Entries tagged with: Metallica
photos by Dana (distortion) Yavin , words by Andrew Sacher
Metallica / A Place to Bury Strangers at Orion Music Fest 6/24/2012
Day 2 (6/24) of Orion Fest kicked off with sets by two different, but both very dark Brooklyn bands: Liturgy in the Frantic tent and A Place to Bury Strangers (whose new album, Worship, is out this week) on the Fuel stage. Unfortunately, I showed up a bit too late for Liturgy, but I was able to catch the tail end of APTBS' set, which saw Oliver Ackermann turning his monitors to face the audience and putting his vocal mic up to his guitar amp, creating even more noise than the trio already make. You can catch APTBS in their hometown on 7/27 at MHOW with Hunters.
Then I headed over to the Orion stage for Sweden's Ghost, who were introduced by James Hetfield (who is openly a huge fan). James intro-ed the band saying, "It's never too early for scary," and despite the bright sun shining over their stage, he was right. The band, who always come decked out in white ghoul cloaks with singer Papa Emeritus in face paint, crown, and black cloak, were creepy as ever. Papa Emeritus lead the band with demonic priestlike conduction as he bellowed the vocals to a number of songs off their 2010 LP, Opus Eponymous. The only time he wasn't in the spotlight is when the band took an instrumental break and he stood in the back of the stage, hands pressed together and remaining completely still.
I left about halfway through Ghost for the second half of The Black Angels, who were playing the Frantic tent. They supplied a huge dose of droning psychedelia, and though singer Christian Bland's vocals are often delivered stoically, he's quite charismatic on stage. During their last song, which saw bassist (and Elephant Stone frontman) Rishi Dhir switch over to sitar, they went into an extended jam which eventually saw Rishi playing the sitar riff of The Beatles' "Norwegian Wood" (which the Black Angels recorded an exclusive performance of at Coachella) and was soon joined by the rest of the band who covered about half of the song. Slowly, the band exited the stage until only Rishi was left, sending waves of sitar over the head-nodding audience.
Around 4 PM, Best Coast began their set at the Orion stage. Diplo was probably wondering what the faces of Metallica fans would look like during Liturgy's set, though I was also pretty curious about what they'd look like for Best Coast, who played the same stage Metallica would later headline with many anxious fanatics already claiming their front row spots. I think I did actually see one guy sleeping (or maybe he was just really zoning out to the music?), but overall they actually got a pretty great reaction from the people who gathered to see them. The new album, The Only Place (which came out last month), is lacking compared to their debut (it's not bad, just too much of the same), but this was definitely the best I've ever seen Best Coast -- no doubt due to their decision to finally add a bassist. When mixed into a setlist, some of the new songs, like "Why I Cry," actually proved themselves to be standouts, and the songs from her debut sounded great as well. In response to a fan request, they played "When I'm With You" earlier than planned, and before going into it, frontwoman Bethany Cosentino promised a Fleetwood Mac cover too. That cover presumably would have been "Rhiannon," which the band are contributing to the upcoming Fleetwood Mac tribute LP, and premiered on NPR this morning... but they never got around to it.
Next band on my schedule was Titus Andronicus, who were playing the Frantic tent. Before they began, I heard a crowd member ask someone, "So are these guys metal, or is it regular music?" A few minutes later, they fired up their set of regular music, riling up everyone in the tent. The crowd was pretty small -- everyone else was waiting for Metallica or watching Avenged Sevenfold -- but the people who were there were loving it, singing along, pumping their fists, and starting push pits. When the band began fan favorite, "No Future Part Three: Escape From No Future," the crowd's singing was overpowering frontman Patrick Stickles and if anyone wasn't taking part, they joined in on the ending's repeated "you will always be a loser!"
When Metallica took the stage a bit before 8:30, they started their set exactly the same as the night before. Everything including AC/DC's "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" playing through the PA directly before the band walked out, the "Ecstasy of Gold" strings with accompanying video clip, followed by "Hit the Lights" and "Master of Puppets," was there, just like it had been the night before. I realize that Metallica have a routine for their shows, but at a festival where much of the crowd had shown up for both nights, it would have been an appropriate time to throw a few curveballs into the set. The only pre-Black Album songs included in Sunday's setlist that wasn't in Saturday's were ...And Justice for All's "Blackened" and "The Shortest Straw," which were great but it would've been nice to hear more/different tracks from Master of Puppets or Kill 'Em All.
