Entries tagged with: METZ
by Zack Baker
Metz at BV-SXSW 2015 (more by Amanda Hatfield)
METZ have been gearing up for the release of their sophomore LP, II, for a while now, releasing the pancake-centric "non-video" for lead single "Acetate" back in February. The band is back with another track from the album (complete with a massive guitar solo), and it's no less caustic than the explosive lead single. Stream "Spit You Out" below.
The band already announced dates with Lightning Bolt and FIDLAR as well as a few shows in Europe, and now they've extended the tour to include even more North American stops. Check out all of the band's upcoming tour dates along with "Spit You Out" below...
photo: Outside Lands 2014 (more by Samantha Saturday)
Outside Lands, which happens August 7-9 in San Francisco with Elton John, Mumford & Sons, The Black Keys, Kendrick Lamar, Wilco, D'Angelo, St. VIncent and more, announced its daily lineups today. Check those out below.
3-day passes are sold out, and single-day passes go on sale Thursday (4/2) at 10 AM PDT.
photos by Amanda Hatfield
METZ / Octopus Project
The first of three free BrooklynVegan SXSW day parties at Red 7, and the only one that had no rain, happened Thursday (3/19) from noon to 6pm with 15 bands across the venue's two stages.
The inside show began with recent Run for Cover signees Elvis Depressedly who played a set of scrappy indie rock with singer Matthew Lee Cothran's animated stage moves intact. Then Emmy the Great brought things down with a set she played mostly as a duo but with a few solo songs too. Next up was the alt-R&B of three-piece Basecamp, followed by the danceable, super fun pop of New Zealand's Yumi Zouma. Veteran Canadian band Frog Eyes came next with Carey Mercer & co's eccentric indie rock in excellent form (story about being accused of doing meth in the BrooklynVegan comments included), and then it was their neighbors from up north, Cancer Bats, whose blend of hardcore and stoner rock riffage was the heaviest set of the day. Oklahoma rockers Broncho followed, playing to one of the most packed in crowds of the day and totally sounding built to do so. Finally it was one more Canadian band to wrap up the day, METZ, who were as loud, fast and full of energy as ever.
Broncho / Speedy Ortiz
Outside the show began with the UK's Ultimate Painting, the band with members of Veronica Falls and Mazes whose Dead-like guitar jams and close harmonies were super tight and pretty perfect outdoors on a sunny afternoon. They were followed by Girlpool, who previewed some material from their upcoming debut LP and included some favorites from last year's EP that had a chunk of the crowd singing along. Then came the shouty noise rock of Ireland's Girl Band (who unlike Girlpool who played before them, don't have girls in the band), and then the smart/sarcastic indie rock of Chastity Belt ("this next song is about mansplaining"). After them it was Mitski who was more impressive than before at this show and had a lot of the crowd screaming in approval. She was followed by Speedy Ortiz, who seem to get tighter each time and whose new songs came off great live ("Raising the Skate" was especially a highlight of the set). And to end the day it was hometown heroes The Octopus Project with a highly enjoyable set of their experimental rock to a full backyard of people.
Thanks to our sponsors Dropkloud, Esurance (who let 30 people skip the line each day) and MailChimp for helping make the party possible. If you unlocked our party playlists on your phone with the DropKloud app, you can go listen to them now. If you're still in Austin, you can still unlock them when at Red 7 with the app installed on your phone. Thanks also to Sailor Jerry for helping keep our artists relaxed.
More pictures from the whole day at BV Austin, and below...
Another Planet Entertainment, Superfly and Starr Hill, in a partnership with the San Francisco Recreation and Park Department, have announced [the] lineup for the eighth annual Outside Lands Festival. After four consecutive sold-out years, the world's only gourmet music festival that Rolling Stone hailed as "one of America's best," and the Huffington Post called "a well-rounded cultural event," will once again take place in San Francisco's historic Golden Gate Park August 7 - 9, 2015. While the Eager Beaver on sale had the fastest sell-out in the history of the festival, a limited number of 3-Day General Admission and VIP regular tickets go on sale this Thursday, March 26th at 10am PDT via SFOutsideLands.com. A significant portion of every ticket sold will directly benefit San Francisco's Recreation and Park Department. The festival has given more than $10 million to the department since its inception.The full lineup for this year's fest is listed, and in Funny or Die video form, below...
photo: Mew at Webster Hall in 2009 (more by Dominick Mastrangelo)
photo: Power Trip at BV-RBSS in 2014 (more by Ryan Muir)
The three FREE BrooklynVegan SXSW day parties at Red 7 in Austin begin TODAY (Thursday, 3/19). We're taking over both stages of the 6th & Red River venue from noon-6pm and doing it again Friday (3/20) and Saturday (3/21) too. You can RSVP for all three days. If you're in Austin, hope to see you there!
