Entries tagged with: Nancy Wang
YACHT photos by Chris La Putt
YACHT @ WEBSTER HALL - 4/27/2011
Dave 1 w/ Holy Ghost! @ MHOW - 4/30/2011
LCD Soundsystem may be done but DFA Records still has a strong presence, especially lately, and especially Saturday night in NYC when Free Energy played Glasslands while Holy Ghost! headlined a sold out show at Music Hall of Williamsburg where they were joined by Nancy Whang on vocals and surprise guest Dave 1 from Chromeo on guitar. Holy Ghost's setlist and some videos are below. Later in the night Nancy headed to Webster Hall to hang with Classixx while Juan Maclean and friends DJ'd at Cameo.
Holy Ghost! recently released a video for "Wait & See" which stars the duo's actual fathers. Check that out below. Holy Ghost! are on the lineup of the HARD Summer Fest happening in LA on August 6th, as are DFA artists Shit Robot, Special Disco Version (James and Pat), and Still Going. Shit Robot also recently released a new video for "Losing My Patience" which features Alexis Taylor of Hot Chip. Watch that below.
Earlier last week, the DFA-signed YACHT came through town for their own big headlining show which was at Webster Hall with Light Asylum. A set of pictures from that show are also in this post and they continue with the other stuff, below...
YACHT at Coachella 2011 (more)
The previously discussed YACHT tour continues until middle May, and the crew is poised to tear down Webster Hall with Light Asylum and Bobby Birdman in NYC tonight (4/27). Tickets are still available, or you can try your luck at winning one of three pairs of tickets we're giving away! Details on how are at the bottom of this post.
YACHT recently made a remix of the Classixx track "Into The Valley" (featuring Karl Dixon) for Green Label Sound (download/stream it below), and the LA production and DJ duo will be in NYC this week and at Webster Hall too. Just two days from today (on 4/29), Classixx will play as part of the Girls & Boys party with Nancy Whang (of Holy Ghost!, the Juan Maclean, and the now defunct LCD Soundsystem) and guests. Tickets are still available and doors open at 10PM.
All tour dates, contest details and that Yacht remix is below.
photos by Tim Griffin
Cut Copy @ Stubb's
Midnight Magic have been added to Cut Copy's upcoming Brooklyn show with Foster the People, upping the total number of bands on the Prospect Park bill to three. Tickets are still on sale.
Cut Copy's tour with Holy Ghost! ended in Austin over the weekend with two big shows at Stubb's. Tim was at the 2nd one, and his pictures are in this post.
Like she has in the past, Nancy Whang joined Holy Ghost! during their set. Maybe she'll do the same this Friday at their sold out headlining show at Music Hall of Williamsburg which is being opened by The Hundred in the Hands.
More Austin pics, including a shot of CC's setlist, below...
most of the words & photos by Dominick Mastrangelo
They played for over 3.5 hours before the sun set on LCD Soundsystem in a cascade of white balloons dropping from the Madison Square Garden ceiling in NYC Saturday night. I wished they played even longer. Everyone I talked to agreed.
But James Murphy and co. gave everything at Madison Square Garden last night (4/2). And the sold-out arena crowd gave in return. For two months - through the initial on-line ticket debacle, the addition of four T5 shows to make up for it, constant hype, and lots of guessing at what guests might turn up (sadly there was no Daft Punk) - it all made this final act in the drama, The Long Goodbye, even more of an event.
From where I was in the middle of the front GA section nobody stopped dancing, or singing along or smiling the entire night. (Save for, like at all four Terminal 5 shows, the couple of awkward, yet brief and deserved intermissions.) Every turn to scan the Garden saw people full-on, in the groove dancing; not just some barely-registered shuffling back and forth. Honestly, everyone who was there should take a bow because they were fantastic. During the first break, video footage was shown of an interviewer talking to fans outside the venue, Aziz Ansari included.
