Entries tagged with: John Maus
Baroness at Terminal 5 in May (more by Joe McCabe)
Earlier this week, we posted an update from Baroness showing that things were looking upwards for the band. Unfortunately though, with two members having broken vertebrae and frontman John Baizely having a broken arm and leg, it doesn't come as much of a surprise that Baroness have in fact cancelled some of their upcoming North American tour dates, including their NYC show at House of Vans and LA's FYF Fest. They will not be replaced on the House of Vans lineup, which happens on August 29 and now just includes Turbonegro, Doomriders, and Nightbirds. This is a bummer but it makes sense that the band takes the time they need to recover, and we wish them a speedy and successful recovery!
Meanwhile, FYF Fest, which Wild Flag also dropped off of, recently expanded its lineup. It now features The Faint (who just announced they'll be reissuing Danse Macabre and touring the album), Glass Candy, King Tuff, and newcomers The Orwells. Tickets for FYF Fest are still available. The updated lineup and flier are below.
photos by Amanda Hatfield
"Dan Deacon rockin Pier 84...this ain't no Bon Iver!" - BonIverBlows
Dan Deacon's dance-off pit
The Hudson River Rocks series began last night (7/12) on Pier 84 with sets from Dan Deacon, John Maus, and Roomrunner. The new location is a lot nicer than Pier 54, where River Rocks was held in previous years. Where Pier 54 is pretty much just a straight line of pavement, at Pier 84 you're standing on outdoor tiles, the pier is broken up by some evergreen trees towards the back, and they create shade over stone wall-lined grassy area where you can sit between bands.
Roomrunner opened the show, unfortunately with a bit of technical problems hindering their set. Up next was John Maus, crazy as usual, taking over the stage with just a microphone as his beats played through the PA and he screamed without his mic, punched himself in the head, and gradually spilled more and more water over himself throughout the show. Dan Deacon closed out the show, also crazy as usual, with all of his regular antics like forming a giant pit in the middle of the crowd for a dance-off. If you made it out to the free show, what did you think?
River Rocks continues with two more free shows on Pier 84 this summer. On July 26 it's Oberhofer and The Soft Pack, and on August 9 it's Grimes (who has four not-free sold out NYC shows coming up), Wild Nothing, and DIIV (who played two NYC shows last night).
More pictures from last night's show at Pier 84 are below...
As discussed, the first Hudson River Park River Rocks (as they're calling it now) concert of the season happens tonight (7/13) with Dan Deacon, John Maus and Roomrunner. The show, which is now at Pier 84 (entrances on W43rd and W44th Sts) and starts at 7PM (doors at 6PM). Songs from all three bands playing tonight can be found on the free River Rocks mixtape which is downloable over at Insound. It's also got tracks by Grimes, DIIV (who plays 2 NYC shows tonight) and Wild Nothing, all of whom play River Rocks on August 9.
Dan Deacon is just about ready to drop his new album, America, on the world -- specifically August 28. It'll be his first for Domino Records. You may have already heard album's "Lots" and now he's unleashed a second America single, "True Thrush," which you can stream that below alongside the artwork to both the single and the album.
The River Rocks show also kicks off a fairly massive tour for Deacon, who will hit most of North America before the year's over, with time for Europe as well. All Dan Deacon tour dates are listed below.
The 2012 edition of MusicFestNW takes place in September 5 - 9 at 18 venues in Portland, OR and will feature performances from over 150 bands, including Passion Pit, Hot Snakes, Girl Talk, Danny Brown, Beirut Silversun Pickups, Dinosaur Jr. and Sebadoh, many more.
In addition to those previously announced artists, MFNW has just added The Hives, Flying Lotus, Wild Nothing, DIIV, Quasi, Moon Duo, My Goodness, DZ Deathrays, and Strand Of Oaks to the already impressive line-up. Wristbands, available various levels and packages, and tickets to individual shows are on sale now. Check out the complete MFNW lineup below.
