Entries tagged with: Market Hotel
by Bill Pearis
As I just mentioned, the November 7th Frankie Rose and The Outs show at the Woodser will be with San Francisco's Grass Widow who will be in town for a week's worth of shows. Frankie was in a band with most of them, called Shitstorm, who basically became Grass Widow after Frankie moved to NYC.
Grass Widow have put out two records this year -- an LP on Make a Mess records which came out over the summer, and a new EP on Captured Tracks. They're both worth picking up, especially for fans of Brilliant Colors, Vivian Girls (with whom they'll play at Market Hotel on Nov. 6) and Liechtenstein. There's also a free afternoon show at Brooklyn Museum on Nov. 7 with Crystal Stilts and The Beets.
The November 7th date coincides with the museum's Who Shot Rock: Photographers of Rock and Roll exhibition which opens at the end of October.
All upcoming Grass Widow and Crystal Stilts dates, and a video, below...
WAVVES @ Market Hotel last night (9/25) (more by Leia Jospe)
"Wavves was playing with Zach Hill as his drummer [at Market Hotel] and the sound was different and pretty cool.My friend Dave G tells me there was a broken bottle which might explain Jared's blood and serious anger. Stay tuned for more details.
We were partying pretty hard, and as always seems to happen, the party moved to Daddy's after everything was settled up. Daddy's was packed and the remnants of the Beets (welcome home, boys!) show at Dead Herring (happy birthday Cathy!) and the Black Lips show [at Roseland Ballroom (they opened for Yo La Tengo)] also had migrated to the ever popular "hot spot". Star Studded scene to the maxxxx, if you like slightly "important" indie rockers.
Now, I didn't see exactly how the fight happened, but I had heard the gossip a few months back about Jared (from Black Lips) talking shit about Nathan on the Internet. Pitchfork went as far as to wonder if Nathan and Jared would have a confrontation when they both played this summer's p4k fest in Chicago. Needless to say, that didn't happen.
Well, I suppose last night was the perfect storm. I didn't see the beginning, but I did see people dragging Nathan and Jared apart, and then Jared and a popular DJ running at Nathan again, spilling beer all over everyone (including me), and punches being thrown. The lights at Daddy's were turned on, the cops showed up, but Jared and the chick were not ready to stop fighting and were even trying to fight other people outside the bar. Jared was bloody. Nathan was fine. Insane. Weirdest indie rock moment I've experienced." [PopJew]
photos by Leia Jospe
After the show, the party continued at Daddy's where Nathan got in a fight with Jared from Black Lips. More pictures from Market Hotel below...
DOWNLOAD: The Intelligence - Thank You God for Fixing the Tape Machine (MP3)
photos by Tim Griffin
Honestly, I wasn't expecting all the moshing and crowd surfing. I'd hopped in a cab seconds after seeing Wild Beasts for a third time in one week and headed to Market Hotel to see Seattle's finest purveyors of bent surf garage. On record, The Intelligence are genuinely weird, like they try and make normal music and this is what comes out. It's not dissimilar to what Sic Alps or Thee Oh Sees do, but there's a sinister edge, kind of like in a David Lynch movie. Slightly uncomfortable. But live, Lars Finberg and the rest of The Intelligence are here to rock. Market Hotel didn't seem that crowded to me, but when the second song kicked in it was a like a mosh magnet, everyone who was still there rushed towards the stage and collectively lost their shit. In particular, Golden Triangle's OJ (the band had just played) was a crowd surfing dynamo, despite there not being quite enough crowd to hold him. No matter how many times he got dropped, OJ kept getting back up there. "Let's see how many people get hurt on this one," a perplexed Finberg joked during the encore. The guy might have bruises all over his body now, but Friday night [9/11] that little dude was all smiles.The review and photos here are both from The Intelligence's Sept. 11th show at Market Hotel. Their current tour also brought them to Cake Shop two days later (last night) on Sunday the 13th (with a Philly show in between).
Finberg kept asking the crowd if we could he his vocals -- we could I thought they sounded great -- but judging by that I don't think they could hear anything. Sometimes you just move forward via instinct and muscle memory. [Bill Pearis]
Today (Monday, 9/14), the band is scheduled to stop by both Viva Radio (who is currently interviewing the xx) and WNYU (89.1 FM, where they'll appear on The New Afternoon Show sometime between 4-7:30pm).
The band's remaining tour dates across North America run into October. Those and more pictures from the show are posted below...
DOWNLOAD: Coathangers - Toomerhead (MP3)
Coathangers @ Pianos CMJ08 (more by Faith-Ann Young)
The Coathangers are going on tour this October with Japandroids (who will come to NYC on Sept. 24th with Mt. St. Helens Vietnam Band). But before those joined dates, The Coathangers will be in NYC for shows of their own on September 29th, when they play Death By Audio's The Maze, and September 30th, when they play Cake Shop. Also on the bill for the Cake Shop gig are DC shoegaze-inspired Prisms and BK's Ex-Humans. For the DBA gig, they'll be joined by '80s-style-punks Xray Eyeballs, a band called Swimmingcitiesoceanofblood (?) and Nervehunt, which features Justin from Teeth Mountain and Ryan Ulsh from Wavves. The gig will be Nervehunt's first show in a while (Flickr has a pic and a brief, blurry video of a show, apparently of them, at the Charleston last year).
