Entries tagged with: Modest Mouse
Quilt at Mexican Summer Five (more by PSquared)
Boston's Quilt make folky psychedelia recalling the Summer of Love sounds of the Haight-Ashbury scene. They released their self-titled debut LP on Mexican Summer back in 2011, and its followup, Held In Splendor (which we've already heard a few songs from), comes out January 28 via the same label. The band's been known for some cool, jammy live shows too, and you'll be able to see those shows on their previously announced 2014 tour which hits NYC on February 28 at Rough Trade (tickets).
Meanwhile, Quilt singer/guitarist Shane Butler has given us a list of his top 10 things of 2013. None of them are albums, but one is in reference to some cartoons he and other bands drew at Woodsist Fest in Big Sur, one of which is pictured below. Check out the whole list below...
We've already posted a bunch of videos this week like Failures' Union, Temples, Calculator, STRFKR, Night Beats, Batillus, Touche Amore, J. Cole, and more. But unfortunately we don't get to all the cool videos that come out during the week (or weeks), so here's our attempt at playing catch-up. Check out videos from Wang Chung covering Modest Mouse, Pity Sex, Spiritualized, Glasser, and more, below.
photos by Wei Shi
Passion Pit / Alt-J / Purity Ring & Danny Brown / crowd
Coachella 2013 is currently going down in Indio, CA for its second weekend after kicking off this past Friday (4/19). We've already posted pics of day 1 (HERE and HERE), day 2 (HERE) and day 3 (HERE) from weekend 1, and now we've got pictures of day 1 from weekend 2 in this post. This time around we caught sets by Passion Pit, Earl Sweatshirt, Polica, Youth Lagoon, Purity Ring, (who were joined by Danny Brown, whose new album they appear on), Foals, Modest Mouse, Alt-J and more.
Check out more pictures from 4/19, along with a "Coachellavated" video of the festival filmed from the top of director Chris Crutchfield's head and a video of Passion Pit's full set from weekend 1, below...
photos by Dana (distortion) Yavin
Modest Mouse / Lupe Fiasco
The Firefly Music Festival continued in Dover, DE on Saturday (7/21) with sets from Modest Mouse, Polica, Cults, Charles Bradley, Lupe Fiasco, Cake, The Killers, and more. Passion Pit were scheduled to play that day, but unfortunately the Delware festival was one of the dates that the band had to cancel. They were replaced by Yeasayer at the last minute, who played at the same time as Lupe Fiasco (and we unfortunately missed).
The festival has already announced they'll be back next year. Pre-sale for 2013 general admission tickets go on sale Wednesday (7/25) at noon.
DOWNLOAD: The Felice Brothers - "Lincoln Continental" (MP3)
The Felice Brothers at Culture Shock 2012 (more by Kellyann Petry)
The Felice Brothers just released a new collection of songs titled God Bless You, Amigo, which comprises 8 traditional songs and 12 originals that the band have written over the years but never released. You can purchase the album at the band's website at $5 minimum, or any amount through $100 at $5 intervals. The proceeds will go towards a new tour vehicle and studio time for the band to record their next full length album. You can download the track, "Lincoln Continental," form God Bless You, Amigo, which premiered on Rolling Stone this week, above.
The Felice Brothers have some upcoming dates including opening for Modest Mouse at their sold out Wellmont Theatre show on Friday (7/20), before both bands play Firefly Music Festival in Dover, DE. Ian Felice of The Felice Brothers will be back in NYC later this year to open for Conor Oberst at his Carnegie Hall show on November 21. Tickets for that show are still available.
A list of all dates is below...
Modest Mouse at Governors Ball last month (more by Amanda Hatfield)
Modest Mouse, who recently graced the NYC area with appearances at Orion Fest and Governors Ball, will play The Wellmont Theatre on July 20. Tickets ($40) for that show go on sale today (7/9) at 5 PM. That show is one day before the band heads to Dover, DE for Firefly Music Festival, which they play on July 21.