That said, I had already been going into Black Album night with less anticipation than I had for the performance of their 1984 colossus Ride the Lightning the night before, and they did deliver well. The bigger Black Album tracks like "Enter Sandman," "Sad But True," and "Nothing Else Matters" were still tons of fun and the crowd goes nuts for them. One of the biggest highlights was "Through the Never," which of all the Black Album tracks is most similar to their thrash roots. Regardless of your thoughts on the album's material though, they performed it flawlessly and was a welcome dip into Black Album's deeper cuts that are less likely to see the light of day at other Metallica shows.
Pictures and review of Day 1 are HERE. More pics from Day 2 below...
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
Can't make it to Atlantic City this weekend to catch bands like Lucero, Gaslight Anthem, Modest Mouse, and Metallica who will be playing both "Ride the Lightning" and "The Black Album" in their entirety. Fuse's livestreaming YouTube page has you covered. Preview video and both streams (which will start at their respective times) below..
As mentioned, Orion Music & More happens this weekend in Atlantic CIty's Bader Field from June 23-24 and is being headlined by Metallica both nights, who play Ride the Lightning in full on Saturday (6/23) and The Black Album in full on Sunday (6/24). Other bands playing include Arctic Monkeys, Modest Mouse, Hot Snakes, Fucked Up, The Gaslight Anthem, Titus Andronicus, Best Coast, Liturgy, A Place to Bury Strangers, and more, plus a heavy stage with Suicidal Tendencies, Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done and others. The heavy stage (aka "Damage, Inc.") isn't the only place you can catch heavy bands though. The festival also includes Baroness on the Orion stage, The Sword on the Fuel stage, Liturgy on the Frantic stage, and Ghost on the Orion stage. You can check out the full schedule of both days and all four stages HERE.
Orion Music & More is the first NYC-area appearance for Hot Snakes since the reunited band played The Bell House and Maxwell's in December. They'll play another area show (also in NJ) at ATP I'll Be Your Mirror in September.
As mentioned, it's the first time in a while that Modest Mouse will be in the NYC area. They play Orion on Saturday (6/23) before heading to Randall's Island for Governors Ball, which also happens this weekend.
There's a ton of stuff going on at Orion other than live music too. You can pick up rock 'n' roll memorabilia at Ktulu's Rock 'N' Roll Emporium, check out film screenings hand-picked by Lars Ulrich at Hit The Lights Films, skate the Motorbreath Mini Ramp, have a glimpse into Kirk Hammett's creepy personal collection of horror film memorabilia at Kirk's Crypt, surf, nerd out at the ESP Guitar Experience, check out the Metallica Museum, show your support for a variety of charities, or check out the car show.
If you're heading out to Atlantic City for the fest this weekend, head here for directions. If you're driving, there's no on-site parking at the field, but there are a number of parking areas nearby and free shuttles that run from the lots to Bader Field. If you're taking the train, you can get there via the Amtrak or the NJ Transit Rail and there will be a free shuttle from the Atlantic City terminal to the festival. Once you're there, this map should help you get around. We're also told that it's about a 20-30 minute walk from the boardwalk.
Tickets for the festival are still available.
In related news," Kirk's Crypt" isn't the only place Mr. Hammett will be indulging in his love of all things creepy. He'll be publishing a book titled Too Much Horror Business - The Kirk Hammett Collection this October via Abrams Image with photographs of his personal collection of horror memorabilia. The book also includes Kirk's own handwritten captions for many of the photographs. He'll be putting out limited edition toys, like the ones he's been collecting his whole life, along with the book this October. You can pre-order the book at Kirk's online toy store. He'll be discussing the book at Kirk's Crypt at 4 PM each day.
Maybe his old friend Glenn Danzig will add it to his book collection...
Metallica, who will be performing the Black Album and Ride the Lightning (but not Master of Puppies) at their own Orion Festival in Atlantic City which is coming up soon (tickets are still on sale), recorded a PSA for the Virginia State Police, that you can watch below...
"Another Planet Entertainment, Superfly Presents and Starr Hill presents, in a partnership with the San Francisco Recreation and Park Department, are proud to announce the lineup for the fifth annual Outside Lands Music & Arts Festival. The world's only gourmet music festival will once again take place in San Francisco's historic Golden Gate Park August 10 - 12, 2012. Tickets will go on sale Thursday April 19 at 12 noon PDT via www.sfoutsidelands.com. A significant portion of every ticket sold will directly benefit San Francisco's Recreation and Park Department."Pretty massive lineup for the San Francisco festival this year. Check it out below....
