Entries tagged with: Maxwells
photos by Kellyann Petry, Feelies review by Andrew Sacher
The Feelies @ Purchase
Without any openers on the bill (they reportedly will play two sets with a break in the middle), The Feelies sold out their show happening at the Bell House in Brooklyn tonight (5/13). That's a good sign since next time they hit Brooklyn, they'll be tasked with headlining Celebrate Brooklyn's massive space in Prospect Park. Of course it helps that they'll be supported at that July 23rd show by both Real Estate (who also have some May shows coming up) and Times New Viking, and that it's FREE.
The Feelies, touring in support of their new album of all new material, Here Before, will also play shows in MA, PA and DC over the next few days, AND they will return to their favorite venue (my assumption) Maxwell's in Hoboken on July 1st and July 2nd. Tickets are now on sale for both (at the links). Last year they also played a show there on the 4th.
Back in April The Feelies co-headlined SUNY Purchase's annual Culture Shock Fest (that Real Estate also played), and Andrew Sacher reports:
As typical as it is to talk about 'saving the best for last,' that's exactly what happened at Culture Shock 2011. Twenty minutes before the entire festival was supposed to end, post-punk legends The Feelies launched into the first song off their hour and a half long set. Their immediately dancey songs sent the frenzied audience stage diving and moshing like nothing that has ever been seen at a Feelies show. They played a large range of material, including tracks off the immortal 1980 debut Crazy Rhythms as well the newly released Here Before, and everything in between. A few shouts were heard in between songs for "Fa Ce-La," and although The Feelies consistently responded to the shouts with a different song, there wasn't a second in their set to complain about. After just over an hour of jangly masterpieces, The Feelies left the stage. Although an encore has become something you can almost always expect from a headlining band, this was one of those situations where even if The Feelies didn't plan on coming back, they couldn't have deserved it more. They did of course return, and roused the crowd with three more songs, culminating in the immensely anticipated "Fa Ce-La." Despite the expectations that come along with an encore, The Feelies still found a way to surprise us even more when they came back out for a second one.More pictures from that show, and all tour dates (a CT show too), below...
Black Joe Lewis & the Honeybears
Black Joe Lewis himself brings a classic James Brown howl and a raunchy sense of humor to some great talking blues moments, but what makes these guys much more than just a gimmick are the musical skills that underlie everything they do. They just groove. With another year of shows under their belt, white dude band mates Zach Ernst (guitar) and Bill Stevenson (bass) have ratcheted up their swagger enough to share the stage comfortably with their charismatic frontman.-[Hippies Are Dead]The above review comes from the March 25th date show at Bowery Ballroom, the first of two shows at the venue for tourmates Black Joe Lewis & The Honeybears and Those Darlins (they did it again the next night). The pair's trek is still ongoing, terminating soon in Santa Cruz before Black Joe Lewis heads to an appearance at Coachella.
After a couple weeks off, Black Joe Lewis will reemerge in Mississippi at the tail end of April for a few dates before heading out on tour with Sharon Jones & the Dap Kings. Those Darlins will still be going strong with their seemingly neverending tour. Both bands will eventually loop back to the NYC-area to play Maxwell's within a day of each other; Those Darlins play Maxwell's on 6/11 (tickets) and Black Joe Lewis hits Maxwell's on 6/12 (tickets). Neither has a NYC show scheduled at that time, but both have plenty of free days right around then (free summer shows TBA?).
Both Black Joe Lewis & The Honeybears and Those Darlins recently dropped some new material. BJL's new and-Jim-Eno-produced LP, Scandalous, as well as the new Those Darlins LP Screws Get Loose, are out now. All dates and a couple of videos, below...
Yo La Tengo, David Byrne, Fred Armisen (photo by antonieta molina)
"Yo La Tengo squeezed more than a drop of good will from a sugarcube last night at Maxwell's in Hoboken. The band performed a last-minute Japan Benefit Concert to a packed room of sweaty record store clerks--all the proceeds went to Peace Winds Japan, a Tokyo-based non-profit organization helping those displaced by the recent disaster. But in typical Yo La Tengo fashion, they weren't alone: SNL star Fred Armisen sat in on drums for the entire show, Glenn Mercer of The Feelies joined them for four songs, and legendary bike enthusiast David Byrne dropped by in grandfatherly overalls for a handful of tunes as well during the invigorating, nearly-three hour show" [Gothamist]Speaking of the Feelies, they have a new album and some shows coming up.