Over the course of the three days there's sets from Mew, The Pop Group, Swervedriver, Frank Turner, Ceremony, Iceage, Screaming Females, METZ, Speedy Ortiz, Power Trip, United Nations, Pianos Become the Teeth, Superchunk's Mac McCaughan, The Octopus Project, Broncho, Frog Eyes, Girlpool, Mitski, Chastity Belt, Alex G, Yumi Zouma, KEN mode, Kevin Devine, The Velvet Teen, Pity Sex, Makthaverskan and more.
Check out the flyers and set times for all three days, below...
HERE'S THE DAY ONE LINEUP
THURSDAY, MARCH 19 @ Red 7 (FREE)Like the other two days, we'll be taking over the 7th & Red River venue's two stages from noon-6pm. Again, it's totally free, and RSVP for all three days is open.
12:00 Elvis Depressedly
12:45 Emmy The Great
02:15 Yumi Zouma
03:00 Frog Eyes
03:45 Cancer Bats
12:30 Ultimate Painting (mem Mazes & Veronica Falls)
02:10 Girl Band
02:50 Chastity Belt
04:20 Speedy Ortiz
05:15 Octopus Project
The Thursday inside show kicks off with recent Run for Cover signee Elvis Depressedly, followed by folk-turned-pop musician Emmy the Great. Then it's the alt-R&B of Basecamp, the shiny pop of Yumi Zouma, indie veterans Frog Eyes, Canadian riff rockers Cancer Bats, power poppers Broncho, and finally Sub Pop sludge punks METZ.
Outside, the day starts with the VU/Dead stylings of Ultimate Painting (members of Mazes and Veronica Falls), into the young, smart and quickly rising duo Girlpool. They're followed by intense Irish noisemakers Girl Band, then jangly Seattle post-punks Chastity Belt, arty/folky indie rocker Mitski, discordant indie rockers Speedy Ortiz, and wrapping up the day is Austin experimental rockers The Octopus Project.
photo: Speedy Ortiz @ Pitchfork Fest (more by James Richards IV)
photo: Metz @ Fun Fun Fun Fest (more by Tim Griffin)
This year we're proud to be partnering with DropKloud, a new app that is launching just in time for SXSW. Recently acquired by TuneCore, DropKloud uses GPS technology to allow people to unlock exclusive music content in specific geo-targeted locations. You'll be able to try it out at our parties at Red 7 where we'll have special content from the artists playing our shows. Once you unlock it, you can listen later. Stay tuned for more details, but meanwhile get that app on your phone via Google Play or iTunes.
Want to skip the lines? Visit the Esurance Glove Box in the Austin Convention Center, or the Esurance Lounge at 6th and Trinity, to pick up an #EsuranceAccess Pass. Then follow @Esurance on Twitter to find out when and where you can get preferred entry.
Listen to some of the bands playing, below...
by Bill Pearis
photo: METZ in Portland, OR July 2014 (more by Autumn Andel)
METZ have announced details of their second album, METZ II, which will be out May 5 via Sub Pop. (Pre-order yours.) They've shared a song from it as well, "Acetate," which you can listen to while you watch the band's friend Travis Millard make graphic-designed pancakes for his dog Rodney. They say it's "not the video" but it's more of one than most songs get these days, and is worth watching. The song's a real ripper too, as you'd expect from METZ. Watch it below.
The band are touring this spring, and dates include two stops in NYC: Bowery Ballroom on May 26 and Music Hall of Williamsburg on May 27. Both dates, and much of the tour, are with FIDLAR making lower case letters obselete for much of April and May. Tickets for both NYC shows go on sale Friday (2/20) at noon with an AmEx presale beginning Wednesday at noon.
In other news, METZ's Alex Edkins has teamed with Holy Fuck's Brian Borcherdt and Constantines' Doug MacGregor for a new Canadian supergroup called LIDS. Their debut 7" is titled "Sarsfest" and will be out March 17 via Toronto label Telephone Explosion. You can stream that below.
