Entries tagged with: Kutschers
words and photos by BBG, more photos by Samantha Marble
Thurston & Jim @ ATP NY (photo by Abbey Braden for ATP)
My 11 Most Notable Moments at ATP NY 2010 by Adrienne DayOur own ATP NY review now concludes with a recap of Sunday. If you're just joining us, start with Friday and then read Saturday, before continuing...
(11) Book club with Samantha Hunt and Luc Sante. Apparently Nikola Tesla thought he was married to a pigeon. #ThingsIlearnedatATP
(10) Jim Jarmusch and Thurston Moore's silly but entertaining exchange about "weird New York"
(9) @janelerner's Mary-Poppins-like bag with its bottomless supply of comforts from home
(8) Sleep's defibrillating two-hour-plus set
(7) Blagdon Lake at dusk: http://twitpic.com/2m59gh
(6) Beak> opening with the terrific "Blagdon Lake" and keeping it surprisingly cohesive / groove-able for the whole set
(5) Injuries sustained while losing at air hockey: a heavily bruised knee and what feels like a torn rotator cuff
(4) Years of incontinence producing an unmistakably ripe aroma in Kutsher's front elevator
(3) Stooges scholarship ("Williamson should go back to designing computer chips"; "Iggy's slowed down a bit but still, holy shit")
(2) This little pumin has apparently already been featured on Brooklyn Vegan: http://twitpic.com/2m59bb
(1) no wifi as its own time warp, leading to in-depth convos and contemplative gazing on the lake
Ron Jeremy & new friend @ ATP NY Sunday night
How do you get out of a conversation with Ron Jeremy? It's 1:30 AM on Monday (Sunday night), my friends are talking to the porn legend, and all I can think about is rest. It's been a brutal weekend of fantastic performances, great conversation, contact highs, 30 packs of beer, fantastic people, not to mention great music. But by the end of Sunday (the final day of ATP NY 2010), I just needed some Zs.
After a day-opening set of psychedelia from White Hills on stage two (which I enjoyed though it didn't manage to give me the kick in the ass I needed), The Greenhornes held down my interest for what I caught of their set. The
Detroit Cincinnati band's garage pop played to one of the biggest early day crowds that I had seen on all three days. Kurt Vile's garagey punk followed on the second stage, sounding much heavier live than I had anticipated.
Fucked Up was next on the main stage, so I made sure to secure a primo slot for the mayhem. Madman Pink Eyes, who sang 2/3 of the show from the crowd, did all of the following during his set in the Stardust Room: crushed a coke can like Stone Cold Steve Austin, sprinkled Cocoa Puffs on the crowd, smeared himself with Oreos, performed all of "Crusades" with a plastic bag on his head, laid down in the center of the crowd, instigated a group hug of 20-30 people, and took audience members on piggy back rides. After two days of festival madness, it was definitely the shot in the arm I needed. Vivian Girls, who followed them on the second stage, was a bit of a comedown, but then again who wouldn't be?
GZA's set was moved to later that night on stage two (which I would end up missing due to Altar), so his stage one slot was filled by comedian Hannibal Burress who had also performed Friday night. I missed his set and ended up catching Wooden Shjips' powerful psychedelic set on the second stage. There were many retro-leaning bands playing over the course of the weekend. My favorite sets in that category came from Dungen and The Black Angels. Powerful, trippy and fantastic.
With the lights down low, Hope Sandoval played xylophone and crooned with her enchanting voice to the Stardust Stage crowd. On any other occasion, I might have found the set mesmerizing, but at that moment another pick me up was needed and I surprisingly found that in Girls's sunny Elvis Costello brand of pop directly afterward. With all of the recent brutality (Fucked Up, Wooden Shjips, and in a much different way, um, Vivian Girls) it was a fun change to see the band run through tracks like "Laura" from their recent LP. Great set from this Cali crew.
T Model Ford
Of all the artists walking around Kutshers during ATP weekend, the two that seemingly had the most fans/people clamoring to meet them were Sunday's curator Jim Jarmusch, and T-Model Ford. It didn't hurt that T-Model was apt to take his guitar out and play anywhere with a little battery-powered amp. The bluesman finally got his time under the lights of the second stage on Sunday night though, and the adoration continued, with people cheering while he tuned (multiple times).
Raekwon took the stage a touch late with an introduction from Ron Jeremy, running through the classic Wu material: "Protect Ya Neck", "C.R.E.A.M.", "Ice Cream", set opener "Motherless Child", "House of Flying Daggers" and many more. Though I nerd out to the tracks and even ODB classic-that-felt-like-set-filler-in-a-Raekwon-show "Shimmy Shimmy Ya" on the Stardust Room system, the set felt phoned in. Not to sound insensitive, but is a few-minute shout out to your grandfather who is buried in Monticello really necessary? GZA, Kim Gordon, and Thurston Moore watched the set from the sides of the stage.
