Entries tagged with: Kendrick Lamar
by Andrew Sacher
Black Hippy's hardest but least prolific member Jay Rock returned with his first single since 2011 earlier this month, "Parental Advisory." Now he's back yet again with a new one, "Pay For It" which features a raging verse from his pal Kendrick Lamar and a hook from Chantal. Hopefully this mean's a new album's on the way soon. Check out both tracks below...
Flying Lotus' new album You're Dead! comes out via Warp next week (10/7). A little birdie told us it may be out there already, but if you haven't heard it yet and you need a chance to do so before it hits stores, Spotify and everything on Tuesday, you'll be able to listen to the whole thing HERE for 24 hours starting Friday (10/3) at 5 PM EST. As you listen, you can also watch the full length film 'Psychadelic Death Trip" by Xavier Magot that will be streaming on the site. FlyLo also just released a video for the album's Kendrick Lamar collaboration, "Never Catch Me" (dir. Hiro Murai), which you can watch below.
A bunch of other albums due out next week are streaming now too.
Kendrick Lamar is finally getting ready to follow up his massive good kid, m.A.A.d city with a new album, and today he's released its first single, "i." It was produced by Rahki and mixed by Ali. Listen below.
by Andrew Sacher
Kendrick at ACL 2013 (more by Tim Griffin)
Kendrick Lamar is being sued by Eric Reed and Willie Jones III, who claim he ripped off their song "The Thorn" for "Rigamortis" off 2011's Section.80, reports TMZ. According to the article, in their lawsuit Reed and Jones "say Lamar took their music, and simply added his own lyrics. They say "The Thorn" isn't merely part of "Rigamortis" ... IT IS "Rigamortis."" They're suing for at least $1 million, as well as all profits and rights to "Rigamortis." Compare both songs below.
In happier news, Flying Lotus put out "Never Catch Me," the Kendrick collaboration from his upcoming album, You're Dead!. It's the kind of trippy, jazzy stuff we've come to expect from FlyLo and Kendrick's appropriately in total psych-rap mode. Check it out below.
For something new from Kendrick that's more down to earth, he's also on the remix of "Holy Ghost" by Jeezy which just came out. (The original is on Jeezy's new Seen It All: The Autobiography LP.) You can stream that below as well.
by Andrew Sacher
Yesterday, Pitchfork posted their top 200 tracks of the decade so far, and today they've listed the top 100 albums to have come out between 2010-2014. There's some surprises on there. For example, I didn't expect to see Bon Iver's self-titled, their #1 album of 2011 and with a score of 9.5, rank as low as #27 on this list. I was also surprised to see Chief Keef make it but not, say, Shabazz Palaces or Schoolboy Q. And there's a few other glaring omissions: nothing by The National? Grizzly Bear? One thing that will surprise no one though, is their #1 pick.
You can check out the full list below...
It's not just you: Over the last five years, there's been a seismic shift in the way we engage with music. We tweet, tumbl, stream, and share our favorite songs; we scour dead links and navigate obtrusive pop-ups for the newest mixtapes; we watch our music videos on Youtube and Vevo. We watched the explosion of EDM, the birth of drill, the rise and fall of chillwave. We debated how to pronounce FKA twigs, whether the album was dead, and where Bobby Shmurda's hat went. We met Kendrick Lamar, Frank Ocean, Grimes, Jessie Ware, Disclosure, Miguel, and Charli XCX. We saw LCD Soundsystem break up, Neutral Milk Hotel reunite, and My Bloody Valentine release a new album--a shooting star if there ever was one. [Pitchfork]By the end of this year it will be halfway through the current decade, and to mark that, Pitchfork is posting lists of the best tracks, albums, and videos of the decade so far, this week. Today, they put out their list of the top 200 tracks. Like most of Pitchfork's 'top tracks' lists, it ranges from big names to underdogs in indie, electronic, hip hop and more, plus a few huge radio-pop songs sprinkled in. Can you guess what made #1?
Check out the full list HERE and browse the top 20, below...
Grimes / Kendrick Lamar / Slowdive
The 2014 Pitchfork Music Festival wrapped up yesterday (7/20) after two previous days of fun in Chicago's Union Park. It was an especially diverse day with plenty of hip hop (Kendrick Lamar, Schoolboy Q, Earl Sweatshirt, Isaiah Rashad), flourishes of heavy offerings (Deafheaven, Perfect Pussy), a highly anticipated reunion from Slowdive, plenty of indie rock/pop (Grimes, Majical Cloudz, DIIV, Real Estate, Dum Dum Girls, Speedy Ortiz) and even more. Here's how the Sunday of Pitchfork Fest went down...
