On Friday, there's sets by Django Django, Dr. Dog, Action Bronson, Foxygen, Public Enemy, Grizzly Bear, Red Hot Chili Peppers,
Earl Sweatshirt (who was added to the lineup in May) and more. And besides RHCP vs Earl (who start 15 minutes apart), the conflicts that day aren't too bad.
On Saturday, there's sets by Japandroids, Jim James (who replaced Imagine Dragons, so bonus points for that), Kendrick Lamar, Alabama Shakes vs Lord Huron at 5 PM, then CHVRCHES vs Edward Sharpe, Yeah Yeah Yeahs, MGMT vs Azealia Banks, and finally Tom Petty and the Heartbreakers will headline the day, plus still more.
And on the festival's final day, Sunday, you can catch Haim, Matt & Kim, Toro y Moi, Passion Pit vs The Walkmen both going on at 6:30, Vampire Weekend, and more. Plus, if you need to leave early to get home from work on Monday, you can leave before Foster the People's headlining set. Two birds, huh?
UPDATE:Both Earl Sweatshirt and The Lumineers have cancelled, but were replaced by Schoolboy Q & Ben Harper.
And in addition to the main stages, there's some smaller side stuff too, like the Red Bull Sound Select Hub Stage which features bands who have joined the Red Bull Sound Select Program. We aren't familiar with all the bands playing that one, but we suggest you stop by Saturday for NYC's Heliotropes (who, by the way, are playing a record release show in NYC on 6/18, and streaming their new record). The Skins and Oxymorrons are both on that stage too, both NYC bands who we caught when they played the Afropunk-curated RBSS show at Knitting Factory with Danny Brown.
Last but not least, in addition to just being there as fans and covering the festival, BrooklynVegan will be producing two hours of entertainment from 1-3pm each day inside the Soundwave tent, presented by Toyota and Spinmedia, and hosted by musician & BV contributor Billy Jones. Take a look at the festival map - our stage is toward the top left next to St. Jude.
Hosted overall by one of our favorite comedians, Dave Hill, the Soundwave stage will also feature programming by SPIN (5-7 each day) and Hype Machine (3-5 each day) in addition to the BrooklynVegan stuff (1-3 each day). Stay tuned for our full stage schedule, but get there on Friday at 1pm for a live interview with Django Django and look forward to a second performance by and audience Q & A with Amanda Palmer on Sunday at 2pm. More details soon!
photos by Dana (distortion) Yavin
Japandroids / Father John Misty
Despite a few mishaps, Bonnaroo successfully kicked off in Tennessee yesterday (6/13) with sets from Japandroids, Father John Misty, Alt-J, Killer Mike, Django Django, Haim, The Vaccines, and more. Pictures of those bands are in this post.
Django Django play a free Central Park SummerStage show on Saturday (6/15) with headliners The Zombies, as well as Adam Green & Binky Shapiro. DD will also play the Surf Lodge in Montauk on Sunday (6/16) which is also free.
UPDATE: Pictures of day 2 are HERE
Stay tuned for more coverage. More pictures of day 1 below...
photos by Dana (distortion) Yavin, words by Andrew Sacher
Fucked Up / Guns N Roses / Azealia Banks
We just posted pictures of day 2 (6/8) of NYC festival Governors Ball, which went down on Randall's Island this weekend, and here's more in this post. This time, we've got shots of Guns N' Roses, Animal Collective (who rival Kanye West for best light show of the festival), Cut Copy, Fucked Up and more.
Fucked Up's set was one of the craziest at the festival. Damien performed in the crowd and on the barrier as usual, but due to Friday's weather, this was by far the messiest I've ever seen it get. He was covered in mud, sweat, and beer by song 2 and so was a huge chunk of the crowd, who didn't let the swampy ground stop them from breaking out into a mosh pit. The set included the usual live favorites, "Son The Father," "Turn The Season, "I Hate Summer," etc, a rant about marijuana, and a tons of comments about how grateful they were for their fans. One of the best Fucked Up shows I've seen yet.