All dates are listed, along with the LP art, tracklist and "Acetate" video, below...
photo: Lightning Bolt @ DbA's final show (more by PSquared)
Lightning Bolt's new album, Fantasy Empire, is out March 24 via Thrill Jockey and the band have just released the first track from it, "The Metal East," which is intense and punishing, as you'd expect from this pair. Stream it below.
This spring, Lightning Bolt will head out on tour that includes a visit to Austin Pysch Fest Levitation, and concludes with two NYC shows: May 15 at The Wick and May 16 at Le Poisson Rouge. Tickets to both NYC shows go on sale Friday (2/13) at 10 AM.
No openers have been announced for the NYC shows but METZ and Liturgy are playing other sections of the tour. All dates are listed below.
photo::: METZ @ Portland's Howard Theatre, 2014 (more by Autumn Andel)
When METZ were in NYC for Death by Audio's second-to-last show, they mentioned a new album was on the way. Now we have a little more info on that. The album, which may be simply called METZ - II, will be out Spring 2015 via Sub Pop. The Toronto punks teased the new record via a video, a montage compiled by Scott Cudmore and Alex Edkins, that hurls a snippet of skull-crushing METZ noise right near the end. You can watch that below.
Meanwhile, METZ are on tour with Death from Above 1979 and play Winnipeg tonight (1/27). They'll be in London and Paris for a couple shows in March, too. Those dates are listed below.
We're officially in Music Festival Announcement Season, and the latest one is Atlanta's annual Shaky Knees Festival, happening May 8-10. This year includes The Strokes, The Avett Brothers, Wilco, Pixies, Social Distortion, Ryan Adams, Noel Gallagher's High Flying Birds, Tame Impala, Brand New, Mastodon, Neutral Milk Hotel (supposedly one of your last chances to see them for a while), Interpol, Flogging Molly, TV on the Radio, Manchester Orchestra, James Blake, Death from Above 1979, Dr. Dog, Spiritualized, Panda Bear, American Football, Clutch, Black Lips, The Mountain Goats, Best Coast, Real Estate, Wavves, Built to Spill, The Both, Mac DeMarco, Minus the Bear, Old 97's, FIDLAR, METZ, THe Bronx, Speedy Ortiz, Palma Violets, VIet Cong, Strand of Oaks and more. Tickets are on sale now.
Full initial lineup (even more TBA) below...
Festival Nrmal is returning to Mexico from February 28 to March 1 in 2015, and the lineup features Swans, Phantogram, Future Islands, Black Angels, Machinedrum, Omar Souleyman, Majical Cloudz, TOPS, Twin Peaks, Peaking Lights, Kirin J Callinan, METZ, Boogarins, DJ Dodger Stadium, HTRK and more. Tickets are on sale.
Full lineup below...
Austin Psych Fest 2014 (more by Tim Griffin)
The annual Austin Psych Fest, which they've renamed "Austin Psych Fest presents Levitation" (more on that below), happens this year from May 8-10 at the Carson Creek Ranch. The initial lineup was just revealed and it's looking pretty crazy. There's The Flaming Lips, Tame Impala, The Jesus and Mary Chain (performing Psychocandy), Spiritualized, Primal Scream, The Black Angels, Thee Oh Sees, Mac DeMarco, Melody's Echo Chamber, Lightning Bolt, The Sword, Earth, A Place to Bury Strangers, Fuzz, The Soft Moon, Metz, White Fence, Fat White Family, Nothing and still plenty more. Weekend passes are on sale now and check out the full initial lineup below.
As for the name change of the fest to Levitation:
Over the years, countless other "psych fest" events have popped up around the globe - music communities all over the world are gathering together and celebrating music and art together. This is an amazing thing and we are proud to be a part of it.The APF folks have been doing a sister festival in France called "Levitation" since 2013.
In 2015 we are redefining what we're doing with a renewed focus on the music we love, and to mark that change the festival is taking on a new name: LEVITATION. The title comes from one of our favorite tracks from Austin legends The 13th Floor Elevators, who have provided us with endless inspiration. Their music and message transcended genre - they were true innovators.
Lineup, poster and announcement video for Austin Psych Fest presents Levitation, below...
Edan and Josh of DbA on the final night (more by PSquared)
Chris Gethard wearing DbA tribute on his show this week (photo by Heidi Vanderlee)
Comedian Chris Gethard wore a homemade t-shirt, inspired by the one DbA booker Edan Wilber wore on the showspace's final night, at the taping of the most recent episode of The Chris Gethard Show which you can see above.
