Entries tagged with: Karen Kilgariff
Eugene Mirman with Robyn Hitchcock and H. Jon Benjamin
The 7th Annual Eugene Mirman Comedy Festival took over the Bell House and Union Hall in Brooklyn for the past few days to bring audiences an audacious, eclectic, and titillating smorgasbord of comedic events. Of all the events, I chose to attend You Never Know Who Might Drop By at the Bell House on Saturday September 20 at 10:00pm. The only guest to be announced ahead of time was H. Jon Benjamin. The rest of the line up was listed as "Special Guest." Remarkably, even with only one guest announced, the show was very sold out.
The show ended up being hosted by special guest Eugene Mirman. I sort of assumed that would be the case, but you know what happens when you assume right? Ass. U. Me. Anyhow, Euge was the host and he performed his duties with his usual grace and aplomb. His hosting agilities shouldn't be surprising considering he's a non-stop performer and has hosted recurring comedy showcases Invite Them Up, Tearing The Veil of Maya, Pretty Good Friends, and probably more. Saturday evening, he kept his opening set extremely short and tight, but he did have an extremely funny riff about how you can literally write whatever you want about yourself on LinkedIn and there is zero proof required. He read off samples of his own bullshit LinkedIn profile and I gotta tell you it was pretty damn funny.
Eugene's first guest was Wyatt Cenac. Throw a dart at an open page of Time Out New York and chances are you will hit a show listing with his name on it. The dude not only has his own show called Night Train every Monday night at Littlefield, but you can see him practically every night of the week at several other venues throughout the city. The dude's a machine. A relentless performer. It has taken me a while to be drawn into Wyatt's super low energy delivery and stage demeanor, but I gotta say he was killing me on Saturday. He's definitely a super popular comic who is definitely worth checking out.
Glaser as Johnny Ding-Dong
After Wyatt wrapped up his set, the great and Klaus-Approved Gold Pass Favorite Jon Glaser came out (not his first time this year), reprising his role as Brooklyn's #1 Insult Comic Johnny Ding-Dong. I haven't seen this particular character of his in eight freaking years; the last time was during a Comedians of Comedy stop at Irving Plaza (video here). Johnny basically insults audience members over pretty banal and obvious characteristics of theirs; a hat, glasses, how they're sitting...then he sits down and eats a slice of pizza, very slowly. At some point during this, the sound guy 'accidentally' starts playing the theme song to the 1978 drama The Deerhunter, which also happens to be one of the saddest instrumental tunes of all time. Johhny then goes through an emotional breakthrough. Aside of being extremely funny, the whole bit intentionally goes on for waaaaay too long, testing the audience's endurance to the fullest. It is not an easy bit, but it is one of my favorites as it so absolutely alienates the audience to the extreme.
Johnny Ding-Dong left the stage and was followed by a bit with Eugene Mirman and the great Robyn Hitchcock. They started out as a duo, offering up bits of very funny advice for problems submitted by audience members prior to the show. Luckily, before the bit got too long, Eugene left Robyn up there alone with an acoustic. Besides regaling the audience with great stories and personal philosophies, Robyn played three tunes, including a beautiful cover of "The Crystal Ship" by the Doors (on his new album) and a fantastic version of his tune "Dismal City" that was so much better than the full band version... it was nuts. He was a fantastic storyteller and I loved his solo tunes.
After Hitchcock came comedian Joe Wong who I actually never heard of, but man did he slay. I cannot tell you how much I loved this guy. There was a brilliant economy to each of his jokes. They were free of flair and BS; they were delivered as perfect as you could imagine. His insights into the racism inherent in American society, though troubling, were so elegantly lampooned that the entire room was roaring. For me he was the highlight of the evening. I love seeing a comic for the first time and having him/her absolutely destroy. Sadly, his calendar is empty, but if you see the name Joe Wong on any upcoming comedy showcases you should go. Refreshing talent. I would like him to be famous immediately, thanks.
Wong's set was quite brief unfortunately, and he was followed by Eugene Mirman and Ted Allen (Chopped, Queer Eye For The Straight Guy) for round two of audience advice. I missed this because I had to pee wicked bad and also needed another beer, but I heard some laughs while I was in the latrine so that was a good sign. Next up was the only billed comic of the night, H. Jon Benjamin. HJB definitely had the longest set of the evening, and it started out with a bit featuring him and Eugene, where Eugene read off all of HJB's requirements from his talent rider. This definitely felt like it went on a bit too long as even Eugene regarded the bit as "The exhausting comedy of Jon Benjamin and Eugene Mirman." Side note: Mirman and Benjamin have created Flotsam, a "Post-Structural Online Shopping Experience" where you can buy sacks of "hand-chosen items that are hand-hewn by machines in America and are shipped directly to you."
Back to the Bell House, after that HJB was joined by one of my personal favorites Larry Murphy. The premise of their bit was that since we were at The Bell House we were most certainly missing episodes of the Big Bang Theory which seems to be on TV in perpetuity. So they acted out some smarmy Big Bang esque dialogue which, like the rider bit, went on a bit too long as well.