By the time I arrived on Sunday, Speedy Ortiz were well into their set on the Blue stage and playing the fan favorite "Taylor Swift." Speedy's recorded material has always oozed personality and attitude, and their live show does as well. Frontwoman Sadie Dupuis comfortably ad libbed lyrics with various shouts and word extensions throughout their set. The band polished off their live-wire performance with a couple of tunes from their Real Hair EP and their new song "Bigger Party." -ZP
Over on the Green stage, Bandcamp sweethearts Mutual Benefit simultaneously opened up the fest's final day with a few of their sweet, melodic tunes. With an entire live band backing frontman Jordan Lee's soft-spoken, almost falsetto vocal range and feather light lyrics. The crowd was surprisingly full for the early afternoon set, and many closer to the band seemed to know every word off of its debut studio album Love's Crushing Diamond. Highlights included a heartfelt rendition of "Golden Wake" and a take on "Advanced Falconry" perfect for warming people up for the rest of the day. -AG
DIIV kicked off the first show on the Red stage yesterday and played for a fairly large early afternoon crowd, beginning their set with a new song called Follow . The band jangly guitar indie pop made for some excellent summer jams. Keeping with that theme, they played a few tracks that showed hints of surf rock, and the lead singer Zachary Cole Smith wore a colorful flamenco looking shirt that Prince might be proud of. -MM
Syracuse rockers Perfect Pussy drew a huge crowd on Sunday, surprising even lead singer Meredith Graves. Their set was short but powerful, not unusual for a band whose last record, 2014's Say Yes To Love, clocks in at around twenty one minutes. After a lengthy sound check, a rarity for the band, they didn't waste time getting into their set. While they sounded excellent, the real highlight of the show was, as always, Graves' fantastic performance as a vocalist and frontwoman. Her theatrical dancing stood in delicious contrast to the pure energy of each song. The crowd barely got a chance to calm down from one pit before another song crashed down, opening up an even bigger floor. Although the band seemed a bit flustered by the crowd and the midday heat, they never let up, quickly running through hits off of their debut album and demo, touching on fan favorites such as "Interference Fits," "Advance Upon The Real," "I," and "II." -AG
Next up were Deafheaven on the Green stage. The California crew began their set with the glimmering Sunbather opener "Dream House," and proceeded to match the weather with equal parts soaring shoegaze and metal assault. Lead guitarist Kerry McCoy expertly segued the band into "Irresistible," and then to "Sunbather." That block was followed by their spacey new tune "From The Kettle Unto The Coil," which contains a traditional metal breakdown in the middle. George Clark's guttural shrieks glided effortlessly over the riffage, and he's quite the frontman too, thrashing about the stage. Deafheaven closed their incredibly moving performance with "Unrequited" off of 2011's Roads to Judah. Not all "metal" acts are appropriate for a daytime slot, but Deafheaven were damn near a perfect fit. -ZP
After Deafheaven, I headed over to the blue stage to catch a bit of Isaiah Rashad's set. As one of three TDE rappers of the day (along with Kendrick Lamar and Schoolboy Q), Rashad stood out with his southern flow, relaxed vibe, and raspy delivery. He drew a huge crowd, who danced and sang along to "Heavenly Father" and "Menthol" off of this year's Cilvia Demo. You can hear a bit of guys like Kendrick Lamar and Chance the Rapper in Rashad's delivery, and with the amount that the crowd was feeling it, it'll only be a matter of time before he rises up to their level. -ZP
Continuing the hip hop block, next up was Earl Sweatshirt on the red stage. His DJ played a few songs before Earl came out -- Chief Keef's "3Hunna," Tyler the Creator's "Sandwitches," etc. -- and when he finally took the stage, Earl had the crowd sing along to about half of "Don't Stop Believin'" as it played over the PA. When he actually got started, the first song Earl played was "20 Wave," accompanied by Odd Future associate Domo Genesis. Downtempo tunes from Doris hit much harder than I expected them to, and the crowd was hyped on it. He took things to another level by playing the very heavy "Kill" from his debut album Earl. Earl's been touring quite a bit lately and that definitely showed in his live performance -- he's become a showman and has so much control over the audience. Before playing "Molasses," he had the crowd repeat its hook back -- "Ima fuck the freckles off your face, bitch." -ZP
Dum Dum Girls had some minor technical difficulties before starting their set, but once things got going they sounded great. As usual, they were in matching outfits, and played a mix of the old and new. My personal favorite from the set was "Rimbaud Eyes", an excellent single from their recent Too True LP. -MM
One of the most anticipated sets of the day by many was Schoolboy Q's late afternoon performance on the Green stage. The party rapper got things started with his hit "Hands on the Wheel," and then jumped to 2014's Oxymoron for "What They Want" and "Gangsta." He reached back to his debut studio album Setbacks for "Druggys wit Hoes," and the crowd went nuts. Q's a fine addition to any festival, offering hyped-up vibes and heavy beats. -ZP