I missed GZA's rescheduled set completely on the second stage (because of Altar), but he reportedly delivered a freestyle-heavy set. The Wu-tang rep later showed up at The Deep End Bar to greet the legendary Kool Herc who was DJing late-night...
GZA & Kool Herc ATP (Kory Grow)
Partway into [Kool Herc's] set, in walked Wu-Tang Clan's GZA, who had played a sort-of aggressive set at the same time as Altar (I went back and forth between the two.) ...in the presence of Herc, he was nothing but reverent. He nonchalantly stepped behind the turntables and said hello. ...It was one of those rare moments where you felt like you were seeing something rare and historic. GZA grabbed the mic and talked about what a legend Kool Herc was and thanked him before leaving.-After leaving Altar, I spent a good portion on my way out saying goodbyes to the many new friends I had made at ATP. The festival is more than a string of shows, a worn-down hotel, and a few too many beers; it's a community of like-minded and friendly people that I have not experienced anywhere else. ATP New York was tons of fun, and I spent a good portion of Sunday lamenting that my experience was almost over and I'd have to wait another year. But I'll definitely be there.
[Sadness Is Delicious]
words and pics by BBG, additional Sonic Youth pics by Samantha Marble
Unlike Friday (and Sunday), people weren't throwing devil horns on Saturday. With the Saturday lineup dominated by indie acts, including many longstanding ones (Sonic Youth, Tortoise, Dave Pajo/Papa M, Shellac, The Breeders, etc etc) there were less shirts that repped the heaviest of the heavy, like Dystopia, Grief and Electric Wizard, and more "vintage look" Judas Priest and Dio with bowl cuts, and 80's style librarian glasses. In other words, there was a definite crowd shift from day one to day two at the 2010 edition of ATP New York.
While cruising through the lobby on my way to my first performance, Text of Light with Lee Renaldo, I paused to catch Helen Money (on tour with Shellac) at the "Lobby Stage". The 10+ minutes of Text of Light was a bust - squalls of guitar feedback with wailing sax made for a fascinating few minutes, but grew tiresome quickly. Helen Money's looped cello was already gone by the time I had returned from the second stage, but I wish I hadn't left. Later on I would catch Frankie Don at the lobby stage, who played hits of the 70s and 80s with Casio presets while the drunk, acid-drenched, and generally out-there spazzed on the dance floor. It was my own personal Tim & Eric Awesome Show episode.
Fuck Buttons were the first band I caught on the main stage, and the tribal drumming, rumbling saw wave bass tones, and pulsing electronic soundtrack were well-represented in the Stardust Room. The band's live show stuck to their recent recorded output and was quite the contrast with my next conquest, the out-there chamber-folk of Fursaxa on stage two, complete with cello and harp. I preferred the former.
After a bit of Tortoise's jazzy math post-rock rhythms, I scooted down to Sleepy Sun (playing Knitting Factory Monday night) on the second stage; the Cali psych-rock band impressed me so much in the exact same room last year. Their set was not as impressive this time around, but more so than The Breeders who played the larger stage later that night and were a touch messy/off-key as they stammered through hits like "Divine Hammer".
On the other hand, Shellac (who also played in 2009) and Papa M killed it though in much different ways. Shellac's treble-y stomping punk rock was a triumph, and their Kutsher's set ("We are Shellac, and we only play ATP shows") included recent faves like "The End of Radio" and "Steady As She Goes". The band nixed their now famous Q&A session during their show due to their shortened set time, so their usual dry-sarcastic humor didn't play out as much this go around. Hopefully they have no curfew Tuesday at the Bell House. Papa M delivered ambient-y guitarscapes on the second stage, impressing immensely.
If you live in NYC, you've probably had your share of live Sonic Youth experiences. I've seen them at least six times. But whether it was the atmosphere, perfectly balanced soundsystem, or the band having a particularly ripping night, SY delivered probably my favorite Saturday set, focusing primarily on earlier material (Daydream Nation was a focal point it seemed). The sound in the Stardust Room was (still) flawless, and they closed out the night with a bang (set list below).
I also saw bits of Avi Buffalo, The Books and Hallogallo on Saturday. I completely missed BEAK> (stay tuned for our coverage from their Bowery Ballroom show though), Sian Alice Group, and Apse (catch them Monday and Wednesday night in NYC). I also missed Explosions in the Sky, but Sam caught them (her pics coming soon).
Read about Friday HERE. Sunday coverage is coming. Saturday (with more pics also coming later), continues below...
words & photos by BBG
I'd like to think that the washes of green lights after projected flames on stage during Sleep's headlining set Friday night were indicative of the band's devotion to the holy leaf, but then again maybe it just looked cool. Either way, the band headlined the first night of ATP at Kutshers with co-headliner Iggy & The Stooges, Mudhoney, and The Scientists each playing classic material as part of the festival's Don't look Back series. Kutshers hasn't changed in the three years that I have attended the festival (not that I would ever expect it to); leaky ceiling tiles, a general musty smell prevails throughout the facility, and most importantly the vibe; I get none of the drag-and-drop feeling of most festivals and their Budweiser-commercial-with-funnel-cakes-and-apply-for-a-credit-card-here-and-did-I-mention-there's-music feeling. There is an openness at Kutshers that isn't easily replicated, much like the performances last night.