Bon Iver at Bonnaroo 2012 (more by Dana (distortion) Yavin)
Bon Iver recorded an iTunes session at East West studios which is available exclusively from iTunes starting today. It includes six tracks off 2011's great Bon Iver, Bon Iver and a cover of Bjork's "Who Is It?," which the band has played live many times. You can stream the session's opening track, "Beth/Rest" below.
As mentioned, Bon Iver is touring internationally throughout the summer and fall and will come to NYC on September 19 and 20 at Radio City Music Hall. Both of those shows are now sold out. All Bon Iver dates, including a recently announced European leg, are listed below.
Speaking of Bjork, she's teaming up with the New York Public Library (NYPL) and the Children's Museum of Manhattan to create interactive educational programs for middle school-aged students based on her Biophilia app. Speaking about the program, Bjork said:
"It's not a bookish thing. You cannot learn to make music from a book." "I love books; they're like the best ever," she added. "There are things you can only learn from books, but it's also important to introduce the physical aspects. So for me, it was very important to make, somehow, music education that was physical." (via NY Daily News)Both Bon Iver and Bjork are set to play Oya Festival in Oslo, Norway this summer (Aug 7-11) with The Stone Roses, Refused, The Afghan Whigs, Bob Mould (performing Copper Blue), Chromatics, Cloud Nothings, John Maus, Purity Ring, Saint Etienne, SBTRKT, Screaming Females, St. Vincent, and more. Full list below.
Way Out West (Aug 9-11) in Gothenberg, Sweden features many of the same bands as Oya like Bon Iver, Refused, Afghan Whigs, St. Vincent, Purity Ring, John Maus, and Bob Mould in addition to Blur, Wilco, I Break Horses, Hot Chip, The War On Drugs, Mark Lanegan Band, Adolescents, Swans, and more. Check out the spotify playlist. The full lineup is listed below.
As mentioned, the reunited Mazzy Star is set to play both of those European festivals. Full lineups and the Bon Iver dates and song, below...
FYF Fest. September 1st and 2nd, 2012WOW.
At the LA State Historic Park, Los Angeles, CA
Tickets are $77 and go on sale Friday June 22nd.
American Nightmare has two shows coming up at Webster Hall.
Full FYF lineup, in alphabetical order, below...
Dan Deacon at Ecstatic Music Fest (more by David Andrako)
Dan Deacon has released "Lots", the first single from the Baltimore-an's debut LP for Domino Records America, due on August 27/28. In preparation, Deacon has will play a few dates around the states as well as in Europe, including a stop at River Rocks at Pier 84 on July 12th for a FREE show with John Maus and recently added opener Roomrunner. All Dan Deacon dates are listed below. All River Rocks shows are listed HERE.
If you can't wait to get your fix of the noisy-skronk of Roomrunner then head by Cake Shop on June 15th. There the ex-Double Dagger band will team with the also great Dope Body, Zulus, Guardian Alien and Lushes. Full set of Roomrunner dates are listed below along with a stream of their recent EP.
Speaking of John Maus, he's preparing to release A Collection of Rarities and Previously Unreleased Material on July 13th via Ribbon Music. The record features tracks that date back as far as 1999, and you can check out one track "Mental Breakdown" below. Order your copy via the label. the first 500 come in a rare translucent pink.
A listing of all tour dates and some streams are below.
by Andrew Sacher
You may recognize Berlin-via-Stockholm songstress Molly Nilsson from her vocalse on "Hey Moon" off John Maus' 2011 LP, We Must Become the Pitiless Censors of Ourselves. But what you might not have realized, is that "Hey Moon" actually appeared on an album called These Things Take Time, which Molly put out in 2008, and other than the addition of John Maus' vocals, not much is different on the version that appears on his album. Check out Molly's original version below.
Molly Nilsson put her own, severely overlooked LP out in 2011 called History. Like These Things Take Time, and all of Molly's other releases, the album came out on her own Dark Skies Association label. One listen to History, and it's no surprise why John Maus wanted to work with her. She's got masterfully crafted synths and drum machines, and a commanding new wave baritone that looks to the '80s for its cues and grounds them in the lo-fi tendencies of modern day bedroom pop. And though the overall mood is dark and subdued, Molly's voice soars. Tracks like "In Real Life," "City of Atlantis" and "I Hope You Die" are immediate hits, and she throws some slow burners in as well, like "Hiroshima Street" and "The Clocks." Some streams and a video from the album are below. Fans of Zola Jesus and Austra should definitely take note.