Bands felt like Death By Audio was a second home - indie phenoms Future Islands and wild Canadian rockers METZ both played their first ever New York shows at Death By Audio. It was the kind of place where a small fledgling band had a good chance of playing on the same bill as a much bigger, touring band. And one day, that fledgling band might just become a headliner.You tended to get just as much as you were willing to put in: if you attended or played shows there regularly, there was a good chance you'd get to know the staff there, as well as other regulars. Those were the people who made up the bulk of the crowd last Saturday night - some of them who since moved to other cities even flew across the country to be there. It's also why there were a lot of tears, hugs, and positive energy going around in the final hours.
Oliver Ackermann on stage (more by P Squared)
Impose gathered up tributes from a variety of artists, DbA employees and other people in the DIY scene, including manager/booker/soundguy Edan Wilber:
The value of what I have gotten from my experiences here are immeasurable, and leaps and bounds more valuable than any material wealth I could've gained doing something else. I have met people from all around the world just because they heard about this little room that some friend of their's said they just had to play in. It's a shame to lose something like that because it can't be manufactured. We have always run on the best of intentions and it propelled us so far for so long, none of us could've imagined it would've lasted as long as it did and stayed true to its beliefs from day one. I'm happy to go out on such a high note, the past few weeks have been mind-blowingly incredible and I have gotten to see many old friends make their pilgrimage here one last time and I look forward to a few more rad weeks before we are forced out of the only place in NYC thats ever felt like home to me.Impose also tracked down most of the DbA show flyers from their entire existence. There are also reports from the final night at The Observer, Gothamist, Stereogum, and The Village Voice.
Glasslands, which is right around the corner from DbA and will close at the end of December, offered up
tonight we bid farewell to our good friends and neighbors @DeathbyAudio, have a great last night homies! #ripdba
-- Glasslands (@glasslands) November 22, 2014
And this was Death by Audio's final word, via Twitter:
Thank you to everyone and anyone that played a show, attended a show, helped us out or supported us in any way
-- Death By Audio Shows (@DeathbyAudio) November 24, 2014
Death by Audio's final month of shows was pretty astounding, including performances by Lightning Bolt, METZ, Protomartyr, Future Islands,Thee Oh Sees (twice), Dan Deacon, Les Savy Fav, Ty Segall, A Place To Bury Strangers (twice) Future Punx/Priests, Deerhoof, Woods, Woolen Men, Screaming Females, Ted Leo, Speedy Ortiz, Dirty on Purpose, JEFF the Brotherhood (twice), White Mice, Burnt Skull, a reunited Dirty on Purpose, Pampers, Coasting, Guerrila Toss, not to mention the very cool Death by Art installation (which some people didn't like).
For those who'll be in Washington, DC next weekend, many of the in-house created, super-hard arcade games that you may have played in DbA's back room will be on display at the Smithsonian American Art Museum's courtyard on December 6 as part of an "indie arcade" curated by MAGFest and American University's Game Lab.
We've got all of Death by Audio's last month's shows listed, along with video from many of them, below...
by Bill Pearis
It is cliche and hyperbole to say a band destroyed a place, but it's a very apt word for what Toronto's METZ did to Death by Audio last night as the venue's "Top Secret!" headliners for the penultimate show at the DIY venue. At one point, vocalist/guitarist Alex Edkins pulled down one of the ratty tiles from the drop ceiling and flung it at the crowd. "Think about where you are right now. Think about where you'll be next week," Edkins told the crowd. "Make it count." The crowd and the band (who played their first NYC show at DbA) were amped and sweaty and a lot of shoes were in the air, mostly still attached to feet. They also dropped a killer cover of The Damned's "Neat Neat Neat." A crazy, amazing set -- video from it is below.
Another band that drove a long way just for DbA's next-to-last show were Detroit's Protomartyr, who's first NYC show was also at DbA (opening at Parquet Courts' Light Up Gold release party.) Sardonic as always, frontman Joe Casey greeted the crowd with "This place is great. I predict a long future." Showbooker, soundman and all-around sweet guy Edan Wilber (who was wearing a homemade "NO HINTS LET'S PARTY" shirt) asked then band to play some deep cuts from early 7"s (like "Baseball Bat" from their Colpi Proibiti EP), which made for a punkier, harder-hitting (if less familiar) set. Protomartyr also played a new one last night for the first time. A short clip of that, and full video of a couple other songs, below.
