Entries tagged with: Negura Bunget
By Ian Chainey
Godflesh @ Irving Plaza 4/10/2014 (more by Greg Cristman)
Angry about Metallica at Glastonbury? Or angry at people angry about Metallica at Glastonbury? Here's your palette cleanser. We've got a ton to cover, so let's take a walk on the newswire:
After finishing up a successful North American run, Godflesh will release Decline & Fall, a new EP of four songs, on May 26 through the band's Avalanche Recordings. Excepting a 2013 flexi single of a Slaughter cover, this will be the duos first new material since 2001's Hymns. Your 'oh god, I'm old' moment for the day: babies became teenagers in the years between new Godflesh tunes.
That said, Opeth fans will have to wait a little longer. Fans were promised a single and details on Pale Communion, the forthcoming 11th album for the proggy blarghers out on Roadrunner Records. It was originally slated for June 17. Now? August 26. (Godflesh fans: "Oh, cool, a couple months.") Per the outfit: "Several circumstances prevented the band from delivering essential tools to Roadrunner in time which are needed to set up the album release properly and release schedule conflicts made us mutually decide on August instead of June." Those circumstances? Probably the damn runaway wheel again.
Pilgrim is making a pilgrimage (stop groaning) across the United States with fellow doomers Age of Taurus. The group is supporting their recently released II: Void Worship, an epic doom tidal wave of sonic destruction. The tour will finish up June 25 at The Acheron with Holly Hunt and Blackout joining the bill as well. Tickets are on sale.
Also coming up at The Acheron? Malignancy! Yes, the masters of the pinch harmonic and incredible death metal stage banter will swing in with Goemagot at The Acheron on June 28. Tickets are on sale for that too.
In other touring news, Negura Bunget are not. At least, they're not touring North America after visa issues forced them to cancel their jaunt which was to have hit Saint Vitus tonight (5/9). The European dates of their world tour are still on, as is work on their next record. Says the group: "Meanwhile weíll focus all our frustration energy into completing the last details of the new album, Tau." The quirky Romanian black metallers have had a rough go of it lately, restocking the membership in 2013 upon the departure of most of the outfit to Dordeduh. Drummer Negru is the sole remaining member.
Speaking of Europe, perhaps BL'AST! and Bunget will cross paths. The reformed crossover neck-snappers will keep the comeback rolling with a European tour. Filling out the ranks are desert vets Nick Oliveri and Joey Castillo. BL'AST! will also be making select North American fest dates, including This is Hardcore.
Belphegor are back, circling August 8 as the date for Conjuring The Dead, which will be available via Nuclear Blast. It's the band's tenth LP and was produced, as most things are, by Eric Rutan. The Austrians have released the cover art in advance and it features the most blasphemous depiction of Mickey Mouse ever. See if you can spy it.
Shining -- the other one -- have signed to Season of Mist. The depresso bleak metallers will issue something new for the label in 2015. Shining brain Niklas Kvarforth: "After a long period of negotiations and discussions that lasted almost eight years, I have now chosen to grant Season of Mist the privilege of releasing the next Shining album." Eight years? But Niklas, YOU'VE ALWAYS BEEN THE CARETAKER.
If you're excited to catch Super Duper Alice Cooper at Rocks Off Film Fest, you'll be pleased to note the surprisingly-not-adult-oriented production team, Banger Films, has signed on for two more documentaries: Black Sabbath and Soundgarden. Both will film this summer.
Sean Reinert and Paul Masvidal, current members of Cynic and former members of Death, have publicly come out. Their Los Angeles Times interview is worth a read, not due to their orientation, but because they're simply smart, considerate, charismatic people. Cynic's Kindly Bent Free to Us was released in February of this year.
Cudahy, Wisconsin's Days Of The Doomed Fest has been renamed Days Of The Doomed Fest IV - In Memory Of Jason McCash, honoring the Gates of Slumber player who sadly passed away last month. The fest is headlined by trad-doomers Trouble and will span two days, June 20 and 21. A full lineup appears below.
Finally, out from left field, turbo blastbeater Nicholas Barker (Dimmu Borgir, Cradle of Filth) will join Berwick RBL and Eyemouth RBLS pipe bands -- as in bag pipes -- for a set of special engagements in Berwick upon Tweed in the UK. (Berwick upon Tweed: City name or math professor fanfic title?) Tickets will be free, but must be booked in advance. Americans, worry not, the performance will be filmed so you can battle that guy in the neighboring apartment who WON'T STOP BLASTING DUBSTEP. C'MON.