A picture of the Maxwell's setlist and a few videos below...
Yo La Tengo @ Maxwell's on Hanukkah (more by Chris Gersbeck)
"This just in . . . we're going to play at Maxwell's on Wednesday, March 23. Tickets will be $50 and all proceeds will go to Peace Winds Japan. The show will start at 9 pm. No other bands, but we'll see if we can find something to put up our sleeves (please don't hold us to that). Due to the short notice, tickets will be available exclusively on line, starting at 10 am EDT Monday March 21, through Ticketfly, who have generously offered to donate all of the fees to Peace Winds Japan. To order click here." - Yo La Tengo
photos by Chris La Putt
Friday night show at Maxwell's marked the last show of Nicole Atkins' tour with Cotton Jones. Some pictures from that show are in this post. And though she kicks off a round of dates in Austin on Wednesday, she said from the NJ stage that she will be making an appearance with her fellow Black Sea band member Jared Samuel at Cameo Gallery tonight (3/15) as part of his other band Minerva Lions (El, Wendy, and Belleweather are also on the bill).
As previously mentioned, Nicole's next public NYC show is at Rockwood Music Hall on 3/30 as part of the Sweet Divines who formed after the Dansettes broke up. Other members of the Dansettes formed the Nouvellas whose members, along with members of Cotton Jones, backed Nicole & the Black Sea when they performed "Cry, Cry, Cry" on Conan in February. The video of that, is under the rest of the pics, below....
photos by Chris La Putt
Alex Winston played a show at Maxwell's on 3/9, and will soon be off to SXSW where she'll play a BrooklynVegan Day Party at Barbarella at 1pm on Thursday, March 17th, and other shows. All dates and more pictures from the NJ show, below...
photos by Andrew St. Clair
As soon as the Marissa Paternoster, front woman of Screaming Females, began hollering through the songs from the 2010 LP Castle Talk, the crowd took to moshing near the front of stage. Paternoster rules the stage with utter confidence and energy that seemed to possess the crowd. More than at any point during the night, it felt like a punk show with Screaming Females on stage. -[NYPress]One night after they rocked Purchase, Screaming Females headlined the Don Giovanni showcase at Music Hall of Williamsburg on Saturday 2/12 alongside Laura Stevenson & The Cans, Shellshag, Lemuria, and Byrds of Paradise. The show sold out at the door, and was the 2nd of two Don Giovanni showcases over the weekend. The first was at Death By Audio on Friday night.
If you missed it, you're in luck, as Screaming Females have added another pair of new NYC-area dates. First up, the previously discussed Jeff the Brotherhood show at Santos on 3/31 (tickets still now available) will now be a co-headlining show with Marissa and the gang. In addition, the band has added a show at Maxwell's on 3/30, though not a show of the regular sort:
Something different! For this show artists from the NJ based Doodle Drag Art Collective will be creating unique images for our songs which will be projected behind us while we perform. For the song 'Lights Out' we humbly request YOUR artistic assistance.More details on how to contribute to the show can be found at their website, and tickets for the NJ show are on sale.
We would like YOU to take a listen to "Lights Out" and then visually illustrate the song with your drawings, photos, collage, etc, (but we love drawing.) Be creative! You may illustrate the song however you see fit - create a narrative, create abstractions, or interpret the lyrics literally. Surprise us and most of all have fun with it! We ask that you provide us with a maximum of five drawings.
After submitting the images, they will be compiled into a slide show that will be projected behind Screaming Females during their set at the Maxwell's show, and it will be super cool.
All dates, and more pictures and some videos from Saturday's Music Hall show are below...
