Entries tagged with: METZ
Edan and Josh of DbA on the final night (more by PSquared)
Chris Gethard wearing DbA tribute on his show this week (photo by Heidi Vanderlee)
Comedian Chris Gethard wore a homemade t-shirt, inspired by the one DbA booker Edan Wilber wore on the showspace's final night, at the taping of the most recent episode of The Chris Gethard Show which you can see above.
Bands felt like Death By Audio was a second home - indie phenoms Future Islands and wild Canadian rockers METZ both played their first ever New York shows at Death By Audio. It was the kind of place where a small fledgling band had a good chance of playing on the same bill as a much bigger, touring band. And one day, that fledgling band might just become a headliner.You tended to get just as much as you were willing to put in: if you attended or played shows there regularly, there was a good chance you'd get to know the staff there, as well as other regulars. Those were the people who made up the bulk of the crowd last Saturday night - some of them who since moved to other cities even flew across the country to be there. It's also why there were a lot of tears, hugs, and positive energy going around in the final hours.
Oliver Ackermann on stage (more by P Squared)
Impose gathered up tributes from a variety of artists, DbA employees and other people in the DIY scene, including manager/booker/soundguy Edan Wilber:
The value of what I have gotten from my experiences here are immeasurable, and leaps and bounds more valuable than any material wealth I could've gained doing something else. I have met people from all around the world just because they heard about this little room that some friend of their's said they just had to play in. It's a shame to lose something like that because it can't be manufactured. We have always run on the best of intentions and it propelled us so far for so long, none of us could've imagined it would've lasted as long as it did and stayed true to its beliefs from day one. I'm happy to go out on such a high note, the past few weeks have been mind-blowingly incredible and I have gotten to see many old friends make their pilgrimage here one last time and I look forward to a few more rad weeks before we are forced out of the only place in NYC thats ever felt like home to me.Impose also tracked down most of the DbA show flyers from their entire existence. There are also reports from the final night at The Observer, Gothamist, Stereogum, and The Village Voice.
Glasslands, which is right around the corner from DbA and will close at the end of December, offered up
tonight we bid farewell to our good friends and neighbors @DeathbyAudio, have a great last night homies! #ripdba
-- Glasslands (@glasslands) November 22, 2014
And this was Death by Audio's final word, via Twitter:
Thank you to everyone and anyone that played a show, attended a show, helped us out or supported us in any way
-- Death By Audio Shows (@DeathbyAudio) November 24, 2014
Death by Audio's final month of shows was pretty astounding, including performances by Lightning Bolt, METZ, Protomartyr, Future Islands,Thee Oh Sees (twice), Dan Deacon, Les Savy Fav, Ty Segall, A Place To Bury Strangers (twice) Future Punx/Priests, Deerhoof, Woods, Woolen Men, Screaming Females, Ted Leo, Speedy Ortiz, Dirty on Purpose, JEFF the Brotherhood (twice), White Mice, Burnt Skull, a reunited Dirty on Purpose, Pampers, Coasting, Guerrila Toss, not to mention the very cool Death by Art installation (which some people didn't like).
For those who'll be in Washington, DC next weekend, many of the in-house created, super-hard arcade games that you may have played in DbA's back room will be on display at the Smithsonian American Art Museum's courtyard on December 6 as part of an "indie arcade" curated by MAGFest and American University's Game Lab.
We've got all of Death by Audio's last month's shows listed, along with video from many of them, below...
by Bill Pearis
It is cliche and hyperbole to say a band destroyed a place, but it's a very apt word for what Toronto's METZ did to Death by Audio last night as the venue's "Top Secret!" headliners for the penultimate show at the DIY venue. At one point, vocalist/guitarist Alex Edkins pulled down one of the ratty tiles from the drop ceiling and flung it at the crowd. "Think about where you are right now. Think about where you'll be next week," Edkins told the crowd. "Make it count." The crowd and the band (who played their first NYC show at DbA) were amped and sweaty and a lot of shoes were in the air, mostly still attached to feet. They also dropped a killer cover of The Damned's "Neat Neat Neat." A crazy, amazing set -- video from it is below.