Don't forget: Keep up with the rest of our metal coverage during the week.
Now that you're, ahem, fully briefed, let's recap all of the A/V transmissions:
Pittsburgh grindy punks Complete Failure are offering "Errant Social Mile Marker" for name your own price at their Bandcamp. The entire album, The Art Gospel of Aggravated Assault, is available for streaming below.
If you're in the same core mindset, Maryland Deathfest-invitees and satanic City of Angels powerviolence unit ACxDC dropped "Filicide" from their Antichrist Demoncore available through Melotov Records, June 24. Stream it below, too.
Death metal more your thing? The tech-ish beasts in Hour of Penance are streaming their long-player, Regicide, in full at Soundcloud. Get ready for blasts aplenty. The album will be out on Prosthetic Records next week.
Less tech? You can find a nasty bug Under the Church. (Again, the groans.) "Denial of Death" is up on Youtube, a foul bit of rot from former Nirvana 2002 members. June 16 is the date for this infected slice thanks to Pulverized Records.
Want weird? How about a band that named their last record We Meditate Under The Pussy In The Sky? That's from Opium Warlords, featuring the talents of ex-Reverend Bizarre singer Sami Albert Hymnien. The group teased "The Self-Made Man" (streamable below) from Taste My Sword Of Understanding out on Svart Records, May 30. Tastes like doom! With. . .a weird kick. . .water. . .need water.
The first track from the One and All, Together, for Home comp collected by Drudkh is now up, with this cut coming courtesy of Winterfylleth. The folk-metal/atmophosmeric black metal round-up will be available through Season of Mist on May 27. (Preorder.) All contributions will be exclusive to the comp, with most bands offering covers of traditional standards. Scope the packed tracklisting and the track stream below.
Lastly, Vancouver sludge riff stackers Bison have checked in with the b-side to 1000 Needles, their new EP which will see a release by way of War on Music Records sometime in June. That's below as well.
Got it? Good. To shows we go:
TODAY (5/9): Sadistic Intent, DEATHHAMMER, Natur, Inverted Trifixion, and Iron Force invade The Acheron, promising thrash n' blasts. (Tickets.) In a punk state of mind? Violent Bullshit and Steel Phantoms will be at Union Pool, $8 at the door.
TOMORROW (5/10): Saturday is absolutely overflowing. First, get into some longform tech and stretched out sludge with Ulcerate, Inter Arma, and CAR BOMB at Saint Vitus. (Tickets.) Punks, though, will have a tough choice. There's Geronimo, Force & Fire, Concrete Cross, and Nightcrawler at ABC No Rio ($8, doors at 3 PM) and then there's the throwback core of Zombie Fight (record release!), MANALIVE, On the Offense, Jukai, and Ache at The Acheron. (Tickets.)
Looking for late adds and dates ahead? Our NYC Metal Show Calendar has got you covered.
Let's talk IO: We were tossing you fresh gems left and right, premiering Belus, Vainaja, HUSH., Serpentine Path (click this, now), and Den Saakaldte. We also put on our thinking caps, dissecting Infestus and figuring out why bands with tiny discographies seem more authentic. And, as is our compulsion, we hoarded every release under the sun for your perusal in Upcoming Metal Releases.
As always, don't forget to dial in Invisible Oranges on East Village Radio. This week, we had Kirk Windstein from Crowbar in as a guest and he played two new dandies from Crowbar's forthcoming Symmetry in Black. Plus, we jammed mountains of metal madness. Always worth the listen. Tune in every Tuesday, 10pm EST.
Alright, consider the decks cleared. What did we miss? What are your plans? Let us know and catch all of the dates, reams of streams, and other noted details below.
by Wyatt Marshall
Negura Bunget at Cameo, 4/20/12 (more by Greg Cristman)
This will mark just the second time Negura Bunget will bring their folked-out black metal to the US. Last time, thanks to customs difficulties, the band barely made it in time for their New York gig at Cameo. That was actually their firstever US show, and the band quickly shook off any bad customs experience jitters with a solid set that hit all the highlights of Negura Bunget's much acclaimed Om.