Greg of Reigning Sound
Though tickets are still available to the previously mentioned Reigning Sound show at The Bell House on Feb 18th, the band has added another for those of you who prefer your garage riffs in the, um, daytime:
The Cherry Blossom Clinic is excited to host its first ever live show at Maxwell's in Hoboken NJ on Feb 19, Sat 3-6pm! Terre T will be doing her show from Maxwell's, spinning her favorite records and hosting a special live performance by the amazing, ruling Reigning Sound! This is a benefit for WFMU, so Maxwell's, Reigning Sound and hopefully YOU will be contributing to a good cause: the continuation of WFMU Freeform radio! The suggested donation is only $10 and you get to be part of of Terre's live remote show and see a great, rare daytime performance of the ever awesome Reigning Sound!! Maxwell's is located at 1039 Washington in Hoboken, NJ.If you can only make it to Bell House, then you can contribute to the great WFMU in other ways.
In related news, Parting Gifts which features Greg of Reigning Sound/Oblivians recently added some new dates though none in NYC. Those dates, all Reigning Sound dates, and some video is below.
review & photos by Chris Gersbeck
Mission of Burma @ Maxwell's
I don't think I've missed more than a couple of New York City area Mission of Burma shows since I accidentally caught them at the Stillwell Stage at Siren Fest in '04. At that point in the band's history, they were still a somewhat recently reunited group, but clearly devoted to something more than just a few reunion performances. This was a group that was not so much reunited as they were picking up where they left off in 1983, anxious to write and record groundbreaking music yet again. Seven years and three (fantastic) full-length albums later, Mission of Burma have even further embedded their place in music history, a sort of indie music myth for our times.
So it goes without saying that these two shows, at Maxwell's on 1/28 and Bell House on 1/29 (both of which sold out) were met with excitement from the most devoted of Burma's fans. The band has become known for hand picking their opening acts, and in the case of these shows, they did an excellent job with both. New York City's Grandfather (not to be confused with Grandchildren) opened the Maxwell's show on Friday, a threesome with clear inspiration from Mission of Burma's unique timing and song structure. Their songs were dark, but meticulously written, with a heavy emphasis on rhythm. Grandfather's drummer, a highly energetic and precise musician, took on lead vocal duties as their guitarist and bassist flung themselves around on stage throughout their set. In hindsight, it made perfect sense when their guitarist told me before the show that Bob Weston and Steve Albini were behind their debut record. Check this band out (their next show is at Party Expo in Brooklyn 2/7/11).
Though I missed most of Buke & Gass's set at the Bell House on Saturday due to problems at the door, what I heard was great. A male-female duo from Brooklyn, both played seated, the percussion coming from a single kick drum stuffed with tambourines and a set of bells wrapped around the guitarist's ankle. Though highly melodic in contrast to Grandfather's set, you could tell why MoB tapped them to open, and they definitely had their share of fans in the crowd. Their next show is opening for Deerhoof at Europa, and then for Lou Reed and Laurie Anderson at the Stone.
Due to MoB's practice of choosing their setlists by committee just before hitting the stage meant getting two completely different sets between the two nights. The intimate (yet utterly explosive) Maxwell's performance initially consisted of later period Burma songs, opening with the Obliterati's "Donna Sumeria" and eventually hitting the Sound, the Speed, the Light's "1, 2, 3 Party!" and ONoffON's "the Setup". Smattered among the set was a slew of new material too, which is shaping to be yet another great set of songs from the band.
But their encore at Maxwell's is what made the crowd just completely lose themselves. As soon as Roger Miller began strumming the opening chords of "This Is Not A Photograph", the entire front of the stage became a group of pogo-ing lunatics. I don't think I've ever seen crowd surfing at a Burma show, and if you know the small space at Maxwell's you know there isn't much room to surf, but as soon as Clint Conley said, "That's How I Escaped My Certain Fate" a rather enthusiastic fan catapulted from the stage into the crowd and somehow remained elevated for much longer than gravity should have allowed. Following with B-side "Max Ernst" and closing with the anthemic "Academy Fight Song" left everyone wanting more; in fact most people refused to leave until the house lights came on.