Another band that drove a long way just for DbA's next-to-last show were Detroit's Protomartyr, who's first NYC show was also at DbA (opening at Parquet Courts' Light Up Gold release party.) Sardonic as always, frontman Joe Casey greeted the crowd with "This place is great. I predict a long future." Showbooker, soundman and all-around sweet guy Edan Wilber (who was wearing a homemade "NO HINTS LET'S PARTY" shirt) asked then band to play some deep cuts from early 7"s (like "Baseball Bat" from their Colpi Proibiti EP), which made for a punkier, harder-hitting (if less familiar) set. Protomartyr also played a new one last night for the first time. A short clip of that, and full video of a couple other songs, below.
Nots @ DbA 11/21/2014
Memphis quartet Nots, who seemed likely to play, were a little late for their set -- their van broke down outside of Cleveland. They managed to fix it, drove straight to the show, climbed through the stage window and immediately started their set, which was their NYC live debut. (Nots, however, feature members of Coasting and Ex Cult who have played DbA tons of times.) The band's snarling, aggressive sound is definitely punk but they're not afraid of synthesizers either. (They would fit in well with the Melbourne, Australia bands that have cropped up around Total Control's Mikey Young.) They were awesome. There's video of most of their short set below and you can catch Nots again in Brooklyn at Palisades on Sunday (11/23).
Predictions that Shellshag would open this, the second-to last-night, were incorrect (nice diversion, Screaming Females), and in fact was opened by Brooklyn's Sleepies which count at least one DbA employee as a member. Video from their set last night is below too. They also fit in well with the night's postpunk/sludgepunk lineup. This was a just about perfect Death by Audio show, with most of the folks inside seeming like regulars who were not disappointed to learn it was METZ and Protomartyr playing, not, say, DOA and Interpol or whatever. While everyone knew there was just one night after this, just about everyone seemed to be very very happy they were there.
late-night Fuckton set in 'Death by Art' space
After METZ finished sometime around 1 AM, more secrets unveiled themselves in the form of late night noise/drone sets in "the ranch" / Death by Art part of DbA, including Greg Fox (Liturgy/Guardian Alien), Dubknowdub, and Fuckton which features both DbA's Matt Conboy and Edan Wilber, along with Travis from Grooms and Jay from French Miami/Grooms/Immaculates/Roya. Smoke machines and strobes were cranked to 11 and the night ended around 3:30 AM, properly weird.
Tonight (11/22) is the last night of Death by Audio. As to who's playing tonight, Edan and Matt are offering no clues today on DbA's website, only saying, "Thanks for everything! Seriously! See You Tonight!" For guesses... anyone who's expecting some giant band tonight doesn't understand Death by Audio very well. Sure, Future Islands, Thee Oh Sees, Dan Deacon, Les Savy Fav, and Ty Segall can all play places much, much bigger but their roots are at places like DbA who supported them from the start. Will there be cool, crazy surprises? Undoubtably. But they'll be things that make sense within what they've always done and who they've supported over the years. Which is what made DbA special.
Video (by Unartig) and more pics/instagrams from Death by Audio's penultimate night, below...
photos by Tim Griffin
Austin's Fun Fun Fun Fest wrapped up this past weekend with a variety of killer music across punk, metal, hip hop, indie, electronic and plenty of the in-between, plus comedy, wrestling, BMX competitions and more. The lineup spanned legends like Judas Priest, Gorilla Biscuits and Nas through great newer artists like Angel Olsen, Deafheaven and Courtney Barnett. We've already written plenty about it -- check out our reviews of day 1, day 2 and day 3 -- as well as posted pictures of Judas Priest, Gorilla Biscuits and Mineral.
words by Andrew Sacher, photos via BV Austin Instagram
Fun Fun Fun Fest continued in Austin's Auditorium Shores on Saturday (11/8) with another amazing and eclectic lineup (and hopefully better lines). I started my day at the Black Stage for Fat White Family. The crazed psych band was a little calmer than they tend to be in a small venue, but even for a festival set so early on in the day, the Fat Whites brought it.
