Entries tagged with: MillionYoung
TV Girl released the highly-underrated French Exit earlier this year which is a nice mix of indie pop, an early '90s/Daisy Age approach to sampling/beats, and a highly cynical lyrical view of relationships. You can stream the whole thing below and if you like it it's a name-your-price download via TVG's bandcamp.
The West Coast band don't make it East very often but will be on the Atlantic side of America this week for shows with Millionyoung, and dates include one in NYC on Saturday (11/8) at Shea Stadium with Fielded on the bill as well. All dates are listed, along with the album stream, below..
Frightened Rabbit @ T5, Nov. 2010 (more by Lionel Bergeron)
SXSW has just announced another round of bands for the 2013 edition of the annual music festival that will happen March 12 - 17. This brings the total current number of acts to around 1300. Someome of the highlights include Vampire Weekend, Frightened Rabbit, The Thermals, Black Lips, Camera Obscura, Merchandise, Bleached, Mr. Muthafuckin' eXquire, Eagles of Death Metal, Parenthetical Girls, Indians, Night Beds, IO Echo, KEN Mode, Prince Paul, Pure Bathing Culture, Sepalcure, UK motorik post-punks TOY, Finnish instrumentalists K-X-P, Toronto's Moon King, UK indie rockers Splashh (not Brooklyn Splash with one "h") and loads more. Head to BV Austin for the whole Round 3 list.
Neon Indian at Lollapalooza 2012 (more by James Richards IV)
The previously discussed Suffocation show at Saint Vitus on Saturday (11/10) has officially moved to 11/25. Car Bomb, who were last seen playing 285 Kent during CMJ, are also now on the bill. Tickets are on sale and if you bought tickets before, those will be honored. Meanwhile, Suffocation play Cambridge, MA this weekend.
Now on Saturday is another show that is a little bit different.... a relief benefit for Hurricane Sandy with a Neon Indian DJ set, plus live appearances from Buke and Gase, Bloodyminded, Believer/Law, and Walter Schreifels (solo set). $10 minimum donation required, all of which goes to the Red Hook Initiative. Buke & Gase have a new single which also contributes to RHI.
For Walter Schriefels, the show is one of two on his calendar with the second being an appearance at Matchless on 11/30 with Dave Hill, Census and Belgrade. He'll also play as a member of Gorilla Biscuits in Chicago in the coming months as part of their edition of Revelation Records 25th Anniversary.
In other-benefits-for-Red-Hook news, millionyoung and Cameron McGill will team up for a Hurricane Sandy Benefit at Pianos on Monday (11/12). Tickets are on sale.
The full list of artists confirmed for the 2012 CMJ Music Marathon so far is below...
Remix gurus The Hood Internet will release their new album, FEAT, on September 18. This will be the band's first album of completely original material, free of samples. To fill sample void, the Chicago duo brought in a bevvy of guest stars for the album, including AC Newman, Class Actress, the Rosebuds, Hooray for Earth, Au Revoir Simone's Annie Hart, Cadence Weapon, Zambri, and more. Tracklist with all the guest performers is below.
Before the album comes out, The Hood Internet are going on a tour which includes a stop in NYC at Brooklyn Bowl on August 11. No on sale date has been announced yet. All tour dates are listed below along with a video teaser for FEAT and a stream of the duo's latest mixtape.
Casiokids @ Public Assembly
Well, another CMJ week has come and gone. How did you fare?
Though Northside summoned a number of my favorite artists to town, the CMJ line-up was rather thin by comparison, so I made it my goal to catch as many new acts as possible this year. With help from BV's tightly scheduled day parties, I managed to squeeze in 46 bands. While it's all still fresh in my mind (ie, before I spend the next week hibernating), here's a recap of my week, complete with my favorite finds...
I kicked things off with trance-inducing, one-man knob twittler Sun Glitters. Figuring out how to bring life to headphone-friendly, sample-heavy music in a live audience setting can be a challenge, but the few I saw this week (Million Young, Chad Valley and Luxembourg's Sun Glitters included) were decent.
If last year was the age of the one-man laptop act, 2011 was rife with lo-fi, synth/guitar-heavy (mostly) male groups cloaked in reverb. Each band had its strengths: Sunglasses (great energy on stage), Gauntlet Hair, Guards (perfectly summed up the sound of the moment), 1,2,3, Balkans (nice balance of in-your-face guitars and sunnily-swaggering vox), Tiny Victories. But after a while, I confess they all started to blend together--especially since a good chunk of these bands came early in the week for me.