Molly has plans for a fall tour of the US and Canada which haven't been announced in full yet, but we do know that she'll be in NYC for a show on October 28 at Glasslands. Tickets for that show are on sale now.
All currently known dates are listed below, along with those song streams and some live videos...
Total Control at Fun Fun Fun Fest (more by BBG)
Total Control's Henge Beat was a favorite around these parts, and now the band recently released a split 12" with Thee Oh Sees. Check out a video for Total Control's "For Lease" from that split below and order your copy via Castle Face.
Total Control currently have no US dates scheduled. Thee Oh Sees, on the other hand, will spend their summer abroad and have a handful of appearances in the US. The band, who recently played Austin Psych Fest, will play a gang of festival dates including the previously discussed Pitchfork, Outside Lands, Hopscotch, ATP I'll Be Your Mirror and the sold-out Woodsist Festival in Big Sur.
In addition, the band just signed on to be a part of the Capitol Hill Block Party in Seattle WA, joining names like Neko Case, Major Lazer, Fitz And The Tantrums, Phantogram, The Lumineers, Grimes, Aesop Rock w/ Rob Sonic & DJ Big Wiz, Youth Lagoon, Diplo, Cloud Nothings, The Psychic Paramount, Twin Shadow, Dam-Funk and so many more across six-stages and as many city blocks during three days in July (7/20-7/22). Current lineup is below and tickets are on sale.
All tour dates, the Capitol Hill Block Party lineup and that "For Lease" video is below.
John Maus revealed an unreleased song via the Ribbon Music Soundcloud this week. "No Title (Molly)" is "available on a limited edition transparent orange Flexi Disc as part of Smugglers Way, Ribbon Music and Domino's first ever FlexiDisc Zine available exclusively on Record Store Day, April 21st." Stream the song below.
Speaking of Ribbon Music, advanced tickets are now on sale for the Black Dice record release party happening at Living Bread in Brooklyn on 4/7, three days before their new LP Mr. Impossible is released by Ribbon Music.
Listen to John Maus below...
I hate writing year-end lists, as might be obvious to many long-time BrooklynVegan readers. That said, I also like them. They help organize things, which is related to my problem though. I'm too unorganized and hectic to ever get around to making one! But this year a few of us (BrooklynVegan contributors) got together and decided to come up with a collective list of albums that we loved that we think most represented 2011 in BrooklynVegan land. Our indie rock-centric list purposely does not include metal (that's HERE) or hip hop (we should make a separate list). With that in mind, our top 26 albums of 2011, in alphabetical order, are listed (with some commentary and a list of honorable mentions too) below...
Josh T Pearson @ BV-SXSW 2011 (more by Amanda Hatfield)
Check out Rough Trade's list of the Top 100 Albums of 2011 (yay Josh T Pearson!), below...
Casiokids @ Public Assembly
Well, another CMJ week has come and gone. How did you fare?
Though Northside summoned a number of my favorite artists to town, the CMJ line-up was rather thin by comparison, so I made it my goal to catch as many new acts as possible this year. With help from BV's tightly scheduled day parties, I managed to squeeze in 46 bands. While it's all still fresh in my mind (ie, before I spend the next week hibernating), here's a recap of my week, complete with my favorite finds...
I kicked things off with trance-inducing, one-man knob twittler Sun Glitters. Figuring out how to bring life to headphone-friendly, sample-heavy music in a live audience setting can be a challenge, but the few I saw this week (Million Young, Chad Valley and Luxembourg's Sun Glitters included) were decent.
If last year was the age of the one-man laptop act, 2011 was rife with lo-fi, synth/guitar-heavy (mostly) male groups cloaked in reverb. Each band had its strengths: Sunglasses (great energy on stage), Gauntlet Hair, Guards (perfectly summed up the sound of the moment), 1,2,3, Balkans (nice balance of in-your-face guitars and sunnily-swaggering vox), Tiny Victories. But after a while, I confess they all started to blend together--especially since a good chunk of these bands came early in the week for me.
