Jay Reatard @ the Wired Store (more by Tim Griffin)

As I was saying (and Bill will say even more about later), Jay Reatard and his Shattered Records crew (Nobunny, Hunx & His Punx, Box Elders & Useless Eaters) are on their way from Pop Montreal to NYC for a late show at Le Poisson Rouge tonight (10/1). Tickets are still on sale.

Yesterday, with some help, I rushed together some questions for an email interview with Jay (not the ideal format). Jay in turn rushed some answers back this afternoon, presumably from the road and after playing a late show last night. With that in mind, you can find that interview, which attempts to set the record straight on Jay's recent hate for Brooklyn, and what time Hamburghini practice starts, with all dates and tonight's set times, below....

Continue reading "an interview w/ Jay Reatard (whose Shattered Records tour hits Le Poisson Rouge in NYC tonight) "

photos by Tim Griffin, words by Andrew Frisicano

The Woodsist/Captured Tracks Festival's Day One (7/3) was moved inside the Market Hotel. Thankfully, the weather held out for its second, 4th of July lineup, which went off as planned in the grassy, rock-filled lot of 979 Broadway Backyard.

I arrived just as Real Estate was going on, and the New Jersey band nearly stole the show with dreamy rock that seemed to be made for a sunny afternoon. The Beets held down their set with a casualness befitting a park lodge show (kind of what the fest was on a slightly bigger scale). The guys gave new meaning to the word "ramshackle" as things seemed to be toppling over continually onstage.

German Measles played a set before I got there. Bill caught them and said they "aren't actually that bad... But they're also not very good. And that kind of seems to be the point. Shambolic is an understatement, like 'why rehearse when we can just play shows?"

The Great Excape did a set of Jersey-style pop-punk that included their own theme song, several politically-themed tunes (a nice touch) and a cover of "Summertime Blues." Ganglians brought one of the day's only keyboards, and burst with a flurry of reverb and overdrive.

Brilliant Colors started out with straight-ahead noise punk, with a bit of a melody void left by their super-reverbed vocals (maybe a theme of the night) and washed-out guitar. When the bass stepped up its riffs a few songs in, the band immediately sounded twice as catchy. The Fresh and Onlys took that bass-forward momentum and went with it. Their bassist pounded the notes in between and then some. As a result, the group had one of the most complete sounds of the night (with a tambourine and three-part harmonies rounding it out). They dedicated their last song to the member of Tyvek in the hospital (the reason for that band's cancellation). Hopefully their situation turns out better.

Dum Dum Girls had to be one of the night's cleanest sounding groups. The band relied heavily on singer Dee Dee's vocals, which harmonized with drummer Frankie Rose on their songs' many hooks.

The atmospheric rock of Woods definitely got jammier as it progressed. As Bill Pearis pointed out, the group's fourth member, who sat on the floor twiddling effects and singing into a microphone strapped to his face, was a bit strange considering the rest of the guys were dressed proper enough for church. Whatever you have to do to make it sound good I suppose.

Kurt Vile & the Violators roared into the night as the sun finally went down. Vile and Vivian Girls (who, as one commenter pointed out, "played with a great intensity") more than warmed up the crowd for Thee Oh Sees, who capped the night (for some) with an unstoppable set. Frontman John Dwyer was literally foaming at the mouth as a streak of white drool smeared across his face for part of the set. Thee Oh Sees' strange, repetition-laced anthems are amazing for shaking and rattling, as the crowd proved. The band even got talked into playing an encore before sending everyone into the night.

The rest of the pictures from Day Two, with a bunch of videos, below...

Continue reading "Woodsist/CT Fest Day Two in pics & video (Thee Oh Sees, Real Estate, Ganglians, Fresh & Onlys, Woods & more)"

photos by Tim Griffin

The Mayfair Set

"Festival is a very misleading term to describe this showcase because this wasn't really a festival. There were a lot of bands playing which is a prerequisite for a festival, but beyond that there wasn't a whole hell of a lot that qualified this as a festival. It was basically just a really kick-ass show that lasted for two days. There was rain on Friday, and the show was moved indoors. I discovered this after circling the block several times. I could hear the music, and I could tell something was definitely going on but for the life of me I could not find the fucking place. Finally, I stopped two people who looked like they would definitely know where the show was and when I asked them "Do you know where the show is?" they responded by saying "Show? What show?" and then I tried again, this time clearing my throat before speaking, "I am looking for the Woodsist/Captured Tracks Fest-i-val. Would you happen to know where it is located?" and then the bro gave me an approving nod and explained to me that the show was going on above a grocery store called Mr. Kiwi's and that the way to get there is to slip through the door on the side. Many thanks to that dude because I found what I was looking for shortly there after." [no gift for the gab]

Considering all the rain we've been having, it's amazing how nice it ended up being over Fourth of July weekend. Saturday's show in Battery Park, as well as the 2nd day of the Woodsist/Captured Tracks Fest at 979 Broadway Backyard had beautiful weather. Friday's show at South Street Seaport was completely dry and breezy as well. Unfortunately though, there was some rain earlier on Friday (6/3), and so the Woodsist Fest organizers were forced to make a decision, and that decision was to move the day's festivities to Market Hotel... the very, very hot Market Hotel.

Bands on the bill for that first day were Blank Dogs, Psychedelic Horseshit, caUSE co-MOTION!, the Mayfair Set, Gary War, Little Girls, Kid Romance, Beachniks, and the Gutsies. What were the highlights?

As Bill pointed out, the Mayfair Set is "a collaboration with Blank Dogs (and Captured Tracks domo) Mike Sniper" and Dee Dee from Dum Dum Girls, who, as I just pointed out, is actually Kristin Gundred from Grand Ole Party. Live it was Kristin, Mike, JB from Crystal Stilts, Jeremy from Woods, and Jarvis Taveniere from Woods, Meneguar & other bands. For Mike and Kristin, it was the first of two bands they debuted at the fest over the weekend. On Saturday it was Dum Dum Girls. Both new bands were filled out by members of other bands (Dum Dum Girls had a Crystal Stilt and a Crocodile).

More pictures from Day One (minus the first three bands), below...

Continue reading "Woodsist/CT Fest Day One in pics (Mayfair Set's debut, Crystal Stilts, Blank Dogs, PH, caUSE co-MOTION! & more)"

Dum Dum Girls @ Woodsist Fest - July 4, 2009 (bajapuntos)

The two-day Woodsist & Captured Tracks Festival happened in Brooklyn on Friday (7/3) and Saturday (7/4). Both days were supposed to take place at 979 Broadway Backyard, but Friday was moved to the very hot Market Hotel due to the threat of rain. Pictures of both days coming soon, but first here is video Bill took on Saturday during the first-ever performance by Dum Dum Girls.

Dum Dum Girls is really just one person - Dee Dee.... aka Kristin Gundred from Grand Ole Party who is married to Brandon Welchez of Crocodiles who she released a duet with (video below) and who was one of the members of the Dum Dum Girls band at Woodsist. The other two members of the band were Mike Sniper of Blank Dogs and Frankie Rose of Crystal Stilts (and a former Vivian Girl)...

Continue reading "Woodsist Fest happened - Dum Dum girls (Grand Ole Party + Crocodiles + Blank Dogs + Frankie Rose) debuted - video "