A video of Modest Mouse playing "Shit Luck" at Governors Ball, along with a list of all currently known dates is below.
photos by Amanda Hatfield
Modest Mouse at Governors Ball - 6/24/12
After playing Orion Fest in Atlantic City on Saturday (6/23), Modest Mouse made their way to Randall's Island on Sunday (6/24) for another NYC-area festival, Governors Ball. As mentioned, Modest Mouse's set at Orion was plagued by a weak sound system and an uninterested crowd, but at Governor's Ball where they fit in better (playing alongside Fiona Apple, Beck, Devendra Banhart and more), both the band and the crowd were way more enthusiastic. The setlist had some of the same songs as their Orion set, like "Shit Luck, "Dramamine," and "Bury Me With It," but overall wasn't too similar and the Governors Ball show got noticeably more of The Moon & Antarctica than Orion did. More pictures and the setlist from Modest Mouse's Governors Ball set are below.
Now that those two festivals are over, Modest Mouse have been added to another NYC area fest, Firefly Music Festival, which goes down in Dover, Delaware from July 20-22 (which isn't much longer a drive from NYC than Atlantic City is). They'll join the previously discussed lineup of Jack White, The Flaming Lips, Passion Pit, The Black Keys, Polica and more. Tickets for that festival are still available. Modest Mouse's only other announced date at the moment is a Columbus, OH show tonight (6/26).
More pics from Governors Ball and setlist below...
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
Can't make it to Atlantic City this weekend to catch bands like Lucero, Gaslight Anthem, Modest Mouse, and Metallica who will be playing both "Ride the Lightning" and "The Black Album" in their entirety. Fuse's livestreaming YouTube page has you covered. Preview video and both streams (which will start at their respective times) below..
As mentioned, Orion Music & More happens this weekend in Atlantic CIty's Bader Field from June 23-24 and is being headlined by Metallica both nights, who play Ride the Lightning in full on Saturday (6/23) and The Black Album in full on Sunday (6/24). Other bands playing include Arctic Monkeys, Modest Mouse, Hot Snakes, Fucked Up, The Gaslight Anthem, Titus Andronicus, Best Coast, Liturgy, A Place to Bury Strangers, and more, plus a heavy stage with Suicidal Tendencies, Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done and others. The heavy stage (aka "Damage, Inc.") isn't the only place you can catch heavy bands though. The festival also includes Baroness on the Orion stage, The Sword on the Fuel stage, Liturgy on the Frantic stage, and Ghost on the Orion stage. You can check out the full schedule of both days and all four stages HERE.
Orion Music & More is the first NYC-area appearance for Hot Snakes since the reunited band played The Bell House and Maxwell's in December. They'll play another area show (also in NJ) at ATP I'll Be Your Mirror in September.
As mentioned, it's the first time in a while that Modest Mouse will be in the NYC area. They play Orion on Saturday (6/23) before heading to Randall's Island for Governors Ball, which also happens this weekend.
There's a ton of stuff going on at Orion other than live music too. You can pick up rock 'n' roll memorabilia at Ktulu's Rock 'N' Roll Emporium, check out film screenings hand-picked by Lars Ulrich at Hit The Lights Films, skate the Motorbreath Mini Ramp, have a glimpse into Kirk Hammett's creepy personal collection of horror film memorabilia at Kirk's Crypt, surf, nerd out at the ESP Guitar Experience, check out the Metallica Museum, show your support for a variety of charities, or check out the car show.
If you're heading out to Atlantic City for the fest this weekend, head here for directions. If you're driving, there's no on-site parking at the field, but there are a number of parking areas nearby and free shuttles that run from the lots to Bader Field. If you're taking the train, you can get there via the Amtrak or the NJ Transit Rail and there will be a free shuttle from the Atlantic City terminal to the festival. Once you're there, this map should help you get around. We're also told that it's about a 20-30 minute walk from the boardwalk.
Tickets for the festival are still available.
In related news," Kirk's Crypt" isn't the only place Mr. Hammett will be indulging in his love of all things creepy. He'll be publishing a book titled Too Much Horror Business - The Kirk Hammett Collection this October via Abrams Image with photographs of his personal collection of horror memorabilia. The book also includes Kirk's own handwritten captions for many of the photographs. He'll be putting out limited edition toys, like the ones he's been collecting his whole life, along with the book this October. You can pre-order the book at Kirk's online toy store. He'll be discussing the book at Kirk's Crypt at 4 PM each day.
Maybe his old friend Glenn Danzig will add it to his book collection...
As mentioned, Governors Ball goes down in NYC this weekend on Randall's Island from June 23-24. You can check out the full schedule for both days HERE. The lineup includes a number of bands who haven't played NYC in a while, like Passion Pit, who have a new LP coming out which you've heard two songs from; Modest Mouse, who also play the Metallica-headlined Orion Music & More festival in Atlantic City this weekend, Beck, Devendra Banhart, and more.