Suicidal Tendencies at Terminal 5 (more by Meghan McInnis)
After an initial announcement featured bands from across the map, Metallica's Atlantic City summer festival Orion Music & More (June 23rd and 24th at Bader Field) has announced more bands and a "Damage Inc" stage. The new stage has a more metal focus while avoiding the standard "Summer Slaughter"/"Monster Energy Drink Mayhem Festival" type fare. Suicidal Tendencies will headine the stage, which will also feature Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, and Thy Will Be Done.
Eric Church, The Jim Breuer Heavy Metal Comedy Tour, Soul Rebels, and Wooden Shjips have also been added to the lineup.
The new bands are in addition to previously announced folk like Metallica, Modest Mouse, Titus Andronicus (who play the BV Official Showcase at SXSW), Arctic Monkeys, The Black Angels (who are also playing a BV SXSW event), and many others. Tickets are on sale. Full lineup below...
The above-pictured tweet is courtesy of Diplo who is currently out on the road with Sleigh Bells and Liturgy as opener. Lirtugy's next NYC show is with Zola Jesus and Talk Normal at Webster Hall (where fans will probably not make any weird faces), and their next NJ show will be part of a 2-day Metallica festival in Atlantic City called "Orion" (where they'll probably play so early, no Metallica fans will actually see them anyway).
Speaking of Zola Jesus, her tour just pit the Parish in Austin with Talk Normal and local Austin band Technicolor Hearts. Check out pictures at BV Austin.
Speaking of Diplo, he's on the cover of the new Billboard with Skrillex and A-Trak.
Liturgy's new video for "True Will" and all their curent tour dates are below...
I wish it was Master of Puppets and Ride the Lightning, or Kill 'Em All on one night, but I'll take Ride the Lightning which Metallica announced via Livestream that they'll be performing in its entirety at their Orion Festival in Atlantic City. It's Ride the Lightning one night and the Black Album the other.
The rumored two-day NJ Metallica festival is true, and it's happening on June 23 & 24, 2012 in Atlantic City, NJ. 22+ artists (music and comedy) will play with Metallica headlining both nights with special setlists. Metallica will play the Black Album in its entirety on one of the nights "for the first time ever on US soil", and... Ride The Lighting on the other night! The venue is Bader Field (an abandoned airport).
Other bands are:
Arctic Monkeys • Avenged SevenfoldThere will be a MET Club Ticket Presale on Feb 8 at 10am with a special MET Club presale price of $125 for two days. Public sale begins Feb 11 at 10am. Early bird tickets will be $150 for two days, or $175 if you wait to buy them.
Modest Mouse • The Gaslight Anthem
Cage The Elephant • Fucked Up • Best Coast
Hot Snakes • Titus Andronicus
Gary Clark Jr. • Lucero • Roky Erickson
The Black Angels • The Sword
A Place to Bury Strangers • Liturgy
+ more TBA
"More than just music, the festival will also feature a lifestyle element showcasing the band's individual interests - and allowing fans to interact directly with each of the band members. More details soon!"
The festival is in partnership with C3 who also does Lollapalooza and Austin City Limits.
Metallica @ Yankee Stadium in 2011 (more by Dana (distortion) Yavin)
Metallica sent out a "Save the Date" on Friday. Along with the below video, it included this message:
WHO: MetallicaWe'll know what that's all about at 2:00 PM EST, but if the Daily Swarm is to be believed (and I think they are):
WHAT: Save The Date
WHEN: Tuesday, February 7th at 11:00 AM PST
METALLICA IS THROWING A TWO-DAY FESTIVAL IN ATLANTIC CITY THIS SUMMER...Stay tuned for more.
What we do know: a two-day Metallica festival is set for June 22 & 23 in Atlantic City, and due to be announced this afternoon. Many bands are playing.
What we don't know: everything else. We will update as soon as we find out more information. An announcement is set for 2PM EST, today.
Look for clues in the "Save The Date" video below...
