Entries tagged with: Kevin Drumm
by Ian Chainey
The prolific Kevin Drumm and Jason Lescalleet have crossed paths before, cutting the EP The Invisible Curse last year which received the wink-wink Soundcloud tag of 'power ballad.' Their newest collaboration is The Abyss, out on Erstwhile Records and available at Jason Lescalleet's Discogs store. For this album, both droners sink their teeth into something darker. Or, at least, that's the spin I put on it. That filtered-through-the-self reaction is one quality making drone unique and fascinating to those who regard it as more than a wall of noise. Good drone, the stuff we have here, is like an executable program rather than a concrete statement of purpose. It'll swallow what you're feeling, run it though its internal workings, and spit something out that tells you as much about yourself as the artists that made it.
The nine minute preview we've received of the near-50 minute "The Echo Of Your Past," a cut culled from the second of The Abyss's two discs, opens with a deep bass rumble, sounding like a plane damned to taxi for eternity. It's an expansive tone, something of a sound engineering marvel. More abstractly, it's like Drumm and Lescalleet uncovered the pitch of a planetary body grinding against dark matter. But, like good drone, it operates under the idea that there's an infinite amount of infinity within every nook and cranny. Phantom tones rise and fall in the background before another set of machinery starts crunching away in the sample's middle. From there, "The Echo Of Your Past" modulates into a stinging major chord.
So. . . what does it mean? Is it Proustian recall in slow motion? Is it a way to engage with the fact that recorded sound is always in the past, never in the present or future? Or is it just meant to inspire whatever it inspires, a brief detour to mindfully explore our existence, a pursuit we usually avoid while attending to self-imposed day-to-day tasks? As music's mood ring, drone would probably just answer, "Yes. Yeeeeeeeeeeeeeeeeeeeeeees." Drumm and Lescalleet do a great job providing the right confines for that Q&A.
Kevin and Jason will celebrate the new album with a release show on September 4 at Trans-Pecos with support from violinist C Spencer Yeh. $10 at the door gets you in.
In addition to The Abyss, Kevin Drumm will release Trouble via Editions Mego on October 13 which the label has tagged as one of his quietest albums. You can hear a sample here. And Jason Lescalleet dropped Much to My Demise this year, the album that he toured to support in April.
You can hear "The Echo Of Your Past" below.
by Wyatt Marshall
Bastard Noise at Death by Audio in 2010 (more by Fred Pessaro)
NYC's noise and experimental music festival Ende Tymes just announced the lineup for its fourth annual festival which, as in previous years, will be going down at Silent Barn and Outpost Artist Resources. Ende Tymes will run from May 8 through May 11, so prepare yourself to venture to outersound via four days of really, really loud.
The lineup includes long-running noise/powerviolence/experimental/etc band Bastard Noise, former Yellow Swans member Pete Swanson, noise/ambient electronic master Kevin Drumm, a duo set from Metalux member MV Carbon and Body/Head member Bill Nace, a duo set from Zaimph's Marcia Bassett and Chelsea Light Moving member Samara Lubelski, Japan's
Full lineup below...
by Andrew Sacher
In June 2013, ISSUE Project Room and the Goethe-Institut New York present PAN_ACT, a multi-faceted series of performances, talks, and installations exploring parallel strategies in conceptual art, underground dance, and experimental music. Curated by ISSUE Project Room's Lawrence Kumpf and Berlin-based designer and founder of the PAN label Bill Kouligas, PAN_ACT presents a diverse array of artists working in Berlin, London, Boston, and New York, drawn largely from the PAN roster. Sixteen events span multiple venues including ISSUE Project Room and the Goethe-Institut Wyoming Building, as well as collaborative presentations with MoMA PS1, The Bunker, Mutual Dreaming, Make Music New York, NPR Music, and Non-Event (Boston).The PAN_ACT festival described above kicked off in NYC last Friday (6/14), and it's continuing through Saturday, June 29. It's already included a number of forward-thinking events throughout the week, and there's even more coming up, including...
Tonight (6/21) at Issue Project Room (22 Boerum Place in Brooklyn), LA experimentalist Joseph Hammer, Athens producer Jar Moff (who worked on RVNG's Harald Grosskopf - Re-Syntheist project), and German minimalist producer Thomas Brinkmann are teaming up to perform solo sets. Tickets are available.