Luckily another Burma performance was just around the corner. Their set at the Bell House on Saturday was filled with just as much energy as the night before, but relied more heavily on material from their 1981 EP Signals, Calls & Marches and their only proper full length before their breakup, Vs. Pete Prescott's shouts from behind the drumkit sounded just as aggressive as ever, while Clint Conley's overdriven bass made older songs like "Mica" and "Fame & Fortune" sound even more furious than their studio counterparts. As much as I believe "underrated" describes Mission of Burma on a number of levels, one of the greatest aspects of MoB that goes unnoticed may be Roger Miller's unique slide guitar technique, particularly when soloing on songs like "Spider's Web". Bob Weston on tape loops provided those iconic swirls of noise during and between songs, reminding you that the band's fourth member is just as important to the Burma sound as any of the members on stage. And how great is it that when they launched into their most well known song, "That's When I Reach For My Revolver" during the first encore, I hadn't even considered that it wasn't played in the set yet, or at all the night before. Overwhelming response demanded a second encore, which consisted of the opening track from Vs., "Secrets", and again ending with "Academy Fight Song". Something tells me that if Roger Miller hadn't jokingly said, "Thanks, please go home, now," the crowd would have stuck around for even more.
For more Roger, check out Chris's recent interview and check out Alloy Orchestra in NYC on Wednesday, Thursday and Friday. For more Bob, don't miss Shellac at ATP's I'll Be Your Mirror in Asbury Park. For more Mission of Burma, check out NYC Taper's recording of the Brooklyn show, and the rest of our pictures from both NYC-area shows with setlists, below...
photos by Graeme Flegenheimer
Evan & Juliana @ the Bell House
"Thursday night's sold-out Evan Dando and Juliana Hatfield show [at Maxwell's] was a trip down memory lane. Mostly, though, a testament to the timeless power of great songwriting.Read the rest of Jennifer's review at Hoboken Patch, and catch Jennifer herself playing music on February 8th at the Rock Shop as part of her new monthly residency there. Maybe she'll land Evan or Juliana to play with her at a future show (in February she'll be joined by Charles Bissell of The Wrens, Kendall Meade of Mascott, and Richard Baluyut of Versus) (meanwhile catch Charles Bissell at Maxwell's with Cymbals Eat Guitars TONIGHT/SUNDAY).
Dando and Hatfield, for the uninitiated, were the king and queen of the 1990s alternative rock prom. They were friends--or more than friends, nobody is really sure--who sang and played on each other's records. They made a handful of really great records that still hold up today.
For someone like myself, who saw The Lemonheads' "It's A Shame About Ray" tour in 1992, (I kept the set list as a souvenir until just a few years ago), and had Juliana Hatfield's 1993 classic, "Become What You Are" stuck in my car cd player for at least a couple of years, Thursday night's show was a real treat.
Armed with only microphones and acoustic guitars, the duo swapped songs back and forth. They played songs from the albums that made them famous, as well as more recent compositions and a few cover songs.... [Jennifer O'Connor for Hoboken Patch]
One night after they played Maxwell's, Evan and Juliana headlined a show at the Bell House. Lady Lamb the Beekeeper opened both shows. More pictures from the Brooklyn show, and a bunch of videos and the setlist from the NJ show, below...
The once extinguished but now active Versus is scheduled to play Mercury Lounge on February 19th, their lone East Coast date as part of a handful of US dates late next month. Tickets for Mercury Lounge go on sale at noon. The band released their first LP in ten years, On the Ones and Threes, via Merge Records in 2010.
You can also catch Versus's Richard Baluyut when he appears during Jennifer O'Connor's residency at Rock Shop on February 8th. Tickets are still available, and he'll be joined by Charles Bissell of The Wrens and Kendall Meade of Mascott.
Speaking of Charles Bissell, he is also on the bill of a Project Matters Benefit at Maxwell's in Hoboken on January 23rd with Cymbals Eat Guitars and Escape Directors. Tickets are on sale.
Versus is also on board for Noise Pop 2011 in San Francisco, CA. To be exact, they play Cafe Du Nord with their touring labelmates Telekinesis & The Love Language on February 23rd. The whole festival will take place at multiple venues from February 22-27 and will also feature appearances from Ben Gibbard (Death Cab for Cutie, The Postal Service), Ted Leo (solo), The Concretes (who are touring), Waaves & Best Coast (who are touring together), How to Dress Well (who plays Brooklyn soon), No Age, Yo La Tengo, and many other favorites. The full slate of initially-announced bands is below, and you can get your badges now.
Full list of Noise Pop bands, some video and all Versus dates are below.
photos by Chris Gersbeck
Pittsburgh Post Gazette: What made you want to revisit the Galaxie 500 catalog now?Dean Wareham and band (Britta included) played another excellent set of Galaxie 500 songs at Maxwell's in Hoboken last night (1/13). Their friend and collaborator Cheval Sombre opened the show (Britta on drums and then bass for two songs included). A picture of the set list (Galaxie's 'Ceremony' New Order cover included), with more pictures from the show, below...