Cut Copy debuted a new song, "Explorers," earlier this week on tour (via Consequence of Sound). You can watch a video of that below.
photos by Dylan Johnson
Japandroids @ MHOW - 6/7/13
The day before Japandroids' set at Governors Ball on the big main stage, they played a much smaller, sweatier and packed NYC show at their Govs Ball after party at Music Hall of Williamsburg with Crocodiles (whose new album is out in August). Japandroids powered through material from Celebration Rock like "Adrenaline Nightshift," "Younger Us," and "The House that Heaven Built." Pictures of the craziness are in this post. They continue below...
photos by Amanda Hatfield, words by Andrew Sacher
Nas / Kendrick Lamar / people in mud
Governors Ball continued on Saturday (6/8) for its second of three days. The weather was much better than day 1, but Friday's storm kept the entire place a mud swamp. Of course, that made for some interesting things like the muddy mosh pit during Fucked Up's set, but it also made walking from stage to stage kind of a drag. That said, it really wasn't that bad, and it was a whole lot more enjoyable to watch the music in the sun than in Friday's rain.
I got there just as Japandroids were going on (or, as they jokingly referred to themselves throughout their entire set, Guns N' Roses). They're an excellent festival band and were a great start to my day, though it was hard to get their usual crowd energy going on the large Governors Ball main stage. I'm sure that wasn't a problem at their afterparty at MHOW though, which I sadly missed. Did anyone catch that?
Maybe the most surprising thing I saw on Saturday was the size of Alt-J's crowd. I knew they were getting bigger, but I must not have fully realized to what extent. It was one of the largest crowds for a non-headliner I saw that day, and pretty impossible to move through it too. And it wasn't even people trying to get a good spot for Kendrick Lamar, who was on next, because a lot of them cleared out after Alt-J. Of course, Kendrick did bring his own huge crowd, and if I had to say, Kendrick worked a festival crowd better than any other act I saw this weekend.
For the Saturday night headliner, it was between Guns N' Roses on the Governors Ball Stage and Nas on the Honda Stage. I chose Nas. It was an excellent set from the legendary rapper, which included a good amount of Illmatic, some highlights of his new album (like "Daughters"), and backing by a killer live band. If you chose GNR, how were they?
Grizzly Bear in Austin in April (more by Tim Griffin)
The festival goes down on Randall's Island this weekend (6/7-9). We also just made a Spotify playlist of many of the artists we're excited to see this weekend. Listen to that below or on Spotify. Full Governors Ball schedule is also below...
Treasure Island Music Festival is returning in 2013 to The San Francisco Bay on October 19-20. This year's lineup includes Thom Yorke's Atoms For Peace project, Beck, Animal Collective, James Blake, Japandroids, Disclosure, Tricky, Little Dragon, Sleigh Bells, Phantogram, Holy Ghost!, Real Estate, and more. Tickets for the festival go on sale Friday (5/31) at 10 AM PST.
Full lineup below...
Kanye West in Sweden in 2011 (more)
NYC festival Governors Ball is totally sold out of regular tickets, but if you weren't able to get yours and still want to go, there are still a few options. From now until Monday (5/27) at 11:59 PM, you can enter the Governors Ball Ticket Lottery. Entering the lottery gives you a chance to be selected to purchase either a 3-day pass or a single day ticket. More details on how the lottery works below.
Ticket lottery details and festival set times below...
Crocodiles at 4 Knotts 2012 (more by Chris La Putt)
Crocodiles will spend the bulk of next month on tour with Japandroids and that will include their sold-out show at Music Hall of Williamsburg on June 7, which is one of the Governors Ball afterparties. If you'd like to catch them somewhere smaller, Crocodiles will headline their own show at Union Pool the next night (6/8). Opening is drag show Chez Deep and tickets are on sale now.
Crocodiles most recent album is 2012's Endless Flowers and you can watch the video for the title track below. All Japandroids tour dates are listed below as well.