What did stand out for me in this category was San Diego's garage-psych outfit Tropical Popsicle. Instead of falling flat, the deadpan vocal delivery of Tim Hines pulled me in and kept my attention, making me forget about my plans to leave midset. Another pleasant surprise for me was Dive, the side project of Beach Fossils guitarist Zachary Cole Smith.
But after a rather slow start to the week when schedule issues and cancellations made me abandon my original plans, things definitely picked up midweek. I spent Wednesday evening shuffling around in the rain to some seven venues. From the synth-driven pop music of Norway's Casiokids (whom I managed to sneak in on my lunch hour) to the decent public radio-friendly folk-pop of The Lighthouse and The Whaler and Lissy Trullie's alluringly husky vocals, the day was full of pleasant surprises--not the least of which was John Maus, easily one of the highlights of my week.
As I walked through the door at 285 Kent, I immediately felt as if I had gone back in time. Thick music pumped from the DIY graffiti-covered space, through clouds of cigarette smoke. On stage, Maus shook with intensity as he addressed the mass of dancing, sweaty revelers. Beneath the shambling chaos of the quick synth riffs and simple drum lines is an unhinged but triumphant quality that is intoxicating. I had heard whispered stories of Maus shows before, but I never really understood the fervor until I saw it for myself.
Thursday was also packed with a number of good finds. I somehow found myself in the 7th floor of a swanky hotel for an "acoustic" (as in not electric; not unplugged) Dum Dum Girls set (though only 2/4 band members were present). Other highlights included the seriously talented and take-your-breath-away-beautiful dreamy folk-pop of Gem Club (who just released their debut album on Hardly Art), and Brooklyn's own, Headless Horseman who make fun, glitchy, hook-laden music with inventive beats (Their song "Wavlngth" was seriously one of my favorites all week.)
Friday, my band-count escalated rapidly, thanks to the BV day showcase at Public Assembly, which essentially had two bands playing each hour. I knocked out a few of the hyped bands in this fashion, including Chelsea Wolfe and Gauntlet Hair. (I also stepped over to Cameo briefly to catch a few adrenaline-packed songs from the Brooklyn duo Hunters.) With her beautifully haunting (but not annoying operatic) vocals Chelsea Wolfe was certainly one of the more memorable acts of the week. Would she be getting as much buzz if she didn't dress like "a medival [sic] reinactment [sic] person from Medival [sic] Times" (to quote an anonymous BV commenter)? Hard to say, but I have to give the woman credit--I couldn't take my eyes off her, and she was one of the few artists I caught twice. But my surprise favorite of the day show was Young Magic. Hip-hop and dark electro-pop may be unlikely bedfellows, but they sure make for quite an interesting pair. These guys are a force.
Other highlights of the day included the eye-catching electro-pop duo Purity Ring (love the name) and one of my favorite SXSW finds from earlier this year, Sea of Bees. At Webster Hall, Purity Ring's bass was so powerful at times that I almost forgot to breathe. Though the band relies on a lot of samples to craft their sound, they are far more interesting to watch due to their onstage chemistry and mysterious gold-piped instrument. Though nothing alike, my other favorite artist of the evening was Sea of Bees. Singer/songwriter Julie Baeziger's genuinely sweet demeanor and earnest acoustic performance are always a pleasant change of pace from the more aloof, laptop-driven artists that seem to sprout with the speed and frequency of mushrooms.
The week concluded not with a bang (I was turned away at the door of Brooklyn Bowl for Unknown Mortal Orchestra, whom I had hoped to end on), but with more of a slow fade-out. Forced to change my schedule at the last minute, I caught a few acts nearby, including Delicate Steve (how those five people were working from the same set list was a mystery at times given the haphazard nature of their sound, but it was fun to watch them put it all together), Races (pleasant and charming), Bleached, and about four minutes of the Kopecky Family Band (fun!) before hopping on the L and calling it a week.