Ryan Ulsh was the drummer of WAVVES that you might most remember from his appearance with Nathan at this year's Primavera Festival. Not surprisingly, things didn't work out between him and Nathan, and now the prolific Zach Hill (of Hella, etc.) is playing in WAVVES.
WAVVES' fall tour with new drummer Zach is also happening soon. The pair will play NYC shows at Santos Party House on Thursday, September 24th (tickets still on sale) and a Todd P show, now confirmed for Market Hotel, on Friday, Sept. 25th. Support for both comes from Ganglians, with Beach Fossils also playing the Market Hotel show.
"Toomerhead," the opening, dance-punk-sounding track to the Coathangers' newest record, Scramble, which came out in April, is posted above. An interview with the band from last year and a clip of them live in Vancouver (with an incredibly strange and extended intro) are posted with all tour dates below...
Beach House & Celebration singing "Billie Jean"
"It was a beautiful Summer night and outside the Metro Gallery in Baltimore Beach House and Celebration played some music for some friends. [The below] video features their performances of a few of the their songs, as well as their collaborative rendition of Michael Jackson's "Billie Jean". August 7th, 2009. Produced by Metro Media in conjunction with the bands."What a perfect video to post on the eve of the weekend when Celebration, Beach House, AND (the ghost of) Michael Jackson will be in Brooklyn.
As mentioned earlier today, Celebration will be at Market Hotel on Saturday night (8/29) with Future Islands and Sam Mickens' Ecstatic Showband & Revue. What we forgot to mention is that the show is in fact a "A Concert in Loving Observance of Michael Jackson's 51st Birthday" (calling it a "a celebration" probably would have been overkill). Future Islands also play the Impose show earlier the same day.
Then there's the much bigger, and possibly much wetter, Michael Jackson celebration that is going on earlier Saturday in Prospect Park.
Beach House play the Williamsburg Waterfront on Sunday.
Above-mentioned video below...
by Bill Pearis
DOWNLOAD: Blind Man Color - Heavy Cloud Hustle (JVG Remix) (MP3)
DOWNLOAD: Beach Fossils - Vacation (MP3)
DOWNLOAD: Mitch Easter - Time Warping (MP3)
DOWNLOAD: Mitch Easter - Sudden Crown Drop (MP3)
DOWNLOAD: The Asteroid #4 - Flowers of Ours (MP3)
Hope everyone stayed cool this weekend. Before I get into picks for the first part of this week, I'd just like to point out that we've got a remix (a BV exclusive, I'm told) of Blind Man's Colour's "Heavy Cloud Hustle" in the popular MP3 format to download at the very top of this post. The band were in town this weekend and I caught their Saturday night set at Union Hall where I was surprised to see a traditional guitar-bass-drums-keyboard setup for a band whose album, Season Dreaming (out tomorrow 8/18) leans heavily into Animal Collective sound collage territory. They pulled it off pretty well for only have played live for a month, though the band could use a few more peppy songs.
That night's show -- that also included San Diego's Lights On and Philly's Drink Up Buttercup -- was stolen by locals Beach Fossils who've figured out a distinctive sound: two guitarists but neither of them play chords, just single notes that play off each and the bouncy basslines. The band bounces around a lot too; nobody stands still in this band. It's a sound somewhere between the Clean and early R.E.M. and it's hard to dislike. I wish they'd drop the vibrato effects on the vocals which I think are an unnecessary affectation, but otherwise I'm a fan. They haven't put out anything yet, but they've got records out sometime soon on Woodsist and Captured Tracks (not surprisingly they played the festival put on by the same two labels), and you can download an MP3 of their track "Vacation" at the top of this post. They've also got ties to the Underwater Peoples Records who are putting on a show at Market Hotel this Saturday (8/22) that Beach Fossils are playing -- along with every band associated with the label. That includes Ducktails, sister band Real Estate, Air Waves, Fluffy Lumbers and bunch more. The show's only $5 and doors are at 4pm. Full schedule for the show is at the bottom of this post.
Rewinding a bit, Ambulance LTD play their first shows this week since finally being released from their contract from former, bankrupt label, TVT. I really like their 2004 debut and hopefully we'll get to hear its John Cale-produced follow-up sooner than later, but you can get a taste live this week. The band's show tomorrow night (8/18) at Mercury Lounge is sold out, but you can still get tickets for tonight's show (8/17) at Union Hall. Both shows are with the great Savoir Adore so get there early and be sure to pick up a copy of their debut, In the Wooded Forrest, which is only available at their shows (or digitally) right now.
In town for two shows this week is North Carolina indie rock legend Mitch Easter, who plays Southpaw on Tuesday (8/18) and Maxwell's on Thursday (8/20). While he's maybe best known as a producer (the first two R.E.M.'s albums [with Don Dixon], Pavement's Brighten the Corners, Moose's ...XYZ among other things), but Easter has had a long career as a musician, as a part of The Sneakers in the late '70s and frontman/songwriter for Let's Active, easily one of the most underrated bands of the '80s. He's also an incredible guitarist, and Let's Active albums are resplendent with awesome axe-work.
