Entries tagged with: Nadia Sirota
Aesop Rock in Austin in 2012 (more by Tim Griffin)
Bang On A Can's David Lang is the 2013-2014 season's holder of the Richard and Barbara Debs Composer's Chair at Carnegie Hall, and for the season, he'll be presenting his collected stories series. On the series, David says:
My series--collected stories--divides up the narrative world into topics so we can see how the music changes from subject to subject. Music from different cultures, times, environments, and sound worlds, plus some really exciting commissions, are placed next to each other, highlighting their narrative similarities and telling a larger kind of story about how we listen, experience sound and time, and use music to make sense of the world around us.The series includes a number of shows throughout the year, notably 'collected stories: love/loss' on April 24 with The Uncluded (aka Aesop Rock and Kimya Dawson), Sam Amidon, Nico Muhly, Nadia Sirota and others (tickets); 'collected stories: (post)folk' on April 27 with guitar great Kaki King, the Alarm Will Sound ensemble, and others (tickets); and 'collected stories: spirit' on April 23 with Tuvan throat singers Huun-Huur-Tu and others (tickets). Full collected stories schedule below.
Speaking of Kaki King, she also plays the New York Guitar Festival this month.
And speaking of Bang On A Can, BOAC's marching band Asphalt Orchestra is performing the Pixies' Surfer Rosa in NYC at Le Poisson Rouge on Sunday (1/12). Tickets for that show are on sale now.
collected stories schedule below...
Anti-Pop Consortium photos by Melissa Neira
His set at Cameo Gallery in Williamsburg, Brooklyn, on Friday came at least partially from jazz. Not standards and bebop, but jazz of the past 30 years, let's say, involving solid-bodied guitars. He played a Fender Telecaster, whose bright tone never caught on much with jazz musicians. It was an instrumental music in which the shape and placing of a single sustained note was a matter of importance, and solos broke out, but not at the usual moments. (There aren't many usual moments in his music.) Only at one point, in "Once," did he seem to want to suggest earlier history: an Elvin Jones midtempo drum groove came through like a watermark. [NY Times]Jazz musician Rafiq Bhatia, who played Cameo earlier this month, has two releases coming out this year, first the Strata EP on September 25, and then his debut full length, Yes It Will, on October 23. The Strata EP features a cover of Flying Lotus' "Pickled!," which you can stream, along with another EP track, "Sunshower," below. Rafiq will celebrate his EP with a BrooklynVegan-presented release party at Pianos on September 25, which doubles as the first night in his residency at the LES venue, which continues on October 2 and October 9. The release show is with Anti-Pop Consortium (instrumental), whose member High Priest is featured on Rafiq's upcoming EP, and Alexander Overington. Tickets for all three nights in the residency are on sale now. The flier is below.
Rafiq has also been added as an opener to The Bad Plus' Music Hall of Williamsburg show (9/26), which happens one day after the release party at Pianos. No opener has been announced for the Bad Plus' show at Mercury Lounge on 9/25. Tickets for both Bad Plus shows are still available.
Rafiq also plays the Aquarium Drunkard CMJ showcase with Foxygen, The Orwells, Dent May, Tashaki Miyaki, and Murals at Mercury Lounge on October 16. Tickets for that show go on sale Friday (9/21) at noon with an AmEx presale starting Wednesday (9/19) at noon.
Speaking of Anti-Pop Consortium (who no longer count Beans as a member), they have a brand new short clip which you can watch below. They also played the New Museum back in July. A belated set of pictures from that show is below.
In related news, APC member High Priest recently released a new album called Cit of On under the moniker HPRIZM via Svakt. You can stream some excerpts from that release below.