Although Jon Benjamin's set was definitely hilarious and worth seeing, it went on longer than I had the strength to endure. I was at a motorcycle block party earlier in the day and had been drinking since 3 in the afternoon, so by the time headliner Jen Kirkman took the stage, I was hot, sweaty, gassy, uncomfortable, and basically seeing quadruple. I can see why she'd headline; she has a history in comedy that stretches way back to the old days in Boston with Larry Murphy and Eugene Mirman, she has a book out that sold a zillion copies, she's a favorite on Chelsea lately, she was in from LA... she's famous and successful. But combine the fact that I don't really care for her comedy and the fact that my liver was hanging out my asshole and down my pant leg, it was time to go.
The early show at the Bell House was a special EMCF edition of "Pretty Good Friends" with Jessi Klein, Nick Thune and Karen Kilgariff. Pics from EMCF night 1 are here and we'll have more to come. Pics from night 3's early show, plus more from "You Never Know Who Might Drop By," below...
Not long after The Locust's first U.S. show in 5 years was announced via the Austin Fun Fun Fun Fest lineup, LA's FYF Fest announced that the Locus would return for their U.S. fest even sooner, a late FYF Fest lineup addition. At the moment I think those are the only two dates for the spazzy masked band who reunited for a Yeah Yeah Yeahs curated ATP in the UK in May, but more can't be far behind.
FYF Fest also just added a whole bunch of comedians to the lineup, which you can see in the updated poster above, and in list form below...
words & photos by David Andrako
"Boo Todd relentlessly. Throw shit at him. When Jon (Benjamin) and I tell you to stop, ignore us and boo louder." - David Cross's instructions to the audience just before Todd Barry's "surprise" appearance.
The Eugene Mirman Comedy Festival came to a close on Sunday, its fourth and final day, at The Bell House with two sold out shows. There was the early show billed as "Wes and Eugene's Cabinet of Wonders", and the late show "A Toddless Tinkle."
Friend and frequent collaborator of Eugene, John Wesley Harding, hosted the early show along with Eugene. The show featured performances by Yo La Tengo, John Oliver, Colson Whitehead, Darin Strauss, and Scott McCaughey.
Darin Strauss, the Brooklyn based author of "Half a Life" read a recently written piece entitled "Puberty", which was an autobiographical story set in the mid 1980s that involved gaining entrance to a much cooler high school classmate's party. Scott McCaughey, touring member of REM, performed two songs backed by Harding and his backing band The English UK including a 5 minute tribute to the 1986 Mets.
Eugene Mirman made a brief appearance with his newly purchased $380 Theremin and also returned to the stage to "sing" a cover of Simon and Garfunkel's "Mrs. Robinson." Colson Whitehead, the New York based author, read a chapter from his best selling 2009 book, Sag Harbor. "John Wesley Harding's favorite comedian", John Oliver, from The Daily Show and the upcoming "Smurfs" movie followed with a set that featured a particularly interesting story about a gig in the remote Upper Peninsula of Michigan.
Yo La Tengo closed the show with a five song set that featured both Harding and McCaughey and included covers of "I'm A Believer" and The Kinks' "All That Will."
Between the shows Eugene made his way out to the dunk tank in front of The Bell House as John Oliver and Daniel Kitson threw balls at the target and were cheered on by the long line of fans waiting for the 2nd show.
The 2nd show, "A Toddless Tinkle", was hosted by Tinkle founders David Cross and Jon Benjamin. Todd Barry, the other member of the Tinkle crew was at the Music Hall of Williamsburg as an opening act for Superchunk. From the beginning of the show Cross and Benjamin let the crowd in on the fact that Todd would be making a "surprise" walk on sometime between 10 and 11PM. Both agreed that the proper greeting for Todd would be for the audience to boo him off stage. Throughout the evening random audience members were brought onstage to audition to fill the role of "Todd." "Todd #2", an audience member named Andy ventured out into the audience to attempt to do some of Todd's famous crowd work. Andy failed miserably but did offer some unintentional comedy when he approached (and didn't recognize) Ira Kaplan of Yo La Tengo and mocked him for his orange shirt and told him that he looked like Gilbert Gotfried. Cross quickly jumped in and saved Kaplan from being mocked by the auditioning "Todd".
Todd Barry made his way to The Bell House shortly after 11PM and was greeted by the aforementioned boos as well as cups, beer cans and hundreds of expletives. He attempted to win the crowd over but ended up quickly leaving the stage and the venue.
The nearly 3 hour show featured short sets from John Mulaney, Kristen Schaal, Eugene Mirman, and Karen Kilgariff. Festival favorite Daniel Kitson was the final performer of the evening with a 12 minute set that saw him chastise the audience over their reaction to Todd Barry's appearance and pointed out that everyone went along with the "mean boys" (Cross and Benjamin). The show ended with the 2nd ever screening of Cross and Bejamin's "Paid Programming", a mock informercial that aired a handful of times on Adult Swim last fall. The 11 minute short was meant to be aired at 4AM and didn't have any mention of the creators. And with that the 3rd Annual Festival came to a close. 9 shows, 3 venues, 25 velvet paintings of Eugene and 1 angry Todd Barry.