In related news, So Hideous' 2013 self-released album Last Poem/First light is getting a rerelease on Prosthetic Records later this month, with pre-order packages available now. The band's huge, operatic post-black metal should pair well with NB.
Other notables from the tour dates below that jump out at first glance are shows in Oakland with Botanist and Minneapolis with False. All dates are listed, along with a tour flyer, below...
Godflesh at MDF
Hand in hand, the gasmask wielding pair strolled on to the stage to the sound of air raid sirens. Their arrival announced the coming of reunited grindcore greats Nasum, one of the headliners at Maryland Deathfest on May 25th playing their farewell round of shows. A rare appearance from Godflesh and related band Napalm Death (Godflesh's Justin Broadrick was an early member of ND) were the night's outdoor (read: true) headliners, playing the large stages and rounding out a lineup that included campy thrash, Swedish death metal, noisecore pioneers, Romanian black metal and many stops in between.
Brooklyn's Castevet opened the show at 3:30PM, sporting new bassist Nick McMaster (also of Krallice). I missed the next band Nashgul (and would later miss Setherial in the same room), but managed to catch the campy and fun Ghoul, who take cues from their ex-tourmates Gwar in the theatricality and dousing-the-audience-in-"blood" arenas. Finnish death metal crew Demigod, who were a highlight at Rites of Darkness, opened the outdoor stage and delivered a similarly inspired performance.
Today is The Day were next on the indoor stage, playing quite possibly my favorite performance from the band and definitely a highlight for the day. The band's new lineup featuring the rhythm section of Wetnurse is a perfect match for Steve Austin's madman antics, and I heard quite a few comments afterword to the tune of "I forgot how much I used to love Today is The Day". Their former labelmates on Amphetamine Reptile, Unsane, would also kill it later that evening.
Negura Bunget, or what left of them, followed on the indoor stage (the bulk of the original band was recently replaced), and seemed oddly placed and limp following Today is The Day. Meanwhile, thrashers Artillery riled up the thrashers on the outside stage but didnt do much for me.
Napalm Death headlined the first of the two outdoor stages, playing material from each of their prior albums to a circle-pitting, crowd-surfing audience. Besides being the originators of the genre, Napalm Death is also one of grind's tightest live crews; the term legend is more than well-deserved.
The crowd had lined up in front of the second stage a long time before Godflesh ripped into their first chord, so from the moment that the band kicked into "Like Rats" the pits and surfers had easily migrated to the other end of the parking lot. The duo (and requisite drum machine) played material from their legendary Streetcleaner and though they slightly overstayed their welcome, it was nonethless amazing to see them live.
The reactivated Nasum (who we recently interviewed) headlined the indoor stage at Sonar and similar to the Godflesh and Napalm Death, the crowd let loose by the time Rotten Sound's Keijo Niinimaa belted out the first vocal. The five piece will be missed, but they definitely went out with a bang.
photos by Greg Cristman, words by BBG
I went to watch Transylvanian black metal band "Negura Bunget" play on Friday night in a small venue called Cameo in Fuckface Town (previously called Williamsburg, and now the zombie epicenter of Brooklyn and NYC in general)...Despite significant sound issues, their performance was excellent. Negura is a large band and they have different sounds requiring different and surprising instruments, such as traditional Romanian flutes and bells. The vocals were very polished, ranging from traditional black metal harsh to smooth and operatic. They arrived late because of airport problems and could only play for an hour. I was home by about 12, ears slightly ringing and very, very happy. -[Obsidian Noise]Coming straight from Romania, directly to the stage in Brooklyn, Negura Bunget played Cameo on 4/20 with Haethen. The NYC show was the kick-off to their US tour that includes a stop at Maryland Death Fest.
The NYC show's lineup changed a few times. It was originally supposed to include Eclipse Eternal, Wolven Ancestry and The Way of Purity. Then Din Brad (which contains members of Negura Bunget) was added, but forced to cancel due to their late arrival at the venue that night. Pictures of both bands that played, Negura Bunget and Haethen, are below, along with all tour dates and a video of Negura Bunget.