All streams, a list of dates, video, residency flier, and pics are below.
photos by David Andrako
ACME is Nadia Sirota (viola), Clarice Jensen (cello), Chihiro Shibayama (percussion), Andrew Rehrig (flutes), and Alicia Lee (clarinets). On March 1st, ACME performed with Mariam Wallentin and Mikael Karlsson at Merkin Concert Hall as part of the ongoing Ecstatic Music Festival (which continues on March 17th with Oneida and Rhys Chatham). The show was described like this:
Mariam Wallentin, hailed for her "beyond gorgeous" voice in the band Wildbirds & Peacedrums, teams up with acclaimed composer Mikael Karlsson to create a new song cycle, The Spirit & the Cloud, performed with the American Contemporary Music Ensemble ("some of New York's brightest, busiest players." The evening will also include a selection of Karlsson's instrumental compositions and arrangements of Wildbirds & Peacedrums songs for Wallentin and ACME.Check out more pictures from the event, and the full setlist, below...
photos by Toby Tenenbaum
The guest-filled six-night run of National shows came to an end on Saturday night (12/17), complete with an opening set by Bristol, England-based group This is the Kit who the National discovered on their recent tour of Europe. Maybe you watched the whole show livestreaming online.
Most of the guests on Saturday were the same as Friday, though no Trey. Saturday guests were Thomas Bartlett, Nico Muhly, Richard Reed Parry, Rob Moose, Nadia Sirota, Conrad Doucette and yMusic. Ben Lanz, who also played Thursday and Friday, was on trombone again after leaving the band earlier this year to join Beirut full time.
photos by David Andrako
National week at Beacon Theater continued on Friday night, 12/16, for the fifth night in a row. Shara Worden's project My Brightest Diamond opened the show and she later joined The National on stage as did Thomas Bartlett aka Doveman, Richard Reed Parry of the Arcade Fire, Conrad Doucette, Rob Moose, Nadia Sirota and string quartet yMusic... and Phish's Trey Anastasio who members of the National are working with right now. As Jambands.com points out:
"The Phish guitarist emerged partway through the group's set for "Blood Buzz Ohio," "Squalor Victoria" and "Murder Me Rachel." While onstage, the members of The National described the guitarist as "a hero of ours." Anastasio reemerged alongside Arcade Fire multi-instrumentalist Richard Reed Parry the evening's opening act My Brightest Diamond to play guitar on "Terrible Love." All of the night's guests then joined the members of The National for an acoustic sing-along based around "Vanderlyle Crybaby Geeks." National frontman Matt Berninger was particularly chatty throughout the show, jokingly describing Parry as a member of Kings of Leon and declaring "that's the sound of faces melting" after Anastasio's performance."You can watch a video with Trey in it below.
When you hear the word 'ecstatic,' chances are classical music isn't exactly the first thing that comes to mind. Even Thomas Bartlett (aka Doveman), one of last night's featured musicians, admitted that his music was "kind of quiet" and snoozy." But a cursory glance at Nadia Sirota's frenzied delivery on the viola, and the classicaly-bent Ecstatic Music Festival's choice adjective doesn't seem like such a misnomer.
The evening was arranged in three parts, one for each of the featured musicians. Of course, the performances were also highly collaborative and often called for all five performers (including violinist Rob Moose and cellist Clarice Jensen) to be on stage. "We're all friends and drinking companions," Bartlett revealed.
As evidenced by the the recent stringof Burgundy Stain Sessions at Le Poisson Rouge, Bartlett is no stranger to performing with a wide range of talented musicians, but after nearly a month of touring solo in Australia, he averred that extra musicians were a welcome addition. "I think I'm hallucinating the quartet," joked the jet-lagged pianist early into the show. Bartlett and company played a selection of Doveman's melodious songs, including a brand new one about lost love that he wrote during his recent trip abroad.
Following Bartlett's portion, Nadia Sirota moved to the center of the stage, her viola tucked safely under her arm. With its measured, gentle introduction, her first piece, 'Drums and Viola' provided a smooth transition from Bartlett's music into her more frenetic contributions. But with each passing movement of the song, the tension rose. To keep up with the heightened pace, Sirota inhaled sharply every few beats, which made her performance even more physical and impassioned. Like Thomas Bartlett, Sirota was also thrilled to present a new piece - Missy Mazzoli's 'Tooth and Nail'.