Craving some shade, I went to check out Jon Hopkins over at the Blue stage. His seemingly dance-focused set was based upon a series of glitchy Immunity tracks, including bits of "We Disappear," "Open Eye Signal," "Breathe This Air," and others. The Blue stage was simultaneously the place for those who wanted to dance and others who'd rather take a seat and nod their heads along. -ZP
I was fortunate to see Majical Cloudz perform as an opener for The Soft Moon a few years ago and it was great seeing how much more confident the duo had become since then. Frontman Devon Welsh sported his never changing plain white tee and black pants and started a few songs with countdowns that the crowd enthusiastically chanted along with. I was hoping Welsh would later join Grimes on stage during her set to play their collaborative "Nightmusic" from Grimes' Visions album, or maybe their recently unearthed demo about an obese cat. Grimes played the former, but Welsh was nowhere in sight. -MM
Shoegaze legends Slowdive played their first U.S. show as a reunited band this Sunday. While the crowd seemed to mostly be waiting for headliner Kendrick Lamar, who was playing on the same stage a few hours later, their true fans did make themselves known, responding enthusiastically to classics off of their unforgettable 1993 release, Souvlaki. Slowdive lived up to the precedent set by fellow reunited UK shoegazers, My Bloody Valentine, playing a loud, intense set. Songs like "When the Sun Hits," gained a heavy, aggressive edge, giving Deafheaven a run for its money in respect to ferocity. Softer tunes like "Alison" lulled the crowd into a collective bliss. -AG
After that on the Blue stage it was DJ Spinn, who was initially going to perform with his collaborator DJ Rashad before Rashad's untimely passing, but decided to stay on the festival and perform his own set which Chicago Tribute called "a thrilling display of the "ghetto house" sound that has thrived in the city's South Side neighborhoods for the better part of two decades."
Canadian pop sensation Grimes was the penultimate performer of Pitchfork 2014, an honor she did not take lightly. In addition to running through classics, Grimes treated the crowd to two relatively new songs and one for which she was still working out the lyrics. She had seemingly boundless energy, dancing feverishly throughout her entire set. She seemed to be having the time of her life, playing with multiple synthesizers and vocal reverb to create the image of DJ set. This was clearly a different Grimes than we have seen in the past - she was confident, loud, and ready to party with the audience. Fans went crazy for Grimes classics such as "Circumambient" and "Oblivion," and stayed dancing even for her lesser-known songs, such as "Be a Body." However, the highlight of the set was undoubtedly the last few songs. After premiering a new song on which she had just completed production to a rousing response from the audience, Grimes treated the crowd to "Phone Sex," a Blood Diamonds song on which she is featured. She then broke out her dance floor-ready hit, "Go," to the delight of the audience. It was clear when the drop hit in "Go" that this was a new, supersized Grimes, ready to take the world's dance clubs by storm and become the next EDM sweetheart. Always the performer, she closed out her set with her biggest hit to date, 2012's "Genesis." -AG
Sunday headliner and festival bookend Kendrick Lamar put on a helluva show with his excellent four-piece band behind him. Lamar began to hold court with the good vibes "Money Trees" and very live "Backseat Freestyle" off of good kid, m.A.A.d city. The pro band managed to handle every little nuance contained in Kendrick's beats, and there are plenty of 'em. Unlike most of his peers, Lamar isn't much for cutting songs halfway through. Almost all tunes, with the exception of "The Art of Peer Pressure," were performed in their entirety. Virtually undisputed party song "Swimming Pools (Drank)" came next, followed by the boom bap of "m.A.A.d city." The last tune I heard before splitting was the chilled out "Sing About Me, I'm Dying Of Thirst." Kendrick provided the perfect ending to the day and the entire festival. -ZP
Hudson Project 2014 (via er_duh)
Inaugural upstate NY music festival The Hudson Project went down this weekend (Friday, July 11 - Sunday, July 13) and seemed to get off to a good start with positive reviews of Kendrick Lamar, The Flaming Lips and more, but eventually things to a little sour. Daily Freeman reported that dozens were arrested on drug charges, and though the bit of rain on Saturday didn't put too much of a damper on the festival, the weather on Sunday caused the rest of that day to be cancelled. From a press release that went out yesterday afternoon:
Festival-goers were evacuated this afternoon (Sunday, July 13 at 4:45 PM, ET) from the event grounds and were directed by staff and New York State, Ulster County and Saugerties town officials to seek shelter in vehicles until the storm safely passed. "Our first priority is always the safety of our fans, artists and staff," said Jonathan Fordin, partner of MCP Presents, the promoter behind THE HUDSON PROJECT. "We regret having to cancel any performance, but safety always comes first."This caused sets from Action Bronson, Cults, STRFKR, Bassnectar and more to be cancelled. Did you go to any of the three days? What was your experience like?