Metallica's longtime manager, Cliff Burnstein, is accelerating the band's tour plans to avoid getting sucked into Europe's debt troubles. With the gloom among investors spreading to richer countries such as France, Mr. Burnstein is worried that the euro will tank, making it harder for concert promoters in the 17 countries that use the currency to pay Metallica's fees.In other news, Darren Aronofsky (The Wrestler, Requiem for a Dream, Black Swan, etc) made a video for "The View" from Metallica and Lou Reed's popular new album Lulu. Check that out with all dates below...
Instead of playing Europe in 2013, as originally envisaged, Metallica will take a "European Summer Vacation" next year, including gigs at Germany's Rock Im Park and Rock Am Ring festivals in early June--where the top-grossing thrash band will play its chart-topping 1991 record known as "The Black Album" in its entirety--before heading to Britain and Austria.
"Look, I'm not an economist, but I have a degree, so it helps," Mr. Burnstein said one afternoon, sitting in the back room of his midtown Manhattan office in jeans and a red Economist magazine T-shirt with "Think Responsibly" printed on it. "You have to ask yourself, what's the best time to be doing what, when and where." -[Wall Street Journal]
"This is what happens if you cross the insufferably cute Zooey Deschannel with the Natalie Portman of Black Swan," I wrote in my original review. But that sounds way more interesting than the actuality of this bad modern Disney soundtrack.That was in reference to St. Vincent's new one. Jim's complete list of what he believes are the top 10 turkeys released in 2011, below...
Henry Rollins @ Fun Fun Fun Fest 2011 (more by Tim Griffin)
With four stages running at the same time, it's hard to see everything at Fun Fun Fun Fest, but I did manage to catch part of Henry Rollins's Sunday night set in the Yellow Tent. He's a great storyteller and I try to catch his spoken word shows whenever I can. This time I heard him talk a bit about an encounter with Dennis Hopper and Captain Beefheart, a funny story about meeting a young Metallica, a bit about his favorite past time, traveling, and his tendency to get frisked a bit extra due to his passport having countries like Iraq stamped on it (or so he claims). He also started talking about the voice we could all of a sudden hear from the other stage that started bleeding into his. That voice was Brian Posehn who was warming up the crowd for Slayer and actually that's when I decided to leave and go listen to some of Brian.
Henry heads out on another giant tour in 2012, called "The Long March". It starts in Europe and ends in the United States. Along the way he hits places like Philadelphia and Buffalo (though no NYC this time). He plans to "share stories from the road less traveled - including recent visits to North Korea, Mongolia, Bhutan, Vietnam, India, Tibet, Sudan, Uganda, Haiti and Cuba." Maybe he'll throw in some bits like his Metallica story too. All dates are listed below...
Philip Glass at Bang on a Can in June (more by Andrew Frisicano)
Philip Glass and Laurie Anderson are headlining the NYC Film-Makers Co-op Benefit at Santos Party House on November 16. Other artists performing include David Barton's band Liquid Blonde, Little Annie, Transgendered Jesus, the Love Butchers, and possibly more to be announced. Tickets for the show are on sale now.
Meanwhile, the New York Philharmonic and Philip Glass Ensemble are performing Glass's music for the 1982 film Koyaanisqatsi: A Life Out Of Balance TONIGHT (11/2) and Thursday (11/3) at Avery Fisher Hall. This will mark the first time that the New York Philharmonic have ever performed Philip Glass's music. Tickets for both shows are still available but are almost sold out so act quickly. A trailer video is below.
In other news, Beck (who recently worked with Stephen Malkmus and Thurston Moore) is working on a Philip Glass tribute remix album with producerHector Castillo. The album will feature contributions from Beck, Bjork, Lou Reed, Memory Tapes, Tyondai Braxton (ex-Battles), Amon Tobin, Roger Waters, Cornelius, and potentially more to be announced. No release date has been announced yet.
Speaking of Lou Reed, you can still stream the album he made with Metallica, "Lulu", over at loureedmetallica.com (if you dare!).
NY Philharmonic video below...
photos by Dana (distortion) Yavin
The concert, or the tour, or the notion, is called the Big Four, and it needs an asterisk. Long ago one of the four became much bigger than the rest.We previously posted video of Metallica's epic rendition of Motorhead's "Overkill" with members of Anthrax, Megadeth, Exodus and Slayer, and pics of the Rocks Off Cruise to the stadium, and of all the openers. Here are pictures of Metallica including some shots of the collaboration at the end the set. They continue below...