And no, there was no Daft Punk, but there was Arcade Fire singing joyously along on "North American Scum" (the third set's highlight) and an appearance by Reggie Watts who also played with the band at three of the four Terminal 5 shows. The boys choir featuring members of Mr. Dream was there, as were the two female backup singers, and the horn section that included Kelly Pratt and Colin Stetson. Original LCD guitarist Phil Mossman was back and featured a few times in addition to LCD band members
Nancy Whang, Tyler Pope, Pat Mahoney, Matt Thornley, Gavin Russom, and David Scott Stone. Liquid Liquid opened the show like they did at the first two Terminal 5 shows. Shit Robot, who opened the second two T5 shows, again made an appearance during the show. Shit Robot and Juan Maclean, for one song, were alien vocalists in mysterious cardboard-looking spaceships that were set up in seats behind the stage (pictures and video below).
Pitchfork streamed the whole show for those who couldn't be there - you could see the cameras all over the place, including on the shoulders of cameramen walking through the GA crowd. Filmmaker Lance Bangs was seen dancing in the crowd and working backstage on the video of the show, and yes the clouds made it to the two screens that were hanging on the sides of the stage.
LCD started with "Dance Yrself Clean" and "Drunk Girls" followed. The first set was breathtaking and included "Daft Punk is Playing in My House." After an intermission, the band tackled most of 45:33. Watts came out for "Part 2" and Murphy spent most of the middle set off in the background letting the band tackle the instrumentals.
The first encore featured a cathartic and riveting "Someone Great" as well as "Losing My Edge" and "Home." For me that block was the highlight. During "Losing My Edge," the video screens featured images of some of the influential bands mentioned. When I looked up I saw The Sonics.
Their Harry Nilsson cover of "Jump Into The Fire" was part of the final 3-song encore. Murphy, his voice sounding a bit hoarse, paused between songs to thank everyone who came out and everyone who helped put the show together. "Three songs left," "two songs left," and then after saying "this is our last song", and a bit more banter including an admission to his family who was in the audience that he was wearing his dad's watch (as you can hear in the video below), he led the band into their final (ever) number, "New York, I Love You But You're Bringing Me Down." It started slow with Murphy even laughing and pausing 'for dramatic effect' but by the end of the raucous outro the crowd was in a frenzy, only for the band to launch back in and cue the balloon drop. As the crowd was preoccupied with balloons of various size descending upon them, the entire band slipped off stage, almost completely unnoticed, and into history.
VIDEO OF THE ENTIRE SHOW (from the stream), and lots more pictures and the full setlist, below...
"There's good news and bad news. The good news is we're here. The bad news is I'm wasted." James Murphy, who claimed to be swilling his "special drink" (champagne and whiskey) all night, kept trying to set the bar low for last night's LCD Soundsystem show at Music Hall of Williamsburg, the first the band has played in three years... a fact that he kept hammering into the crowd. "This is the longest we haven't played in the history of the band. It's not really a 'show,' it's a live rehearsal."
He was right, technically. Not only was it the live debut of new material from LCD's upcoming third album, This Is Happening, but also the first for the new six-piece (at times seven) version of the band, still anchored around the core of Murphy, keyboardist Nancy Whang and drummer Pat Mahoney. All of Murphy's hemming and hawing was for nought. This is contender for show of the year. LCD Soundsystem blew the lid off the joint for almost two hours.
The band mostly ignored the new album. "I made a conscious decision not to play too much of the new stuff in the early part of the tour," Murphy said. "I remember being a kid taking the train two hours just to hear 'This Charming Man' only to get 'Panic." (Of all the things to be jealous of, Murphy also saw the Smiths.) Instead we were treated to a cavalcade of hits including "Your City's a Sucker," "Tribulations," "All My Friends," "Losing My Edge," "Yeah," "Someone Great," and show-closer "New York, I Love You."
Only two new songs were played. The VU-meets-Bowie first single "Drunk Girls" and what will surely be the second single, "I Can Change" that is more Gary Numan or Eurythmics (you can hum "Love is a Stranger" to it). The latter was more successful, though I think "Drunk Girls" is gonna turn into a big summer single once people hear it spun in a club at maximum volume. I wish they'd have played a couple more tunes, especially the Roxy/Eno-ish rocker "All I Want" but we'll get those in time.