I like everything they ever did but 1986's Big Plans for Everybody is especially great, one of my favorite albums of that decade. Mitch put the kybosh on Let's Active in 1990 and didn't release any original material until last year's Dynamico, an album which showed he still has chops and songs to spare. He opened for the dB's at Bowery Ballroom two years ago where he played most of Let's Active's big songs ("Every Word Means No," "Waters Part," "Fell," "In Little Ways") and has since been touring with his "Let's Active cover band" Gravel Truck that splits the set between classics and new songs. Easter helped shape the sound of the underground in the '80s and '90s, and is absolutely still worth checking out.
Both shows are with Amy Speace whose new album 'The Killer In Me' was engineered by Mitch.
The Asteroid #4
And lastly, Philadelphia's The Asteroid #4 is playing Tuesday night (8/18) at Glasslands in Brooklyn. The band recently toured with The Brian Jonestown Massacre which gives you a good idea of what you can expect, and they're not unlike Philly neighbors (The Sounds of) Kaleidescope... but they're better. Last year's These Flowers of Ours, is pretty ace, a nice blend of The Byrds, Ride and Spiritualized. You can stream the whole thing here and download the album's title track at the top of this post. The Glasslands show is with a couple likeminded bands: Austin's Runaway Sun and Brooklyn's Revival Times.
That's it for now. Tour dates, flyers and videos after the jump...
King Khan & the Shrines @ Sasquatch 2009 (more by Chris Graham)
The Almighty Defenders CD, out September 22nd on Vice, brings together the Black Lips, King Khan and Mark Sultan. The latter two make up King Khan & the BBQ Show, which is the band that'll be playing Brooklyn's Bell House this Halloween (its an early show - 7:30pm doors / over by 10:30pm) (there's a TBA late show at the same venue). Prizes for best costume. As you can see above, King Khan already has some ideas in mind. Tickets are on sale now.
Can't make it Halloween? King Khan and BBQ are also playing Bowery Ballroom one night earlier (10/30). Ticket info TBA. Full tour dates are still forthcoming, but there are a few more below (including November 1st in Philly). They'll be touring in support of the new King Khan & the BBQ Show album, Invisible Girl, out November 3rd on In the Red.
Another Halloween NYC gig happening in Brooklyn is the Mount Eerie metal show at the Market Hotel. His tourmates, No Kids and Tara Jane O'Neil, will also be his backing band for a set that promises "2 drummers, some gongs and a wall of amps." Liturgy is one of the bands on the bill. Another will be Malkuth. That tour formerly had a TBA for another NYC show. That will happen (with No Kids & TJO playing sets too) on Sunday, November 1st at (Le) Poisson Rouge. Tickets for that Manhattan show (which does not include Liturgy or Malkuth) are on sale (Market Hotel doesn't have advanced tickets).
The LPR show is put on by Wordless Music, who has a bunch of big shows coming up (not the least Rhys Chatham's A Crimson Grail on Saturday). There's also Warp20NYC, the Wordless series at Columbia's Miller Theatre, Deefhoof and Why?.
The Market Hotel show is curated by Brandon Stosuy - music writer and organizer of Show No Mercy (that Black Bubblegum co-curated this past Sunday). Tonight (August 5th) Brandon will be be presenting from his "in-progress oral history of American black metal [briefly excerpted at Believer] joined by Matt Luem for "Joe's Pub's Happy Ending Reading & Music Series. Also at the event will be "Rachel Cohen reading from her book A Chance Meeting: Intertwined Lives of American Writers and Artists. And Lawrence Weschler reading from his work on the visual artists David Hockney and Robert Irwin. And Colin Stetson delivering an opening invocation on saxophone. And Buke & Gass playing a short set of clear voiced yet fuzzed out pop experiments on homemade instruments." Tickets are still on sale.
Videos, new KK&BBQ album tracklist and tour dates from King Khan & the BBQ Show, below...
DOWNLOAD: Tyvek - Air Conditioner (MP3)
2NITE's shows @ MARKET HOTEL will definitely feature a huge, awesome, new soundsystem & probably (presuming the installation today goes as scheduled...) AIR CONDITIONING!!!! waiting on some variables for the a/c to happen, but cross your fingers! -Todd PThe shows (plural) Todd is referring to are Oneida (early) and Extreme Animals (late). Tyvek is not playing Market Hotel, but they should because they sing about an air conditioner and also happen to be in town (with Coconut Coolouts and Personal and the Pizzas). Full Market Hotel lineups below...
by Andrew Frisicano
DOWNLOAD: Mount Eerie - Wind's Dark Poem (MP3)
Mount Eerie/Phil Elverum is going on tour this fall. In addition to his dates with Why?, Elverum will be headlining a trip with friends and collaborators Tara Jane O'Neil and No Kids. One NYC stop on the tour will be a Halloween show at the Market Hotel with an eclectic bill of metal bands Liturgy and
Krallice, the minimal folk of Tara Jane O'Neil, and No Kids's indie pop. (There's also a TBA NYC show for Mount Eerie on November 2nd.)