Watch a video of The Flaming Lips at the festival, below...
by Andrew Sacher
Ab-Soul's been talking about his new album These Days... for a while now, and it finally came out today (6/24) via TDE (not Interscope). Like his fellow Black Hippy members Schoolboy Q and Kendrick Lamar did with their recent albums, you can tell Soulo went all out here and really wanted to make an "album" with multiple interludes, smartly placed guest spots, and well-executed transitions from song to song. Kendrick and Schoolboy Q appear on the LP, as do Danny Brown, Action Bronson, Lupe Fiasco, Jay Rock, SZA, Jhene Aiko and more, plus excellent production from Corin Roddick of Purity Ring, DJ Dahi of Pac Div, J. Cole, Dave Free, Sounwave, and Tae Beast of TDE regulars Digi+Phonics and more.
Ab-Soul's love of drug references and tripped-out sounds are all over the record, but it's not a one tricky pony drug-rap album or anything. Like good kid, m.A.A.d. city and Oxymoron, there are the songs for your headphones, the songs for parties/live shows, and plenty that go both ways. He quotes Drake, mimics Chief Keef, and shouts out a particular trip to New York: "I'm on my way to NYC, last time I was there I swear I sold out SOB's." Presumably he's referring to this show.
Ab-Soul will be on his way back to NYC to headline the 4Knots afterparty on July 12 at Webster Hall with YC the Cynic and Jarren Benton. Tickets for that show are still available. His buddy Schoolboy Q will be in NYC for a Central Park show this week (tix).
Stream These Days... in full below...
As previously mentioned, Jay Z is throwing his Budweiser Made In America Festival in Philly and LA this year, simultaneously on August 30-31. The lineup for Philly has just been announced and includes Kanye West and Kings of Leon as headliners, plus The National, Pharrell, J. Cole, Girl Talk, Spoon, Chromeo, Grimes, De La Soul, Baauer, Danny Brown, YG, Holy Ghost and more. Full lineup below.
UPDATE: The LA lineup was also announced and it includes headliners Imagine Dragons and John Mayer plus Kendrick Lamar, Weezer, Metric, Chance the Rapper, Cypress Hill, Schoolboy Q, YG, Dr. Dog, Ab-Soul, Isaiah Rashad, Jay Rock, SZA and more. Full lineup below.
2-day passes for both fests are on sale now.
As you may have caught on our Instagram last night: "Holy mother. Supergroup of the year? Hans Zimmer. Kendrick Lamar. Alicia Keys. Johnny Marr and Pharrell Williams on drums jamming here at the Spider-Man 2 afterparty at Moynihan Post Office Station." The seemingly random group actually all appear on the new movie's soundtrack (Phosphorescent is on there too). Johnny Marr, who also worked with Hans Zimmer in the past, in particular told us about his role in a recent interview we did:
Spider-Man happened because Marc Webb and Hans invited me to do it. Right now we're in the thick of it. I'm sure it will turn out well, because Marc's an inspired person. It's a fun film as well. Of course it's very different from what we did with Inception, but me and Hans have kind of got a thing now. We have a sound that, funny enough, seems to be popping up in a few other movies. For the longest time you wouldn't hear guitar on film soundtracks. Inception seemed to kind of break that mold. I'll be going back there after this tour's finished to continue working on Spider-Man. From a working point of view, it's a very different discipline to writing rock songs and running a band. Mostly because you're given an emotional remit, and I actually really like that. I don't see it as a limitation at all. If anything, it makes things very clear. The great thing about doing movies is that you immediately know when it's wrong.The band was called Hans Zimmer and the Magnificent 6 and was introduced by Jamie Foxx after Jamie and Pharrell performed "Happy" for the VIP crowd. They jammed on the instrumental tracks and then brought up Kendrick and Alicia for their new song from the movie and soundtrack. A few more pictures and some related videos below...