The final leg of the show featured Owen Pallett's sprightly selections. Though he is best known for his elaborate violin-looping skills, Pallett (who used to be known as Final Fantasy) started on the keyboard, accompanied by Bartlett and the slightly truncated strings section. After a few songs however, he picked up the violin so as not to betray his fans or the event poster. The majority of Palett's songs came from his last album, Heartland, but he also played an older song or two, including "He Poos Clouds."
Besides one odd technical difficulty when the music halted temporarily during the "difficult" song ("Lewis Takes Off His Shirt"), the acoustics were excellent, thanks largely to the carefully-engineered wood paneling in Merkin Concert Hall.
After each musician had the chance to show off a selection of songs from his or her repertoire, the group united on stage once more to conclude the evening with Neil Young's "Only Love Can Break Your Heart."
Buke & Gass and Victoire @ Merkin Concert Hall - 1/17/11 (by David Andrako)
For the dozens of artists who participated in the opening marathon concert of the Ecstatic Music Festival at Merkin Concert Hall on Monday, the event was less a defining breakthrough moment than the establishment -- temporary or not -- of an uptown beachhead for a flourishing alliance normally encountered in downtown and Brooklyn spaces like Le Poisson Rouge, Galapagos Art Space, Issue Project Room and Joe's Pub."The Chiara String Quartet and the Music of Nico Muhly & Valgeir Sigurdsson" happened last night (1/19), and the Ecstatic Music Festival continues tonight with a now-sold out Dan Deacon & So Percussion show. Some videos from previous shows below..
The notion of a mission seemed too heavy for the feel of this sprawling showcase, which was meant to run for seven hours and consumed nearly eight. If there was a core statement, it could have been -- to twist slightly the title of a song by Sarah Kirkland Snider, a gifted composer to be featured in a later festival event -- "This is what we're like." [NY Times]
As previously announced, the 2011 Ecstatic Music Festival, presented by New York City's Merkin Concert Hall in association with New Amsterdam Records, is a showcase of imaginative collaborations between more than 150 genre-pushing composers, songwriters and performers who represent a new generation of artists combining diverse influences and techniques to explore the intersection of classical and pop music. All concerts will include premieres. The festival opens with a free seven-hour marathon on January 17, 2011, and continues with 13 additional concerts until March 28, 2011. All concerts will take place at Merkin Concert Hall.The Ecstatic Music Festival 2011 is almost here. Subscriptions and single show tickets are on sale. The full updated schedule (tUnE-yArDs, So Percussion, Dan Deacon, Craig Wedren, ACME, Nadia Sirota, Buke & Gass, Doveman, Owen Pallett, Bang On A Can All-Stars, and more included), and a trailer, below...
words by Rachel Kowal
On Friday and Saturday night, singer Sam Amidon has hosted a series of sold-out shows at The Kitchen, an arts space in Manhattan that boasts an impressive Board of Directors that includes the likes of Philip Glass, Nico Muhly and Bryce Dessner to name a few.
With its austere, DIY theatre vibe, the setting was a bit unconventional, but then again, so was the performance. Much more than simply an evening of folk songs, ballads, and hymns, Amidon projected random video clips and odd, hand-drawn cartoons onto the large screen lining the back wall.
There were two clusters of instruments and laptops on stage - one for Amidon and the other for one of his regular collaborators, Shahzad Ismaily. Due to Amidon's mesmerizing presence, it's easy to overlook Ismaily on percussion, but only because his contribution is effortlessly subtle and effective.
Amidon began his multimedia show with a series of video clips, including one of himself in a rowboat, narrating the tragic tale of "a young child of indiscriminate gender, wearing a green raincoat who ran away from home at the age of 10." With such a vivid and candid performer like Amidon, it's often hard to tell if it's all an act or if he's a bit crazy, but that's part of the appeal.
As was quickly evidenced by both his home videos and his live performance, Amidon can hardly contain his odd stories and asides. With Amidon, it's about the journey - however winding or disjointed it may be. And with a fair amount of sing-a-longs thrown in to keep the audience engaged, it's hard not to feel that we're all weary travelers on the same odyssey.