The energy on the Black Stage quickly rose significantly as Glassjaw followed, quenching the same early 2000s post-hardcore thirst that The Blood Brothers did a day earlier (not to mention they had a shared love for tight tees and theatrical stage moves). They leaned heavy on the early material and really put on a classic Glassjaw set, looking and sounding like no time had passed since 2002. The crowd followed suit, with a pit open and endless stage divers the whole time.
I hung around the Black Stage for a bit of METZ's wild-as-always set, and then headed to the Orange Stage where Courtney Barnett was playing. I hadn't seen Courtney in about a year since she played CMJ 2013, and not that I doubted her but after Saturday's set I'm sure of it that her rise to bigger stages is well deserved. One person said of her recent Webster Hall show, "Courtney Barnett's ramshackle gigs are now serious fucking rock shows" and that's exactly how I felt seeing her at FFF.
The Orange Stage continued to be the place to be as The Pains of Being Pure at Heart took the stage followed by their tourmates The New Pornographers. Pains, who have been on the road with their killer new lineup this year, brought it once again with a lot of the new album, a good mix of the first two, and another of the high energy shows this new lineup is becoming known for. Then the New Pornographers, Dan Bejar and Neko Case included, followed with another excellent set that kicked off with the title track from this year's Brill Bruisers and went on to include plenty more from that album. They apparently had some technical difficulties that they didn't mention until after they were fixed, but you wouldn't have known it. New Pornographers sounded flawless.
Over at the Black Stage, NYHC legends Sick of It All were playing a set pulling from Blood, Sweat and No Tears and Scratch the Surface. SOIA definitely partied like it was 1989, started a wall of death ("a game we used to play before all the metal bands and ska bands took the idea"), and though they talked on stage about not getting too sucked into nostalgia (they mentioned they have a new album out but couldn't play anything off of it because of "contractual obligations"), they clearly had a lot of fun with those old songs.
Another nostalgia set then went down on the Blue Stage, where Nas played all of the unfuckwithable Illmatic. His DJ came out, played "The Genesis" over the PA, and then once he dropped that beat to "NY State of Mind," Nas finally took the stage and was on fire the whole time. Not to throw shade at his other albums, but as good as a Nas set usually is, previous times I've seen him don't compare at all to seeing Illmatic in full. It's no secret that it's a timeless album, but he really made it feel like it was on Saturday. Unlike Sick of It All's set, this didn't feel like nostalgia. There's a handful of good rappers on FFF's lineup, but Nas playing his 1994 album still sounded ahead of all of them.
Wrapping up the day on the Black Stage was the face-painted metal legend King Diamond. Like the other shows on his current US tour, he and his band had a haunted house-like stage set up with staircases, a fence in front of them, light-up crosses, a guest dressed up as a spooky old man, and more props. The operatic singer ran through a set of his songs and a few by Mercyful Fate, all while being a character in the stage show himself.
I split the end of my night catching half of King Diamond's set, and then catching half of Modest Mouse over at the Orange Stage. Though it's still been years since Modest Mouse put out anything new (they did just put out a couple reissues though), Modest Mouse have been having an incredible year on tour. They packed the end of their set with favorites -- "Float On," "A Different City," "Out Of Gas," "Tiny Cities Made of Ashes" -- and played them with this genuine energy that was a great reminder that they were once one of the most consistently great indie rock bands around. It might seem boring or obvious to say these things about Modest Mouse in 2014, but their recent live shows deserve it.
UPDATE: Day 3 is up.