UPDATE: Krallice are not playing the Halloween show (which is curated by Brandon Stosuy of Show No Mercy), anymore. Another band will be announced instead. We also found out that No Kids will be Phil's backing band. That is all.
If that lineup sounds strange, it might make more sense after looking at the lineup of this year's What The Heck Fest, or hearing the new Mount Eerie record, Wind's Poem, which is out now on his own PW Elverum & Sun label. The double LP covers a range of sounds from the first blast of introductory noise (as heard in the inaugural track, above) to more melodic, image-driven storytelling to creepy marimba-eque textures (notably on "Between Two Mysteries").
No idea if live he'll be doing the songs with band, iPod or solo.
Elverum just wrapped up What the Heck Fest 8, which ran July 17-19 and brought a lot of great artists to his hometown of Anacortes, Washington...
What the Heck Fest is a festival out of Anacortes, Wa put on (more-or-less) by Phil Elverum of Mount Eerie and Geneviève Castrée of Woelv. It's kind of like summer camp with tons of indie bands. They've been at it for 8 years now. This year's fest was awesomely diverse (highlighted humorously saturday night with Olympia black metal superstars Wolves in the Throne Room following posi indie folkster Kimya Dawson) and I really couldn't have been more pleased to have the presence of so many things that didn't fit the k records/indie rock mold that people assume this festival is in the mix. [Letters With Mixtapes]Other NYC Halloween shows this year include Lez Zeppelin, The Get Up Kids and the Misfits. All Mt Eerie tour dates, album art and tracklist, below...
Monotonix are playing the free Siren Festival in Coney Island on July 18th (this Saturday). They'll surely be responsible for one of the most memorable sets of the day, though possibly not for their songs.
This fall, the band will set out on tour in support of their debut LP, Where Were You When It Happened?, which comes out September 8th on Drag City. The cover art (above) seems like a perfect match for a band whose antics include wearing hardly any clothes, mooning the crowd, and, just generally being hairy guys. The tour's NYC stops include a show at Santos Party House on October 9th and the Market Hotel on October 10th. Tickets for the Santos show are on sale now.
Monotonix tour-mates Turbo Fruits (who are playing Mercury Lounge this Saturday, July 18th - same day as Siren) are confirmed as the opener for Santos and elsewhere on tour. As mentioned many times before, Jonas Stein and John Eatherly of Be Your Own Pet play in Turbo Fruits. BYOP member Jemina Pearl is now solo, and was last seen playing an opening set on the Williamsburg Waterfront this past Sunday.
Monotonix's new album track list, with all tour dates, below.....
photos by Tim Griffin, words by Andrew Frisicano
The Woodsist/Captured Tracks Festival's Day One (7/3) was moved inside the Market Hotel. Thankfully, the weather held out for its second, 4th of July lineup, which went off as planned in the grassy, rock-filled lot of 979 Broadway Backyard.
I arrived just as Real Estate was going on, and the New Jersey band nearly stole the show with dreamy rock that seemed to be made for a sunny afternoon. The Beets held down their set with a casualness befitting a park lodge show (kind of what the fest was on a slightly bigger scale). The guys gave new meaning to the word "ramshackle" as things seemed to be toppling over continually onstage.
German Measles played a set before I got there. Bill caught them and said they "aren't actually that bad... But they're also not very good. And that kind of seems to be the point. Shambolic is an understatement, like 'why rehearse when we can just play shows?"
The Great Excape did a set of Jersey-style pop-punk that included their own theme song, several politically-themed tunes (a nice touch) and a cover of "Summertime Blues." Ganglians brought one of the day's only keyboards, and burst with a flurry of reverb and overdrive.
Brilliant Colors started out with straight-ahead noise punk, with a bit of a melody void left by their super-reverbed vocals (maybe a theme of the night) and washed-out guitar. When the bass stepped up its riffs a few songs in, the band immediately sounded twice as catchy. The Fresh and Onlys took that bass-forward momentum and went with it. Their bassist pounded the notes in between and then some. As a result, the group had one of the most complete sounds of the night (with a tambourine and three-part harmonies rounding it out). They dedicated their last song to the member of Tyvek in the hospital (the reason for that band's cancellation). Hopefully their situation turns out better.
Dum Dum Girls had to be one of the night's cleanest sounding groups. The band relied heavily on singer Dee Dee's vocals, which harmonized with drummer Frankie Rose on their songs' many hooks.
The atmospheric rock of Woods definitely got jammier as it progressed. As Bill Pearis pointed out, the group's fourth member, who sat on the floor twiddling effects and singing into a microphone strapped to his face, was a bit strange considering the rest of the guys were dressed proper enough for church. Whatever you have to do to make it sound good I suppose.