Dean: We did one show of all-Galaxie 500 songs at a Spanish festival about a year ago, and it sounded really good. I came home and the CDs were all being re-released, and I thought now that I have re-learned the songs I might as well go play them -- while I can still hit all the notes. [Critic] Michael Azzerad asked me if I had dropped the key on any of the songs to do that, but I have managed to get there without resorting to that.
Guided by Voices @ Terminal 5 (more by Chris Gersbeck)
As people have theorized in the comments many times, the reunited classic lineup of Guided By Voices will play a show at Maxwell's in Hoboken, the NJ venue they've played many times, and it will happen on Thursday, December 30th, one day before they play a New Years Eve show at Irving Plaza. Tickets are $75 and on sale at noon.
If there's a Hanukkah equivalent of the Grinch, they're probably relieved that last night, Wednesday, December 8th, was the final night of Hanukkah and the final night of Yo La Tengo Hanukkah shows. Those in attendance last night were treated to an opening set by a local band called The National and comedian Marc Maron. Frequent YLT collaborators Bruce Bennett (of the A-Bones) and Gil Divine were special guests during the encore, and Hamish Kilgour of the Clean sat in most of the night on guitar.
Here's the final tally:
12/1 - M. Ward, Todd Barry, Nash KatoYKT's 12/8 setlist is below...
12/2 - The Parting Gifts, Jim Gaffigan, members of The Feelies
12/3 - Jeff Tweedy, Eugene Mirman & Kid Congo Powers
12/4 - Syl Johnson, Jon Glaser, Peter Wolf & Ira's mom
12/5 - Mission of Burma & Wyatt Cenac
12/6 - Mofungo, Amy Rigby, Wreckless Eric, Mikael Jorgensen, Tara Key, Gil Divine & Eugene Mirman
12/7 - Bonnie Prince Billy, Kurt Braunohler & Kristen Schaal & Nels Cline
12/8 - The National, Marc Maron, Hamish Kilgour, Bruce Bennett, Gil Divine
DOWNLOAD: Charles Bradley - "The World (Is Going Up In Flames)" (MP3)
Charles Bradley album art (reminds me of something...)
Lotsa great funk and dancefloor grooves are coming to Southpaw and elsewhere for you old soul fans/45 collectors out there.
Charles Bradley is no stranger to hard times. Born in Gainesville, Florida in 1948 and raised in Brooklyn, New York, he spent the better part of his childhood living on the streets. One of the more optimistic moments of his childhood came in 1964, when his sister took him to see James Brown at The Apollo. Brown's energy and showmanship would form a lasting impression on Charles. He went home and immediately began practicing microphone tricks with a broom attached to a string, imitating the Godfather's every move.No Time for Dreaming (the LP) will be celebrated at a Record Release show with Menahan Street Band (mems of Antibalas, El Michels Affair, Sharon Jones & the Dap-Kings and the Budos Band) at Southpaw on January 25th, 2011. Tickets are on sale.
Forty years later, Charles was still trying to make ends meet, still trying to make it as a musician. He was performing his James Brown routines under his alter ego "Black Velvet" when Gabriel Roth of Daptone records happened upon his show at the Tarheel Lounge in Bedstuy. Roth recognized his raw talent and directly brought him into the studio for a session with The Sugarman 3.
Charles Bradley's last show was with Lee Fields at Music Hall of Williamsburg on 11/20, and Lee Fields & The Expressions have another show in the immediate future: 1/7 at Bowery Ballroom. Tickets are now on sale. Still no opener listed. I'd suggest Budos Band but they just headlined AND SOLD OUT the same venue recently themselves.
Speaking of Daptone, legendary New Orleans musician Allen Toussaint will join Daptone queen Sharon Jones & The Dap Kings at Best Buy Theater during their two day stint at the venue (tickets for both Dec 30 and Dec 31 are still available).
Toussaint collaborated with The Meters in the 70s, who will also be in NYC in the coming months (the "Funky" version anyway) (tickets available for Feb 15th, 16th, and 17th shows billed as "The Funky Meters").