After settling in, slid into the Stardust room to catch the opening bars of "Touch Me I'm Sick" as Mudhoney launched directly into Superfuzz Bigmuff (the album they played in full). The record was them at their noisy, unhinged best, and although the feedback and some of the chunkiness in guitar tone was missing, the Seattle band was taut and fantastic live. I unfortunately missed The Scientists who played before them.
Iggy & The Stooges followed, and of my experiences with Iggy, of which there are a few, it's hard to imagine him wilder, more energetic, and more spastic than he was during his Raw Power set. Backed by James Williamson (Ron Asheton RIP), Scott Asheton, Mike Watt and saxophonist Steve Mackay, the band opened with the title track from the record before beating down the capacity crowd with the fantastic "Search & Destroy". Excellent set from these guys. BV photographer Greg Cristman was also in attendance last night, and as a long time fan of the band, he said that the ATP set was more impressive than their Atlantic City outing a few weeks prior. The crowd, who pogo'ed, crowd-surfed, joined the Detroit legends on stage for a dance during "Shake Appeal", and were generally nutty probably added fuel to that fire.
From the opening solo riff of "Dopesmoker", Sleep ruled the Stardust Room, keeping to the electric vibe that Iggy touched on in his set. The room was full of metalheads (more Slayer shirts than Radiohead shirts at ATP Friday night). Matt Pike's tone and power is truly unmatched on the six (or nine) string, and the reunion of the guitar god with the thundering and similarly powerful low-end of Al Cisneros brought to mind their ancestors, Iommi and Butler.
Though original drummer Chris Hakius has retired his drum throne, Neurosis drummer Jason Roeder was no scab; handily backing what is arguably two of the most powerful instrumentalists in current heavy music. Much like it did when My Bloody Valentine played ATP two years ago, the Stardust rattled, though with a low-end power rumble (as opposed to MBV's earshattering and treble-y feedback). Classics like "Dragonaut" and "The Druid" and were intercut with sections of "Dopesmoker", and even the new-ish jam "Anartican's Thought" made an appearance during their two hour set which, for a portion of the crowd, was more punishment than could be handled (the audience thinned as the night went on).
Except for a brief moment when Matt Pike pulled out an acoustic (!) only to be plagued with technical difficulty (for "Some Grass"?), it was powerful, fantastic, and, to borrow an overused term that is totally applicable here, was truly epic. I can't wait to see them again (and again) in the coming week (tickets for the Monday night show are still on sale).
The music kept me from really checking out the Syd Butler-chosen comedians who were performing in another room, though I did run in for a second to see some of Todd Barry.
Kurt Vile at Brooklyn Masonic Temple (more by Lori Baily)
It's almost final and official, ATP New York is ruling. The best Hudson Valley festival to ever be held in a 1960s time capsule has announced the "final additions" including two comedians chosen by Syd Butler of Les Savy Fav (more to come... that's all "so far"), as well as a few new and interesting additions to the Jim Jarmusch curated date. Behold:
Boris @ ATP NY 2009 (more by Ryan Muir)
There aren't many music news items that get me excited as ATP lineup additions. This one is no different. Hope Sandoval & The Warm Inventions, Torotoise, Bardo Pond, Beak> featuring Geoff Barrow of Portishead, Sleepy Sun, Avi Buffalo, Sunn O)) & Boris performing material from their collaborative album Altar, Dungen, and White Hills have all been added to the already-stellar bill of the 2010 festival at Kutsher's Country Club in Monticello, NY (Sept 3-5). All confirmed artists and more details below...
All Tomorrow's Parties will return to Kutsher's Country Club, Monticello for the third ATP New York festival over Labor Day weekend, running from Friday 3rd September - Sunday 5th September. We are very excited to announce that legendary film-maker Jim Jarmusch, well known for his fantastic collaborations and documentaries with musicians will be the guest curator on Sunday 5th.Jim as curator is not completely surprising since he took part in the 2009 fest as well. Bigger posters, more info on the 2010 fest, and the updated lineup is below!...
DROP OUT OF LIFE WITH BONG IN HAND......
BrooklynVegan: A lot of your US fans are wondering why [Sleep] aren't doing a US tour or even a show in San Francisco and NYC. Whats the reasoning? Is that mostly due to Chris?I hate to be the bearer of bad news, but Kutscher's is going to need a fumigator and a team with some SERIOUS HVAC experience. Sleep has announced that they will perform all of Holy Mountain at ATP New York 2010, right beside Iggy & the Stooges performing Raw Power, Mudhoney doing Superfuzz Bigmuff + Early Singles and The Scientists (their first ever US show) who will preform all of Blood Red River!!!