Of course, the bulk of Amidon's show comprised songs from his last two albums, but he also played a quick succession of short folk songs. And yes, besides the more conventional aspects of the performance, he displayed everything from 'liturgical dancing' and chaotic vocal exercises to a book review (Peter Biskind's "Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood" - apparently terrible), a conversation between a piece of broccoli and a jar of maple syrup (naturally, about love and depression), and an R. Kelly cover ("Relief").
It may not have been the most coherent experience, but Sam Amidon's grab bag performances never cease to entertain and enliven.
Both Sam Amidon and Shahzad Ismaily also play in Thomas Bartlett's Doveman, so maybe they'll be there in March when Doveman goes on a very short tour with Nadia Sirota in March. That very short tour includes two shows in Minneapolis and that one taking place at Merkin Concert Hall on March 9th with Owen Pallett.
Nadia Sirota and Sam Amidon, along with The National's Bryce Dessner and Bishi, will also participate in Tell The Way at St. Ann's Warehouse on February 10th, 11th and 12th...
Tell The Way is a newly commissioned collaborative work created for the Brooklyn Youth Chorus (Dianne Berkun, Artistic Director) by the ubiquitous Nico Muhly. Loosely based on medieval and colonial English travel narratives, the work draws from American folk sources, prayers for the Royal Navy, early colonial diaries, Mandeville, Herodotus and Marco Polo. Nico Muhly's music is propulsive travel-music, but at the heart of Tell The Way are three meditative collaborations between Muhly and Bishi, Muhly and Bryce Dessner and Muhly and Sam Amidon. An ensemble of strings, percussion, piano, and flute augment the voices of the Brooklyn Youth Chorus, Bryce's guitar, Sam's banjo and fiddle, and Bishi's sitar.Tickets for all three shows are on sale.
All tour dates and Sam's Kitchen setlist, below...
Joanna Newsom is one of the announced acts for this year's Big Ears Fest in Knoxville, TN, March 26th-28th. Others on the initial lineup include Vampire Weekend, St. Vincent, the Calder Quartet, Andrew WK, The Ex, Gang Gang Dance, Clogs, 802 Tour (Nico Muhly / Doveman / Sam Amidon with Nadia Sirota), The xx, Javelin, DJ/Rupture (solo), DJ/Rupture and Andy Moor, My Brightest Diamond, Gyan Riley, and jj. The fest's artist in residence is composer Terry Riley and a number of his works will be performed (including 'In C'). Bryce Dessner of the National is also one of the curators. Weekend tickets are on sale now. Tickets to invididual shows will be announced later this month, along with the schedule (shows are at different venues around town).
by Andrew Frisicano
There were (more) strings at September 25th's inaugural show for the Archipelago music series, which happens at Galapagos one Friday a month through next May. Like the Undiscovered Islands fest in May, the shows will be featuring music that crosses boundaries between classical, indie, etc. (and like that fest, it's also being set up by the New Amsterdam label.)
The full schedule is below. It's full of treats (like a way-off show with music by Shara Worden aka My Brightest Diamond in April). The first show featured violist Nadia Sirota and percussion quartet Line C3. Coincidentally, Worden and Nadia will both be playing with the Dessner Bros.' BAM Next Wave show, The Long Count, at the end of October.
Both acts on the first night performed works by Nico Muhly (Line C3 did "Ta and Clap," written by Nico for them in 2004, and he joined Nadia for his piece "Keep in Touch," which features a vocal sample from Antony Hegarty of Antony and the Johnsons). Nadia & Nico actually discuss their collaborations in an episode of New Amsterdam's Podcast series.
Speaking of New Amsterdam, they also have a CMJ showcase coming up with Cantaloupe Records at (Le) Poisson Rouge on October 21st. Tickets are on sale. That will feature the music of David Lang and Julia Wolfe (Bang on a Can co-founders) and performances by NOW Ensemble, Darcy James Argue's Secret Society and more. Clips of the Lang-scored film (Untitled) will be screened between performances (the soundtrack of which will be out October 13th).
Full details on the Archipelago series below...