Nots @ DbA 11/21/2014
Memphis quartet Nots, who seemed likely to play, were a little late for their set -- their van broke down outside of Cleveland. They managed to fix it, drove straight to the show, climbed through the stage window and immediately started their set, which was their NYC live debut. (Nots, however, feature members of Coasting and Ex Cult who have played DbA tons of times.) The band's snarling, aggressive sound is definitely punk but they're not afraid of synthesizers either. (They would fit in well with the Melbourne, Australia bands that have cropped up around Total Control's Mikey Young.) They were awesome. There's video of most of their short set below and you can catch Nots again in Brooklyn at Palisades on Sunday (11/23).
Predictions that Shellshag would open this, the second-to last-night, were incorrect (nice diversion, Screaming Females), and in fact was opened by Brooklyn's Sleepies which count at least one DbA employee as a member. Video from their set last night is below too. They also fit in well with the night's postpunk/sludgepunk lineup. This was a just about perfect Death by Audio show, with most of the folks inside seeming like regulars who were not disappointed to learn it was METZ and Protomartyr playing, not, say, DOA and Interpol or whatever. While everyone knew there was just one night after this, just about everyone seemed to be very very happy they were there.
late-night Fuckton set in 'Death by Art' space
After METZ finished sometime around 1 AM, more secrets unveiled themselves in the form of late night noise/drone sets in "the ranch" / Death by Art part of DbA, including Greg Fox (Liturgy/Guardian Alien), Dubknowdub, and Fuckton which features both DbA's Matt Conboy and Edan Wilber, along with Travis from Grooms and Jay from French Miami/Grooms/Immaculates/Roya. Smoke machines and strobes were cranked to 11 and the night ended around 3:30 AM, properly weird.
Tonight (11/22) is the last night of Death by Audio. As to who's playing tonight, Edan and Matt are offering no clues today on DbA's website, only saying, "Thanks for everything! Seriously! See You Tonight!" For guesses... anyone who's expecting some giant band tonight doesn't understand Death by Audio very well. Sure, Future Islands, Thee Oh Sees, Dan Deacon, Les Savy Fav, and Ty Segall can all play places much, much bigger but their roots are at places like DbA who supported them from the start. Will there be cool, crazy surprises? Undoubtably. But they'll be things that make sense within what they've always done and who they've supported over the years. Which is what made DbA special.
Video (by Unartig) and more pics/instagrams from Death by Audio's penultimate night, below...
photos by Tim Griffin
Austin's Fun Fun Fun Fest wrapped up this past weekend with a variety of killer music across punk, metal, hip hop, indie, electronic and plenty of the in-between, plus comedy, wrestling, BMX competitions and more. The lineup spanned legends like Judas Priest, Gorilla Biscuits and Nas through great newer artists like Angel Olsen, Deafheaven and Courtney Barnett. We've already written plenty about it -- check out our reviews of day 1, day 2 and day 3 -- as well as posted pictures of Judas Priest, Gorilla Biscuits and Mineral.
words by Andrew Sacher, photos via BV Austin Instagram
Fun Fun Fun Fest continued in Austin's Auditorium Shores on Saturday (11/8) with another amazing and eclectic lineup (and hopefully better lines). I started my day at the Black Stage for Fat White Family. The crazed psych band was a little calmer than they tend to be in a small venue, but even for a festival set so early on in the day, the Fat Whites brought it.
The energy on the Black Stage quickly rose significantly as Glassjaw followed, quenching the same early 2000s post-hardcore thirst that The Blood Brothers did a day earlier (not to mention they had a shared love for tight tees and theatrical stage moves). They leaned heavy on the early material and really put on a classic Glassjaw set, looking and sounding like no time had passed since 2002. The crowd followed suit, with a pit open and endless stage divers the whole time.
I hung around the Black Stage for a bit of METZ's wild-as-always set, and then headed to the Orange Stage where Courtney Barnett was playing. I hadn't seen Courtney in about a year since she played CMJ 2013, and not that I doubted her but after Saturday's set I'm sure of it that her rise to bigger stages is well deserved. One person said of her recent Webster Hall show, "Courtney Barnett's ramshackle gigs are now serious fucking rock shows" and that's exactly how I felt seeing her at FFF.
The Orange Stage continued to be the place to be as The Pains of Being Pure at Heart took the stage followed by their tourmates The New Pornographers. Pains, who have been on the road with their killer new lineup this year, brought it once again with a lot of the new album, a good mix of the first two, and another of the high energy shows this new lineup is becoming known for. Then the New Pornographers, Dan Bejar and Neko Case included, followed with another excellent set that kicked off with the title track from this year's Brill Bruisers and went on to include plenty more from that album. They apparently had some technical difficulties that they didn't mention until after they were fixed, but you wouldn't have known it. New Pornographers sounded flawless.