Sleep's Matt Pike: I think the dude just wants to retire.... He lives up in the hills and he's got a lot going on... I don't think the rock lifestyle is really for him. Chris is really a "to himself" kind of guy... he's an awesome guy and an awesome drummer. But yeah, I don't think that's the lifestyle he wants... and me and Al... both of us are obviously lifers. But he still wanted to [reunited Sleep for shows in Europe] genuinely to wrap up what we started so long ago... and for our fans. I mean we played Jerusalem as Dopesmoker for a long time on tour, but people didn't even get into it until we broke up.
To continue our year-long celebrations of Ten Years of ATP we are thrilled to announce that All Tomorrow's Parties will return to Kutsher's Country Club, Monticello for it's third ATP New York festival over Labor Day weekend, running from Friday 3rd September - Sunday 5th September. Weekend and Day Tickets are available, with a Layaway Ticket option available. [ATP]The "Iggy & The Stooges" lineup (as opposed to The Stooges) means the addition of James Williamson back into the fold, who Iggy collaborated with on Raw Power, Kill City, and New Values. The Raw Power announcement isn't much of a surprise, as Iggy let it slip last month.
Al Cisneros of Sleep/Om recently played NYC as part of Shrinebuilder along with Rwake and Liturgy. Pics from that show are here. Matt Pike of Sleep also played NYC recently, as part of High On Fire. Dig on pics from that show here and here.
Another flyer, more info on this year's fest, and some videos from the Sleep reunion in the UK are below...
by Black Bubblegum, photos by Ryan Muir
'And for like ten minutes she would just do these fucking amazing animal yelps and screams and growling and all this shit.'
Its a beautiful warm Sunday morning at Kutscher's and Wayne Coyne is waiting for me in a golf cart near the main stage. Clad in his trademark light colored suit, I shake his hand and exchange pleasantries. Then he notices that I'm with photographer Ryan Muir.
"You want to take some pictures? Lets head to the pool."
One problem. The pool is separated by a chain-link fence and there is no way around.
"Let's just jump it" Wayne says, but he's already on the other side.
Wayne is a gracious, charismatic ringmaster/shaman who is up for anything, as long as it leaves a lasting impression, much like the lovable oddballs The Flaming Lips that he fronts.
Starting over 25 years ago as an acid-drenched punk band with a Butthole Surfers obsession, The Flaming Lips have aged gracefully into their current role as quirky pop elder statesmen by keeping their punk rock spirit and freak-out tendencies. 1999's The Soft Bulletin began the band's current trajectory towards poignant and epic melodies, which continues with the release of their new LP Embryonic. It impacts record stores on October 13th, and you can listen to it now courtesy of the Colbert Report.
As you probably heard, The Flaming Lips were invited to headline All Tomorrow's Parties New York (ATP NY) as well as curate the final day of shows at the festival this year. We sat with the Oklahoma native on that sunday (9/13), while a team of men in orange jumpsuits (read: The Lips crew) carted around giant lighting sets, trashcans filled with stuffed animals, and yeti costumes....
words by Black Bubblegum, photos by Ryan Muir
some of the stars of ATP NY 2009
What's almost the exact opposite of a soothing set of Seven Swans performed by one of the most delicate singers in indie rock? Try nine drummers (including Hisham Bharoocha, Zach Hill, and Kid Millions among other notables) bashing your fucking skull for so long that the stage manager has to come out to unplug their gear and remove toms from underneath them! That's how I started my ATP Day 3... with the Boredoms blowing my mind.
Starting off with sparse chords on the monstrous multi-neck guitar/percussive device, Eye set a calm and reflective mood... and then the cymbals. And then the toms. And then eight drummers pummeled away led by Yoshimi P-We. And then the synced rimshots that recalled an Animal Collective beat. All of this happened before a ninth drummer was carried into the show like an emperor while doing a call and response with the other eight.
Within about 10 minutes, I knew that Boredoms would take the prize as best show at Kutsher's that weekend. The sheer power of the coordinated drums, along with pregnant pauses and killer synth effects performed via keys, CD-DJ tables, and broomsticks (!) were beyond jaw dropping.
Following Boredoms, I poked my head into Oneida's Ocropolis for the first of many times. For 10+ hours, Oneida basically had the small and very decorated room all to themselves for a long jam session with their friends. Reportedly, the band had tape rolling the whole time (Ocropolis is the name of their Brooklyn recording studio) and had visuals provided by the Mighty Robot AV Squad. With local standbys like BJ Warshaw of Parts & Labor/Shooting Spires fame, Chris Weingarten (ex P&L), Todd P, and many others spotted in the Sportsman's Bar, it seemed like Brooklyn in the Catskills. Unfortunately, I missed every single special guest appearance (word is, and in part according to a sign on the door, Soft Circle, Yoshimi, Aaron from Tall Firs, Zach Hill, Steven Drozd and many others all popped in) but the band was very interesting to watch, alternating between songs, and droney ambient jams.
