Entries tagged with: Kirk Hammett
By Doug Moore
Metallica at the Apollo Theater, 2013 (more by P Squared)
You may recall that Metallica's Kirk Hammett is holding a metal + monster movie-themed festival called Fear FestEvil (groan) at San Francisco's Regency Ballroom from February 6 - 8, where he'll play encores with Exodus and Death Angel. (Tix are on sale.) We caught up with Hammett over at Invisible Oranges for a chat about the festival:
How did your passion for horror films and heavy music evolve to the point where you are now?Other subjects of conversation include, his relationship with his former West Coast thrash peers, last year's 30th anniversary of Kill Em All, and Metallica's upcoming plans.
I would say that now my collection has reached a certain point, and I've done my book Too Much Horror Business, and I've done the two Orion Festivals, which had Kirk's Crypt in it, and now I'm finally doing this convention. I really feel that I've finally been able to bring my two real passions together into one solid format. It's taken thirty or forty years of evolution to come to that point [laughs]. But, more importantly, it's taken me that long to come to that point and actually be serious about it and feel like I actually have something to offer and feel like I have something that's new and different and something to potentially be a very unique experience for anyone who wants to experience it. It's a huge victory, a huge triumph for me to be able to blend these two things together.
For instance, Metallica had previously announced that they'd debut a new song on their upcoming European and South American tours. Hammett waffles on the subject in this interview, though: "I don't know [laughs]. We know that we've gotta do something, and so whether or not that happens or not, we don't really know." Hammett has expressed tepid sentiments about Metallica's upcoming studio time elsewhere recently, telling Billboard that the band were "procrastinating greatly" on their new album and that they had "run out of excuses" for not starting it. Such enthusiasm!
Read our whole interview over at IO, and don't forget that Metallica will be performing at the Grammys on 1/26, alongside the likes of Paul McCartney, Daft Punk, Stevie Wonder, and more. With friends like those, who needs a new album?
Check out all of Metallica's upcoming international dates below...
by Doug Moore
Combination horror-film/heavy metal culture festivals curated by aging thrash icons: they're a thing now. Last year brought us the inaugural edition of Phil Anselmo (Pantera)'s Housecore Horror Festival, which was excellent by all accounts. This year, we get Metallica guitarist Kirk Hammett's Fear FestEvil (see what he did there?) at San Francisco's Regency Ballroom from February 6 - 8. Early-bird tickets are on sale.
The fest will split its time between celebrity panel discussions, including both movie-biz types like prominent zombie-makeup man Gregory Nicotero and big-name rockers like Slash, and actual metal performances from (mostly) long-running bands: Carcass & Exodus on Friday (2/7), and Death Angel, Orchid, and Death Division on Saturday (2/8). Metallica fans no doubt recall that Hammett got his start playing guitar with Exodus. He'll be offering those fans some nod-and-wink service by joining Exodus on guitar during their encore at the festival. Oddly, he'll do the same with Death Angel after their set, though he doesn't have the same history with them. On the other hand, the West Coast thrash bands of that generation have always been an incestuous bunch -- Exodus guitarist Gary Holt is effectively a full member of Slayer now too.
Rewind to the beginning of thrash history with Exodus's very first demo (featuring Hammett on guitar), plus a promo video for Fear FestEvil, below:
Led Zeppelin at MoMA - 10/9/12
Speaking of Led Zeppelin, they (Robert Plant, Jimmy Page, John Paul Jones, and the late John Bonham's son, Jason) were also in NYC yesterday (10/9) for a press conference at MoMA, hours before their new film, Celebration Day, made its world premiere in Manhattan's Ziegfeld Theater. Rolling Stone was at the press conference and noted that Robert Plant seemed pretty uncomfortable for much of it (most likely due to dreaded questions of another reunion):
Minutes later, a radio host praised the film but added, "I don't know if it's going to quench the thirst of those who wished to see you in the flesh." Again, the band was silent until Plant said simply: "Sorry!"Regarding his interest in modern bands, Plant also added, "I love Mumford & Sons."