Upstate, NY has a new music festival debuting this year, the inaugural Hudson Project which goes down from July 11-13 at Winston Farm in Saugerties, NY with four stages set against the Catskill Mountains. The initial lineup includes Kendrick Lamar, Modest Mouse, The Flaming Lips, Moby (DJ), Atmosphere, Flying Lotus, Bonobo (live), Holy Ghost, Twin Shadow, Cults, AraabMuzik, Gold Panda, Flatbush Zombies, !!!, Isaiah Rashad, Yacht, Jon Hopkins, Kelela, Majical Cloudz, SZA, The Range and more. Tickets go on sale Friday (4/4) at 11 AM.
In addition to the music, there will be "an art village showcasing interactive art exhibitions, regional arts and crafts and a selection of Hudson Valley-area gourmet food, wine, craft beer and specialty cocktail options will also offer local selections."
Full initial lineup below...
After a few years of releasing mixtapes, Compton rapper YG is set to release his debut album, My Krazy Life, on March 18 via Pu$haz Ink/CTE World/Def Jam. He's got some big name guests lined up for it, including Kendrick Lamar, Schoolboy Q and Drake, plus newer-comers RIch Homie Quan and Ty Dolla $ign. Many of the tracks were produced by frequent collaborator DJ Mustard, who's also behind big tracks for 2 Chainz, Tyga, and others. You can watch the videos for "Left, Right" and "My Nigga" (and its remix featuring Lil Wayne, Rich Homie Quan, Meek Mill and Nicki Minaj), and stream the Drake-featuring "Why Do You Love?" below.
YG and DJ Mustard will support the new album by going out on a tour together this spring. That tour brings them to NYC on April 27 at Irving Plaza. Tickets for that show go on sale Friday (2/28) at 10 AM, and they're currently on Citi Cardmember/Live Nation/Music Geeks presales. All tour dates haven't been revealed yet, but you can check out the list of currently announced dates below...
Pitchfork Music Festival returns to Chicago's Union Park from July 18-20 and the lineup was just announced. It includes Neutral Milk Hotel, Kendrick Lamar, Beck, Slowdive (their first reunion show in the US so far), Giorgio Morder, Sun Kil Moon, Factory Floor, Death Grips, the Haxan Cloak, Sharon Van Etten, tUnE-yArDs, The Julie Ruin, Grimes, Wild Beasts, DIIV, Ka, Circulatory System, Pusha T, The Range, Mas Ysa and more TBA. Tickets are on sale now.
In related news, Pitchfork is teaming up with ATP and Primavera Sound for London's Jabberwocky Festival which includes Neutral Milk Hotel, Electric Wizard, Deafheaven, Kode9, Earth, Pissed Jeans, Connan Mockasin, The Ex, Speedy Ortiz, Iceage, Vatican Shadow, Joanna Gruesome, Metz, Jesu, Chelsea Wolfe, Hookworms and more.
Initial day-by-day Pitchfork Fest lineup below...
One of the coolest festivals in the world, Barcelona's Primavera Sound will hold its 2014 edition from May 29 - 31. Arcade Fire, Pixies and Neutral Milk Hotel were announced as headliners a while back but the fest announced it's headliners today via an online short film. They've outdone themselves this year, as the three day event includes a reunited Slowdive (!), Godspeed You! Black Emperor, The National, Television, Slint, Foals, Warpaint, St. Vincent, Majical Cloudz, Kendrick Lamar, The National, Metronomy, Queens of the Stone Age, Disclosure, CHVRCHES, Darkside, Julia Holter, Cloud Nothings , and more.
Full line-up below and tickets are on sale now.
Black Hippy rapper Schoolboy Q just had to cancel his February show with Janelle Monae (she plays Lehman College tonight, 1/28), but fortunately we'll still get to see him soon. He's just announced a full tour in support of his upcoming Oxymoron LP with support from Odd Future/Black Hippy associate Vince Staples and new TDE-signee Isaiah Rashad. The tour hits NYC on March 4 at Best Buy Theater and NJ on March 5 at Starland Ballroom Tickets for the NYC show and tickets for the NJ show go on sale Friday (1/31) at noon. All
known dates are listed below.
UPDATE: Tour announced in full (including SXSW), all dates below.