Caribou was next in the main room and the 16-piece(!) band including Sun Ra Arkestra member Marshall Allen, Koushik, Kieran Hebden (Fourtet) and many others. I had no expectations heading into the set and was pleasantly surprised, although I found the mix to have waaay too much low end.
I ducked out of Caribou early to catch the last twenty minutes of Hopewell who was billed to be playing "The Desperation Suite," "complete with a female choir and avant-garde saxophonist Mark Marinoff". From what little I saw, the three person "choir" did little but coo, ooh, ahh, and coordinate a dance, but the band did close with a rousing cover of Jane's Addiction's classic "Of Course".
Established full service Resort in the Catskill Mountains in continuous business for over 100 years; 18 hole golf course and clubhouse, min convention center with auditorium and/or nightclub which seats over 1,700. Dining room with full service kitchen seats 1,200+. see brochure of full list of amenities.Own a piece of the Borscht Belt. Kutschers can be yours for just $12,000,000. If you get it though, just make sure you keep having ATP there. In fact, just turn it into a year-round, music fantasy weekend getaway.
Located in Sullivan County, New York, close to Route 17 (future IS 86), 88 miles to NYC metro market and GWB
words by Black Bubblegum, photos by Ryan Muir
Steve Albini in Shellac
"We're taking a bath, but I don't care," Barry Hogan told [Sasha Frere-Jones]. We were standing in the makeshift production office for the All Tomorrow's Parties festival, at Kutsher's, a resort in the Catskills."My name is Sufjan Stevens and I am going to play all of my Seven Swans album. That should be a good early afternoon hangover sort of thing"
Kutsher's, where Muhammad Ali trained and a thousand schticks were born, was once the jewel of the Borscht Belt. The main venue at Kutsher's, the Stardust Ballroom, has a capacity of 2,800. But Hogan seemed largely unbothered that only 1,800 tickets to ATP had sold. It is 2009, after all.
Considering the bad coffee situation and the fun that I had the day before, Sufjan was spot on. Clad in tie-dye that the band had purchased at the general store at Kutsher's, the five piece were delicate, light and lilting. Sufjan's bright banjo strums and songs, like the sunny "Sister", resonated so well in the Stardust Ballroom. The Seven Swans album was an excellent choice for a wake-up set on the second day of the three day upstate NY festival (Saturday, September 12, 2009).
After Sufjan, I wandered over to catch a crew of young Aussies named Bridezilla. Though their name is a touch offputting, guitarist/vocalist Holiday Sidewinder has a sexy and breathy coo that recalled PJ Harvey and their her cocktail-dress-ed crew were a surprise and a delight.
Grouper were next, and as a fan of 2008's Dragging a Dead Deer Up a Hill, I was eager to check out Liz Harris's ambient soundscapes. Playing to a projection of an ocean at night, the stage show wasn't much visually but the tides of noise was otherworldly.
Conversely, Black Dice in the same room was a psychedelic mindfuck. Blasts of tribal noise beats nodded heads and shook them in equal measure.
As a fan of Bradford Cox, it was great to see him pull a doubleheader on Saturday, beginning with Atlas Sound. Rolling solo with guitar, harmonica, and some backing tracks, Cox was engaging both in song and with between song banter. I would regrettably end up missing Deerhunter's set a few hours later. Drowned in Sound was there though:
Bradford Cox is a picture of serenity as he swaps his shirt for a more tasteful number and leads Deerhunter into their Saturday night set. He announces that this will be their last performance for some time, causing the band to roll out the hits in quick-fast fashion. They gallop through 'Cryptograms' and 'Nothing Ever Happened', the positively herculean double guitar sound feeling unstoppable and a sense of jubilation ricocheting between the walls as people succumb to these great big shining pop songs. The closing 'Calvary Scars' is a slab of beautiful kraut-pop, with Lockett Pundt's metallic Tim Gane-esque strum leading the way, face-painted kids jerking their bodies back and forth, and Cox looking genuinely sad that this will be the last time these songs will be wrung from his fingers and throat for a while.Anti-Pop Consortium was my next venture, the first time I had ever seen the crew though I was a long time fan. On the Stardust Ballroom system, APC's distorted and creative beats sounded amazing but save for Beans energetic movement, I was less than impressed with their live show. Live hip hop is hard to pull off, and those who try should heed the great Rakim who said "to me MC means move the crowd". If you want to give them a chance, they're at Santos Party House on September 29th.
Sleepy Sun were line checking when I got back to the second stage, with vocalist Rachael Williams checking her levels in the monitor
"Check. Check. I. Hi. Me. You. All of you. Us. Getting nervous."
If they had nerves, the band channeled them into positive energy. Sleepy Sun's influences fit right in with their hometown, San Francisco, as the band dabble in a psychedelic California sound with some krautrock-y elements. I was most struck by their fantastic drummer Brian Tice as well as vocalist Williams, who ripped out a solo that had the crowd shouting and applauding. Wayne Coyne watched the band from stage left, clearly impressed.