Over at the Black Stage, NYHC legends Sick of It All were playing a set pulling from Blood, Sweat and No Tears and Scratch the Surface. SOIA definitely partied like it was 1989, started a wall of death ("a game we used to play before all the metal bands and ska bands took the idea"), and though they talked on stage about not getting too sucked into nostalgia (they mentioned they have a new album out but couldn't play anything off of it because of "contractual obligations"), they clearly had a lot of fun with those old songs.
Another nostalgia set then went down on the Blue Stage, where Nas played all of the unfuckwithable Illmatic. His DJ came out, played "The Genesis" over the PA, and then once he dropped that beat to "NY State of Mind," Nas finally took the stage and was on fire the whole time. Not to throw shade at his other albums, but as good as a Nas set usually is, previous times I've seen him don't compare at all to seeing Illmatic in full. It's no secret that it's a timeless album, but he really made it feel like it was on Saturday. Unlike Sick of It All's set, this didn't feel like nostalgia. There's a handful of good rappers on FFF's lineup, but Nas playing his 1994 album still sounded ahead of all of them.
Wrapping up the day on the Black Stage was the face-painted metal legend King Diamond. Like the other shows on his current US tour, he and his band had a haunted house-like stage set up with staircases, a fence in front of them, light-up crosses, a guest dressed up as a spooky old man, and more props. The operatic singer ran through a set of his songs and a few by Mercyful Fate, all while being a character in the stage show himself.
I split the end of my night catching half of King Diamond's set, and then catching half of Modest Mouse over at the Orange Stage. Though it's still been years since Modest Mouse put out anything new (they did just put out a couple reissues though), Modest Mouse have been having an incredible year on tour. They packed the end of their set with favorites -- "Float On," "A Different City," "Out Of Gas," "Tiny Cities Made of Ashes" -- and played them with this genuine energy that was a great reminder that they were once one of the most consistently great indie rock bands around. It might seem boring or obvious to say these things about Modest Mouse in 2014, but their recent live shows deserve it.
UPDATE: Day 3 is up.
FFF NITES @ FUN FUN FUN Fest - November 7-9 2014
With less than 2 months to go, today Fun Fun Fun Fest release their FFF NITES lineup:
FUN FUN FUN FEST (FFF Fest) is excited to announce today the lineup for FFF Nites, the after shows free to festival wristband holders, during this year's festival November 7--9, 2014, at Auditorium Shores. The Nites performances--including over one hundred FFF performing artists and a roster of artists playing exclusively during Nites--are only available to FFF Fest wristband holders; no tickets will be sold at the door.If you're on the fence, this might be the final push. More than seventy (74 so far if I counted correctly) of the one-hundred-plus above mentioned artists are exclusive to FFF Nites, including Meat Puppets, The Pains of Being Pure at Heart, The Jazz June, Power Trip, Tombs, Single Mothers, Into It Over It, The Hotelier, Le1f, The Pizza Underground, MSTRKFT and many more. Access to the night shows is FREE with your FFF wristband.
You can still get FFF passes here.
Check out more of the announcement including the full FFF Nites lineup below...
photos & videos by Autumn Andel
Cloud Nothings / METZ / The Wytches in Portland - 7/2/14
Cloud Nothings, who played NYC in April, are currently touring the west coast with METZ and The Wytches, making for some triple attacks of rawk. That tour hit Portland's Hawthorne Theatre last week (7/2) and pictures of that sweaty mess are in this post.
More, plus videos, below...
METZ at Pop Montreal 2013 (more by Dominic Mastrangelo)
Toronto noise-rippers METZ are busy working on their second album for Sub Pop, but have just released a new song to tide us over. Its a cover of "I'm a Bug" by The Urinals, and they've coated this slice of late 70s SoCal punk in the layer of brutal noise one would expect from them. It's pretty awesome, so give this thing a listen (via Stereogum) in this post, where you can also check out their upcoming West Coast dates with Cloud Nothings and The Wytches as well as some new UK dates and a stop at Fun Fun Fun Fest.
While those dates don't hit the East Coast, The Wytches will be in NYC in July. All METZ tour dates are listed, along with the Urinals cover, below...