Fiona Apple did play in NYC pretty recently, but those shows were her first in a while and were also small venues for her and sold out instantly. Fiona also just finally released her new album and it's great, which is all the more reason to catch her set this weekend. She also recently announced a ton of new dates and performed on Fallon with the Roots.
Other bands playing include Built to Spill, Explosions in the Sky, K.Flay (who also plays Glasslands on 7/13), James Muprhy & Pat Mahoney DJ Set, Cults, Phantogram, and still many more. In addition to the music, there will be some other activities like ping pong, beer pong, silent disco, lawn games (bocce ball, croquet, etc), and from looking at the weather forecast, probably the most important of them all: free water refill stations. Tickets for the festival are still available.
Shuttles to the festival from Brooklyn and Philly are sold out but regular ferry tickets ($25), and parking passes if you plan to drive are still available. If you are heading down there by car, subway, bike or foot, here are some directions from NYC, Long Island, Westchester, and Jersey. Once you've found your way there, this map should help you get around the festival grounds. Leave your nunchucks at home.
As posted last night, Modest Mouse are playing Governors Ball on Randall's Island during the weekend of June 23-24 (same weekend as Orion), but they are just one of many artists that are now announced, and listed, along with more information, below...
The Governors Ball, as previously mentioned, is taking place in NYC on Randalls Island instead of Governors Island this year (June 23-24, 2012), the same weekend as Metallica's Orion Music Festival in Atlantic City. Modest Mouse is playing both fests. Full Governors Ball lineup coming soon! UPDATE: Now fully announced.
The rumored two-day NJ Metallica festival is true, and it's happening on June 23 & 24, 2012 in Atlantic City, NJ. 22+ artists (music and comedy) will play with Metallica headlining both nights with special setlists. Metallica will play the Black Album in its entirety on one of the nights "for the first time ever on US soil", and... Ride The Lighting on the other night! The venue is Bader Field (an abandoned airport).
Other bands are:
Arctic Monkeys • Avenged SevenfoldThere will be a MET Club Ticket Presale on Feb 8 at 10am with a special MET Club presale price of $125 for two days. Public sale begins Feb 11 at 10am. Early bird tickets will be $150 for two days, or $175 if you wait to buy them.
Modest Mouse • The Gaslight Anthem
Cage The Elephant • Fucked Up • Best Coast
Hot Snakes • Titus Andronicus
Gary Clark Jr. • Lucero • Roky Erickson
The Black Angels • The Sword
A Place to Bury Strangers • Liturgy
+ more TBA
"More than just music, the festival will also feature a lifestyle element showcasing the band's individual interests - and allowing fans to interact directly with each of the band members. More details soon!"
The festival is in partnership with C3 who also does Lollapalooza and Austin City Limits.
St. Vincent @ Portlandia @ Bowery Ballroom (more by Dana (distortion) Yavin)
Look for St. Vincent "on a special Valentine's Day episode of Gossip Girl, Feb 13, performing "Cruel" and "Cheerleader." The show airs Monday, February 13, at 8pm/7pmc on The CW." I honestly didn't even realize Gossip Girl was still a thing until I heard this news. I do however religiously watch Portlandia which featured a guest spot by Annie this week, about two weeks after she was Fred & Carrie's guest at Bowery Ballroom. You can watch her clip from the TV show (Isaac Brock was on the episode too), with a bunch of tour dates and other stuff, below...
photos by Josh Darr
Flaming Lips / Modest Mouse
"Rockers The Flaming Lips have long had a reputation for extravagant live shows: Fake blood, torrential confetti downpours, animal costumes and comically oversized fists are all standard fare. The band's Sunday night set at this year's Sasquatch Music Festival was no exception, with frontman Wayne Coyne taking to the crowd in his over-sized bubble. Still, the band managed to make its big, flashy show feel like a more intimate affair.Sasquatch Fest ended Monday night (pictures from that day coming soon). Audio of many of the sets, Flaming Lips included, is archived for streaming over at NPR. Like Archers of Loaf, the Flaming Lips, Modest Mouse, Yeasayer, Flying Lotus and many others played on Sunday (the third of four days). More pictures from that day, below...