A soulful New Years Eve can also be had outside of Manhattan at the Bell House thanks to Dig Deeper who are bringing Marva Whitney, Billy Prince (of the Precisions) and the Sweet Divines to the Brooklyn venue that night.Tickets are still on sale.
Dig Deeper most recently hosted Syl Johnson at Southpaw. Syl also played a show with Yo La Tengo one night later.
As hinted, posted and speculated, Bonnie Prince Billy (who plays Town Hall tonight), Kristen Schaal, Kurt Braunohler and Nels Cline (who played LPR one night earlier) all joined Yo La Tengo at Maxwell's on the 7th night of Hanukkah. Full setlist below...
words and photos by Chris Gersbeck
Last night was night six, and Yo La Tengo played their fifth night of Hanukkah shows on Sunday (12/5), with their eight night stay at Maxwell's quickly coming to an end. I can only imagine the amount of exhaustion that comes from planning and rehearsing these shows, though you'd never know it thanks to consistently great performances from Ira, James and Georgia.
The legendary Mission of Burma, who just may be the greatest long-running live act of all time, were tapped to open the night. Playing almost entirely new material, along with a slew of covers including the Buzzcocks' "I Don't Mind" and the Wipers' "Youth of America", Burma continue to prove that they're one of the few, if not only bands to reunite and still produce material as innovative as in their heyday. And maybe I just haven't seen them live in a while, but Roger Miller's new hairdo is fantastic. I'm looking forward to seeing them again in January.
Daily Show correspondent Wyatt Cenac was the comedian guest of the night and his act was well received by the crowd. Cenac's stories were at times a bit convoluted, but the payoffs were definitely worth it. Apparently he and fellow correspondent John Oliver have a show coming in 2011 to follow the Colbert Report, which makes perfect sense.
It's kind of amusing that Yo La Tengo opened with the somber and mesmeric "Green Arrow", considering how intense their set would later become. Tearing through "The Room Got Heavy", Richard Hell's "I'm Your Man", and ending with "Mushroom Cloud of Hiss", Yo La's songs often collapsed into long, droning swells of feedback. Adding to the noise collage was Burma's tape-looper (and Shellac bassist) Bob Weston, who was sitting in with the band for the night, albeit from the soundboard. Manipulating YLT's vocals, guitars and percussion throughout, Weston added that unique quality that has become synonymous with Mission of Burma's sound.
All of this lent itself well to the encore, first with Roger Miller returning on organ to perform Jonathan Richman's "Astral Plane" with WFMU auction winner Jason Kaufman on vocals (who did a great job), then with MoB drummer Pete Prescott singing one of his and Weston's Volcano Suns songs (Weston came out to play bass on this one). Before long, Clint Conley also returned to the stage on guitar to perform as the supergroup I personally have dubbed "Yo La Burma". To say it was incredible to watch is an understatement. It's not too often you get to see things like this happen in such an intimate venue, so if you get the chance to check out any of the remaining shows, definitely do so.
More pictures from the fifth of eight crazy nights at Maxwell's are below.
"We regarded music as a form of socializing, and took a resolutely unprofessional approach. Only a few of us in the scene ever imagined becoming professional musicians. We were the stepchildren of the first generation of no wave bands (a term Chris Nelson coined in the New York Rocker, where I was a part-time photographer) like Mars, Teenage Jesus and the Jerks, D.N.A. and the Contortions. We took pride in our facile and self-taught instrumental licks, and played music that was often hookless and even atonal. Our influences were broad, including jazz, African music, commercial jingles, and the English punk movement, especially the artier aspects. We avidly followed bands like the Fall (in its earliest incarnations), Wire, and X-Ray Spex, all of whom we were able to see at CBGB.As prophesized, Mofungo opened for Yo La Tengo on the sixth night of Hanukkah at Maxwell's in Hoboken. I have no idea when the last time the No Wave band (if ever) got back together, but according to the above-quoted article, they played their last show in June 1992 at CBGB. And Amy Rigby and Wreckless Eric were in fact special guests, as were Mikael Jorgensen of Wilco and Tara Key of Antietam, and Gil Divine. Eugene Mirman returned as comedy opener. Ira made the mix disc. And they do it again tonight. Last night's setlist below...