FFF NITES @ FUN FUN FUN Fest - November 7-9 2014
With less than 2 months to go, today Fun Fun Fun Fest release their FFF NITES lineup:
FUN FUN FUN FEST (FFF Fest) is excited to announce today the lineup for FFF Nites, the after shows free to festival wristband holders, during this year's festival November 7--9, 2014, at Auditorium Shores. The Nites performances--including over one hundred FFF performing artists and a roster of artists playing exclusively during Nites--are only available to FFF Fest wristband holders; no tickets will be sold at the door.If you're on the fence, this might be the final push. More than seventy (74 so far if I counted correctly) of the one-hundred-plus above mentioned artists are exclusive to FFF Nites, including Meat Puppets, The Pains of Being Pure at Heart, The Jazz June, Power Trip, Tombs, Single Mothers, Into It Over It, The Hotelier, Le1f, The Pizza Underground, MSTRKFT and many more. Access to the night shows is FREE with your FFF wristband.
You can still get FFF passes here.
Check out more of the announcement including the full FFF Nites lineup below...
photos & videos by Autumn Andel
Cloud Nothings / METZ / The Wytches in Portland - 7/2/14
Cloud Nothings, who played NYC in April, are currently touring the west coast with METZ and The Wytches, making for some triple attacks of rawk. That tour hit Portland's Hawthorne Theatre last week (7/2) and pictures of that sweaty mess are in this post.
More, plus videos, below...
METZ at Pop Montreal 2013 (more by Dominic Mastrangelo)
Toronto noise-rippers METZ are busy working on their second album for Sub Pop, but have just released a new song to tide us over. Its a cover of "I'm a Bug" by The Urinals, and they've coated this slice of late 70s SoCal punk in the layer of brutal noise one would expect from them. It's pretty awesome, so give this thing a listen (via Stereogum) in this post, where you can also check out their upcoming West Coast dates with Cloud Nothings and The Wytches as well as some new UK dates and a stop at Fun Fun Fun Fest.
While those dates don't hit the East Coast, The Wytches will be in NYC in July. All METZ tour dates are listed, along with the Urinals cover, below...
The 2014 lineup of Austin festival Fun Fun Fun Fest, happening NOV 7 . 8 & 9 at Auditorium Shores, is here. In the poster above and listed below....
Like FYF Fest, they've got a Blood Brothers reunion show.
This is also Austin's show on the growing Failure reunion tour.
Ditto for emo vets Mineral
So much more greatness listed below....
by Bill Pearis
UK pysch/garage/punk trio The Wytches are set to release their debut album via Partisan this summer. While we wait for that, the band have made a video for last year's "Robe for Juda" single. Shot on VHS, it's like a very twisted school play. You can watch it below.
Last here for SXSW, The Wytches will tour North America properly this summer, including West Coast dates with Cloud Nothings and METZ. They're also playing some East Coast headlining shows, including two in NYC: Mercury Lounge on July 24 and Glasslands on July 25. Tickets to Mercury Lounge go on sale Friday (4/18) at noon with an AmEx presale beginning Wednesday (4/16) at noon. Tickets for Glasslands go on sale Friday at 10 AM.
All dates are listed, along with the new video and an NPR "Field Recording" with singer Kristian Bell from SXSW, below...
NXNE returns to various Toronto venues from June 13-22, and since we last spoke the lineup has expanded. It now includes Spoon, Sleigh Bells, Spiritualized, tUnE-yArDs, A$AP Ferg, Metz, Ryan Hemsworth, Swans, Goat, Oneohtrix Point Never, Fuck Buttons, Low, Tim Hecker, Eagulls, Glasser, Kelela, Ratking, Perfect Pussy, Small Black, Le1f, The Pizza Underground, Swearin', Dan Croll, DJ Jonathan Toubin, Astro, Juan Wauters, Mutual Benefit, Guerilla Toss, Calvin Love, Alvvays, Hunters, Saint Rich and more Those join previously announcd artists like St. Vincent, Speedy Ortiz, Danny Brown, Courtney Barnett, Mac DeMarco and more. Badges and wristbands are still on sale.