Kurt Vile & the Violators roared into the night as the sun finally went down. Vile and Vivian Girls (who, as one commenter pointed out, "played with a great intensity") more than warmed up the crowd for Thee Oh Sees, who capped the night (for some) with an unstoppable set. Frontman John Dwyer was literally foaming at the mouth as a streak of white drool smeared across his face for part of the set. Thee Oh Sees' strange, repetition-laced anthems are amazing for shaking and rattling, as the crowd proved. The band even got talked into playing an encore before sending everyone into the night.
The rest of the pictures from Day Two, with a bunch of videos, below...
"Babies is Kevin from Woods, Cassie from Vivian Girls (and Bossy) and Justin from Bossy." [Anonymous | July 1, 2009 11:17 AM]Babies played the Woodsist Fest afterparty at Market Hotel on Saturday night (the 4th of July). Check out a video Bill took at their show, below...
photos by Tim Griffin
The Mayfair Set
"Festival is a very misleading term to describe this showcase because this wasn't really a festival. There were a lot of bands playing which is a prerequisite for a festival, but beyond that there wasn't a whole hell of a lot that qualified this as a festival. It was basically just a really kick-ass show that lasted for two days. There was rain on Friday, and the show was moved indoors. I discovered this after circling the block several times. I could hear the music, and I could tell something was definitely going on but for the life of me I could not find the fucking place. Finally, I stopped two people who looked like they would definitely know where the show was and when I asked them "Do you know where the show is?" they responded by saying "Show? What show?" and then I tried again, this time clearing my throat before speaking, "I am looking for the Woodsist/Captured Tracks Fest-i-val. Would you happen to know where it is located?" and then the bro gave me an approving nod and explained to me that the show was going on above a grocery store called Mr. Kiwi's and that the way to get there is to slip through the door on the side. Many thanks to that dude because I found what I was looking for shortly there after." [no gift for the gab]Considering all the rain we've been having, it's amazing how nice it ended up being over Fourth of July weekend. Saturday's show in Battery Park, as well as the 2nd day of the Woodsist/Captured Tracks Fest at 979 Broadway Backyard had beautiful weather. Friday's show at South Street Seaport was completely dry and breezy as well. Unfortunately though, there was some rain earlier on Friday (6/3), and so the Woodsist Fest organizers were forced to make a decision, and that decision was to move the day's festivities to Market Hotel... the very, very hot Market Hotel.
Bands on the bill for that first day were Blank Dogs, Psychedelic Horseshit, caUSE co-MOTION!, the Mayfair Set, Gary War, Little Girls, Kid Romance, Beachniks, and the Gutsies. What were the highlights?
As Bill pointed out, the Mayfair Set is "a collaboration with Blank Dogs (and Captured Tracks domo) Mike Sniper" and Dee Dee from Dum Dum Girls, who, as I just pointed out, is actually Kristin Gundred from Grand Ole Party. Live it was Kristin, Mike, JB from Crystal Stilts, Jeremy from Woods, and Jarvis Taveniere from Woods, Meneguar & other bands. For Mike and Kristin, it was the first of two bands they debuted at the fest over the weekend. On Saturday it was Dum Dum Girls. Both new bands were filled out by members of other bands (Dum Dum Girls had a Crystal Stilt and a Crocodile).
More pictures from Day One (minus the first three bands), below...
DOWNLOAD: Casiotone for the Painfully Alone - Old Panda Days (MP3)
DOWNLOAD: Casiotone for the Painfully Alone - Optimist vs. The Silent Alarm (MP3)
DOWNLOAD: Cryptacize - Blue Tears (MP3)
DOWNLOAD: Cryptacize - One Block Wonders (MP3)
DOWNLOAD: Cryptacize - Mini-Mythomania (Edited by C Spencer Yeh) (MP3)
DOWNLOAD: Cryptacize - Tail & Mane (MP3)
"Cryptacize is former Kill Rock Stars artist, Nedelle Torrisi, plus Chris Cohen of The Curtains/ex-Deerhoof and Michael Carreira. Mythomania is their second album - out now on Asthmatic Kitty. Cryptacize deals in the unforgettable melody, the forsaken chord and the extravagant sentiment."Casiotone for the Painfully Alone
Casiotone for the Painfully Alone (aka Owen Ashworth) released two albums earlier this year -- a singles collection, Advance Base Battery Life, and his fifth LP, VS. Children, both on Tomlab. "Old Panda Days," from the former, and "Optimist vs. The Silent Alarm," from the latter, are posted above.
Ashworth is currently on a summer-long North American tour, which has been fleshed out with a full schedule, listed below. He'll be playing Friday, July 3rd at the Market Hotel with Katie Eastburn and tourmates Cryptacize.
Unlike his recent European tour, which featured CFTPA as a four-piece band, these Casiotone dates will be solo. Sets will include "selections from Vs. Children & Advance Base Battery Life plus reworked olden times CFTPA classics in solo formation."
Cryptacize's new album Mythomania was released on April 21st. Three tracks off that album, and one made "mini", are available for free above. Buy it HERE.