In alphabetical order, Anthrax, Megadeth, Metallica and Slayer -- who all played at Yankee Stadium in a thorough and memorable seven-hour concert on Wednesday night -- were the most popular bands of mid-1980s thrash-metal. (Some would prefer a Big Five, and include Testament or Exodus.) Thrash was a powerful mutt: it ran at hardcore-punk speeds and wedged hyper-articulate firebomb guitar solos into small spaces...
[Metallica's] set list was almost identical to what the band played in Indio. It started with the old ("Creeping Death"), moving to the new ("All Nightmare Long") and a we've-earned-it instrumental section ("Orion"), then the hits and landmarks ("One," "Master of Puppets") and back to the old again ("Seek and Destroy"). And it was a proper retrospective, with songs fast and slow and medium, compassionate and merciless.
The last set also included a song involving members of all four bands. Cleverly it was a version of Motorhead's "Overkill," a song that keeps stopping and starting up again. Each time it reanimated, a different drummer took over: Lars Ulrich of Metallica, Dave Lombardo of Slayer, Charlie Benante of Anthrax; the guitarists traded off too.
[New York Times]
photos by Dana (distortion) Yavin
Rocks Off hosted a boat cruise to the Big 4 show at Yankee Stadium (Metallica, Slayer, Megadeth, Anthrax). The pictures from the actual concert are coming shortly, but here are some taken on the high seas (the Hudson River) on the way there. They continue below...
Metallica @ Yankee Stadium (photo by patrickecassidy)
As Blabbermouth points out:
The "Big Four" bands of 1980s thrash metal -- METALLICA, MEGADETH, SLAYER and ANTHRAX -- played their second-ever U.S. show earlier tonight (Wednesday, September 14) at the new Yankee Stadium in New York City.Pictures from the whole night coming soon. Video of "Overkill" and Metallica's setlist below...
The highly anticipated onstage performance of the "Big Four" bands at the same time happened near the end of METALLICA's set, between "Enter Sandman" and "Battery". Members of ANTHRAX, SLAYER, MEGADETH and EXODUS (whose guitarist, Gary Holt, is still filling in for an ailing Jeff Hanneman of SLAYER) joined METALLICA on stage for a cover of MOTÖRHEAD's "Overkill" before METALLICA ended the night with "Seek & Destroy".
Metal megashow The Big 4 hits Yankee Stadium on Wednesday, 9/14. Anthrax fans with jobs (which they probably have if they were able to afford a ticket to this show), may not be happy to find out that the set times for the weekday gig are as follows...
DOORS: 2:00PMCan't make to the Bronx by 4pm? Anthrax also play a "secret" free night show at Best Buy Theater in Times Square on Monday (9/13). As previously mentioned, we're giving away tickets on our Facebook.
Anthrax recently made an appearance on Jimmy Fallon to help promote their new album. The video and more Anthrax tour dates below...
Diamond Head in the early 80s
It is an undisputed fact that one of the key players in the New Wave Of British Heavy Metal movement of the late 70s was the UK's Diamond Head. And though the reactivated band may only have original member Brian Tatler (lead guitar/backing vox) amongst their ranks, you can still see the band bash through Diamond Head classics like "Am I Evil?" (most famously covered by Metallica) while on their current US tour. Catch Diamond Head on tour now and in NYC at BB King's on September 1st with Shitkill & Livesay, tickets are on sale. All dates are below.
In semi-related news, Metallica & Lou Reed have given a name to their forthcoming
abomination? LP: Lulu (out November 1 in North America, October 31 everywhere else):
"Lulu" was inspired by German expressionist writer Frank Wededkind's plays "Earth Spirit" and "Pandora's Box," which tell a story of a young abused dancer's life and relationships and are now collectively known as the "Lulu Plays." Since their publication in the early 1900's, the plays have been the inspiration for a silent film ("Pandora's Box," 1929), an opera, and countless other creative endeavors. Originally the lyrics and musical landscape were sketched out by Lou for a theatrical production in Berlin, but after coming together with the 'Tallica boys for the Rock and Roll Hall of Fame concerts in New York in 2009 all guilty parties knew they wanted to make more music together. Lou was inspired enough by that performance to recently ask the band to join him in taking his theatrical "Lulu" piece to the next level and so starting in early May of this year we were all camped out recording at HQ studios in Northern California, bringing us to today and ten complete songs.Metallica are scheduled to play Yankee Stadium on 9/14 with Slayer, Megadeth & Anthrax; tickets are still available.