After an elongated line check, El-P came on and with a four-piece band (Chin Chin) and hypeman (Mighty Quinn) to the sound of "Tasmanian Space Coaster". I have a soft spot for El-Producto's Blade Runner beats and post-apocalyptic rhyme styles, and it was great to see a Hip Hop artist who actually puts an emphasis on his live show. As a matter of fact, El-P put a little too much of himself out there, almost falling off the stage after pogo-ing around during "Smithereens". Careful dude... we need a follow-up to I'll Sleep When You're Dead.
I hadn't seen Akron/Family since the then more acoustic-centric band played Tonic many years ago (with Hamid Drake?) and it was refreshing to see their energy were still in place. Against a backdrop of a tie-dyed American flag, the band played a rousing and ripping set. It's good to see that the loss of Ryan Vanderhoof to a Buddhist center hasn't slowed them a bit.
Autolux had the discordant riffs, feedback squalls, and a 90s alt punk sound to hit all of the right influences (Joy Division, Sonic Youth, etc), but unfortunately didn't really distinguish themselves from their influences. Autolux isn't offensive by any means, just not compelling or distinctive, and I find it a touch disappointing that guitarist Greg Edwards was a member of Failure (a band that I dug).
Dead Meadow and their fuzzy freakout psych blues were riffing on Stage Two towards the end of the Autolux set, but by half way in, the crowd had diminished considerably due to Shallac on the main. For shame, as the trio played a ripping set!
photos by Ryan Muir
When Sufjan Stevens took the stage to a packed room for the opening set of ATP NY's Day Two, the Detroit singer promised to go easy on peoples' headaches. "This will be an early-afternoon hangover special," he promised, explaining that the set would draw heavily on Seven Swans, his gentle, spare 2004 debut. He started with "All the Trees of the Fields Will Clap Their Hands," in which a plinking banjo riff suggested a tiny music box, mesmerizing and intricate.The pics here are from Sufjan's ATP NY set on Saturday. Jesus Lizard played on Friday. Flaming Lips on Sunday.
Stevens was breathy and hushed, and his backing band -- all in matching tie-die shirts purchased at the grounds' kitsch-stuffed gift shop -- slowly built up songs around him. In keeping with the mellow vibes, "The Dress Looks Nice On You" played like particularly chaste make-out music: "I can see a lot of life he you," he cooed, "I can see a lot of bright in you/ And I think the dress looks nice on you." Someone in the back of the room wolf-whistled. As far as Christian post-folk pick-up lines go, this was pretty racy stuff. [Rolling Stone]
Sufjan has a string of 'small club' dates coming up. And he's appearing with the Osso Quartet at the start of their Run Rabbit Run tour which will also include a screening of the new Sufjan BQE DVD. A new MP3 from the forthcoming BQE album, is posted above.
The BQE album tracklist, and the rest of the ATP pictures, below...
photos by Ryan Muir
"I'm going to remember ATP 2009 as the festival of bass, though, and fondly, because this event takes sound seriously. Somebody in the organization is aware that the small, judicious audience for something like this--including many fans flying over from England to see it--wants to feel music physically. In just about every show at the two principal stages, all weekend, the sound was loud and broad and clear; it got inside your bones.Bass or not, I disagree. The No Age/Mould show, Sunday night's second to last performance of the upstate NY festival (and one of the few that I saw from start to finish), was a personal highlight for me in a day that also included great sets by the Boredoms, Oneida, Super Furry Animals, Boris and of course the day closer/curator The Flaming Lips (pics & further review coming).
But this may be why the Bob Mould and No Age collaboration didn't quite get off the ground. Mr. Mould, once of Hüsker Dü, and No Age, the young punk duo from Los Angeles, apparently admire each other. They came up with a good and relatively easy idea: working as a trio for one night only, playing songs from both acts. The set included all eras of Husker Du ("Something I Learned Today," "Makes No Sense At All," "In A Free Land," "I Apologize," "Could You Be the One?" and "New Day Rising"); it also ran through No Age's "Eraser" and "Boy Void," as well as a cover of the Heartbreakers' "Chinese Rocks," with Bradford Cox of Deerhunter joining in. But there was no bass player, and it felt light in the wrong way."
Bradford performed with his own band Deerhunter, and solo as Atlas Sound, on the Saturday of the festival. Atlas Sound tours with Broadcast in October.
Bob Mould tours with his own band in October too.
More pictures of No Age/Mould/Cox @ ATP, below...
words by Black Bubblegum, photos by Ryan Muir
Friday, September 11th - Stage 1:The floors have been waxed. The bathroom tile is dry and shiny. Couches are not draped with bodies. Kutsher's and it's distinct 1960s time capsule "charm" is still in full force, though the place seems oddly tidied. Doorways that last year lead to muddy, mold infested corridors have been nailed shut. Random holes punched into the drywall have been patched. The musty smell that permeates the building is "covered" by an equally foul carpet deodorizer. I arrived a shade past 3PM on Friday (9/11) and it was obvious the ATP crowds hadn't sunk their fangs into the Country Club yet. Everything was still nice and clean.