So how does this year's CMJ stack up? Most people I spoke with seemed unimpressed. No doubt, the growth of SXSW--especially over the past few years--seems to have sucked some of the life out of CMJ. (It's hard to compete with free tacos, 76-degree days, and the compact nature of downtown Austin.) But like a hipster chick desperately scouring the racks at Beacon's Closet, I like the challenge of the frenzied search. There's good stuff in there hiding among the dross. You just have to look a bit harder.
Pictures in this post are from day parties at Pianos (We Listen for You) and Public Assembly (Under the Radar) on Wednesday. More of them below...
photos by Ryan Barkan
photos by Dominick Mastrangelo, Justice shots by Bryan Derballa
As we were saying, the Creators Project takeover of DUMBO went down this past weekend. Here is a second set of pictures from Saturday, now with Justice, Florence & the Machine, and more. They continue below...
words & photos by BBG
Hopefully, there weren't masses that headed to DUMBO on Saturday (10/15) expecting a few Mozz-a-repa stands, a sausage & pepper cart, and a dealer selling his collection of "tobacco" pipes while looking for the live music. The Creators Project had much more to offer. It celebrated the different facets of creativity within art, music, and theater while showcasing live music alongside interactive sculpture to create a wholly different "festival" environment.
The musical portion was limited to two live stages and a third "DJ" stage which also housed a few exhibits. One live stage was located under an archway beneath the Manhattan Bridge. The other was in the "Tobacco Warehouse", a brick structure that has also hosted the Brooklyn Hip Hop Festival. The shows were free, though you needed to RSVP (and even then you needed a confirmation that you were accepted).
I kicked off my afternoon at the Tobacco Warehouse stage with Teen Daze whose laptop knob-twiddling didn't make for much of a live event. After a few songs I moved on to my first band of the day, Brooklyn's Chairlift. Caroline Polachek is the clear focus of the band's sound, with her vocals pushed to the front and the electronic-pop complementing her lilting voice. Their sunny and simple compositions were sugar-y, well executed and a good way to ease into the day, but not particularly memorable. The next performance would bring about an abrupt change.
No one outcrazys John Maus. After the crew cleared the stage of seemingly every piece of gear, the very unassuming Maus came on to plug his Roland SP-404 sampler into the DI and his microphone into an echo pedal. With the hit of his sampler, Maus kicked off his set by bouncing left and right and jumping around. Veins bulged in his neck and face as he began to scream, sing, whimper and all but cry into his microphone during his vocal parts. Even if I had no interest in his recorded material (which I do, and tons of it), I would, as I'm sure any passerby would, still find the maniacal John Maus live (almost freak) show absolutely enthralling. Catch him again this week at 285 Kent.
After 3+ songs from Clams Casino on the laptop which was about as exciting as it sounds (dramatic key-stroke!), A$AP Rocky opened his set by explaining that people are saying he is the "biggest thing to hip hop since the Wu-Tang Clan". I'd like to meet these people. Regardless of how over/correctly hyped A$AP is, he and his crew (which included an appearance from Spaceghostpurrp) were particularly high energy - stage-diving, inciting mosh-pits, and hopping around on stage. The crowd didn't move with the same enthusiasm though. Despite calls for more participation, the crew didn't ignite similar energy in the crowd.
After a visit to see Four Tet (another knob-twiddling set), I cruised over to see Bradford Cox do a one-man Atlas Sound. I prefer Atlas Sound in full band mode to Bradford solo, but his set was fresh change to the mostly electronic vibe of the day. Cox's voice coupled with the Bridge backdrop and the Manhattan skyline was particularly impressive.
It had been around 14 years since I saw Company Flow on tour with Organized Konfusion, the former celebrating their seminal Funcrusher Plus and the latter promoting what may be their final effort, The Equinox. That summer in 1997, Co-Flow sounded so alien to everything else in the era; primitive, noisy beats made with crude synths and harsh scratches were complemented by abstract and double-time rhymes. Lead by a white redhead-ed MC (a rarity in the era), Company Flow was truly unique in their time.