It was an era when the East Village was not the tourist trap it has become. There were few restaurants open in the evening, and nearly every hipster you saw on the street was carrying an instrument. Everyone was either in a band, or was a DJ or rock critic. Music was featured at loft parties, festivals, and impromtu neighborhood clubs. One regular Mofungo gig was on the roof of my building at 630 East 14th Street, where we threw a party every Fourth of July. We also formed an alliance with Chain Gang, a punk outfit from the Bronx, whose members made a living driving cabs and self-released a series of amazing singles."
[The inside story of Mofungo by Robert Sietsama]
As rumored, Mission of Burma stopped by Maxwell's this Hanukkah to be one of Yo La Tengo's eight openers. A full review and set of pictures from last night's show is coming soon, but meanwhile let's figure out what we've got so far:
12/1 - M. Ward, Todd Barry, Nash KatoSo who else will open and/or play with YLT on the final three nights?
12/2 - The Parting Gifts, Jim Gaffigan, members of The Feelies
12/3 - Jeff Tweedy, Eugene Mirman & Kid Congo Powers
12/4 - Syl Johnson, Jon Glaser, Peter Wolf & Ira's mom
12/5 - Mission of Burma & Wyatt Cenac
12/6 - ?
12/7 - ?? & Kurt Braunohler & Kristen Schaal & ??
12/8 - ?
Well, "Anonymous | December 2, 2010 9:31 AM" says that Amy Rigby and Wreckless Eric, who played Bowery Electric on November 12th, announced that they'd be at Monday's show "during their show near d.c." That comment was made four days ago. Since then Wreckless Eric made a surprise last minute appearance at Home Sweet Home Friday night. BUT, "Anonymous | December 6, 2010 11:10 AM" says "Tonight's opener is Mofongo, despite the apparent info that Wreckless Eric and Amy Rigby would open. Perhaps Eric and Amy are the encore guests."
note that the proper spelling is: Mofungo
Last night's setlist is below...
photos by Andrew St. Clair
Peter Wolf & Ira
As someone promised, Syl Johnson was the opener for Yo La Tengo at Maxwell's on Saturday night (12/4). Syl was also in town to play Southpaw on Friday which was the night Jeff Tweedy opened for Yo La Tengo at Maxwell's. Saturday night's comedian was 'Rabbi Attitude' aka Jon Glaser. The special guests were Peter Wolf and Ira's mom who made an appearance in 2008 as well. The mixtape was by Numero Group. Full setlist and more pictures from the fourth night of Hanukkah, below...
Two down. Six to go. As promised, The Parting Gifts opened Thursday night's Yo La Tengo show at Maxwell's. And as theorized, Jim Gaffigan was the comedian. Jim kicks off his run of SEVEN shows at Best Buy Theater tonight (12/3). You can catch the Parting Gifts tonight at Union Hall.
Yo La Tengo were also joined by special guests Glenn Mercer and Bill Million of the Feelies, and The Great Gaylord on vocals for a song. Night Two's mixtape was made by Damian from Fucked Up.
the 12/1 sign & mixtape
Thurston Moore made the mix tape. Nash Kato of Urge Overkill was a special guest, as was an Elvis impersonator named Gene Dinapoli. Anyone have the setlist?
One down, seven more nights of Chanukah at Maxwell's to go (note: Ted Leo actually also has December 5th off - one night before Terminal 5 - which I didn't notice when I first wrote the last post which is now updated).
Yo La Tengo @ Maxwell's (Hanukkan 2008) (more by Natasha Ryan)
Thanksgiving is not even a week past, but Hanukkah is already here and that means eight Yo La Tengo shows at Maxwell's in Hoboken. One for each night, they shed a sweet fucking setlist and opener and comedians and special guests and charities and mixtapes and who knows what. You never really know what you're going to get until it happens, but we can try and figure it out. Who will open each show?
Well, we already know The Parting Gifts are scheduled to appear on night two.
12/1 -Who else seems likely?
12/2 - The Parting Gifts & ?
12/3 - ?
12/4 - ?
12/5 - ?
12/6 - ?
12/7 - ?
12/8 - ?