Seriously, no complaints at all. The crowd was going mental for the last half of the 90-plus minute set, especially during "Yeah" and "Someone Great." Maybe too mental. After an early attempt at a mosh pit, Murphy and Whang put the kybosh on such behavior. "If you're dancing and not within two people of a girl," Whang explained. "You're doing it wrong." Murphy added, "Dance up and down!" In addition to the crowd, the stage was packed on the side like a hip hop show, including Hot Chip's Al Doyle who was LCD's touring guitarist on previous excursions.
Murphy must've reminded us ten times that this was LCD's first show in ages and they were under-rehearsed. (Though I heard they used MHoW as a practice space all week.) But clearly New York had missed LCD Soundsystem. And they missed playing. Three years was definitely too long. But, thankfully, absolutely, they haven't lost their edge.
Light Asylum were a great opener and sounded booming on the Music Hall sound system. Bill said they're like a goth Yaz. I just wish they would showcase Shannon Funchess's frontwoman abilities more. She used to shine when she was on stage with !!!. She later joined LCD for a bit during "Someone Great", but mostly just in the background. Before she left the stage James gave her a great big bear hug.
Murphy pointed out that he was 40 years old "which means every show I saw had Fishbone opening". That was a nice intentional-or-not intro to "Losing my Edge".
The crowd really was moving all night. The closest thing to a mosh pit came during the punk rock "Movement", and there was a bit of a fight near the stage earlier in the night (I think because someone thought people were being too rowdy).
The lasers all over the walls and ceiling during "Yeah" were the coolest thing I ever saw visually happen at Music Hall.
Though the band took an encore break before "Someone Great", James announced before leaving the stage that it wasn't an "encore" because in NY aka home, we don't have encores. They're for "other places". Nancy moved from her keyboard to a piano for the show-closing "New York I Love You".
Definitely the show of the year (so far).
Stay tuned for the announcement that they're playing another one at Webster Hall on Monday (ANNOUNCED AND ON SALE). You can also catch them twice at Terminal 5 and at other places. More pictures and the full setlist from Music Hall below...
"As the new millennium started gearing up, there was a obvious reason why Jerry started playing with all the DFA-affiliated bands (The Juan Maclean, !!!, etc.) as time went on: He was an invaluable monster on the drums that could recreate those motorik-like disco beats and make it sound human. Goddamn, the hair on the back of my neck stands on end when I think about it. Recent years saw him reaffirm his roots in Athens as he became the incredibly propulsive backbone to Maserati after they gave their original drummer the boot. And man, again, watching Jerry perform was always a treat. ALWAYS." [Chunklet]It's been a week since the tragic death of Jerry Fuchs. A memorial service was held at Enids in Brooklyn on Thursday. The loft building he died in, 338 Berry Street, is going about business as usual. There are many Craigslist ads for spaces there. All of them mention the freight elevator as an amenity. This is the picture of the building from one of the ads:
What was Jerry doing at 338 Berry at the night in question? Well, this "AccesSoiree" benefit party was happening there...
The party advertised that there would be "DJ sets by fashion darling Judi Rosen, The Juan MacLean's Nancy Wang and more from New York's finest DFA crew to name but a few". The above-quoted Chunklet obit is one of the nicest I've seen, and as it reiterates, Jerry was a large part of DFA. Chk Chk Chk wrote this on their MySpace...
thanks to everyone who has contacted us with their love and support. we could never put into words how special a person jerry was and how much we loved him. we ask that you tell all the people you care about and are thankful for that you love them. we wish we still had jerry.A member of Hot Chip got this new Jerry Fuchs memorial tattoo...
The first Juan Maclean video below (with a fake fight) explains the midi tattoo. The other video features a 16 minute live version of "Happy House" with Jerry behind the kit. Juan is DJing a benefit in San Francisco on November 20th. More details about that and both videos below...