While playing the landmark 1999 album The Soft Bulletin nearly in full, Coyne chatted genially with the audience, taking frequent breaks during "The Spiderbite Song" to relate the anecdotes behind the song's lyrics. Another set highlight, "Waitin' for a Superman" -- stripped down to a delicate piano and voice arrangement -- was introduced as a tribute to departed icon Elliott Smith. Although the band was forced to exclude a couple of songs due to time constraints, it delivered a personal version of what many consider its finest album." [listen @ NPR]
by Bill Pearis
DOWNLOAD: Fergus & Geronimo - Powerful Lovin' (MP3)
DOWNLOAD: Final Club - Tragic World (MP3)
DOWNLOAD: Final Club - Hot Gaze (MEDIAFIRE LINK - ZIP)
DOWNLOAD: Tyvek - Underwater To (MP3)
DOWNLOAD: Tyvek - 4312 (MP3)
Welcome to the first This Week in Indie of 2011. We are 12 days into this year and I have yet to see a show. If you add in the time before Christmas...this might be the longest I've gone without seeing live music in a long time. That drought will end for me this week, maybe tonight, but certainly tomorrow (1/13) as Gruff Rhys plays Rockwood Music Hall. I was a little worried this snow was to cancel his flight today, but he is currently on route to NYC as I write this.
Still no word as to who'll be releasing his new solo album, Hotel Shampoo, in the US but it seems likely someone will. Hopefully we'll get to hear a lot it live. As anyone whose seen him before -- either with Super Furry Animals or solo -- know, Gruff is an entertaining guy, who always puts extra effort into his shows. Highly recommended. Eleanor Friedberger of Fiery Furnaces opens. Show starts early -- 7:30.
I also just watched Separado!, the musical travelogue documentary about Gruff's quest to track down distant relative (and '70s caped troubadour) Rene Griffiths in Patagonia. Like Rhys himself, the film is charming, scruffy, funny and full of good songs. Still not released in America but you can order the UK DVD (if you have a region-free player or watch on a computer) or, if you live in Williamsburg, rent it from Videology.
Fergus & Geronimo
Fergus & Geronimo release their debut album, Unlearn, on Hardly Art next week, and are playing three shows this weekend in celebration: Friday (1/14) at Death By Audio (official official release party) with Final Club, Easter Vomit (ex Beets), new Captured Tracks signees Widowspeak, and Philadelphia's premiere surf band Dry Feet; Saturday (1/15) at Columbia University hangout The Ding Dong Lounge with Final Club; and Sunday (1/16) at Mercury Lounge with Tyvek. Xray Eyeballs and The Gaming Commission.
While it suffers from a slight case of identity crisis (droney psych, garagey rave-ups, organ-fueled soul), track-by-track Unlearn is a pretty solid record. Fergus & Geronimo are good at all the styles they dabble in. Check out "Powerful Lovin'" at the top of this post -- that shows off their soulful side. And while I haven't seen them play live in a year and a half, they were good then so I can only imagine they've gotten better.
If your eyes didn't glaze over at the list of bands two paragraphs up, you may have noticed Final Club are playing with F&G twice this weekend. The two bands were Denton, TX neighbors before Fergus & Geronimo moved to Brooklyn late last summer. Final Club are here just for these shows. They are worth seeing in their own right: sneery, melodic indie rock with a tendency to lean on the tremolo bar which gives them a little Swervedriver vibe. Confident and loud.
You can check out "Tragic World" at the top of this post. And if you like that, you can download their Hot Gaze EP as well. Look out for their excellent debut album, Blank Entertainment, later this year. In addition to the two shows with Fergus & Geronimo, Final Club play a headlining gig at Death By Audio tomorrow night (1/13) with Bogan Dust, Clinical Trials and Laserdisc.
Tyvek @ BV-SXSW 2010 (more by Tim Griffin)
Also as mentioned above, Tyvek are in town this weekend. While many of their peers have moved on to mid-fi production, the Detroit band keep it live and murky on their new album, Nothing Fits. It also sounds as anxious, angry and alive as the rest of their material. In addition to the Mercury Lounge show on Sunday mentioned above, they play Saturday night (1/15) at Glasslands with The Beets, Eternal Summers, and Sweet Bulbs. That is a good show. Do note it starts early, 8PM for real, as the Soul Clap dance party starts at midnight. I'll be there.