The much-anticipated Oxymoron is due out February 25 via Interscope, and more details continue to be revealed. We just saw the album artwork and heard another track, and now XXL Mag points to a purported tracklist. It features previously-released songs "Collard Greens" (ft. Kendrick Lamar), "Man of the Year" and "Break The Bank" (but not "Yay Yay"), and in addition to Kendrick, guests include A$AP Rocky, Danny Brown, Ab Soul, 2 Chainz, Tyler the Creator, Raekwon and Suga Free, plus the entire Black Hippy crew appearing on one song. Check out the tracklist and streams of the three singles, plus a clip of another LP cut, "Gangsta," below.
Schoolboy Q also recently performed "Man of the Year" on Fallon, which you can watch a video of below.
Meanwhile, Isaiah Rashad also released his new album, Cilvia Demo, today (1/28), and just released the video for its track "Soliloquy." The album features fellow recent TDE-signee SZA on two songs, plus Schoolboy Q and fellow Black Hippy member Jay Rock on another. You can watch the "Soliloquy" video and stream a few other tracks from the tape below.
All dates are listed, along with streams, videos, and tracklist, below...
Daft Punk, Pharrell, Nile Rodgers; Beyonce w/ Close Captions on (via @BrooklynVegan)
Daft Punk just cleaned up at the 56th Grammy Awards winning five awards (everything they were nominated for) including Record of the Year and Best Pop Duo/Group Performance for "Get Lucky," plus Album of the Year and Best Dance/Electronica Album (beating Disclosure), plus Best Engineered Album, Non-Classical.
Daft Punk's much-hyped live performance with Pharrell (whose hat has joined twitter), Nile Rodgers and Stevie Wonder didn't have the French duo doing that much themselves but the "Get Lucky" performance worked in Chic's "Le Freak," "Harder, Better, Faster, Stronger" and Wonder's "Another Star." Steven Tyler, who later joined an equally le freaky looking Smokey Robinson on stage to give Daft Punk one of their awards, was dancing up a storm.
Lorde, who performed early in the telecast, won Song of the Year and Best Pop Solo Performance (beating Justin Timberlake and others) for "Royals."
Vampire Weekend's Modern Vampires of the City won Best Alternative Album, beating out records by The National, Nine Inch Nails, Neko Case, and Tame Impala.
Other winners: Led Zeppelin won for Best Rock Album (wait whaaa?) for Celebration Day (beating Bowie, Neil Young, QOTSA and Black Sabbath); Black Sabbath's "God is Dead?" won Best Metal Performance and the band also introduced Ringo Starr's performance, with Ozzy saying something along these lines.
Another win that definitely reminded us it's 2014 came when Paul McCartney took Best Rock Song for "Cut Me Some Slack," his collaboration with Dave Grohl. The song is from Grohl's Sound City documentary, which also won for Best Compilation Soundtrack for Visual Media.
Paul performed with Ringo Starr (who also performed on his own), and also won for Best Boxed or Limited Edition Package for "Wings Over America (Deluxe Edition)." Grohl performed with Queens of the Stone Age, Nine Inch Nails, and Fleetwood Mac's Lindsey Buckingham during the closing performance... which was cut short on TV. We definitely weren't happy about that, and neither was Trent Reznor.
Gary Clark Jr (who performed with Keith Urban) won Best Traditional R&B Performance for "Please Come Home"; and Knitting Factory Records was nominated twice in the Best World Music Album category and won for Gipsy Kings.
Meanwhile, it was also the Year of Macklemore & Ryan Lewis, having won Best New Artist (beating James Blake, Kendrick and others), Best Rap Performance (beating Kendrick, Jay Z and others), Best Rap Song (beating Kanye, Jay Z and others), and Best Rap Album (beating Kendrick, Kanye, Eminem and Jay Z). Their live performance of "Same Love" featured Madonna and 33 couples of gay, straight and of mixed ethnic backgrounds getting married, as officiated by Queen Latifah.
Rap awards Macklemore didn't win: Best Rap/Sung Collaboration which went to Jay Z & Justin Timberlake's "Holy Grail." Justin Timberlake (who also won Best R&B Song for "Pusher Love Girl") wasn't there to accept the award, but Jay Z gave a speech that included him saying, "I wanna tell Blue Ivy, look, daddy has a gold sippy cup for you!" Jay also kicked off the performances for the evening with his wife Beyonce, who played "Drunk In Love" (see screenshot from that performance above).
Kendrick Lamar didn't have much luck winning (neither did Kanye which should hopefully make for a good rant soon), but he did well performing live despite being paired with Imagine Dragons.
Performances also included a collaboration from country legends Willie Nelson, Merle Haggard and Kris Kristofferson (and Blake Shelton) doing a medley of hits.