Deerhunter at Austin Psych Fest 2013 (more by Tim Griffin)
Governors Ball is less than a month away, and the fest has now released the daily schedule. They've done a pretty good job with not too many giant conflicts -- though there's a few like Grizzly Bear vs Beirut, Bloc Party vs The xx, Erykah Badu vs Beach House, and Nas vs Guns N Roses. Check out the daily line-ups across their four stages below.
DFA1979 @ Treasure Island Fest 2011 (more by Autumn Andell)
We already knew Japandroids would be playing a Governors Ball afterparty at Music Hall of Williamsburg on June 7. That one is sold-out, but they are far from the only ones in on the afterparty action. There are a bunch happening over the course of the festival (June 7 - 9), which were all announced today.
Friday (6/7) has the most. In addition to Japandroids, there'll be more Canadians afoot with Death From Above 1979 and Fucked Up at Irving Plaza. Tickets to that show go on sale Friday (4/26) at 10 AM with a Governors Ball presale starting Wednesday (4/24) at 10 AM, and LiveNation and Music Geeks presales on Thursday at 10 AM.
Also on Friday night, Polica and Solid Gold play Brooklyn Bowl and tickets go on sale Friday (4/26) at noon.
For those inclined to dance, Friday night also has Totally Enormous Extinct Dinosaurs DJing at Webster Hall. Those tickets are on sale now.
And one last Friday afterparty: The Revivalists, Roadkill Ghost Choir and Swear & Shake play Bowery Ballroom. Tickets to that go on sale Friday (4/26) with an AmEx presale starting Wednesday at noon.
On Saturday (6/8), Haim and Kate Boy will play Brooklyn Bowl. Tickets for that show go on sale Friday (4/26) at noon.
Also on Saturday, over at Gramercy Theatre it's Griz, and Cherub. Tickets go on sale Friday (4/26) at 10 AM with a Governors Ball presale starting Wednesday (4/24) at 10 AM, and LiveNation and Music Geeks presales on Thursday at 10 AM.
Only one afterparty on Sunday (6/9) and it's at Brooklyn Bowl with Sister Sparrow, Hollis Brown, and Shakey Graves at Brooklyn Bowl.
And for those who like to pre-party, Governors Ball is doing that too. Kate Boy, Hey Champ, and Gemini Club will play Santos Party House on Thursday, June 6. Tickets to that show are on sale now.
Flyer for the Governors Ball afterparties is below.
Japandroids at Coachella 2013 (more by Dana (distortion) Yavin)
As mentioned, Governors Ball after parties are being planned to happen across various venues in NYC, and it's just been announced that one of those happens on Friday, June 7 at Music Hall of Williamsburg with Japandroids. Doors for the show are at 11 PM and the show starts at 11:30. This show will be almost exactly a year since Japandroids last played Music Hall of Williamsburg, but they've gotten way bigger since, so it should be a pretty intimate (aka sweaty) show for the band at this point. Tickets for that go on sale Friday (4/19) at noon.
Tickets for the Friday and Saturday of Governors Ball are still available. If you're planning on going to Governors Ball and trying to make the afterparty, Kings of Leon headline the fest that night if that helps in decision-making.
Japandroids are over on the West Coast right now for Coachella 2013, which they played over the weekend, and some shows with Cloud Nothings. Check out a video of the band playing "Fire's Highway" at the festival, along with their updated tour schedule, below...