Pitchfork Music Festival returns to Chicago's Union Park from July 18-20 and the lineup was just announced. It includes Neutral Milk Hotel, Kendrick Lamar, Beck, Slowdive (their first reunion show in the US so far), Giorgio Morder, Sun Kil Moon, Factory Floor, Death Grips, the Haxan Cloak, Sharon Van Etten, tUnE-yArDs, The Julie Ruin, Grimes, Wild Beasts, DIIV, Ka, Circulatory System, Pusha T, The Range, Mas Ysa and more TBA. Tickets are on sale now.
In related news, Pitchfork is teaming up with ATP and Primavera Sound for London's Jabberwocky Festival which includes Neutral Milk Hotel, Electric Wizard, Deafheaven, Kode9, Earth, Pissed Jeans, Connan Mockasin, The Ex, Speedy Ortiz, Iceage, Vatican Shadow, Joanna Gruesome, Metz, Jesu, Chelsea Wolfe, Hookworms and more.
Initial day-by-day Pitchfork Fest lineup below...
Sasquatch! Music Festival is returning for two weekends in 2014 to The Gorge in Quincy, Washington, and the lineups (which are different both weekends) have just been announced. The May lineup (5/23 - 5/25, aka Memorial Day Weekend) includes Outkast, The National, Queens of the Stone Age, M.I.A., Haim, Neko Case, Foals, Cut Copy, Violent Femmes, Elbow, Mogwai, Tyler the Creator, Chance the Rapper, Rudimental, Phantogram, tUnE-yArDs, First Aid Kit, Rodriguez, AlunaGeorge, Panda Bear, Phosphorescent, Bob Mould, Washed Out, Austra, Parquet Courts, Deafheaven, Big Freedia, Liars, Waxahatchee, Tacocat, Princess (feat. Maya Rudolph), Bridget Everett, Eric Andre and more.
The July lineup (7/4 - 7/6, aka Independence Day Weekend) includes Soundgarden, Kraftwerk, New Order, Frank Ocean, Royksopp + Robyn, Neutral Milk Hotel, Spoon, Broken Bells, Tegan & Sara, Local Natives, Gogol Bordello, Rhye, Black Angels, Deltron 3030, The Horrors, Junip, The Notwist, Kurt Vile, Talib Kweli, of Montreal, Action Bronson, Punch Brothers, Sharon Van Etten, Casey Veggies, RL Grime, Fuck Buttons, Courtney Barnett, Cloud Nothings, Foxygen, Palma Violets, Mikal Cronin, Mac DeMarco, Jon Hopkins, Gold Panda, Majical Cloudz, Duke Dumont, Oneohtrix Point Never, Death, Black Prairie, Latryx, Metz, John Grant, Reigning Sound, Young & Sick, Chad VanGaalen, Mutual Benefit, Helms Alee, Demetri Martin, Eugene Mirman, Kurt Braunohler, John Hodgman and more. There will also be fireworks for the 4th of July.
Tickets (including a 2-weekend pass option) go on sale Saturday at 10 AM.
Full lineups for both weekends below...
photos by Dominick Mastrangelo
METZ & 'Songs of Darkness' @ Pop Montreal 2013
Back before Montreal was in NYC for CMJ, NYC was in Montreal for the annual Pop Montreal festival which we began by seeing DIANA and Empress Of followed by The Dodos, Braids, Suuns, Patrick Watson & more. After that came How Sad, Valleys, Angel Olsen, Yamantaka // Sonic Titan, Leif Vollebekk & more, and then Yellowman and Josey Wales, Brendan Canning, Pat Jordache, Secret Sun, Shuggie Otis & more. Day four went like this...
The final day of Pop Montreal was a light one. Everyone's sleep-deprived, yawns are everywhere and honestly, I don't know if I've been this exhausted at SXSW. The after parties at the church go well into the night. Such was the dancehall celebration the night before with Yellowman and Josey Wales and Sunday would prove to be the same as METZ closed out the festival, taking the stage well, well after midnight.
Before that though, there were still some tasty things on the menu and the day included one last trip to Divan Orange for Royal Canoe, and Fire/Works, and brunch.