Company Flow were massive to me in that certain, early-backpacker Rawkus era, the blast-off point for El-P's noisy and dystopian blueprint at Definitive Jux. So it pains me to say that the primitive Company Flow sound hasn't aged so well live; El-P still has a good stage presence as always, but unfortunately the rawness of the tracks just now come across as simplistic in comparison to his sleeker production. It was good to see the crew though, and with Pharoahe Monch in tow, much like that night in DC in 1997.
After Co-Flow, I caught a bit of Florence & The Machine before calling it an evening meaning I also missed the abbreviated Justice DJ set. Though cops shut down Jusice early and a vocal minority of DUMBO residents complained about the takeover of their neighborhood streets, the complaints were minor leagues compared to the impressive spectacle that descended on art galleries, parks, storefronts, and even an archway underneath the Manhattan Bridge.
We're splitting this into multiple parts, so stay tuned for the rest. Meanwhile, more pictures of everything I saw, below...
John Maus @ Creators Project - 10/15/2011 (by ribbonmusic)
As you can see in the above picture, John Maus has hit the Creators Project stage in DUMBO. I think that means nobody will get mad if I reveal now that John Maus is one of the unannounced acts playing the Domino CMJ showcase at 285 Kent on Wednesday. One more act TBA (it's not the Domino-signed Arctic Monkeys who play Music Hall of Williamsburg the same night).
The Creators Project will return to New York from October 15 - October 16 by transforming the DUMBO neighborhood of Brooklyn into a colossal two-day arts and technology festival.Except for Karen O at St Ann's, it's all free with RSVP.
After spending the year traveling the world, VICE and Intel's The Creators Project lands back in New York with a marquee lineup of live performances and original Studio works by groundbreaking artists, musicians, designers and filmmakers.
This year's festival will take to the streets of DUMBO, Brooklyn, erecting 30-foot sculptures, showcasing works from over thirty leading international artists, and featuring dozens of live music performances. The event will also include the world premiere of Karen O's psycho-opera, Stop The Virgens, along with film screenings and panels.
Original artworks include Life on Mars Revisited, an immersive short film of David Bowie's classic space-rock anthem from legendary music photographer Mick Rock and filmmaker Barney Clay; 'A Physical Manifestation of Ladies and Gentlemen, We Are Floating in Space,' a cathedral-like physical manifestation of the song created by Spiritualized's J. Spaceman and acclaimed film director Jonathan Glazer; and Origin, a striking thirty by thirty foot audiovisual installation by UVA and composer Scanner, which will be the largest responsive work ever created by the UK based artists.
The festival runs:
Lineup, venue list, etc, below...
DOWNLOAD: SBTRKT - "Wildfire" (Drumma Boy remix ft. Shabazz Palaces) (MP3)
Back in June, we announced the killer initial lineup for Moogfest 2011 (October 28, 29, 30). That lineup just got even better with additions including TV on the Radio, Special Disco Version featuring James Murphy and Pat Mahoney, St. Vincent, SBTRKT, Flying Lotus, YACHT, John Maus, Araabmuzik Baths, Zomby, Active Child and more. It was also announced that Brian Eno, part of the initial lineup, will be presenting Brian Eno's 77 Million Paintings and "Illustrated Talks" as part of this year's fest.
The initial announcement also included Suicide, Tangerine Dream, Hans-Joachim Roedelius, Austra, M83, Little Dragon, Passion Pit, Toro y Moi, Moby (full band), The Flaming Lips, Battles, CANT, Brandt Brauer Frick (who will be on a US tour that hits Glasslands), and more.
Speaking of CANT (aka Chris Taylor of Grizzly Bear), he revealed the song "Believe" from his upcoming debut LP yesterday. Stream the track below. The album comes out September 13 on Chris' own Terrible Records. He's also got an upcoming tour surrounding Moogfest which includes a show on October 25 at Bowery Ballroom. Tickets are still on sale.
Speaking of SBTRKT and Little Dragon, Drumma Boy remixed the SBTRKT song with Little Dragon's Yukimi Nagano on lead vocals. Shabazz Palaces is also featured on the remix (compare that to Drake's version). Grab the track above via Gorilla vs Bear. Shabazz wrote on Facebook today, "Besides the release of Black Up, I don't think I've seen one article on here create such a surge of activity as this Wildfire Remix has. Amazing."