Stone Roses / How to Destroy Angels / Johnny Marr
Friday's lineup was teeming with such line-jumpers, performing with various degrees of laurel-resting. Early in the day came the Shouting Matches, a shambolic blues-esque outfit whose sales pitch is that it includes Justin Vernon of Bon Iver. The group took almost a half-hour for sound check, and its set was almost as loose. Mr. Vernon, such a precise and processed singer in Bon Iver, was here far more at ease, pushing his vocals no harder than the amiable songs demanded.There was also Divine Fits (Britt Daniel of Spoon + Dan from Wolf Parade), Deathfix (Brendan Canty of Fugazi on drums), Grinderman with Nick Cave, Johnny Marr of the Smiths, Trent Reznor of NIN in How to Destroy Angels (who made their live debut days earlier), Jello Biafra of the Dead Kennedys with his band The Guantanamo School of Medicine, and more. And of course reunions and britrock galore with Blur, The Stone Roses, Sparks, and Jurassic 5 all also playing Friday. Here are our pictures from day one (which do not include Polica, but check out our instagram for a shot of Justin Vernon joining them on stage).
Later, in the dance-centric Sahara tent, Dog Blood performed a loud but not thunderous set. It's a collaborative project of Skrillex and Boys Noize, and does not quite live up to Skrillex's typical punishment or Boys Noize's characteristic exuberance.
Day One pics continue at BV Chicago and below...
photos by Amanda Hatfield, words by Andrew Sacher
Divine Fits at VICELAND at SXSW 2013
I'll spare you the boring details of my day's worth of delayed flights, but after finally landing in Austin at 10 PM last night (3/12), I darted over to The Jansport Bonfire Sessions @ VICELAND (which, for those of you in Austin, is located on 401 E Cesar Chavez, right across from the Austin Convention Center) and got there a few songs into Wavves' set. Wavves always bring a good time but this was more packed and wild than I'd seen them before. They used the show to preview a lot of their new album, Afraid of Heights, and if you thought King of the Beach had pop punk tendencies, on these new songs it's pretty much full blown 1995-1997 era skate punk. Your feelings on how that genre lives up in 2013 may alter your opinion on the new record, but Wavves do it well.
Up next were Japandroids, who picked up where Wavves left off and made things even wilder. After telling the security guards to leave the stage because they were "sucking the life out of the show," and repeated challenges aimed at the crowd that we weren't going hard enough, the energy level and spirit never stopped rising last night. Because it's SXSW, the set was short, but they included all the choice tracks -- "Fire's Highway," "Young Hearts Spark Fire," "The House That Heaven Built," etc. -- and for a band whose shows are always fun, last night may have been the best I've seen them.
Finally, Spoon/Wolf Parade related supergroup Divine Fits closed out the night. Granted it was almost 1 AM when they started, and their music is less ferocious than the two previous bands, but the crowd did calm down and began to filter out a bit. They did more of Britt Daniel's songs than Dan Boeckner's, and though I'm personally on Team Dan, it was still a solid set all things considered. For a "supergroup" the band have great chemistry on stage, and they're a lot more humble than they're allowed to be given their past projects (which is a good thing).
VICELAND continues tonight with IO Echo, Austra, Merchandise, Icona Pop, and The Joy Formidable. And Divine Fits, Japandroids, and Wavves all have more shows too (click the links for more info). One of Japandroids' next shows is tonight (3/13) with Iggy and the Stooges, The Specials, and Ghostface Killah.
More pictures of Divine Fits' set from last night and Wavves' new video for "Demon To Lean On" below...
Japandroids at Webster Hall in 2012 (more by Dan Bracaglia)
Japandroids had a great year in 2012 and it doesn't look like they have any plans to stop celebrating rock in 2013. They've already been announced for some spring/summer festivals like NYC's Governors Ball, Quincy, WA's Sasquatch!, Dover, DE's Firefly Music Festival, Manchester, TN's Bonnaroo, Indio, CA's Coachella, and Detroit's Metallica-headlined Orion Music + More; and now they've announced a full international tour surrounding those fests. The dates include a European run with The Gaslight Anthem and a west coast run with Cloud Nothings around the time of Coachella. Most likely because of Governors Ball, there are no other NYC dates to report at the moment.
The band were also recently nominated for the Juno Alternative Album of the Year Award (going up against Hannah Georgas, Metric, Said The Whale, and Stars), and they just stopped by Conan last night (2/25) to perform "The Nights of Wine and Roses." You can watch the video of that performance below.