Ashworth (Casiotone) recently posted a Myspace note about his tour plans for the fall, with info on how you can get him to play your town. That's posted below, with all tour dates and a selection of videos from his June 27th tourstop in KY, and some Cryptacize videos, below...
by Bill Pearis
It used to be Independence Day weekend was dead in NYC, the city emptying out, leaving only tourists and those unfortunate enough not to have some sort of beach hookup. There was nothing to do but barbeque with fellow left-behinds and see whatever Will Smith movie had just been released. (Actually, I like it when the city is empty.) And the only show would be whatever was at Battery Park on the 4th. Not this year.
The Woodsist/Captured Tracks Festival is two days of just about every band on the two label's roster and also manages to be one of the best collections of reverb-lovin' lo-fi/pych/garage bands you're likely to see, including many names you may recognize if you read this column on a regular basis. You can buy a two-day pass for $25 or buy individual $15 tickets for Friday or Saturday.
As both Woodsist and Captured Tracks are Brooklyn labels, a lot of the bands are local and chances are if you're into this kind of music at all you've probably managed to already see some of these bands, probably more than once: Crystal Stilts, Vivian Girls, Blank Dogs, The Beets, caUSE co-MOTION, Kurt Vile, and Woods.
The Fresh & Onlys @ SXSW 2009
But there's also a bunch of great West Coast bands who have yet to hit NYC, which is what makes it most exciting for me. First and foremost are San Francisco's Fresh & Onlys who I caught at the Todd P/Woodsist party during SxSW and have become one of my favorite new bands. They play the Saturday (7/4) which is definitely the more essential line-up of the two days. The band features members of Skygreen Leopards and Black Fiction, and have also spent time recently backing up Rodriguez and Ty Segall (though not on the East Coast.)
The band's first album of 2009 came out in April on John Dwyer's Castle Face label, with a sound not that far off from what you might expect from cohorts of The Oh Sees (who headline the Saturday show), though The Fresh & Onlys are definitely more pop and less psychedelic freakout. Their second album of 2009, Grey-Eyed Girls, is out in August and they've also got 7"'s out or out soon on Chuffed, Dirty Knobby, Hozac and Captured Tracks. If you like 13th Floor Elevators, The Chocolate Watchband and other Nuggets era bands, I think you're going to dig them. I interviewed bassist Shayde Sartin a couple months ago on my blog if you'd like to know more.
If you can't make the daytime show, The Fresh & Onlys also play a post midnight show that same day at Market Hotel that also features Babies (members of Woods, Vivian Girls and Bossy) (does anyone know which members?) and Pink Reason, and
maybe a solo performance from Crystal Stilts drummer Frankie Rose. And The Fresh & Onlys will be here again in October when they'll be on tour with fellow San Franciscans Thee Oh Sees.
Thee Oh Sees are also playing Siren in July, and playing maybe the best of the Woodsist fest's offshoot shows on Thursday night (7/2) at Glasslands. They're headlining the Glasslands show and Saturday night of the fest, and are definitely worth seeing twice, or even thrice. Also playing Glasslands: Golden Triangle who are working on their debut album for Sub Pop offshoot Hardly Art; The Beets who, the last two times I've seen them, have had Crystal Stilts' JB Townsend filling in on drums for an absent Jacob Warstler; and German Measels which features half of caUSE co-MOTION wearing fake moustaches.
A little earlier at Woodsist Fest on Saturday (3:45 if they keep to the posted schedule) are Sacramento's Ganglians, who just released an EP and an album on Woodsist. Not all that far off from The Fresh & Onlys, Ganglians have equal worship for solid songwriting and trippy arrangements/production. I think both records are worth picking up: the self-titled EP shows off more of their rocking side (which they favored when I saw them at SxSW), like the surfy, Kiwi-esque "Hair" of which there's an MP3 at the top of this post. The album, Monster Head Room, is more acoustic and owes a lot to Brian Wilson. If you can't make the July 4th show, they'll be playing the next night (7/5) at Monster Island basement with Psychedelic Horseshit.
In between Ganglians and Fresh & Onlys on Saturday (4:30PM) are San Francisco's Brilliant Colors, an all-girl trio who play short, scratchy pop with a definitely New Zealand vibe. They also play the late show that night at Market Hotel, and will be on WNYU on July 8.
Dum Dum Girls, who play after the Fresh & Onlys at 6PM, are from L.A. and owe much to the C-86 scene that has been an influence on Pains of Being Pure at Heart and Vivian Girls. Actually, Dum Dum Girls is just one girl, Dee Dee, who may or may not have a band with her when she plays. Dee Dee is also in The Mayfair Set, a collaboration with Blank Dogs (and Captured Tracks domo) Mike Sniper, who will make their live debut (I think) Friday (7/3) at 6:30.
I've got MP3s for most every band playing the Fest over at my blog.
A couple non-Woodsist/Captrax Fest recommendation for the Fourth weekend. New Zealand's Bachelorette is back in town, playing the kickoff show of this year's Seaport Music Festival, opening for Here We Go Magic. I saw Bachelorette at Cake Shop a couple weeks back and was so smitten I bought everything at the merch table. There was a fair amount of laptopping going on, but Annabel Alpers' breathy, fragile voice was definitely live and the three-piece oozed unassuming charm. Bachelorette also play the sold-out Rooftop Films Fourth of July party Saturday night which happens on the roof of the Chelsea Art Museum.