The commercials were filled with music as well. One very notable example of that was the Pepsi Grammys Halftime commercial which had athletes playing the music and acting like Daft Punk, Kanye, Miley Cyrus and more. Sonos also debuted a commercial featuring a clip of Karen O covering Bob Marley, which we premiered the full song of earlier in the day.
Winners list can be found here. Video of Beyonce/Jay Z, Kendrick Lamar, Paul/Ringo, Metallica/Lang Lang, Nine Inch Nails/Queens of the Stone Age/Dave Grohl/Lindsey Buckingham, and Daft Punk performances below...
Kendrick Lamar at ACL 2013 (more by Dana (distortion) Yavin)
We just posted updates to the Super Bowl weekend NYC concerts, which now feature shows from Red Hot Chili Peppers, Foo FIghters, Black Keys, The Roots, Janelle Monae, TLC, Drake, and more, and now we've realized there's one more big one we missed: Kendrick Lamar will play the ESPN Super Bowl Party on January 31 on Pier 36 with Robin Thicke and Jermaine Dupri.
That's a few days after Kendrick performs at the Grammy Awards ceremony in LA.
There's also an NFL On Location pre-game party with Cyndi Lauper and others at IZOD Center (2/2) the day of the game.
Kendrick Lamar at ACL 2013 (more by Dana (distortion) Yavin)
Daft Punk, who are up for five 2014 Grammys, are scheduled to perform at the awards ceremony, reports Rolling Stone. The article also points out that it will be their first televised performance since the 2008 Grammys where they played with Kanye West. Hopefully this doesn't turn out like their "scheduled performances" on The Colbert Report and the VMAs.
The 56th Grammy Awards ceremony takes place on Sunday, January 26 and it will air on CBS at 8 PM EST. More performers TBA.
Drake at Made In America 2012 (more by Dana (distortion) Yavin)
The most discussed rap verse of the year had to be Kendrick Lamar's verse on Big Sean's "Control," where he called out a ton of rappers that he was "tryna murder" including Drake, A$AP Rocky, J. Cole, Big K.R.I.T., Big Sean himself, and others. Since its release, tons of those rappers have responded with their own verses or in interviews, as have many rappers who Kendrick didn't address. Drake (fresh off being awarded Pitchfork's #1 song of the year) didn't seemed too bothered by it at first, saying Kendrick "is not murdering me, at all, in any platform," but maybe Kendrick's diss during the BET Cypher further irked him. Pitchfork points out that it sounds like Drake is taking shots back at Kendrick with his verse on Mike Will Made It's remix of Future's "Sh!t" that also features Juicy J. Those shots would be:
I hear you talk about your city like you run that/ And I brought my tour to your city/ You my son there, nigga," he raps. "If a nigga say my name, he the hot shit/ But if I say the nigga name he still the hot shit/ Fucked up/ Lucky I don't feed into the gossip.Listen to the track below...
by Andrew Sacher
Pitchfork just posted their Top 100 Tracks of 2013. It's got what some people might call the worst song ever, the song with the most talked-about rap verse of the year, some surprises, and some of the year's most undeniable songs. Their #1 pick is certainly one of those undeniable songs, whether or not you're a fan of the artist who made it. What do you think of their list? Did your favorite song make it? Any glaring omissions?
Check out the full top 100 below...
A Tribe Called Quest at Barclays Center - 11/20/13 (via)
Kanye West's tour currently has him in the midst of his 4-night NYC run, which included stops at Barclays Center with Kendrick Lamar on Tuesday (11/19) and A Tribe Called Quest last night (11/20). The run resumes at MSG on Saturday (11/23) with Kendrick and MSG on Sunday (11/24) with Tribe.
I feel silly saying they played classics. I mean... "Sucka N*gga," "Find A Way" (Dilla dilla, beats beats) and "Bonita Applebum"... I don't think there is such a thing as a non-classic Tribe tune! For "Bonita," a full bodied Stephanie Santiago painted head to toe in red, black, and green stripes ala the iconic Low End Theory artwork, mesmerized the crowd as she walked to the center of the arena holding a cut-out apple with "38-24-37″ written on the reverse side.A picture of the full setlist (also via Okayplayer) and a video of them performing "Scenario" with Busta Rhymes last night, below.
Tickets for both Kanye shows at MSG are still available.
Video and setlist below...
Kanye West in Sweden in 2011 (more)
Kanye West just premiered the video for "Bound 2," the final track on Yeezus, during his appearance on The Ellen DeGeneres Show. The video features (a topless) Kim Kardashian and was directed by Nick Knight. You can watch it, along with his Ellen interview, below.