I saw Royal Canoe open for of Montreal at Savannah Stopover earlier this year and was excited to catch their set but slow moving buses and traffic along Avenue de Parc - courtesy of a Canadian Football League game at McGill Stadium and a separate protest in Jeanne-Mance Park against the pending Charter of Quebec Values bill - meant I would only catch their last two songs. Still the sextet - who, like many bands at Pop, have a new record out (called Today We're Believers) - sounded great with two drummers, catchy hooks and enough good time rock-pop to get people moving mid-afternoon on a Sunday.
Then Fire/Works, the Montreal duo of Jonathan Peters and David Lagacé, followed with a much quieter set of folky songs.
A quick trip to Pop Quarters to unload my last drink ticket and then it was off to the Rialto for Patrick Watson's Songs of Darkness. Going well over two hours, the night was full of haunting, dark songs featuring a rotating cast of Montreal artists including Laurel Sprengelmeyer (Little Scream,) AroarA featuring Andrew Whiteman (Apostle of Hustle) and Ariel Engle, Leif Vollebekk, Lil' Andy and a lot more.
My first introduction to Watson was his Sacred Sunday on the last day of Pop in 2010 and this followed the same artist rotation policy as Songs of Darkness. It was one of the highlights of that festival and this performance at the Rialto was easily one of the highlights of my 2013 Pop. I kind of wish they were recording these performances cause they were all stellar.
I left at the two-hour mark to make my way to Cabaret Mile End for Clap Your Hands Say Yeah. It was my first time seeing them since 2006 and I really enjoyed their set. They've weathered being indie/blogosphere darlings and have lost a few members along the way, but the band has a new EP out and the Mile End crowd was ready to dance to old favorites like "Skin of My Yellow Country Teeth" and "Satan Said Dance."
From there I headed over to Casa Del Popolo where the Best of the Festival was going on and caught another set by Thus:Owls which was nice but following the gorgeous backdrop/sunset the night before, plus growing exhaustion on my part, their set came off a little underwhelming.
A quick stop for poutine and then over to the final show of the festival: METZ. I first saw METZ at Il Motore during Pop 2012 (a few weeks before they played the BV-Non-CMJ day party) when a guy thrashed his head so hard he hit the monitor and was bleeding during their entire set. Talk about making a lasting impression.
They took the stage at 2am and as the mosh pit grew in numbers with each song, lead singer Alex Edkins eventually passed down the only rule of the night during a very short break between songs: "If somebody falls down, pick them back up, kiss them on the cheek and pat them on the ass."
From there it was one song after another - barely a chance to catch your breath between songs they came so fast - the band thrashing about on stage, fans being passed over one another, a dash for the stage to springboard back into the crowd, and a lot of moshing.
It was the home stretch and with a flagging group of festival attendees, METZ duly fired us up and hauled us across the finish line.
More pictures from the final day, below...
Metric @ Radio City Music Hall 2012 (more by Jonathan McPhail)
The 2013 winner of Canada's Polaris Music Prize will be named tonight (9/23) at a gala ceremony in Toronto that will include live performances from Metric, METZ, Purity Ring, Colin Stetson, A Tribe Called Red, Whitehorse, Zaki Ibrahim, and Young Galaxy. (The other nominees, Godspeed and Tegan & Sara, won't be playing.) Weren't invited? You can stream the whole thing live. The pre-show begins at 7 PM with the ceremony starting at 8 PM Eastern. One neat thing about the stream, the embedded player in this post allows you to toggle between the actual gala and backstage where you can "interact with performers, past nominees, presenters, and Polaris jury members" via Facebook and Twitter.