In other news, Anthrax play a "secret show" at Best Buy Theater on September 12th as "cover band Satan's Lounge Act" according to a report from Blabbermouth. The show is the day before their latest LP (and first with original singer Joey Belladonna since the early 90s) Worship Music drops and you can get your free ticket by pre-ordering a copy of their new CD via Best Buy.
And lastly in an also semi-related but nowhere-near-as-classic note, Anvil just played Bowery Ballroom on 7/30, but will return to NYC and hit Highline Ballroom on Nov 7th with Shitkill. Tickets go on sale 8/23 at noon. Meanwhile you can catch Anvil on August 26th in Buffalo with Alice Cooper. Their other dates include a European tour with Saxon, and Maryland Deathfest 2012.
All tour dates and some video is below.
"A few months ago our own Kirk Hammett hinted at a new Metallica project that's "not really 100 percent a Metallica record." While Kirk may have jumped the gun a little (and has since been properly punished with a series of push-ups!), we are more than proud to announce that we have just completed recording a full length album that is a collaboration with none other than the legendary Lou Reed.Lou Reed takes part in the free Hal Willner show happening in Prospect Park tonight (6/16). Maybe he'll join Metallica when they hit Yankee Stadium.
Ever since we had the pleasure of performing with Lou at the 25th Anniversary of the Rock and Roll Hall of Fame at Madison Square Garden in October of 2009, we have been kicking around the idea of making a record together. Some of you astute Bay Area residents may have picked up news of recent Lou Reed sightings in the greater San Francisco area and we have indeed been working at our home studio at HQ on and off over the last few months. In what would be lightning speed for a Metallica related project, we recorded ten songs during this time and while at this moment we're not exactly sure when you'll hear it, we're beyond excited to share with you that the recording sessions wrapped up last week.
A true innovator and easily one of the most influential songwriters, musicians, and performers in rock music history, Lou's work with the Velvet Underground and as a solo artist has such an enduring quality that he has long been revered and respected by us and many of our peers. We can't wait for you to listen to the finished record, so as we like to hear ourselves say around here, keep watching this spot for updates . . . we'll be back with more details as they come together." [Metallica.com]
They hit the west coast last weekend, and now "The Big 4" will make the journey east for their second show together in The Bx. Metallica, Slayer, Megadeth & Anthrax will play Yankee Stadium on September 14th. According to Metallica's site, "tickets go on sale Friday, May 6 at 10:00 AM via www.ticketmaster.com. Met Club members should log in for more information about a special pre-sale starting on Wednesday, May 4. Yankees season ticket holders will have their own pre-sale, also on May 4, starting at noon."
Hopefully by the time the NYC show rolls aroundm Slayer will have founding member Jeff Hanneman back in the fold, though he did made a brief appearance in Indio last weekend...
Slayer hit the stage and even the sun appeared slightly scared as it sank behind the mountains. They were the hardest and most relentless band of the day. Dave Lombardo's double bass drums were thunderous, not so much supporting but propelling the music as Kerry King delivered frequent guitar-shredding solos...They played a new song "America" (sp?) that fit right alongside the classics. As he has been since February, Gary Holt of Exodus sat in for guitarist Jeff Hanneman who is suffering from necrotizing fasciitis in his arm. To the crowd's great delight, Hanneman appeared and played during the last two songs of the set, "South of Heaven" and "Angel of Death". -[Seattle Post-Intelligencer]Check out a video of "Angel of Death", one of "Am I Evil" and a trailer for "The Big 4" show, below...
Coachella sold out in less than a week, but the festival that is going to occupy the same fairgrounds exactly one week later, goes on general sale Friday at 10am (presales happening now), and that is "The Big 4" which will bring together Metallica, Slayer, Megadeth and Anthrax ("together for the first and only time in the US") for one big Indio, California classic metal show on Saturday, April 23rd .
One week after that, Goldenvoice (also responsible for Coachella and The Big 4) will host its annual Stagecoach Festival at Empire Polo Field (same place). "California's Country Music Festival" is being headlined by people you probably don't care about, but will also include sets by names like Wanda Jackson, Loretta Lynn, the Punch Brothers, the Secret Sisters and Phosphorescent who is also playing Coachella. Tickets are on sale.
I unfortunately could not find a ticket link for Brochella. Full lineup (real poster) for Stagecoach, and a Big 4 video trailer, below...