The Greenhornes played Bowery Ballroom last night (11/30) and have nowhere to be until December 5th. Ted Leo kicks of a tour on 12/2, so if he's a special guest, it has to be tonight (12/1) or 12/5 (his night off). He's back in town on 12/6 to play Terminal 5 with the New Pornographers, but there's no way he could do T5 and Maxwell's in one night (and he's back on tour right after). The New Pornographers (AC Newman and Neko Case included) on the other hand have almost every single other night of Hanukkah free (and AC Newman's show with John Wesley Harding isn't until December 17th) (John Wesley Harding is free all days except 12/5).
Kurt Vile plays Knitting Factory on December 3rd and has all other days of Hanukkah off. Jeff Tweedy, John Stirratt, and Pat Sansone are playing Bowery Ballroom on 12/4 and Tarrytown on 12/6, but are free on 12/3 and 12/5. Nels Cline is in NYC on 12/6, and is free 12/7 and 12/8 (but it doesn't look like he'll be around the same time as the other members of Wilco unfortunately).
The Feelies have no conflicts or upcoming dates at all. Mission of Burma play Maxwell's and the Bell House in January, but you never know, maybe they'll come down for this too. Stornoway seems like a longshot, but they are in town on December 2nd and free 12/1, 12/6 and 12/7. Warpaint play Manhattan on 12/1, Brooklyn on 12/2, Philly on 12/3 and DC on 12/4, and then are free after that.
Titus Andronicus, who by the way are opening for Passion Pit at Wellmont Theater on 12/30, have to be in Florida to play a show with Superchunk on 12/4, but are otherwise free. Superchunk have from the time they finish that Florida show until 12/9 to get to Toronto to open for Broken Social Scene. Superchunk are next scheduled to be in NYC in March to open for Bright Eyes who recently popped up as a guest at a NYC show. Screaming Females, who opened for Yo La at Brooklyn Bowl recently, are recently home from Europe and totally free.
Jim Gaffigan is not the most likely comedian to show, but it would be a good warmup for his seven shows at Best Buy Theater. More likely are some mix of Eugene Mirman, Todd Barry, David Cross, Jon Benjamin, John Oliver, John Mulaney, Kristen Schaal, Hannibal Buress, Michael Showalter, Leo Allen, Mike Birbiglia, etc...
All the Maxwell's shows are long sold out, but Craigslist is hopping. Leave tips and more ideas in the comments. Tour dates for most of the artists mentioned in this post, below...
Yo La Tengo Hanukkah 2008 (more by Tim Griffin)
Maxwell's reports that, after a year off (they last did it in 2008), Yo La Tengo are returning to Maxwell's for Hanukkah this year. As always, expect the full lineups to be announced after the shows sell out, but note that they will sell out before the full lineups are announced. Yo La Tengo plays every show, but expect surprise guests, reunited openers, comedians, mixtapes and more.
photos by Benjamin Lozovsky
Autolux @ Bowery Ballroom
While Maxwell's is normally filled with locals excited and ready to see their favorite act perform, Los Angeles fuzzy rock trio Autolux seemed to have attracted more people from New York City than the Mile Square.Autolux completed their three-night run in the NYC-area on Sunday night at Maxwell's. All three shows, like tonight's in Philly will be, were with This Will Destroy You, though as of 9/1 Gold Panda takes over as opener on the tour.
"How many people here are actually from Hoboken?" bassist and lead singer Eugene Goreshter asked the crowd during Sunday's sold-out show.
Although only a smattering of hands peeked out of the crowd, this didn't mean that the rest of the city couldn't get a taste of what Autolux had to offer. While Autolux is composed of Goreshter, guitarist Greg Edwards and drummer Carla Azar, the amount of sound they make not only fills the confines of Maxwell's but also leaves you with aftershocks of distorted bass chords and drumbeats. Even with earplugs lodged into one's ears, the sound seems to creep through and make your eardrum vibrate a bit more than it's used to. If all that happens, then Autolux have done their job. Usually compared to the likes of Sonic Youth and My Bloody Valentine, the volume level can outdo even the largest group of prepubescent teenyboppers at a Justin Bieber concert. [Hoboken Patch]
Oberhofer was also the opener at the Bowery Ballroom show and that's where the pictures in this post are from. More of them, with the Manhattan and Brooklyn setlists (they're almost identical actually), below...