What did stand out for me in this category was San Diego's garage-psych outfit Tropical Popsicle. Instead of falling flat, the deadpan vocal delivery of Tim Hines pulled me in and kept my attention, making me forget about my plans to leave midset. Another pleasant surprise for me was Dive, the side project of Beach Fossils guitarist Zachary Cole Smith.
But after a rather slow start to the week when schedule issues and cancellations made me abandon my original plans, things definitely picked up midweek. I spent Wednesday evening shuffling around in the rain to some seven venues. From the synth-driven pop music of Norway's Casiokids (whom I managed to sneak in on my lunch hour) to the decent public radio-friendly folk-pop of The Lighthouse and The Whaler and Lissy Trullie's alluringly husky vocals, the day was full of pleasant surprises--not the least of which was John Maus, easily one of the highlights of my week.
As I walked through the door at 285 Kent, I immediately felt as if I had gone back in time. Thick music pumped from the DIY graffiti-covered space, through clouds of cigarette smoke. On stage, Maus shook with intensity as he addressed the mass of dancing, sweaty revelers. Beneath the shambling chaos of the quick synth riffs and simple drum lines is an unhinged but triumphant quality that is intoxicating. I had heard whispered stories of Maus shows before, but I never really understood the fervor until I saw it for myself.
Thursday was also packed with a number of good finds. I somehow found myself in the 7th floor of a swanky hotel for an "acoustic" (as in not electric; not unplugged) Dum Dum Girls set (though only 2/4 band members were present). Other highlights included the seriously talented and take-your-breath-away-beautiful dreamy folk-pop of Gem Club (who just released their debut album on Hardly Art), and Brooklyn's own, Headless Horseman who make fun, glitchy, hook-laden music with inventive beats (Their song "Wavlngth" was seriously one of my favorites all week.)
Friday, my band-count escalated rapidly, thanks to the BV day showcase at Public Assembly, which essentially had two bands playing each hour. I knocked out a few of the hyped bands in this fashion, including Chelsea Wolfe and Gauntlet Hair. (I also stepped over to Cameo briefly to catch a few adrenaline-packed songs from the Brooklyn duo Hunters.) With her beautifully haunting (but not annoying operatic) vocals Chelsea Wolfe was certainly one of the more memorable acts of the week. Would she be getting as much buzz if she didn't dress like "a medival [sic] reinactment [sic] person from Medival [sic] Times" (to quote an anonymous BV commenter)? Hard to say, but I have to give the woman credit--I couldn't take my eyes off her, and she was one of the few artists I caught twice. But my surprise favorite of the day show was Young Magic. Hip-hop and dark electro-pop may be unlikely bedfellows, but they sure make for quite an interesting pair. These guys are a force.
Other highlights of the day included the eye-catching electro-pop duo Purity Ring (love the name) and one of my favorite SXSW finds from earlier this year, Sea of Bees. At Webster Hall, Purity Ring's bass was so powerful at times that I almost forgot to breathe. Though the band relies on a lot of samples to craft their sound, they are far more interesting to watch due to their onstage chemistry and mysterious gold-piped instrument. Though nothing alike, my other favorite artist of the evening was Sea of Bees. Singer/songwriter Julie Baeziger's genuinely sweet demeanor and earnest acoustic performance are always a pleasant change of pace from the more aloof, laptop-driven artists that seem to sprout with the speed and frequency of mushrooms.
The week concluded not with a bang (I was turned away at the door of Brooklyn Bowl for Unknown Mortal Orchestra, whom I had hoped to end on), but with more of a slow fade-out. Forced to change my schedule at the last minute, I caught a few acts nearby, including Delicate Steve (how those five people were working from the same set list was a mystery at times given the haphazard nature of their sound, but it was fun to watch them put it all together), Races (pleasant and charming), Bleached, and about four minutes of the Kopecky Family Band (fun!) before hopping on the L and calling it a week.
So how does this year's CMJ stack up? Most people I spoke with seemed unimpressed. No doubt, the growth of SXSW--especially over the past few years--seems to have sucked some of the life out of CMJ. (It's hard to compete with free tacos, 76-degree days, and the compact nature of downtown Austin.) But like a hipster chick desperately scouring the racks at Beacon's Closet, I like the challenge of the frenzied search. There's good stuff in there hiding among the dross. You just have to look a bit harder.