3.15pm-4.15pm : The Drones performing Wait Long By The River...
4.45pm-5.30pm : The Feelies performing Crazy Rhythms
6.00pm-7.00pm : Dirty Three performing Ocean Songs
7.30pm-8.30pm : Suicide performing Suicide (First LP)
9.00pm-9.45pm : Panda Bear
10.15pm-11.15pm : Iron & Wine
11.45pm-1.00am : The Jesus Lizard
Friday, September 11th - Stage 2:
9.00pm-9.30pm : Jon Glaser & Jon Benjamin
9.45pm-10.15pm : Derrick Brown & The Navy Gravy
10.30pm-11.00pm : Eugene Mirman
11.15pm-11.45pm : David Cross
As a veteran of multiple music festivals, I think that most feel very familiar... borderline generic even. ATP is an animal all its own. There is an energy that is positive, creative and palpable. Musicians wander about the grounds, checking out the bands. The sound system is killer. It's like an indie summer camp complete with a poorly functioning shower.
We arrived early enough to catch the first part of The Drones whose current tour also had them at The Bell House in Brooklyn two days earlier.
"I hope you like bronchitis, 'cause that's what all you're getting" the guitarist said while pointing toward the front row of the audience.
Bronchitis or no, the band's angular and sometimes atonal pop was immediate and fun despite anyone's poor health.
The Feelies followed with Crazy Rhythms indeed, alternating between jingle bells, timbale, shaker, maracas, hanging lead pipe as well as a satellite floor tom and snare drum. It was great to see those songs come alive. See them in Brooklyn on Sunday night.
Dirty Three was four, as Nick Cave sat in the tickle the ivories. Nick played a backseat role, no singing, none of his songs... For all intensive purposes he was John Q. Pianoplayer. Ocean Songs is a very affecting record, and their engaging post-rock-y compositions swelled and collapsed with emotion. Just don't call them emo.
"I'd like to set the record straight for Pitchfork and those guys... we did not invent emo. Blame it on some other cunts," Warren Ellis quipped between songs.
During songs, Ellis hopped around on one leg while playing his violin, sashaying to melodies and punctuating key moments with jump-kicks. Dude has ups, especially in a suit. Those in NYC have another chance to catch the band Sunday at Bowery Ballroom.
Suicide followed, and I am definitely a fan of their first LP. In the Stardust Ballroom, a ski-goggled Martin Rev banged away at his Triton producing compelling keyboard squelches and 200 BPM kick drum assaults, while Alan Vega barked lyrics from his music stand like an ornery old man. It was very loud. Fun for a while, but I couldn't watch the entire set.
Panda Bear's loopy harmonious bliss is something that I enjoyed on the Person Pitch LP, but was not looking forward to in a live setting. Nevertheless, I checked out Noah Lennox's knob-twisting live set which contained backlit projections. It's hard to pull off a one man show effectively, especially if there is limited crowd interaction. Noah's other band headlines Saturday night (tonight) of the festival.
Iron & Wine was solo acoustic, and Sam Beam engaged the crowd fully. I caught a few songs until leaving catch some of David Cross's set before The Jesus Lizard.
Kicking off with "Puss" and heading into "Gladiator" and "Seasick", The Jesus Lizard attacked the stage with their trademark screechy guitar lines and high frequency bass lines. Duane Denison, David Wm. Sims, and Mac McNeilly were tight as hell and the band roared through their classics to an extremely enthusiastic crowd all while David Yow acted like a buffoon.
Either I'm showing my age, or he his, but I used to find David Yow and his antics menacing. That's not to say he was anything less than riveting. He performed 1/3 of the show from the crowd (surfing or otherwise). When on stage, Yow mock-jerked himself off, hula-danced, slap-boxed the microphone stand, pointed at women while crotch-thrusting, and wished the audience a.... "Happy 9/11".
By the way, if you're wondering who IS responsible for emo. David Yow has the answer.
"That's Slint's fault"
photos by Ryan Muir
Make Major Moves: When we've talked in the past, I remember you saying that there was no way the Jesus Lizard would ever reunite -- mostly because you didn't think [drummer] Mac [McNeilly] would do it. And you said the same thing about Scratch Acid, and then Scratch Acid did that little reunion in '06...The Jesus Lizard headlined the first night of the ATP festival at Kutscher's in Monticello, NY last night (9/11). More about their set shortly. More pictures from it below...
David Yow: Well, I think that doing the Scratch Acid thing helped me learn to quit saying never, because I used to say never all the time and I think that it's bitten me in the ass a few times and made me look kinda foolish. I'm not even certain how this came about. I guess [guitarist] Duane [Denison] had played with Mike Patton, and Mike was curating All Tomorrow's Parties in England and he asked Duane if we could get our shit together to play ATP. So there was e-mail going around and stuff...and Mac said he was into it, but there wasn't time from the point that Mac said okay until the ATP thing, so we just kinda blew it off. And then Touch & Go started talking about wanting to do these reissues [of the first four Jesus Lizard albums] with all this extra stuff and we thought, "Well, what the fuck? Okay, let's do some shows." And originally it was just gonna be like three or four shows and it's built up into a total of 35 or 40.