Tonight (6/21) at K&K Super Buffet (341 St Nicholas Ave in Queens), The Bunker is throwing a late (11 PM - 6 AM) party with Downwards label head Regis, UK-based ambient artist Lee Gamble, art pop beatmaker Laurel Halo (live), veteran electronic musician Keith Fullerton Whitman (live), and PAN label head Bill Kouligas (live). Tickets for tonight's show are available. Flyer below.
Saturday (6/22) at Issue Project Room, Resident Advisor is presenting a show with IPR's 2013 artist-in-residence Ben Vida, London's Helm, and composer Jefre Cantu-Ledesma performing with collaborator/filmmaker Paul Clipson. Tickets for that one are on sale.
Saturday (6/22) at 285 Kent, Resident Advisor and NYC party Mutual Dreaming are teaming up for a late show (10 PM - 4 AM) with live sets by Detroit techno vet/Juan Atkins associate Terrence Dixon and abstract hip hop collaboration Sensational & Koyxen, plus DJ sets by Berlin's Call Super and DJ Richard. Tickets for that one are available. Show flyer below.
PAN_ACT also includes the first installment of this year's Warm Up at MoMA PS1, which happens on June 29 with Juan Atkins, Lee Gamble, Heatsick, Koyxen, and Bill Kouligas. Tickets for that one are still available.
More info at Issue Project Room's site. Full upcoming PAN_ACT schedule and flyers below...
Built to Spill at BV SXSW 2012 (more by Ryan Barkan)
The Hopscotch festival in Raleigh, North Carolina will celebrate its third year from Sept. 6-8, 2012 in downtown Raleigh, with 175 bands in 15 venues. The initial lineup, released today, runs the gamut from traditional indie favorites to punk to noise music to hip hop to noisy black metal and all stops in between, featuring performances from Built to Spill, sunn 0))), The Roots, The Jesus & Mary Chain (who played SXSW), Liars (who have a show coming up at Webster Hall), Baroness, Deerhoof, Death Grips (who play NYC soon and have new material on the way), Danny Brown (who was at Coachella and plays Prospect Park soon), Pallbearer (who play an exclusive East Coast Show soon), Screaming Females (who recently played NYC and are on tour now), Thee Oh Sees, The Spits (who just played NYC twice), Tenement, The Mountain Goats (two sets, one of which will be an all metal-covers set!) and so many more.
(and now we know the Jesus & Mary Chain are coming back soon)
Tickets are on sale. The full lineup and flyer (update: and a few more announced J&MC dates) are below...
Grouper at Terminal 5 in 2009 (more by Natasha Ryan)
Mini festival Neon Marshmallow is making its way to NYC, after two successful outings in Chicago. The festival will call Public Assembly home over three days (10/14 - 10/16), featuring live performances, DJ sets, and visuals from many artists who embrace experimentalism. Among the bands performing at the fest are names like Tim Hecker, Rhys Chatham (who celebrates 40 years of The Kitchen in September), Grouper, Phill Niblock, and many others that range in genre from Alan Licht to The Men (who are currently touring and will play Saint Vitus on 9/17) to Xeno & Oaklander to La Big Vic. The festival is currently selling weekend passes, though no word on individual days or who will perform on each day. Full lineup is below.
In other news, Grouper, who recently played LPR and Glasslands, has a new digital 7" available. Stream the title track from Grouper's latest Water People 7" below alongside the full Neon Marshmallow lineup.
photos by Lori Baily
Keith Fullerton Whitman
Conrad Schnitzler's Con-Cert: If thunder was a distant, beautiful room moving towards you with you in it, this is what it would feel like to feel your way around it's edges. Made me think of the following Germans: early Tangerine Dream, early and late Klaus Schulze, Elmar Schulte, and Asmus Tietchens. Yet, it didn't sound like any of them. A masterful abuse/finessing of the ping . . . low, high, and middle. I haven't mentioned my confusion as to who was actually playing here, but I think I've figured it out. Keith Fullerton Whitman was at the controls, the conduit through which Schnitzler flowed. Nice torch. [Heart as Arena]Last Sunday (5/17) simultaneously marked the end of NYC Popfest and No Fun Fest here in NYC. Today simultaneously marked the end of photo coverage of both events here on BrooklynVegan.com. No Fun one is HERE, and day two is HERE, and the bit we have of Day Three (Lori really was not having fun by this day), is below...