Pictures in this post are from day parties at Pianos (We Listen for You) and Public Assembly (Under the Radar) on Wednesday. More of them below...
by Bill Pearis
Yo La Tengo @ Pitchfork Fest 2009 (more by Joseph Xu)
What, it's Tuesday already? CMJ is here and I'm not really ready. Can we postpone for a week? No? All right. Here we go. Let's not go too crazy tonight (10/19), there's still four more days of this to come.
Pretty much all the free daytime action happens on Ludlow St. today. Biggest among them is The Music Slut's party at Pianos, which features the dark synths of Brahms, the cheery synths of Hooray for Earth, plus Oberhofer (who play our day party on Friday), Young the Giant, Pearl and the Beard, and more. Party starts at noon, with the first band (Vancouver's Yukon Blonde) on at 1PM.
Moving down the street, Paper Garden Records has a showcase at The Living Room, with Denmark's Alcoholic Faith Mission, two bands from Toronto (Freedom or Death, Kidstreet), Emmanuel and the Fear, Motel Motel, Young Mammals and Saadi. First band is on at 1PM.
And then at Cake Shop, it's the Flower Booking/CapeShok party with Million Young, Sunglasses and Azalia Banks. This one starts a little later -- first band is on at 4PM.
And somewhere between day and night is the free New Zealand showcase at Le Poisson Rouge which starts at 5:45PM. I especially recommend you check out Lawrence Arabia, whose material ranges from delicate folk to ELO style orch-pop. Also playing: electropop artist Zowie, Kids of 88, Street Chant, Ruby Frost and Electric Wire Hustle. Did I mention it's free? You do need to RSVP if you don't have a badge.
Big ticket shows for tonight: Yo La Tengo play for free at the official CMJ kickoff show at Brooklyn Bowl with Screaming Females (who play our showcase Thursday night) and DOM (who play our Friday day party); Former Afgan Whigs frontman Greg Dulli is at Bowery Ballroom with Craig Wedren; and Jenny and Johnny, Wild Nothing, Times New Viking, Happy Birthday and La Sera (Kickball Katy of Vivian Girls) at Irving Plaza;
If you wanna dance, you might want to head to Highline Ballroom for a night bands that sound like they could be on a Kitsune Maison compilation: the electro-soul sounds of Dan Black, Italo-disco lovers The Golden Filter, helium voiced Neon Hitch,
Denver's The Chain Gang of 1974, and more.
UPDATE: "Chain Gang has dropped off tonight's show due to food poisoning. All other shows are set to occur as scheduled." (10/20 @ Maxwell's, 10/22 @ Cameo, 10/23 @ Santos)
For hip hop, it's Duck Down Music vs. Blacksmith at LPR.
And tonight at Cake Shop is your only chance this week to catch The Billy Nayer Show (11PM), the live band behind such cool sci-fi western musicals as The American Astronaut and last year's Stingray Sam. (Frontman Cory McAbee also directs and stars in them.) They're a one-of-a-kind, and playing as part of the Panache Booking showcase that also features Audacity, Dinowalrus, Onra, Janka Nabay, O'Death and Gary Wilson.
There's tons more shows, obviously. But that's what looks interesting to me. What are you going to see? Flyers and day party set times are below.
photos by Edwina Hay
Big Freedia & Azz Everywhere
Big Freedia, who is part of this summer's PS1 schedule, was among those who played Crust Fest at Public Assembly last Thursday. The Northside Festival showcase also had sets by Tayisha Busay, Dinosaur Feathers, Iran & more. Some more pictures from the night below...
words by Andrew Frisicano
Big Freedia & friends @ Wrongbar in Toronto for NXNE - June 18, 2010
"So what the hell is Sissy Bounce? Sort of depends who you ask. Katey Red, arguably the creator of the genre, suggests it doesn't even exist and instead insists it's just sissies producing Bounce. Other artists such as Big Freedia fully embrace the term. Take some of the most hypersexual, bump and grind you can imagine, remove everything but the sexed up chorus, speed it up, and then remove the sexual identity of the artist performing it. What, what? That's right. Sissy Bounce artists are purposely androgynous, sometimes referred to as queer, sometimes transgendered, a very direct intent is to fuck with people's heads about sexuality. It's easy to relate, or be offended when you see one sex singing about the other. But with Sissy Bounce you have no idea. This makes the performances just as important as the music itself, which is perhaps why it's stayed locked down for so long." [Sean Bonner]From the pictures above and below, maybe you can tell that Big Freedia's Friday night set at Toronto's Wrongbar (as part of NXNE) was a crowd pleaser. Big Freedia, DJ Rusty Lazer and a pair of dancers held a master class on ass-shaking dance moves and a good portion of the crowd was happy to oblige, especially for the infectious bounce of songs like "Azz Everywhere" and "Rock Around the Clock." Freedia went from a tender acapella verse about settling down to a song with the hook "I got that gin in my system, somebody's gonna be my victim." The spectacle was one thing, but it was ultimately the songs, rumbling party mantras, that made it a great set.