Later, Plant clarified himself. "We were so happy we were getting it right and taking it beyond what we thought we were about that night," he said of the O2 gig. "There were moments where we took off ... But the responsibility of doing that four nights a week for the rest of time is a different thing. We're pretty good at what we do but the tail should never wag the dog, really. If we're capable of doing something, in our own time, that will be what will happen. So any inane questions from people who are from syndicated outlets, you should just really think about what it takes to answer a question like that in one second. We know what we've got, you know."
Page explained he felt the band still had unfinished business after previous reunions at Live Aid and Atlantic Records' 40th Anniversary concert. "I think if we had the opportunity to get back together again, which is what we had there to do the O2, things had left us a little uncomfortable like Live Aid and the Atlantic 40th, etc. We just really wanted to get it right and go out and play to people who maybe never heard us, who had heard about this reputation and what we were about, and basically stand up and be counted for what we were. That's my feeling, anyway."
After the premiere last night, the members of the band made their way over to Monkey Bar for an afterparty. Other guests at the party included Joan Jett, her producer Kenny Laguna, Metallica's Kirk Hammett, rock photographer Ross Halfin, Patty Griffin, and others. Meanwhile, the actual film screening was attended by Kiss's Paul Stanley and RHCP's Chad Smith.
Jason Bonham's Led Zeppelin Experience is taking their tour to the NYC area for two shows in November.
A video from the Led Zeppelin press conference is below.
50 Cent wants you to stop masturbating, and he's taken to Twitter to tell you how to do it:
Step 1. To avoid the urge to masturbate stop going to porn sites.And there you have it. In related news, 50 may share the stage with his rival Fat Joe for for a Chris Lighty Tribute at the BET Hip-Hop Awards.
Step 2. Make a conscious decision not to turn your head after people walk by you.
Step 3. Do not go to strip clubs
Step 4. Do not look at lust filled magazines
Snoop Dogg on Teen Son's Pot Use: 'He's Learning From The Master'. Catch Snoop Lion at Wellmont Theater in Montclair, NJ tonight. He goes on at 10 (or when he feels like it). Tickets seem to still be available.
We premiered a new Strife song today.
More importantly, we're pretty sure your cat wants this for his or her birthday:
Conor Oberst played a 19 song solo show in Austin, with help from Daniel Johnston and Ben Kweller.
Ben and Conor will again team up at the Hardly Strictly Bluegrass Festival in Golden Gate park this October.
Obama and marriage equality supporters The National are currently in the studio (hopefully crafting the follow-up to 2010's High Violet), and have posted a six-second clip, titled "Jazz Brunch," to their new Soundcloud account. You can have yourself a "Jazz Brunch" HERE.
Steve Earle is playing an Obama fundraiser at Brooklyn Bowl.
When in doubt, do like Andre Williams says, and "Blame it on Obama."
26 years ago today, heavy metal lost one its greatest bassists and heroes to a tragic bus accident. His recordings are among some of the greatest albums ever produced in metal. Cliff Burton, you are missed.
Metallica's Kirk Hammett will be signing his new horror memorabilia book on 10/11 in New York, NY @ Barnes & Noble, 10/13 in New York, NY @ Comic Con, 10/25 in Los Angeles, CA @ Barnes & Noble, 10/26 in Burbank, CA @ Monsterpalooza, 10/27 in New York, NY @ Chiller Theater, and on 11/20 in San Francisco, CA @ Books Inc.
Speaking of the Ramones, a young Morrissey did not like them, at least the first time around.
Tumbull, CT tried to throw a Michael Bolton concert, lost lots of money in the process.
More stuff below...
In addition to everything else we posted, today, here's some more, and some reminders too...
It's also National Voter Registration Day, as miss Annie Clark has so kindly reminded us above. Did you register to vote yet? We also would like to know, however, what's the deal with the Tiny Tim photo in the background?
Speaking of St. Vincent, it's David Byrne / St. Vincent Week here in NYC. Their first of three area shows together happens tonight at the Beacon Theater, as Kelly Pratt pointed out in the latest edition of his tour diary.
Neil Young has started a Twitter account and will be taking your questions via it in October. Right now, though, @NeilYoung seems to handled by a marketing intern.