Horna in Paris
The previously discussed Horna show on the June 6th at Saint Vitus is one of TWO at the venue, with the second (actually first) going down on June 2nd. Kommandant are on board for both nights, with Abazagorath and Woe on board for June 2nd and Mutilation Rites and Mortum hitting the June 6th show (the prior is celebrating a new LP). Tickets for both June 2nd and June 6th are still available. Kommandant will ALSO play Saint Vitus on 5/22, this time with Sweden's Demonical as part of a string of dates for the band. Tickets are on sale, and all Demonical and Horna dates are listed below.
Baltimore punks Deep Sleep are on the road starting next week, and will play on 4/23 at Black Light in New Brunswick NJ with Real Cops, Radio Exiles, Easy Rider and Attitude Era. Unfortunately no NYC dates in this go-around, but you can check out some of their other dates below.
Supporting acts for the Negura Bunget show at Cameo on 4/20 have changed. The band will now be joined by Din Brad (side project of Negura Bunget's keyboardist), Inia Dina, and Heathen. Tickets are still available.
Naam will play Glasslands on May 12th as part of a Record Release show for their new baby, Starchild. Hull, who are also on board to play Saint Vitus on 4/20 (tickets), will join them and Rainbows at the venue, and tickets are on sale.
Spazzy noise-core Frenchmen Escarres will team with Hessian and Only Child for a show at Acheron TONIGHT (4/13). Stream some Escarres material below.
Stream tracks from the new Mammoth Grinder 7", video from that Veins/Hoax/Raw Nerve show with all previously mentioned streams and dates, and this week's list of suggested shows. below. What did I miss?
Hellooo busy spring! Romanian black metal crew Negura Bunget will play a string of European dates with Primordial in early March, but shortly after will embark on a US tour the surrounding their appearance at Maryland Death Fest. Joining them on the trek will be Eclipse Eternal, Wolven Ancestry and The Way of Purity, and their set of dates kick off with an April 20th apeparance at Cameo. Tickets are on sale.
Negura Bunget released their last LP, Focul Viu, in 2011 and Vîrstele Pamîntului in the year prior. The band's breakout OM LP was released in 2006 via the now-defunct Enucleation Records. All tour dates, some video and the tour flyer is below.
intro by BBG, interview by Kogaionon, English translation of that interview & the rest of the story by Stefan Raduta
Dordeduh with guest percussionist Thelemnar
Stefan Raduta is no stranger to the darkness. As a writer with Metal Maniacs, Imhotep, and many other outlets, the Romanian born scribe has profiled and reviewed some of the biggest and most influential names in the blackened depths of extreme music. In the following piece Stefan examines black metal and its current move toward transcendentalism and then focuses on his Romanian countrymen, black metal band Negura Bunget, and their fracture into Dordeduh. He concludes with an interview with Dordeduh (ex-NB) member Hupogrammos. The interview was originally conducted by another writer in his native tongue and translated for us by Stefan. Check it all out below...
by JJ Koczan
Cathedral LIVE at Roadburn (Erik Luyten)
It's really easy to tell as you walk around Tilburg who is here for Roadburn and who isn't. Even when I first got here from Amsterdam on the train, the front of the station looked like an Eyehategod show could have broken out at any minute, all the bearded longhairs and black t-shirts, including my own, standing around looking for a bus or a cab. Like some kind of convention for the International Society Of Social Awkwardness. But oh, we do have a good time.
The thing about the "doom scene," as much as there is one, is that it's really more of a community. Maybe it's because the majority of its patrons are a little older, a little more stoned, a little more concerned with paying their rent, but there are way fewer scene rules than, say, in black metal, where the contest to be more kvlt than thou goes on ceaselessly. Certainly there's a uniform -- see "beards and t-shirts," above -- but there are some normal looking dudes running around here and no one really gives a crap one way or the other what they look like. I'd say it's refreshing, but it's been this way for as long as I've been into doom, so it's nothing new.
This is easily the best festival I've ever seen. The fact that I'm here still astonishes me. Yesterday, as I watched Angel Witch demolish bands half their age (though Saviours would answer back heartily later on), I couldn't help but look around me and be amazed at the gathering of riff worshippers. The Atomic Bitchwax, for example, played to a Green Room so packed that people were lined up into the hallway watching them through the open doors. I've seen the Bitchwax plenty of times in our shared home state of New Jersey, and most of those shows have been relatively empty. Here you can barely go from one part of the venue to the next without doing a bump 'n grind on some poor schlub. It's something to get used to, but I made a conscious decision to take a different approach to day two than I had to day one.