Entries tagged with: Michael Hurtt
photos by Jacob Blickenstaff

"Arrangers don't get noticed much. Like cinematographers, they usually fill in the structures and concepts of others: songwriters and producers, who call on arrangers to deploy horns, strings or other sounds that might unobtrusively improve a song. But people who read album credits recognize that Wardell Quezergue, a working musician since 1953, is the rare exception: an arranger whose long career reveals him as a consistent catalyst of New Orleans R&B, and not just because he shares the songwriting credit on a ubiquitous New Orleans song, "It Ain't My Fault."To quote the official linuep, the show featured "R&B icons The Dixie Cups and Robert Parker; soul greats Jean Knight, Dorothy Moore, Tammy Lynn, and Tony Owens; legendary New Orleans drummer Zigaboo Modeliste; New Orleans musician, producer, and session man Mac Rebennack (Dr. John); garage-music pioneer Michael Hurtt; plus Wardell Quezergue's Rhythm & Blues Orchestra, an all-star ten-piece band led by Quezergue himself in a rare New York appearance." More pictures from the event, below...At Alice Tully Hall on Sunday night [7/19], the Lincoln Center Festival allied itself with the Ponderosa Stomp Foundation -- the New Orleans record collectors-turned-promoters who find the musicians behind the obscure singles -- to present a tribute to Mr. Quezergue. His wryly understated arrangements for horn sections in particular, drawing on local parade traditions and big-band jazz, often prod, tease or talk back to a singer and a song, with a chortling layer of syncopation that has helped define New Orleans rock... [NY Times]