The 2014 lineup of Austin festival Fun Fun Fun Fest, happening NOV 7 . 8 & 9 at Auditorium Shores, is here. In the poster above and listed below....
Like FYF Fest, they've got a Blood Brothers reunion show.
This is also Austin's show on the growing Failure reunion tour.
Ditto for emo vets Mineral
So much more greatness listed below....
by Bill Pearis
UK pysch/garage/punk trio The Wytches are set to release their debut album via Partisan this summer. While we wait for that, the band have made a video for last year's "Robe for Juda" single. Shot on VHS, it's like a very twisted school play. You can watch it below.
Last here for SXSW, The Wytches will tour North America properly this summer, including West Coast dates with Cloud Nothings and METZ. They're also playing some East Coast headlining shows, including two in NYC: Mercury Lounge on July 24 and Glasslands on July 25. Tickets to Mercury Lounge go on sale Friday (4/18) at noon with an AmEx presale beginning Wednesday (4/16) at noon. Tickets for Glasslands go on sale Friday at 10 AM.
All dates are listed, along with the new video and an NPR "Field Recording" with singer Kristian Bell from SXSW, below...
NXNE returns to various Toronto venues from June 13-22, and since we last spoke the lineup has expanded. It now includes Spoon, Sleigh Bells, Spiritualized, tUnE-yArDs, A$AP Ferg, Metz, Ryan Hemsworth, Swans, Goat, Oneohtrix Point Never, Fuck Buttons, Low, Tim Hecker, Eagulls, Glasser, Kelela, Ratking, Perfect Pussy, Small Black, Le1f, The Pizza Underground, Swearin', Dan Croll, DJ Jonathan Toubin, Astro, Juan Wauters, Mutual Benefit, Guerilla Toss, Calvin Love, Alvvays, Hunters, Saint Rich and more Those join previously announcd artists like St. Vincent, Speedy Ortiz, Danny Brown, Courtney Barnett, Mac DeMarco and more. Badges and wristbands are still on sale.
Pitchfork Music Festival returns to Chicago's Union Park from July 18-20 and the lineup was just announced. It includes Neutral Milk Hotel, Kendrick Lamar, Beck, Slowdive (their first reunion show in the US so far), Giorgio Morder, Sun Kil Moon, Factory Floor, Death Grips, the Haxan Cloak, Sharon Van Etten, tUnE-yArDs, The Julie Ruin, Grimes, Wild Beasts, DIIV, Ka, Circulatory System, Pusha T, The Range, Mas Ysa and more TBA. Tickets are on sale now.
In related news, Pitchfork is teaming up with ATP and Primavera Sound for London's Jabberwocky Festival which includes Neutral Milk Hotel, Electric Wizard, Deafheaven, Kode9, Earth, Pissed Jeans, Connan Mockasin, The Ex, Speedy Ortiz, Iceage, Vatican Shadow, Joanna Gruesome, Metz, Jesu, Chelsea Wolfe, Hookworms and more.
Initial day-by-day Pitchfork Fest lineup below...
Sasquatch! Music Festival is returning for two weekends in 2014 to The Gorge in Quincy, Washington, and the lineups (which are different both weekends) have just been announced. The May lineup (5/23 - 5/25, aka Memorial Day Weekend) includes Outkast, The National, Queens of the Stone Age, M.I.A., Haim, Neko Case, Foals, Cut Copy, Violent Femmes, Elbow, Mogwai, Tyler the Creator, Chance the Rapper, Rudimental, Phantogram, tUnE-yArDs, First Aid Kit, Rodriguez, AlunaGeorge, Panda Bear, Phosphorescent, Bob Mould, Washed Out, Austra, Parquet Courts, Deafheaven, Big Freedia, Liars, Waxahatchee, Tacocat, Princess (feat. Maya Rudolph), Bridget Everett, Eric Andre and more.
The July lineup (7/4 - 7/6, aka Independence Day Weekend) includes Soundgarden, Kraftwerk, New Order, Frank Ocean, Royksopp + Robyn, Neutral Milk Hotel, Spoon, Broken Bells, Tegan & Sara, Local Natives, Gogol Bordello, Rhye, Black Angels, Deltron 3030, The Horrors, Junip, The Notwist, Kurt Vile, Talib Kweli, of Montreal, Action Bronson, Punch Brothers, Sharon Van Etten, Casey Veggies, RL Grime, Fuck Buttons, Courtney Barnett, Cloud Nothings, Foxygen, Palma Violets, Mikal Cronin, Mac DeMarco, Jon Hopkins, Gold Panda, Majical Cloudz, Duke Dumont, Oneohtrix Point Never, Death, Black Prairie, Latryx, Metz, John Grant, Reigning Sound, Young & Sick, Chad VanGaalen, Mutual Benefit, Helms Alee, Demetri Martin, Eugene Mirman, Kurt Braunohler, John Hodgman and more. There will also be fireworks for the 4th of July.