You can also check out mini-documentaries on eight of this year's nominees, along with the live stream, below.
photos by Wei Shi; words by Fred Pessaro
Death Grips /
Its really a sad state of affairs when a band making a scheduled appearance is news, but nevertheless it was somewhat of a surprise that Death Grips did make their headlining appearance (on the Miranda stage) at the first day of FYF Fest in LA on Saturday (8/24) while Yeah Yeah Yeahs played at the adjacent Carrie stage (yes, stages were named after Sex & The City characters). The two-day festival, which took place in LA State Historic Park over the weekend, also featured many other notables, including appearances from TV on the Radio, FLAG, a reunion set from The Locust, as well as sets from names like The Breeders, Waxahatchee, METZ, Joyce Manor, Ty Segall (who's in NYC for two shows this week), and more. Pictures from FYF including all of the mentioned artists above -- as well as shots of Jim Hamilton, Jonah Ray, Kumail Nanjiana, Crystal Antlers, Charles Bradley, Toro y Moi, Classixx, Nosaj Thing, comedians and more -- are in this post.
We'll have pictures from Day 2 soon. More pics from FYF Fest Day 1 below...
In the latest installment of the AV Club "Undercover" series, Toronto punks METZ take on "Neat Neat Neat," the opening track on The Damned's 1977 debut, Damned Damned Damned. It's a great track for them, and they do it the justice it deserves.
Head below to watch the video of METZ playing the song live outside Chicago's Parson's Chicken & Fish Restaurant (fyi: the video autoplays, sorry).
The short list for the 2013 Polaris Music Prize, Canada's annual award for a great album, has been announced. It includes Godspeed You! Black Emperor, Metric, METZ, Purity Ring, Colin Stetson, Tegan & Sara, and more. The winner will be announced at a gala in Toronto on September 23. Who do you think it will be? Check out the full short list below.
Toronto punks Metz, who just made a video for "Get Off" off their self titled debut LP and are being featured in the 'Live at Death by Audio 2012' flexi blook, have now released a new song, "Can't Understand." The song is part of the Adult Swim Singles program, and you can check out, along with the schedule of remaining Adult Swim singles, below (via Consequence of Sound).
Song stream and a video of Metz performing the track below...
Pitchfork Festival 2012 (more by Fred Pessaro)
As mentioned, Chicago's Pitchfork Music Festival is returning to Union Park from July 19-21 with sets from Bjork, Joanna Newsom, Belle & Sebastian, R. Kelly, Solange, Rustie, Low, The Breeders, Swans, Savages, Merchandise, Julia Holter, KEN mode, White Lung, TNGHT, Evian Christ, Waxahatchee, El-P, Killer Mike, and more across three stages (Red, Blue, and Green). The set times for the festival have now been announced, and you can check out the full day-by-day schedule below.
3-day passes are sold out, but single day tickets are still available.
It probably goes without saying that long-running Williamsburg DIY spot Death by Audio gets a lot of good shows. Many of those are recorded -- you may have noticed a microphone sticking out of the drop-ceiling tiles. DbA has cherry-picked a dozen of the best moments from last year for a book of flexis simply titled Live at Death by Audio 2012 that is being released by Famous Class at the end of July. That's the cover art above.
Bands featured include JEFF the Brotherhood, METZ, Ty Segall, Thee Oh Sees, and A Place to Bury Strangers. It also features art by Brian Chippendale, Dave Singley, Perry Lubin, Matt Leins, Ron Rege Jr, Jon Vermilyea, and Brendan Nakahara.
Pre-orders are available now and comes with not only a digital version of the flexis but also a recording of the full Oh Sees / Ty Segall show. Full track list below.
METZ at Lincoln Hall in Chicago, May 2013 (more by James Richards IV)
METZ are here to make you "Get Off." The new video from the Canadian noise-rock trio was directed by fellow countryman (and Sub Pop labelmate) Chad VanGaalen who gives the video an odball animated treatment. Check out that video below.
In the meantime, METZ are readying an appearance at Sled Island and Sub Pop's Silver Jubilee (CVG will be there too) have announced more new tour dates. These guys just don't stop. Sadly most are across the pond in the EU and no new NYC shows. All updated shows are below.
