Entries tagged with: NY Philharmonic
by Andrew Frisicano, photos by Stephanie Berger
NYP rehearsing Nico's "Detailed Instructions" (via)
Members of New York Philharmonic and conductor/NYP music director Alan Gilbert premiered new works by Nico Muhly, Matthias Pintscher and Sean Shepherd at Symphony Space last Friday (4/16). The show was the second edition of NYP's CONTACT! series, which comissions new music from young composers and debuted in December. Online radio station Q2 will be broadcasting the performance, which included live interviews conducted by WNYC's John Schaefer, on Thursday, April 22nd at 7 pm and Saturday, April 24th at 4pm.
With a darker hued string section led by the violas, [Nico Muhly] work Detailed Instructions takes on a sound world that stood apart from the other pieces on the program. Muhly is post-minimal in orientation. And while a couple of the composers in the audience who sat near me groused at intermission that his work is 'indebted to Philip Glass,' what they didn't seem to hear was Muhly's playful departures from mainstream minimalism.As mentioned before, Nico Muhly's arrangements can be found on the new records by Jonsi and Sam Amidon.
Instead of Glass' symmetrical use of ostinati, Muhly's repeating figures dart in and out of the 'expected phrase lengths,' creating delightful surprises and heady syncopations. In the more reposeful central section, he channeled an appealing lyricism from his recent pop-based excursions into a spacious orchestral mold. The third section gave the NYPO musicians a chance to up the bpm quotient, in a breakneck paced, dazzling finale. Make no mistake, Muhly is no mere retro-minimalist; quite the contrary, he's a compelling new voice on the scene. [File Under?]
The Symphony Space show was followed by a performance at Metropolitan Museum of Art the day after, which was the last Contact! show of the NY Phil "season" (which runs through July). The series picks up again with three new commissions next December. Pictures from Friday's show are below...
by Andrew Frisicano
Matmos and So Percussion at the Whitney, 2006 (via Matador)
New music quartet So Percussion and electronic duo Matmos (Drew Daniel and Martin Schmidt) are collaborating on a new record, Treasure State, set to come out July 13th (July 8th digitally) on Cantaloupe. They recorded the record at the SnowGhost Studios in Whitefish, Montana, where "San Francisco plunderphonicist Wobbly then chopped and edited the results on several tracks, and finally, with frequent interventions from Matmos' M. C. Schmidt, 'fifth' So Percussion member and produced by Lawson White overdubbed extra elements, processed, and mixed the results." The instruments used include ceramic planters, pails of water, aluminum beer cans and cactus needles - not totally surprising if you've seen their live show.
Matmos and So Percussion will be playing at (Le) Poisson Rouge on Wednesday, June 9th. Tickets are on sale now. A full tour tour for the groups will be announced soon.
Before then, So Percussion's schedule includes an appearance at the Look & Listen Festival (which they play annually) on May 8th at Gary Snyder/Project Space (250 West 26th St). The other events for the three-day fest, details here, happen at Chelsea Art Museum. Tickets are on sale.
This summer, So Percussion will play on one night of Lincoln Center's two-night "Complete Works of Edgard Varèse" program. They'll join International Contemporary Ensemble (ICE) to perform music by the highly influential composer (though Poème électronique will play itself). The second night features NY Philharmonic. Details on the program are below and tickets are on sale.
If that seems far off, in 2011 So Percussion will join Bang on a Can All-Stars, eighth blackbird and Kronos Quartet for a "Music of Steve Reich" concert at Carnegie Hall on April 30th. They'll perform new works and2009 Pulitzer Prize winning Double Sextet.
As for Matmos, they perform at Mutek Music Fest in Montreal on June 2nd.
Album tracklist, all tour dates, and more info on the Look & Listen and Lincoln Center shows are below...
by Andrew Frisicano
Signal at LPR
New music ensemble Signal will visit (Le) Poisson Rouge on Sunday, April 11th for two performances of Philip Glass's 1981 album Glassworks (its NY live premiere) along with Glass's "Music in Similar Motion" and other works. Tickets for the early set and late set are both on sale. Clips from Glassworks are posted below.
Also coming up, Signal will be at Merkin Hall on May 27th to debut a new piece by Nico Muhly and UK composer Harrison Birtwistle's The Corridor (its US premiere). The show is part of Kaufman Center's Contemporary Contexts series and Face the Music, "Kaufman Center's critically-acclaimed teen ensemble," will open with a pre-show performance of Muhly's "Honest Music" and "How About Now." Tickets are on sale for that.
Nico Muhly (who worked on the new albums by Jonsi and Sam Amidon, and who played himself quite a bit at Big Ears Fest) was commissioned along with composers Sean Shepherd and Matthias Pintscher to write a piece for Contact!, the NY Philharmonic's new music series that kicked off last December. All three pieces debut April 16th at Symphony Space (and played again a day later at Metropolitan Museum of Art). Tickets for Symphony Space show are on sale.
Outside of NYC, Signal travels upstate to join Eastman School of Music's Musica Nova and others in performing Steve Reich pieces in Rochester and Buffalo this May and June (works include Music for 18 Musicians and Pulitzer winning Double Sextet).
Another thing Signal has on its calendar is the 2010 Bang on a Can Marathon, set for Sunday, June 27th, noon-midnight, at World Financial Center Winter Garden. At the fest, the group will participate in Shelter, a multimedia work co-composed by BoaC founders Michael Gordon, Julia Wolfe and David Lang. The initial lineup also includes the US premiere of Professor Bad Trip by Fausto Romitelli. A video of that piece is below.
Most recently, Signal joined Shara Worden and others to perform Sarah Kirkland Snider's Penelope at Galapagos on Saturday, April 3rd.
All the above-mentioned videos posted below...
by Andrew Frisicano
ACME...outdoors in warmer times
Tonight (12/17) at the Tank, American Contemporary Music Ensemble (ACME) perform music from Phil Kline and John Cage (two earlier works, String Quartet in Four Parts and Credo In Us). Kline's annual Unsilent Night event just happened in NYC on December 12th (and is still to come in other cities). His piece Exquisite Corpses, on the program for ACME, also prominently features boomboxes. He's also put together a new acoustic arrangement of his string quartet The Blue Room and Other Stories (originally written for Ethel whose version is below), which ACME will be debuting. Tickets are on sale.
Across town and also tonight (12/17), the New York Philharmonic will be launching its Contact! new music series at Symphony Space (95th and Broadway). Four composers - Arlene Sierra, Lei Liang, Marc-André Dalbavie & Arthur Kampela - will be debuting very different compositions with the group. Video and audio previews of those are below. Tickets are on sale. An encore performance (to borrow a phrase) takes place Saturday, December 19th at Metropolitan Museum of Art.
The second Contact! program - with new music from Sean Shepherd, Nico Muhly and Matthias Pintscher - comes April 16th at Symphony Space and April 17th at Metropolitan Museum of Art.
Videos and more info are below...
Advice for attending July 4th fireworks: arrive early and expect crowds [Everything Hudson]Another piece of advice -- be in New Jersey or Manhattan. This year's Macy's 4th of July fireworks are going to be located in the Hudson River only, so spots in Brooklyn and Queens won't have a very good view (if any). They kick off at 9pm. Viewing locations HERE.
What are you doing on the 4th? Below we've listed a bunch of other options if you'll be in NYC (and a few if you want to leave)...