And Thursday (7/2) starts The Feelies' three-night run at Maxwell's. Friday's show (7/3) is sold out but you can still get tickets for Thursday and for Saturday (7/4). Bring comfortable shoes -- they're doing two sets each night. The excitement of their reformation may have faded a bit since this time last year, but their great songs -- and still-awesome guitar interplay -- have not.
Full Woodsist/Captured Tracks Festival schedule and other tour dates after the jump...
Market Hotel (more by Lori Baily)
Hey there Bklyn, so here's the deal...HEALTH also has shows coming up at Bowery Ballroom and the Williamsburg Waterfront.
-2NITE's- huge HEALTH / NEW YORK NIGHT TRAIN show moved to MARKET HOTEL due to rain!
So... it's clearly going to be a rainy day, but never fear... tonite's huge HEALTH show w/ Awesome Color & Kid Congo Powers & New York Night Train djs & lots more will go on! We've moved it inside to the ever fabuloso MARKET HOTEL! -&- we're bringing in an AMAZING sound system, so that already great sounding room will sound positively spectacular!
(though we'd advertised a different rainout locale, the building we advertised is having a leaking water issue so no dice...)
MARKET HOTEL will be awesome!!!
by Andrew Frisicano
DOWNLOAD: The Strange Boys - Heard You Wanna Beat Me Up (MP3)
The Saturday, June 13th show at the Market Hotel seemed to be running pretty closely on schedule. Unfortunately, that meant I missed the sets by Fiasco, Germs (MIA) (a Germs cover band) and most of Atlanta's Coathangers. What I did hear from that last band was loud and brisk and definitely put them on my must-see list for the next time they're in town.
Closing the night were Austin's The Strange Boys and L.A. band Mika Miko, who have been on tour together since the beginning of June (they also played a show on Sunday at Tilden Beach - more pics HERE, and later Sunday night at the Cake Shop, and travel together through the month).
The Strange Boys clicked through a set of blues-tinged garage rock that filtered its sound through the sun-baked expanses of the South. Singer Ryan Sambol's voice croaked through the band's twangy guitars and distorted swampy ambiance. The guys played a straight-ahead cover of Creedence's "Lodi," which garnered catcalls throughout the set for more CCR. At one point, Jenna from Mika Miko jumped in for a sax solo that squonked clean through the roar of the band.
Beer flew through the air for Mika Miko's set. Even before it started, someone spilled a beer on Michelle Suarez's guitar amp, forcing her to borrow another. Shortly after the band kicked things off, someone in front blew their foamy Bud into the crowd, covering most of Mika Miko and those around. Not taking any shit, singer Jennifer Clavin confiscated the offending drink and took a swig. Besides the beer, there was also a lot of sweat in the room, which lubricated the room's moving bodies. On stage, Mika Miko inflected garage punk forms (mined minutes earlier) with the flavor of post-punks like Wire and SoCal trio the Minutemen (who themselves covered CCR). Mic troubles were certainly forgivable in the context (lots of people falling on the stage) -- you can't really tell what they're saying anyway. An encore finished out the night.
More pictures and tour dates below...
by Black Bubblegum
Howl is one of many greats lined up for the BV-BBG Northside Show at Club Europa on June 14th. Make sure that night is free to receive a severe pummeling from:
* DoomridersThat last band that on the list is the newest addition to the Europa roster... NYBMers Liturgy! Tickets are still on sale, or use your Northside Badge to get in.
Liturgy dropped their 2008 LP Immortal Life on Infinite Limbs (get it here), but have completed recording on their next LP, Renihilation, which will see will release on the mighty 20 Buck Spin (!!!) this fall. "Ecastatic Rite" is from that LP, and downloadable above.
The band will be playing a double header on June 14th, having also lined up an acoustic (!) gig earlier in the day along with 47 others as part of Todd P's Unamplified Acoustic BBQ.
And you can catch Liturgy TONIGHT, Friday, June 5th, at Market Hotel. They're on the bill with Titan, Child Abuse, Nymph, and Gay Beast.
Liturgy is also part of an ongoing art exhibition at Dispatch entitled Mirror Me by Brandon Stosuy & Kai Althoff. More details on that exhibition are here.
All Liturgy dates, and a video from a previous time they played Market Hotel, are below...
In their disheveled attic studio, the members of Gay Beast don't talk mathematics. Early on, they don't talk much at all. Today, singer and keyboardist Dan Luedtke is busy screen-printing the inserts for the vinyl version of the band's latest spazz-rock collection, Second Wave. The process, it seems, is nearly as painstaking as creating an actual Gay Beast tune, minus the eyeballs-on-fire jitters their adrenal scores provoke...The noisy Minneapolis band kicks off a three night stay in in NYC, tonight (6/3), with a show at the Silent Barn featuring Satanized, Joe Lentini and Hot Guts. They'll be at Bruar Falls June 4th with Talk Normal and Body Type[s], and at the Market Hotel on June 5th with Titan, Child Abuse, NYMPH and Liturgy.