Paper Bag Records just released the free David Bowie tribute album, Paper Bag Records vs. The Rise and Fall of Ziggy Stardust and the Spiders From Mars, with covers by Austra & CFCF, PS I Love You, The Luyas, Yamantaka/Sonic Titan and more. Download it for free HERE.
Speaking of Yamantaka/Sonic Titan, they performed at the Polaris Prize Gala in Toronto last night, but ended up losing to Feist.
Converge is back with "Shame In the Way" a new song from their forthcoming LP All We Love We Leave Behind. Stream that new track, coupled with an interview with vocalist Jacob Bannon in the latest Show Now Mercy at Pitchfork. Look for the LP on 10/9 via Epitaph.
Sweden's Terrible Feelings have released a new video for "Next Round's On You" from their Shadows LP. Check that out below.
Field Report visited the A.V. Club's HQ in Chicago and took on the Sufjan Stevens mainstay "Chicago" for their Undercover series. Check out the clip below.
More stuff below...
photos by Dana (distortion) Yavin , words by Andrew Sacher
Metallica / A Place to Bury Strangers at Orion Music Fest 6/24/2012
Day 2 (6/24) of Orion Fest kicked off with sets by two different, but both very dark Brooklyn bands: Liturgy in the Frantic tent and A Place to Bury Strangers (whose new album, Worship, is out this week) on the Fuel stage. Unfortunately, I showed up a bit too late for Liturgy, but I was able to catch the tail end of APTBS' set, which saw Oliver Ackermann turning his monitors to face the audience and putting his vocal mic up to his guitar amp, creating even more noise than the trio already make. You can catch APTBS in their hometown on 7/27 at MHOW with Hunters.
Then I headed over to the Orion stage for Sweden's Ghost, who were introduced by James Hetfield (who is openly a huge fan). James intro-ed the band saying, "It's never too early for scary," and despite the bright sun shining over their stage, he was right. The band, who always come decked out in white ghoul cloaks with singer Papa Emeritus in face paint, crown, and black cloak, were creepy as ever. Papa Emeritus lead the band with demonic priestlike conduction as he bellowed the vocals to a number of songs off their 2010 LP, Opus Eponymous. The only time he wasn't in the spotlight is when the band took an instrumental break and he stood in the back of the stage, hands pressed together and remaining completely still.
I left about halfway through Ghost for the second half of The Black Angels, who were playing the Frantic tent. They supplied a huge dose of droning psychedelia, and though singer Christian Bland's vocals are often delivered stoically, he's quite charismatic on stage. During their last song, which saw bassist (and Elephant Stone frontman) Rishi Dhir switch over to sitar, they went into an extended jam which eventually saw Rishi playing the sitar riff of The Beatles' "Norwegian Wood" (which the Black Angels recorded an exclusive performance of at Coachella) and was soon joined by the rest of the band who covered about half of the song. Slowly, the band exited the stage until only Rishi was left, sending waves of sitar over the head-nodding audience.
Around 4 PM, Best Coast began their set at the Orion stage. Diplo was probably wondering what the faces of Metallica fans would look like during Liturgy's set, though I was also pretty curious about what they'd look like for Best Coast, who played the same stage Metallica would later headline with many anxious fanatics already claiming their front row spots. I think I did actually see one guy sleeping (or maybe he was just really zoning out to the music?), but overall they actually got a pretty great reaction from the people who gathered to see them. The new album, The Only Place (which came out last month), is lacking compared to their debut (it's not bad, just too much of the same), but this was definitely the best I've ever seen Best Coast -- no doubt due to their decision to finally add a bassist. When mixed into a setlist, some of the new songs, like "Why I Cry," actually proved themselves to be standouts, and the songs from her debut sounded great as well. In response to a fan request, they played "When I'm With You" earlier than planned, and before going into it, frontwoman Bethany Cosentino promised a Fleetwood Mac cover too. That cover presumably would have been "Rhiannon," which the band are contributing to the upcoming Fleetwood Mac tribute LP, and premiered on NPR this morning... but they never got around to it.