Metallica at Orion 2012 (more by Dana (distortion) Yavin)
Metallica held their inaugural Orion Music & More festival in Atlantic City in 2012, and as mentioned, they'll be moving to Detroit for the 2013 installment. It happens from June 8 - 9 in Belle Isle and the lineup was just announced, including headliners Metallica joined by Japandroids, FLAG, Tomahawk, Gogol Bordello, Death Grips, The Dillinger Escape Plan, Deftones, The Dirtbombs, Death, Foals, The Bronx, The Orwells, Red Hot Chili Peppers, FIDLAR, and more. Full lineup below. The announcement includes no word on Metallica playing full albums like they did last year.
Tickets for the festival go on sale to the general public on Friday (3/1) at 10 AM EST with a Met Club presale starting Tuesday (2/26) at 10 AM and an Orion E-list member presale on Wednesday (2/27) at 10 AM.
Weird Al and Bonarroo phone bank (including Mike Birbiglia and Eugene Mirman...
With help from Eugene Mirman, Chris Gethard, Mike Birbiglia, Portugal. The Man and more, Weird Al just began announcing the 2013 Bonnaroo line-up on the Bonnaroo YouTube page which happens June 13 - 16 in Manchester, TN. Weird Al just announced Pretty Lights, Wilco, A$AP Rocky, and The xx, and over the next hour, more artists will be announced. We'll update this post as more announcements come.
Other artists playing include Passion Pit, Kendrick Lamar, David Byrne and St. Vincent, Jim James, Big K.R.I.T., Billy Idol, Grizzly Bear, Japandroids, Foals, Wild Nothing, Deap Vally, Killer Mike, Lord Huron, Divine Fits, Nas, Beach House, The Gaslight Anthem, Local Natives, Dirty Projectors, Baroness, The National, The Vaccines, Holy Ghost, Death Grips, R. Kelly, Alt-J, Purity Ring, Cat Power, Wu-Tang Clan, Bjork, Tame Impala, Animal Collective, The Tallest Man on Earth, Tom Petty and the Heartbreakers, Paul McCartney, Earl Sweatshirt, Four Tet, Father John Misty, Swans, A-Trak, Ariel Pink's Haunted Graffiti, Cults, AraabMuzik, DIIV, Charli XCX, Matthew E. White, Frank Turner, JEFF the Brotherhood, Jason Isbell & the 400 Unit, Calexico, Two Gallants, and more.
Tickets for the festival go on sale Saturday (2/23) at noon EST.
There's also now a video of Daniel Tosh announcing the initial lineup, which you can watch, along with the current list of announced names, below...
Firefly Music Festival 2012 (more by Dana (distortion) Yavin)
Dover, DE festival Firefly Music Festival had a great first year in July of 2012, and afterwards immediately announced it'd return in 2013. The 2013 festival happens from June 21 - 23 at the Dover International Speedway, and the lineup was just announced. It includes Yeah Yeah Yeahs, Passion Pit, Kendrick Lamar, MGMT, Grizzly Bear, Japandroids, The Walkmen, Django Django, Public Enemy, CHVRCHES, Amanda Palmer, Foxygen, Alabama Shakes, Toro y Moi, Dan Deacon, Action Bronson, The Avett Brothers, and more; and the headliners are Red Hot Chili Peppers, Tom Petty and the Heartbreakers, Vampire Weekend, and Foster the People. The full lineup is below and you can watch the announcement video at their website. TIckets go on general sale Thursday (2/21).
Firefly happens a couple weeks after NYC festival Governors Ball, which has some lineup similarities (Kendrick Lamar, Grizzly Bear, Japandroids, Avett Brothers, etc). That one goes down on Randall's Island from June 7 - 9 and tickets are still available.
Firefly lineup below...