Sampha, who sings live with SBTRKT and on his album, also recently released his own song, "Indecision." Stream the track below. Moogfest is one of the stops on SBTRKT's recently announced US tour that also hits Bowery Ballroom on October 31 (with Araabmuzik) and Music Hall of Williamsburg on November 1. Tickets for both shows are still on sale.
Little Dragon plays a BV-presented Record Release show at Music Hall of WIlliamsburg TONIGHT (8/16). The show is sold out, but if you don't have tickets you can catch them in NYC again on their headlining tour which hits Terminal 5 on October 14. Tickets are still on sale.
Song streams and full Moogfest lineup below...
Crystal Antlers at SXSW 2010 (more by Tim Griffin)
As previously mentioned, Crystal Antlers are also sticking around and playing Glasslands on Saturday (8/6) with Gary War, who according to John Maus (who has issued an apology for being mean to record stores), gives "one of the most uncompromising performances [he's] seen in a while." Team Robespierre and Balkans are also on the bill. Tickets are still available.
Crystal Antlers' new LP Two Way Mirror is out now via Recreation Ltd. You can purchase it in many different formats directly from the band at their website and stream the entire thing at Grooveshark. Check out their new video for the album's title track below.
Crystal Antlers will tour in support of the album this November when they open for WU LYF on the UK band's just-announced tour. As mentioned, that tour hits Music Hall of Williamsburg on November 8. Tickets go on sale Friday (8/5) at noon and are currently available for those with AmEx cards.
All dates and video below...
photos by Amanda Hatfield
John Maus @ Mercury Lounge
One night after they played Glasslands, John Maus and Puro Instinct brought their tour to Mercury Lounge. The Wednesday night (6/29) Manhattan show also included Amazing Army and Geneva Jacuzzi on the bill. Amanda summed up the night as "slightly bizarre, very entertaining."
Opener Amazing Amy is a very flexible woman, especially for her age.
Geneva Jacuzzi, a woman dressed as a mime, sang over an iPod playing backing tracks while running back and forth and dancing across the stage.
John Maus also performed with a backing track, but is more riveting. He jumps around stage, pounds himself in the head and chest like he's in physical pain or psychological anguish, and screams without a mic in between singing parts. Hermione Hoby says John is "like a kid doing charade to word "INTENSITY".'" Amanda said she was "sort of afraid he's going to hit me, but I still can't look away." It will be interesting to see if John makes the switch to full band some time in the future.
Puro Instinct delivered a calmer set that will be improved with more years. You can catch Puro Instinct again tonight (7/1) as the no longer secret guest at Pianos. Puro & John continue on the road together again after that.
Videos and pictures from Mercury Lounge below...
The "special guest" playing Pianos Friday night with Selebrities is Puro Instinct whose tour with John Maus just brought them to both Glasslands and Mercury Lounge. Pics from Mercury Lounge are on the way, and we already talked about Glasslands (though briefly). If you missed it, Bill wrote:
" I caught [John Maus and Puro Instinct[ at Glasslands. Maus' show, which shouldn't work, does thanks to his dedication and intensity. A little goes a long way, though. (I really like the new album, I should say.) Puro Instict can really sing and play... better songs will come with time. They're young."What did you think?
The Pianos show is a benefit for human trafficking survivors and advanced tickets are on sale. Slowdance, Yvette, Care Bears on Fire (even younger than Puro Instinct) and Blissed Out DJs are also on the bill.