Next band on my schedule was Titus Andronicus, who were playing the Frantic tent. Before they began, I heard a crowd member ask someone, "So are these guys metal, or is it regular music?" A few minutes later, they fired up their set of regular music, riling up everyone in the tent. The crowd was pretty small -- everyone else was waiting for Metallica or watching Avenged Sevenfold -- but the people who were there were loving it, singing along, pumping their fists, and starting push pits. When the band began fan favorite, "No Future Part Three: Escape From No Future," the crowd's singing was overpowering frontman Patrick Stickles and if anyone wasn't taking part, they joined in on the ending's repeated "you will always be a loser!"
When Metallica took the stage a bit before 8:30, they started their set exactly the same as the night before. Everything including AC/DC's "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" playing through the PA directly before the band walked out, the "Ecstasy of Gold" strings with accompanying video clip, followed by "Hit the Lights" and "Master of Puppets," was there, just like it had been the night before. I realize that Metallica have a routine for their shows, but at a festival where much of the crowd had shown up for both nights, it would have been an appropriate time to throw a few curveballs into the set. The only pre-Black Album songs included in Sunday's setlist that wasn't in Saturday's were ...And Justice for All's "Blackened" and "The Shortest Straw," which were great but it would've been nice to hear more/different tracks from Master of Puppets or Kill 'Em All.
That said, I had already been going into Black Album night with less anticipation than I had for the performance of their 1984 colossus Ride the Lightning the night before, and they did deliver well. The bigger Black Album tracks like "Enter Sandman," "Sad But True," and "Nothing Else Matters" were still tons of fun and the crowd goes nuts for them. One of the biggest highlights was "Through the Never," which of all the Black Album tracks is most similar to their thrash roots. Regardless of your thoughts on the album's material though, they performed it flawlessly and was a welcome dip into Black Album's deeper cuts that are less likely to see the light of day at other Metallica shows.
Pictures and review of Day 1 are HERE. More pics from Day 2 below...
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
As mentioned, Orion Music & More happens this weekend in Atlantic CIty's Bader Field from June 23-24 and is being headlined by Metallica both nights, who play Ride the Lightning in full on Saturday (6/23) and The Black Album in full on Sunday (6/24). Other bands playing include Arctic Monkeys, Modest Mouse, Hot Snakes, Fucked Up, The Gaslight Anthem, Titus Andronicus, Best Coast, Liturgy, A Place to Bury Strangers, and more, plus a heavy stage with Suicidal Tendencies, Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done and others. The heavy stage (aka "Damage, Inc.") isn't the only place you can catch heavy bands though. The festival also includes Baroness on the Orion stage, The Sword on the Fuel stage, Liturgy on the Frantic stage, and Ghost on the Orion stage. You can check out the full schedule of both days and all four stages HERE.
Orion Music & More is the first NYC-area appearance for Hot Snakes since the reunited band played The Bell House and Maxwell's in December. They'll play another area show (also in NJ) at ATP I'll Be Your Mirror in September.
As mentioned, it's the first time in a while that Modest Mouse will be in the NYC area. They play Orion on Saturday (6/23) before heading to Randall's Island for Governors Ball, which also happens this weekend.
There's a ton of stuff going on at Orion other than live music too. You can pick up rock 'n' roll memorabilia at Ktulu's Rock 'N' Roll Emporium, check out film screenings hand-picked by Lars Ulrich at Hit The Lights Films, skate the Motorbreath Mini Ramp, have a glimpse into Kirk Hammett's creepy personal collection of horror film memorabilia at Kirk's Crypt, surf, nerd out at the ESP Guitar Experience, check out the Metallica Museum, show your support for a variety of charities, or check out the car show.
If you're heading out to Atlantic City for the fest this weekend, head here for directions. If you're driving, there's no on-site parking at the field, but there are a number of parking areas nearby and free shuttles that run from the lots to Bader Field. If you're taking the train, you can get there via the Amtrak or the NJ Transit Rail and there will be a free shuttle from the Atlantic City terminal to the festival. Once you're there, this map should help you get around. We're also told that it's about a 20-30 minute walk from the boardwalk.
Tickets for the festival are still available.