Tickets (including a 2-weekend pass option) go on sale Saturday at 10 AM.
Full lineups for both weekends below...
photos by Dominick Mastrangelo
METZ & 'Songs of Darkness' @ Pop Montreal 2013
Back before Montreal was in NYC for CMJ, NYC was in Montreal for the annual Pop Montreal festival which we began by seeing DIANA and Empress Of followed by The Dodos, Braids, Suuns, Patrick Watson & more. After that came How Sad, Valleys, Angel Olsen, Yamantaka // Sonic Titan, Leif Vollebekk & more, and then Yellowman and Josey Wales, Brendan Canning, Pat Jordache, Secret Sun, Shuggie Otis & more. Day four went like this...
The final day of Pop Montreal was a light one. Everyone's sleep-deprived, yawns are everywhere and honestly, I don't know if I've been this exhausted at SXSW. The after parties at the church go well into the night. Such was the dancehall celebration the night before with Yellowman and Josey Wales and Sunday would prove to be the same as METZ closed out the festival, taking the stage well, well after midnight.
Before that though, there were still some tasty things on the menu and the day included one last trip to Divan Orange for Royal Canoe, and Fire/Works, and brunch.
I saw Royal Canoe open for of Montreal at Savannah Stopover earlier this year and was excited to catch their set but slow moving buses and traffic along Avenue de Parc - courtesy of a Canadian Football League game at McGill Stadium and a separate protest in Jeanne-Mance Park against the pending Charter of Quebec Values bill - meant I would only catch their last two songs. Still the sextet - who, like many bands at Pop, have a new record out (called Today We're Believers) - sounded great with two drummers, catchy hooks and enough good time rock-pop to get people moving mid-afternoon on a Sunday.
Then Fire/Works, the Montreal duo of Jonathan Peters and David Lagacé, followed with a much quieter set of folky songs.
A quick trip to Pop Quarters to unload my last drink ticket and then it was off to the Rialto for Patrick Watson's Songs of Darkness. Going well over two hours, the night was full of haunting, dark songs featuring a rotating cast of Montreal artists including Laurel Sprengelmeyer (Little Scream,) AroarA featuring Andrew Whiteman (Apostle of Hustle) and Ariel Engle, Leif Vollebekk, Lil' Andy and a lot more.
My first introduction to Watson was his Sacred Sunday on the last day of Pop in 2010 and this followed the same artist rotation policy as Songs of Darkness. It was one of the highlights of that festival and this performance at the Rialto was easily one of the highlights of my 2013 Pop. I kind of wish they were recording these performances cause they were all stellar.
I left at the two-hour mark to make my way to Cabaret Mile End for Clap Your Hands Say Yeah. It was my first time seeing them since 2006 and I really enjoyed their set. They've weathered being indie/blogosphere darlings and have lost a few members along the way, but the band has a new EP out and the Mile End crowd was ready to dance to old favorites like "Skin of My Yellow Country Teeth" and "Satan Said Dance."
From there I headed over to Casa Del Popolo where the Best of the Festival was going on and caught another set by Thus:Owls which was nice but following the gorgeous backdrop/sunset the night before, plus growing exhaustion on my part, their set came off a little underwhelming.
A quick stop for poutine and then over to the final show of the festival: METZ. I first saw METZ at Il Motore during Pop 2012 (a few weeks before they played the BV-Non-CMJ day party) when a guy thrashed his head so hard he hit the monitor and was bleeding during their entire set. Talk about making a lasting impression.
They took the stage at 2am and as the mosh pit grew in numbers with each song, lead singer Alex Edkins eventually passed down the only rule of the night during a very short break between songs: "If somebody falls down, pick them back up, kiss them on the cheek and pat them on the ass."
From there it was one song after another - barely a chance to catch your breath between songs they came so fast - the band thrashing about on stage, fans being passed over one another, a dash for the stage to springboard back into the crowd, and a lot of moshing.
It was the home stretch and with a flagging group of festival attendees, METZ duly fired us up and hauled us across the finish line.
More pictures from the final day, below...