UPDATE: The uncensored version of the video is out now, and you can watch that below. NSFW obviously.
On the "jackass" comment, Kanye admitted that "that's how the world felt," but that Obama shouldn't have responded negatively. "I don't care if somebody the President or not. I care about thoughts, and how you helpin' people, and what you bring to the world. My music brings joy to people. What I create brings joy to people, and I'm about people. Me, I'm not about me. I'm about, 'I got an idea that people gonna like.'"Yeezy's tour begins its four-night run in NYC tonight (11/19) at Barclays Center. It also hits Barclays on Wednesday (11/20) and then MSG on Saturday (11/23) and Sunday (11/24). Tonight's and Saturday's shows are being opened by Kendrick Lamar, and Wednesday's and Sunday's shows will be the "final" shows for legendary group A Tribe Called Quest. Tickets for all four nights are still available.
In between those shows, you might run into him at a local Wendy's.
Ye also just spoke on Bret Eason Ellis' new podcast, which you can listen to here. New videos and updated list of tour dates below...
by Andrew Sacher
LA R&B singer Jhene Aiko is planning to release her debut LP, Souled Out, next year, but ahead of that she's got an EP, titled Sail Out, which comes out this Tuesday (11/12). The EP features contributions from two of her old Black Hippy pals, Kendrick Lamar on the sprawling, downtempo "Stay Ready (What A Life") and Ab-Soul on the brooding "Wth." Odd Future/Black Hippy collaborator Vince Staples shows up on weed/love song "The Vapors," and Childish Gambino is on "Bed Peace." Early standout single "3:16 AM" is on here too, meshing well with the newer ones for seven tracks of blissful psychedelic R&B. Check out the brand new video for its track "The Worst," over at Noisey, and videos for "3:16 AM" and "Bed Peace," plus streams of the other five tracks, below.
The same day the EP comes out, Jhene appears on Saint Heron, the new compilation from Solange's Saint Records label. In addition to tracks from Jhene and Solange, it features other forward-thinking R&B artists like Cassie, Sampha, Kelela, Petite Noir, Jade De La Fleur, Starchild, BC Kingdom, India Shawn and Iman Omari. Kelela, BC Kingdom, and the just-released Cassie contributions can be streamed below.
Jhene was just in NYC joining Drake when his tour hit Barclays Center (10/28). A video of their collaboration at the Brooklyn arena is below. She appeared on Drake's new album, in addition to recent albums by Big Sean, J. Cole, Ab-Soul and Schoolboy Q.
Videos and streams below...
by Andrew Sacher
Angel Haze at Lollapalooza 2013 (more by James Richards IV)
Rapper Angel Haze has still not announced a release date for her much-anticipated debut LP, Dirty Gold, but last month she kicked off her #30Gold series, a month-long series of covers and freestyles over other songs to precede the album. The newest #30Gold installment is the cover of young British pop breakout John Newman's "Love Me Again." You can stream it below, along with covers/freestyles of Lana Del Rey, Miley Cyrus, Macklemore, A$AP Ferg, Kendrick Lamar, Drake, Jay Z, and Kanye West.
In her "Same Love" (Macklemore) freestyle, Angel Haze addresses her sexuality, rapping:
At age thirteen, my mom knew I wasn't straightRead the rest of the lyrics below. Following that song's release, she did an interview with Fusion TV, saying that if she to label herself (though she'd prefer not to) it'd be "pansexual." "To identify as pansexual to me means to just want love and to want a connection with anyone you can find it with," she said.
She didn't understand, but she had so much to say
She sat me on the couch, looked me straight in my face
And said you'll burn in hell or probably die of AIDS
It's funny now, but at thirteen it was pain
To be almost sure of who you are and have it ripped away
And I'm sorry if it's too real for some of you to fathom
But hate for who you love is not exactly what you'd imagine
And I guess it was disastrous
Because everything that happened afterwards was just madness
Locked away for two years to keep me on the inside
Because she'd rather see a part of me die than me thrive
And it's tougher when it's something you can't deny
And ignorance teaches us it's something you decide
You're driven by your choices, an optical illusion
Here's to understanding it's not always confusion
That freestyle isn't the only genuinely moving thing Angel Haze has done in recent memory. Last week, she posted a video of herself reading a poem she wrote titled "You Broke My Heart." You can watch that below, and to say the least, you'll feel her pain.
Streams, poem video, and "Same Love" lyrics below...