Says the PR
On the heels of a highly successful, critically acclaimed sold-out 2012 festival, the Sasquatch! Music Festival unveils its 2013 lineup, which once again features 4 days of music. The festival, hailed as "a model of well-paced programming...in a four-day schedule as efficient and natural feeling as an expertly built algorithm" by NPR Music while Wired notes, "leave the landscape out of it and Sasquatch! has a lineup to kill for," runs May 24-27 (Memorial Day Weekend) at TheWoot. 2013 Lineup below...
Gorge, the internationally acclaimed concert venue carved in the basalt cliffs high above the Columbia River Gorge in Quincy, WA.
by Andrew Sacher and Bill Pearis
Governors Ball 2012 (more by Amanda Hatfield)
As mentioned, NYC music festival Governors Ball keeps growing and its returning this year for it's largest and most exciting festival yet on Randall's Island from June 7 - 9. Early bird 3-day passes go on sale today (1/25) at noon at $190, and once they sell out, they become $205 and then $220. According to the festival's website, single day tickets may or may not become available so if you'd like to go, they advise you purchase a 3-day pass.
The lineup has tons of great names this year and if you're going, we're sure you've got a bunch of stuff lined up to see already, and while you're making your wish list, here's our list of ten bands that we're excited to see at the festival, that you might not want to miss.
Kanye West is one of the headliners, and any chance to catch him in the NYC area is one to take advantage of. It's pretty amazing how far he's come and with seven albums under his belt (including Watch the Throne and Cruel Summer), he's got more than enough material for a hits-filled set, which he tends to do. And there's no telling what else he might do, like break out some snow monster masks or something.
A newer, but no less exciting rapper, Kendrick Lamar, will be there too. He turned the rap world on its head with last year's good kid, m.A.A.d. city, and us New Yorkers only got our chance to see him before its release. So now that we know all the words to his record, we pretty much can't wait to see him perform songs off of it at Governors Ball.
The term "supergroup" doesn't always mean the group is "super," just that the members are all known for other projects. But in the case of Divine Fits, featuring the songwriting talents of Spoon's Britt Daniel and Handsome Furs' Dan Boeckner, it was two great tastes that taste great together. And as a band, Divine Fits were pretty much amazing live right out of the gate, and their danceable vibe is festival-ready.
Deerhunter have been promising a new album for 2013 and while they haven't revealed any formal plans for it, we're hoping to hear some of the new material at Governors Ball. Plus, though we've seen side projects like Atlas Sound, Lotus Plaza, and Moon Diagrams in NYC recently, we haven't gotten an actual Deerhunter show since 2011.
UK art rockers Alt-J became infinitely bigger since first coming to the US last May, and they've got the kind of songs that would sound great on a big outdoor stage. The band have been on tour constantly and we've seen their onstage confidence grow leaps over the visits they've already had here. They should be primed and ready for big crowds by the summer.
Japandroids have already come to NYC a few times in the past year (and those liars said it'd be a while before they came back!) and anyone who has seen them knows every Japandroids show is destined to be a wild time. The band is always nuts on stage and so is the crowd, so it's the kind of thing that will be a killer time at an outdoor festival.
Another band, like Alt-J, that have also had a pretty significant and quick rise since first catching our attention, is Polica, who will be at this year's Governors Ball. Their mix of indie pop and R&B is endlessly catchy and the dueling drummers are a thrill to watch live. Whether you're already a fan or not, they'd be a great band to catch.
Unlike many of the bands on the Governors Ball line-up, it's been a couple years since Australia's Cut Copy have played North America and absence makes the heart grow fonder. CC seem to write their songs with giant crowds in mind and show no shame in working the crowd into a frenzy.
Most of the artists on this list are artists we've been fans of for a while, but festivals are also always good places to discover new artists, and one new group we're excited to see at Governors Ball is Vancouver's Bear Mountain. Last year, they released their debut album, XO, which combined club-ready dance tracks, arena sized atmospherics, and an indie pop sensibility in the songwriting. It's a pretty great mix and sounds like it will be totally fun live. You can stream the album in its entirety below.