Quicksand @ Webster Hall recently (more by Rebecca Reed)
We get a lot of great free shows here in NYC (like The Walkmen and Solange as part of Northside this weekend) but we have to admit this week of free all-ages shows Converse has lined up at San Francisco club Slim's later this month is pretty crazy (though they may be pretty hard to get into). We'd happily spend the whole week there if we could. The line-ups are:
Converse Represent series in San FranciscoThe only way to go is to fill out the entry form before June 18 and "winning ticket holders will be notified via email soon after with instructions on how and when to retrieve their tickets." All events, "which lead up to the grand opening of the Converse San Francisco retail store on June 28", will take place at Slim's in San Francisco.
Jun 23 - Black Rebel Motorcycle Club, DIIV, Metz, Tamaryn, The She's
JUN 24 -Deltron 3030, Juicy J, Blackalicious, Angel Haze, Special Guest
JUN 25 - Hot Chip, Tycho, Blackbird Blackbird, Social Studies
JUN 26 - Quicksand, Mastodon, High On Fire, Saviours, Hot Lunch
JUN 27 - Suicidal Tendencies, Rocket From The Crypt, Ceremony, Special Guests
LA Fest FYF Fest is celebrating 10 years this year, and will take over Los Angeles State Historic Park on August 24 & 25. Check out the massive lineup in the poster above, and in alphabetical order below...
photos by Dylan Johnson
METZ @ Bowery Ballroom 4/17/2013
Do you prefer it when a band makes you feel a) happy, b) sad, or c) like you're being smashed over the head repeatedly with an iron bar?After a wild-n-sweaty show at Shea Stadium on Tuesday, METZ's tour brought the noise to Bowery Ballroom on Wednesday night (4/17). I wondered whether the crowd at 18+ venue Bowery would be anything like Shea's all-ages mayhem, and clearly it was at least a little. As you can see in the pictures in this post, Slorach bandanged his facial wound in true punk fashion with duct tape.
If it's one of the first two, then maybe music isn't your thing. But if it's the latter of these choices, then seek out Metz immediately. The Toronto trio played last night at the Bowery Ballroom and rocked so hard that blood was spilled. Quite literally.
Three songs into their set of visceral, pulsating noise-punk, bassist Chris Slorach was forced to leave the stage for a couple of minutes to take care of a nosebleed. The eruption of claret was triggered after he was hit square in the face by a projectile thrown by an overexcited member of the crowd. It wasn't done in malice- it's just that Metz's hardcore onslaught is the sort of music that elicits extreme reactions. And those ones are often the best. - [NY Post]
It was an all-Toronto night featuring industrial garage from tourmates Odonis Odonis and psych-punk from The Soupcans, making for a great, loud night all around. Check out more shots from Wednesday's show below...
photos by Lukas Hodge; words by Bill Pearis
METZ at Shea, 4/16/2013
It was a show that had to happen at some point or another: "METZ play Shea Stadium." And what was a funny joke, the Toronto noisemakers took to the full hilt last night (4/16) at the Bushwick DIY space, as bassist Chris Slorach came onstage wearing the Mr. Met head. There were also very nice screenprinted posters just for the occasion, and the amped crowd chanted "Let's go Metz!" in between songs. This was the second sweatiest METZ show I've seen (last summer at DBA when they blew the power was the most drenched), and the crowd and band were having fun. I'm sure Bowery Ballroom tonight will be great, but I doubt we'll see the the fan reaction you get at an all-ages show like this one. (On the plus side, it will be air conditioned.) And in this case, all-ages meant a lot of 30-somethings (40-somethings?) too, probably the oldest median age I've even seen at Shea. Like always, METZ hit it out of the park. I could not resist, but they did melt the place. Did I mention it was hot in there?
I got there just as fellow Torontonians Odonis Odonis finished their set, unfortunately, but our photographer was luckily not as tardy. Both bands will be at Bowery Ballroom tonight (4/17), along with another Toronto band, The Soupcans, and tickets are still available. More pics from last night's Shea Stadium show are below.