Updated Puro Instinct tour dates, and a video they posted with a current Kickstarter campaign they have going, below...
by Bill Pearis
Holiday weekends generally mean less bands of note playing in NYC which seems to be the case this year for the Fourth of July, but there is some great stuff happening nonetheless. First and formost for me are Canadian rock icons Sloan, who play Bowery Ballroom tonight (6/29) and Knitting Factory tomorrow (6/30). If you missed it, I interviewed guitarist Jay Ferguson earlier this week which was a lot of fun. Here's him talking about playing Sloan's new fantastic album, The Double Cross, live:
It's fun, especially the first three songs on the record which are kind of a little mini suite that flow into each other. We play those right at the beginning, flowing together so it's a fun exercise to pull off. It's always fun to play the new songs. Maybe more fun for us than the audience. We've been around for 20 years and hopefully the audience is interested the new material but you hope you're not boring them. When Mick Jagger says, "Here's another new one from Bridges to Babylon," everyone goes to get a drink. Hopefully people will patiently listen until we play one of our huge hits from 1998.Sloan was one of the first things (second, specifically) I ever wrote about for this site and am pretty much a superfan. I've seen them play countless times and are one of my favorite live bands ever. If you've never seen them, do yourself a favor and go to one of these shows, it's pretty much a guaranteed good time. Also, check out Sloan's rockin' version of Gary Numan's classic "Cars" that the band did for AV Club series Undercover. The video is below.
It is Independence Day weekend which means The Feelies at Maxwell's. These are now becoming the summertime equivalent of Yo La Tengo's Hanukkah shows and there are three this year: Friday(7/1) and Saturday (7/2) which are both sold out and Sunday (7/3) which still has tickets.
In addition to the band's classic catalog -- and host of covers -- The Feelies have a new album this time out as you may know. Here Before is the band's first album in 20 years and finds Glen Mercer, Bill Million and the rest of the band picking up basically where they left off. But really, what else would you expect. It's a lovely album, probably most reminiscent of 1985's The Good Earth with the prevelance of acoustic guitars. That magic interplay between Mercer and Million is still there. This is an album for early evening Sunday back yard barbeques. And anyone who's seen The Feelies live since they got back together knows they've still got it.
And if you can't make the Maxwell's shows, The Feelies play Celebrate Brooklyn on July 23.
If you want to let it all hang out, maybe go see Nobunny who plays Knitting Factory on Friday (7/1) and a late show at Mercury Lounge on Saturday (7/2). He will certainly be hanging out, most of him at least, as it's a rare show where he doesn't strip down to his tightie whities. The sleazoid schtick remains fun because Nobunny's songs are pretty undeniably catchy in a Ramones-y pop-punk meets Happy Days kind of way. As can be heard on last year's First Blood. Live shows remain unhinged. If you're in a Nobunny state of mind, it's a good time.
I do wonder about that mask, though. He does wash it occasionally, right? If you can wash it.
And if you're in an electronic pop kind of mood, Memory Tapes play a late show on Friday night (7/1) at Mercury Lounge. Main Memory man Dayve Hawk has crafted a lovely thing with his second album Player Piano which comes out next week. Using mostly live drums this time out gives it a real human beating heart, I think, and bodes well for the live shows this time around. (I was a little underwhelmed when I saw them at the Pool Parties last summer but that wasn't an ideal venue for what MT do.) I dig the record's songwriting and production, both of which are pretty teriffic. You can download two tracks from it at the top of this post. And do check out the very cool video for "Yes I Know" at the bottom of this post.
And that's mostly it for this holiday weekend. Happy America! A few more picks -- and shameless plugging -- below.
WEDNESDAY, JUNE 29
John Maus and Puro Instinct are at Mercury Lounge. I caught both last night at Glasslands. Maus' show, which shouldn't work, does thanks to his dedication and intensity. A little goes a long way, though. (I really like the new album, I should say.) Puro Instict can really sing and play... better songs will come with time. They're young.
by Andrew Sacher
John Maus releases the We Must Become The Pitiless Censors Of Ourselves on Tuesday (6/28) the new Domino-related Ribbon Music label. The album is slightly more polished than his previous efforts, but still far more lo-fi than the new romantic artists John so heavily channels. John will play an Other Music in-store on June 28 at 8 PM in support of the album's release. He also plays Glasslands that same night (tickets) and Mercury Lounge on June 29 (tickets) as part of his tour with Puro Instinct.
John also recently made a video for "Head for the Country" directed by Jennifer Juniper Stratford. Check that out, along with updated tour dates below...