I should mention that openers The Beets have a new album Stay Home that's just out on Captured Tracks. After last year's swell, cleanly produced "Locomotion" single, they too (like Tyvek) are back to the same intentionally shitty "production" of their first album. (Maybe slightly less shitty.) Which, again, doesn't hurt them at all. The Beets are good songwriters I think, and especially good lyricists. And maybe if they can ever get a drummer to stick around for more than a month they might go places. Or just stay home. There's also a new Beets single, "Time Brought Age," and both the LP and 7" feature the bands signature comic artwork courtesy Matt Volz.
What else? Oh yeah, Mister Heavenly play Bowery Ballroom on Sunday (1/16) with Sun Airway and Little Shalimar. This extra super group just signed to Sub Pop, and the label would like you to know the band features Nick Diamonds (Islands/Unicorns), Honus Honus (Man Man) and Joe Plummer (Modest Mouse). Of course most of the press so far has been about the group's sometimes bassist who you may know from his non-musical day job. I don't mean the banana stand.
Going to see a band because there's a famous actor in it is usually a dumb reason to go (see Dogstar, 30 Seconds to Mars , 30 Odd Foot of Grunts, etc)... plus Mr. Cera is not an "official" member of the band and he may or may not be playing with them on Sunday (note that both the label and the venue told us they don't think Michael will be there). Luckily the rest of the band is known in their own right, so mabye you should go for that reason. Unfortunately there's no recorded music to hear yet, but their few shows so far have been well-documented on YouTube.
That's the main stuff. Here's a few shows, day-by-day, not covered above.
WEDNESDAY, JANUARY 12
Nashville-via-Ohio band Mona -- one of the BBC's picks for Sound of 2011 -- invade NYC this weekend, starting tonight at Rock Shop. They also play Mercury Lounge on Thursday (1/13) (with Devin Therriault) and Union Pool on Saturday (1/15).
Given the abbreviation of this column you're reading, I would be remiss not to mention that The Twees play The Studio @ Webster Hall, a record release show for their just-released EP. They actually don't sound twee at all. I would say Strokes-esque pop would get you closer to a description.
Quirky, occasionally proggy, pop band Steel Phantoms at Bruar Falls.
"Modest Mouse without a cloud in the sky!" -rojacaliente
"If this were Make A Wish and you were going to die in 20 min, just long enough to play Freebird, we wouldnt play it -Modest Mouse" -georgeferris
"Modest Mouse is testing my love for them by keeping the kid awake with their heavy bass and drumming two blocks away. /fistshaking" -woolyknickers
This time, the opener was the Americana singer/songwriter Marcellus Hall and his backing band. The pairing was a bit odd. Modest Mouse prompted people to shout along to every song and to rush the stage. Marcellus Hall's performance had people turning around to admire the setting sun over the Manhattan skyline and leaving polite pockets of space throughout the crowd.
After Marcellus Hall's relatively short set, the anticipation for the headliners steadily grew, but more than thirty minutes passed before they marched on stage. As if making up for their severely truncated show last July, Modest Mouse then played a lengthy set - nearly 2 hours long when you factor in the encore.
"Welcome back!" Isaac Brock said by way of introduction. They kicked off the show with "Gravity Rides Everything." Taking no time to get into the show, the crowd enthusiastically sang along from the opening verse. (fittingly, the song contains the line, "Everything will fall right into place.") Isaac Brock hardly talked between songs. He didn't need to. The audience was wholly engaged. Each song was met by cheers and triumphantly extended fists. After all, for many of the people present, this was take two.
From "Cowboy Dan" to "Autumn Beds," the band pulled songs from throughout their career and readily switched between the more raucous and reserved. The pump organ, banjo, glockenspiel, accordion, and trumpet made regular guest appearances that nicely punctuated the set and revealed the surprisingly decent sound quality. The stage lights - which were absent during opening set - certainly helped to set the mood for Modest Mouse.
The band closed their initial set with "The View," leaving the audience with the soothing sound of electronic crickets to underlie their cries for more. After an unusually long wait (10 minutes), they returned for another five(ish) songs before finally concluding just short of 10:00, saying, "Thank you all very much. Have a good night" and delivering a PSA discouraging "driving while drinking and drinking while driving." Luckily, Brock didn't say anything about smoking and riding the subway.
Isaac Brock and gang have one set of shows left on their calendar, on October 23rd and 24th at Shoreline Ampitheater in Mountain View, CA as part of the annual Bridge School Benefit. The band will join a reformed Buffalo Springfield. Pearl Jam, Elvis Costello, Lucinda Williams, T-Bone Burnett's Speaking Clock Revue (with Elton John & Leon Russell, Elvis Costello, Ralph Stanley, Neko Case and Jeff Bridges, they play NYC on 10/20), and Grizzly Bear among others.