Boss Hog @ Maxwell's (more by Tim Griffin)
Friday will feature a first New York show in a long time by The Jesus Lizard and newly announced, ATP favourites Iron and Wine. They will join the Don't Look Back shows also taking place on Friday: The Feelies performing Crazy Rhythms, New York's finest Suicide performing their first LP, Dirty Three performing Ocean Songs and The Drones performing Wait Long By The River... The evening will be rounded off with the Comedy Stage hosted and curated by the one and only David Cross.This is great. Full (current) lineup (in list format), and more info, below...
Saturday is curated by ATP and is headlined by Animal Collective and an exclusive performance by Panda Bear. Other confirmed acts include the newly announced Boss Hog, Deerhunter and Bridezilla, plus the previously announced Melvins, Black Dice, Dead Meadow, Autolux, EL-P, Akron Family, Antipop Consortium, Atlas Sound and the hotly tipped Sleepy Sun.
Sunday is curated by the outlandish Flaming Lips. Every act that plays will perform an exclusive special show, bespoke for this event. First up are the Boredoms who will continue their BOREDRUM [BOADRUM?] series, performing with 9 drummers on stage. No Age will perform a whole LP by Husker Du including special guest vocalist [um... Bob Mould?]. Deerhoof will perform with special visuals by Martha Colburn. Caribou will perform as Caribou Vibration Ensemble, with a 4 piece horn section, 4 drummers and a choir and guests that include Kieran Hebden (Four Tet/Fridge/Kieran Hebden & Steve Reid), Koushik (Stones Throw Records), John Schmersal (Enon, Brainiac), Kathryn Bint (One Little Plane), Ahmed Gallab (Sinkane) and more. Finally Stardeath and White Dwarfs also join the line-up, with lots more to be announced!
LSF ride a sea nymph on Kutscher's Lake (stacy jean)
Les Sav Fav have been added to that upcoming Obama beneft show in NYC, no not the one with Billy Joel. Don't expect a full set, but do expect additional secret guests in addtion to LSF and who was previously listed on the Music Hall of Williamsburg bill.
For a full set, you can catch LSF at the same venue on October 12th.
Les Savy Fav didn't play the Eugene Mirman Comedy Festival show at he Bell House on Friday, but two members of the band (Tim included) did make a part-comedy, part-music appearance.
photos by Zach Dilgard, words by Black Bubblegum
After a great (and late) Saturday-night, morning (3pm) bloomed with Robin Guthrie (co-founder of Cocteau Twins) and his shimmering ambient soundscapes in the main room. Backlit by projections of fractals and waves, it was the perfect way to ease into Sunday. Le Volume Courbe and Wounded Knees (both opening for MBV tonight at Roseland) had already played on stage two, but sadly, I missed them.
While Guthrie shined on, I scooted on over to stage deux and caught a few minutes of sunny pop by The Lilys (opener for MBV in NYC night two).
photos by Zach Dilgard
My Bloody Valentine played their first US show in 16 years last night at ATP NY @ Kutscher's (9/21/08). It was also the final, headlining performance of a three day weekend full of musicians playing at the old resort in the Catskill Mountains - many of them chosen by MBV to play the festival. My Bloody Valentine's next shows are Monday and Tuesday night in NYC. Stay tuned for the setlist and more about this show, and the entire ATP day three. But for now, more pictures from MBV @ ATP, below...
photos by Zach Dilgard, words by Black Bubblegum
British experimentalist Alexander Tucker kicked off ATP day two (9/20) with looping pedals and acoustic instruments (cello, guitar). A very interesting artist to start my day with and worth further investigation.
Growing and their effects-laden noise drones sounded great on stage two, though sometimes I find it hard to watch a knob-twiddling live show.
Probably my biggest surprise of the day was The Drones who were urgent, angular, and punky. I was familiar with some of their work through a certain Vegan pal of mine. I will be familiar with more and won't miss them next time they make it to NYC (Philly, Richmond & DC have the chance over the next three days).
photos by Zach Dilgard
Stone Temple Pilots frontman Scott Weiland will release his second solo album on November 18, a decade after his first solo outing hit stores.More pictures from Shellac's Saturday night show in upstate NY, below...
"Happy," which will be issued on Weiland's own Softdrive label, boasts guest appearances from three members of No Doubt: bassist Tony Kanal, guitarist Tom Dumont and drummer Adrian Young. It was co-produced by Weiland and Doug Grean, with Steve Albini also engineering a handful of songs. [Billboard]
photos by Abbey Braden for atp 2008
More pictures from Les Savy Fav's Saturday night ATP set below...