Luedtke: Our friends in AIDS Wolf are on the label. We were looking for a label, putting together demo packages, trying to do it differently this time, trying to be more proactive. They were going to sign two bands for '09. The label owner lives in Vienna, so there was a bit of a courting period, talking to each other on the phone.
Explain the new record's title, Second Wave.
Luedtke: Second Wave relates to second-wave feminism, and the songs include portraits of different feminists. Before this record, we did a split 7-inch about Donna Harroway. There's a song about Andrea Dworkin. For me there's an interest because I feel it intersects with queer politics a lot. We can look at what feminists worked on as a way to talk about personal politics and strategies for changing things. There is a lot of interest with the second-wave feminist era because there was a lot of idea creation happening. Modern, radical ideas, some of which were far-fetched and impractical. People wanted something so badly they'd make up new means for accomplishing it.
Gay Beast's Second Wave LP came out a few weeks ago, at the end of May on Skin Graft Records. Check them out for yourself. There's a video of Gay Beast at NYC's Cake Shop in 2006, with all tour dates, below...
On Friday, May 22nd, Whack, Grocery Thief, and No One & the Somebodies play the venue. Then, Shea hosts a kick-off party on Sunday, May 24th with Golden Error, Pow Wow!, Bad Credit No Credit and Donner Party Picnic with the So So Glos DJing.
It turns out the venue is also rigged for live recording and has plans to release recorded shows on their website ("think Daytrotter with an audience").
Shea Stadium is a progressive art space that serves a dual purpose as both a recording studio and live music venue. Our deal is simple....bands are invited to come and use our space and our equipment free of charge to make a live recording of their set. During these live recording sessions our doors will be open to the public: all bands are encouraged to treat these sessions as a show and bring as many of their friends/fans as they like. A small cover charge at the door (we have to pay the bills right??) grants you admission to the entire night of sessions as everyone is welcome to stay for the duration of the evening's festivities. As both a studio and show space, our mission is to create a fun-loving environment that will bring out the best in all the bands who perform, as well as the audience.The new venue was started by producer Adam Reich, who is a childhood friend, and the producer of, The So So Glos, who are some of the people behind Market Hotel. It's one big DIY family.
More info on the venue, the kick-off-show flyer, and more below...
photos by Lori Baily
sad but triumphant nightUSAISAMONSTER's final show happened Saturday, May 9th at the newly-decorated Market Hotel in Brooklyn. The bill included Awesome Color, Juiceboxxx, Eloe Omoe, Tunnel of Love, Bow Ribbons, Jason Crumer, Animental, Hot Box and Buck Gooter. At one point the show was stopped and the cops showed up because someone passed out. They left the club in an ambulance (I hope he is OK!), but the show went on. More pictures (including the ambulance) below...
Posted by Anonymous | May 10, 2009 4:47 AM
Was it as epic as the Bjork/Dirty Projectors show? I mean will it live on in infamy like that show? I mean will you be telling your kids 20 years from now how you were at this show?
Posted by Anonymous | May 10, 2009 5:18 AM
fuck your kids. :) USAISAMONSTER was great.
Posted by Anonymous | May 11, 2009 2:29 PM
fancy new art & Times New Viking @ Market Hotel (c89)
"So, just to get this out of the way: Market Hotel's new art installations make for some fucking awesome background shots. A bit less 'punk'/'DIY' than before, but way more art school dropout/middle school play about the inside of your stomach." [DARKWAVEVAWKRADARKWAVE]Times New Viking played two NYC shows earlier this week: one on May 10th at the Market Hotel with Blues Control and Pink Reason, and another May 11th at the Bowery Ballroom with Vivian Girls and Stupid Party. MusicSnobbery said, the Bowery show "was a triple dose of low-to-no-fi garage rock as all the bands on the bill had three members."
With those gigs gone, the Bell House has announced that TNV is the "secret guest" at the Agit Reader's one-year anniversary celebration at the Brooklyn venue on Saturday, June 13th. Other acts include Thomas Jefferson Slave Apartments, the Mad Scene and El Jesus de Magico. Tickets are on sale.
Blues Control, who played with TNV on Sunday the 10th, has a short weekend tour coming up and NYC shows scheduled. Those include a Thursday, May 21st show at Coco 66 with Thrones, Lake and Popped Blimp; a Northside Fest appearance at the Shank with Kurt Vile, Grooms, Woods and Pygmy Shrews; and a set on June 21st at Goodbye Blue Monday's Make Music NY festivities. A new LP/CD from Blues Control is due in July on Siltbreeze.
All TNV and Blues Control tour dates, with a video of TNV playing two songs on Record Story Day '09 from their forthcoming Matador album, below...
"MARKET HOTEL HAS ROOMS AVAILABLE. They are $394 per month, app 150 sq feet, and feature natural light & private, secure locking access + private common area and kitchen area. Perfect for artists / small office space. Tenants get a say in the Market Hotel collective and can organize events and curate art shows. for more info, email: THEMARKETHOTEL@GMAIL.COM" [Todd P]