The Bridge School Benefit lineup by day, more Waterfront pics and the Modest Mouse setlist is below...
photos by Brian Reilly
Modest Mouse @ Wellmont Theater, July 22, 2010
Due to inclement weather the July 23rd Modest Mouse show at the Williamsburg Waterfront was forced to be rescheduled. The new show date is confirmed for September 14th.Awesome news, especially since those who went to the July 23rd show are getting an extra show in addition to the set by Morning Teleportation and five Modest Mouse songs they already saw (I realize those who traveled far for the show might not agree).
Any patrons unable to attend the rescheduled date should contact Ticketmaster before August 27th at 5pm. Tickets purchased at Ticketmaster outlets and the Nokia Theatre Times Square box office can be exchanged in person for tickets to the rescheduled show. On August 29th Ticketmaster will reissue all tickets purchased online and by phone via the original method of delivery for the rescheduled date.
OSA would like to thank everyone for their patience and understanding while we worked to get the show rescheduled.
The Open Space Alliance for North Brooklyn (OSA) www.osanb.org is a nonprofit organization helping to preserve and enhance green space in North Brooklyn. OSA raises funds, links community volunteers, and works in partnership with elected officials and agencies to develop new parks, and improve existing parks in Williamsburg/Greenpoint.
The Williamsburg Waterfront is located at North 8th Street & Kent Avenue at the East River State Park in Brooklyn, NY.
One night before the Brooklyn show, the same two bands played a show at Wellmont Theater in NJ. Modest Mouse was able to play a whole set at that one. The 19-song NJ setlist, and more pictures from that show, and all upcoming tour dates, below...
All day Friday, I kept an eye on the weather forecast, trying to determine if the show on the Waterfront would get rained out, but when I headed over, the sky was bright blue with promise.
Being an out-of-town opener is no easy task - especially when you're opening for a band with the reputation and discography of Modest Mouse. But Morning Teleportation, who are signed to Isaac Brock's label Glacial Pace, were more than equipped to handle the challenge. The Portland five-piece played punchy psychedelic music to match their colorful wardrobe, and they seemed to be having a great time doing it. Guitarist Tiger Merritt may have assumed most of the vocal responsibility, but the other members often sang along, off mic when they weren't singing back-up.
Morning Teleportation's music is engaging, but they also know how to show restraint. Instead of unnecessarily drowning the crowd in sound, they have a handle on their levels. Keyboard jingles, trumpet interludes, guitar riffs, and joyous vocals periodically crescendo and dissipate to create a dynamic sound that benefits from the distinctness of its layers.
At one point between songs, drummer Tres Coker dashed to the front of the stage, and leaned into the mic, saying, "Hey guys. We're playing at the Mercury Lounge soon [July 28th] and you should all come. All 7,000 of you." They may not have managed to build up much of a reputation yet, but the Mercury Lounge does seem like quite a small venue for a band of their talents and enthusiasm.
By the time Modest Mouse began to play, the weather had begun to take a sharp turn, but instead of focusing on the darkening sky, everyone was turned to face the stage. Modest Mouse kicked off their set with the slowly building song "Satellite Skin." After only a few seconds of playing, they suddenly stopped when part of their sound cut out. "That's not going to work, is it?" said Isaac Brock as the crowd expressed their anxious discontent. But the issue was quickly resolved. "We'll restart that song in a second. I'm really glad that didn't happen in the middle of it," countered Brock. But this fleeting technical issue wasn't the only obstacle of the evening. After just a couple of songs, Brock commented on the status of the weather, saying, "We might get a lightening storm [...] Let's hope that doesn't get shit shut down."
And with the unwelcome warning, they launched into "Fire It Up." Modest Mouse hasn't released a proper album since 2007 - just a smattering of singles and an EP last year. Their set list (the little we heard of it) pulled songs from throughout their extensive discography, but unfortunately, everything came to a screeching halt after the surprisingly apt song "Here It Comes" came to a close.