In related news," Kirk's Crypt" isn't the only place Mr. Hammett will be indulging in his love of all things creepy. He'll be publishing a book titled Too Much Horror Business - The Kirk Hammett Collection this October via Abrams Image with photographs of his personal collection of horror memorabilia. The book also includes Kirk's own handwritten captions for many of the photographs. He'll be putting out limited edition toys, like the ones he's been collecting his whole life, along with the book this October. You can pre-order the book at Kirk's online toy store. He'll be discussing the book at Kirk's Crypt at 4 PM each day.
Maybe his old friend Glenn Danzig will add it to his book collection...
"I felt like a dagger went right through my heart. It hurt so much," Satriani says. "The second I heard it, I knew it was [my own] If I Could Fly."So now Joe is suing. Watch a video comparison of the songs in question HERE. Watch a video comparing Satriani's guitar solos to Kirk Hammett's below...
As it turned out, Satriani wasn't the only one who noticed the similarity between If I Could Fly and Viva La Vida.
"Almost immediately, from the minute their song came out, my e-mail box flooded with people going, 'Have you heard this song by Coldplay? They ripped you off man.' I mean, I couldn't tell you how many e-mails I received.
"Everybody noticed the similarities between the songs. It's pretty obvious. It's as simple as that - when you listen to a song and you say, 'Wow, that's a real rip-off.'"
What makes the situation especially painful for Satriani is that If I Could Fly isn't just any song. It's a composition he'd been laboring over for well over 10 years before he recorded it.
"I started writing it on the Flying In A Blue Dream tour back in 1990. But because of the way I write, sometimes songs take a while, as this one did. In 2003 I started demoing it in earnest. I played it on the acoustic guitar on a demo so I could sing the melody, then I demoed it on electric to get the sound. And the performance turned out to be so spontaneous, so right and so emotional, that it wound up being a keeper."
..."That was the intent all along," he says. "It was a love letter to my wife, Rubina - a simple, direct expression of feeling.
"That's what really hurts about this whole thing. That I spent so long writing the song, thinking about it, loving it, nursing it, and then finally recording it and standing on stages the world over playing it - and then somebody comes along and plays the exact same song and calls it their own."
"Coldplay didn't want to talk about it. They just wanted this whole thing to go away." Joe Satriani... [the interview continues @ Music Radar]
Girl Talk @ Terminal 5 Sunday (more by Mike Lerner)
today in NYC
* Steely Dan @ the Wellmont Theater
* Girl Talk, Prefuse 73 & Bad Brilliance @ Terminal 5
* Secret Machines & Dragons of Zynth @ Music Hall of Williamsburg
* SpaceKamp & Joe and the Flying Spoons @ Black Betty
* Peter & The Wolf, Tall Firs & The Isles @ The Studio @ Webster Hall
* Brightblack Morning Light, Fursaxa & Zomes @ Southpaw
* Subtle, Zach Hill & Pattern is Movement @ Knitting Factory
* Centro-Matic & South San Gabriel @ The Bell House
* Grand Buffet & many others (Girl Talk afterparty) @ Santos Party House
Al Cisneros speaks again.
Bill points out that SpaceKamp (playing Black Betty tonight) is also Adam Green's backing band.
As promised, Adam Green performed with Lissy Trullie at Santos Party House last night. Videos below...
Kirk Hammett of Metallica & My Morning Jacket @ Bonnaroo 2008
Bonnaroo resides on farmland about 65 miles southeast of Nashville, with campgrounds adjoining the festival site. It draws people who arrive for a long weekend, often with hippie wardrobes and mud boots for Bonnaroo's nearly inevitable rain.They'll probably play at least that long at MSG on New Years Eve too. Check out the setlist and more pictures below....
Fans stood through an intermittent deluge as My Morning Jacket, a band from Louisville that pushes pealing, surging Southern rock toward soul and psychedelia, played a three-hour set in Saturday's wee hours. "It feels awesome to be bathed in beautiful golden rain," said the band's leader, Jim James. [NY Times]
Tegan & Sara keep going and going and going (it's a good thing). Tickets go on pre-sale tomorrow for April and May shows that include May 12th at Terminal 5 in NYC. I don't want to go into the bigger venue rant here, but I really don't think they should be playing a venue that large - they'll feel so far away. Good for them though I guess, and I'm sure it will sell out. Regular sale starts Friday at noon. All dates below....