The next night Big Freedia brought her act to the city's Yonge-Dundas Square (a free, very public stage surrounded by stores and restaurants )- it looks like they played there with considerably more clothes on. Still, Damian Abraham tweeted: "Big Freedia's performance in Dundas Square today made the Stooges show (which was amazing) look like a Peter, Paul and Mary Concert." (btw, our pics from the Stooges show he's referring to are coming soon).
Big Freedia and crew (that includes Freedia's DJ Rusty Lazer) will be back in Brooklyn for a Thursday night set at CrushFest at Public Assembly. The lineup for the June 24th show, which is part of Northside, also includes Yes Giantess, Fang Island, Iran, MillionYoung, Dinosaur Feathers, Anton Glamb, LE1F, Jason Pants & Chaz Requina (Palms Out Sounds), Denny Le Nimh and No Surrender. Tickets are only $5.00 until 3pm today (6/22) - then the price goes back up to $15. You can also try to get in with your Northside Badge.
More pictures from Toronto, a flyer for the Public Assembly show and a video from a Big Freedia show at Glasslands are all below...
words & Pianos photos by Andrew Frisicano, Glasslands photos Chris Doss
DOWNLOAD: DELOREAN- Stay Close (MP3)
Delorean @ Pianos
Barcelona's Delorean played a pair of sold-out NYC shows before skipping to the West Coast. They'll be back for a free July 7th show in Stuy Town and a July 10th show at Bowery Ballroom with globally-inspired BK duo Tanlines and breezy texture pop act Glasser. Tickets are still on sale.
Both Delorean shows were in settings that feel intimate with a packed house - June 4th's at Pianos with MNDR opening, and June 5th's at Glasslands with Restless People (mems. Tanlines) and MillionYoung. For a nearly 90 degree day, Pianos was pretty comfortable, with dancing room to boot. I wasn't there but the notoriously sticky Glasslands reportedly had new overhead fans spinning to fight the temperature.
MNDR opened the Pianos show with her one-woman dance party; others joined in as she persuaded the early crowd to get moving. Her future-pop anthems (even power ballad "I Go Away") were quotable after one listen and meshed into a star-ready whole. The headlining Delorean inspired even more of a dance party. Their set was short on talk and long on pulsating jams. The Subiza tracks flowed like one melodic thread over a room-shaking beat (no surprise that they fit a pair of DJ gig in while in town). Simply said, these guys know what they're doing. The album was released this week on True Panther in all formats.
More pictures from both shows, all tour dates and Delorean's new unofficial video for "Simple Graces" are all below...
photos by David Andrako
DOWNLOAD: Two Door Cinema Club - Something Good Can Work (MP3)
DOWNLOAD: Two Door Cinema Club - I Can Talk (MP3)
DOWNLOAD: Two Door Cinema Club - Undercover Martyn (Jupiter Remix) (MP3)
DOWNLOAD: Two Door Cinema Club - Lasso (MP3)
Mary Chang of PopWreckoning: What's been your most memorable show so far this year?Two Door Cinema Club played two NYC shows last week as part of their ongoing North American tour. That wraps up in Toronto tonight (5/17).
Sam Halliday of Two Door Cinema Club: (whistles) Well, it was only last week, but I think one of the real highlights was when we played in L.A. last week. You know, the Troubadour show? It's just crazy, because it's kind of our first headline show of America. Having been from somewhere small and having never played here, and we've never come here before. It's crazy that how well we were received! It's just amazing, feeling like we've "gone" somewhere! It was cool. Other than that, since the album has been released, all the shows, you know, have kind of stepped up in attendance and it's really been amazing, because people know more of the songs and they sing a bit more, because they enjoy the album. The [album] launches were great in Belfast, in London, and in Paris.
The first of their NYC shows was May 11th at the Bell House; the second was the next night at Bowery Ballroom. Millionyoung and Dinosaur Feathers opened at the Bell House, which is where the pictures and videos here are from.
Two Door Cinema Club will be back in North America for shows in October (dates TBA). Their other tour dates (around Europe and the world) and pictures (including one of the setlist) and video from their Brooklyn show are below...