"Apparently, we have to take a 20 minute break. It's about safety - yours," said Brock wryly, when prompted by park officials. After the initial wave of grumbling had subsided, the crowd began to chant, "Fuck that shit." At which point, a woman's voice rung out over the PA, telling everyone to evacuate the park. "We must have 20 minutes since the last bolt of lightning," she said. As the stage lights went dim, I turned around and surveyed the sky. Black clouds hung menacingly over the Manhattan skyline, threatening to swallow it whole. This was the stuff from Armageddon movies. Suddenly, it became clear that all the flashing lights had not been benign camera flashes and stage lights, but regular bolts of lightening. Boos continued to ring out in the crowd as people assessed the situation. After another few minutes, an official jumped back on the PA and told everyone to proceed to the exits. For a minute, I was afraid we'd have a Drake incident on our hands, but then the rain started to fall, sending people scattering. Clearly, the show would not resume.
Sure, it was a real let down to hear only five songs (especially knowing that Brock surely would have continued if it weren't for park officials and safety regulations), but hearing him repeatedly sing the line, "Here it comes" as the sky took on a menacing shade made for quite a dramatic (if not disappointingly abrupt) conclusion.
Rain also caused Sunday's Pool Party at the Williamsburg Waterfront to have to change venues. More pictures and the setlist from Friday's short Brooklyn Modest Mouse show (we'll keep you posted if we hear anything about it being rescheduled), below...
...due to lightning
Panda Bear @ Pitchfork Fest Saturday evening (Suckafreemike)
"Dear panda bear: you're playing a music festival, not an art installation." - Etan
"The only explanation for Panda Bear's set at the Pitchfork Music Festival is that it's a practical joke on people who are not on drugs." - lifeinzembla
"Panda Bear was nice but wayyyy too low key for a festival crowd" - Carleton Atwater
"hey i'm watching online and panda bear sounds amazing!!" - Nicole H
"Bet this new Panda Bear stuff sounds great on headphones but it's not really festival music" - Joe Colly
"Panda Bear mixing footage on the screen of a little girl jumping up and down and a Great White Shark eating a cow...weird" - Anthony Adamowicz
"Really Panda Bear?!! No "Comfy in Nautica" or "Bros??" Lame." - Michael Roche
"Panda Bear just put 20000 people to sleep at @pitchfork2010. No joke." - angelabosworth
"Panda Bear killed it. set was almost exclusively new stuff. pushing the art to the next level." - Luke Tipton
Panda Bear @ Pitchfork Fest Saturday evening (iissaaacc)
More pictures from the 2010 Pitchfork Music Festival, below...
photos by Kate Gardiner
"And Yawnfork continues." - Jim DeRogatis
Robyn dominated Friday @ the Pitchfork Festival
"Who knew the best performer of the day would be a blonde bombshell spinning Euro-disco? Robyn -- another Swede and a former child star who's fought hard to regain her own artistic control -- came out throwing punches in the air when she wasn't doing that elbows-high, shoulder-leaning dance all '80s female singers used to do. Fiesty, sexy, spunky, Robyn opened with the virtues of being a "Fembot," assured us that love hurts "With Every Heartbeat" and sang flawlessly through new single "Dancing on My Own" in front of a band dressed in all white, twiddling knobs and pounding synth-pad drums. The latter really exploded at the end of "Cobrastyle," with Robyn showing some kick-box dancing. Her Pink-ish pluck reached its zenith in "Don't F---ing Tell Me What to Do," during which she led some kind of aerobics class (sporting a totally Pat Benatar green beret, too). And she was the crowd favorite. Go figure." [Chicago Sun Times]Robyn is now on tour with Kelis (that tour includes three NYC shows).
This post comes five hours into Day Two of the 2010 Pitchfork Music Festival (which is streaming online). Tonight's remaining acts are Wolf Parade, Panda Bear, and LCD Soundsystem. More pictures and a few videos from most of what came prior, below....
Modest Mouse @ MHOW June 2008 (more by Ryan Muir)
Speaking of Wellmont Theatre, Modest Mouse - in addition to their NYC show at Williamsburg Waterfront on July 23rd - will be playing at NJ's Wellmont Theatre on Thursday, July 22nd. Tickets go on sale Friday (4/16) at noon.
In addition, 80s hit-makers like Crowded House, Huey Lewis & the News, and Tears for Fears all have shows coming up at the venue and it was just announced that Lyle Lovett will play there on Sunday, August 15th. Tickets go on sale Friday at noon.
Flaming Lips are at Wellmont Theatre, one of several planned gigs for the band in the area, on April 19th.