Entries tagged with: Negura Bunget
by Wyatt Marshall
Negura Bunget at Cameo, 4/20/12 (more by Greg Cristman)
This will mark just the second time Negura Bunget will bring their folked-out black metal to the US. Last time, thanks to customs difficulties, the band barely made it in time for their New York gig at Cameo. That was actually their firstever US show, and the band quickly shook off any bad customs experience jitters with a solid set that hit all the highlights of Negura Bunget's much acclaimed Om.
In related news, So Hideous' 2013 self-released album Last Poem/First light is getting a rerelease on Prosthetic Records later this month, with pre-order packages available now. The band's huge, operatic post-black metal should pair well with NB.
Other notables from the tour dates below that jump out at first glance are shows in Oakland with Botanist and Minneapolis with False. All dates are listed, along with a tour flyer, below...
Godflesh at MDF
Hand in hand, the gasmask wielding pair strolled on to the stage to the sound of air raid sirens. Their arrival announced the coming of reunited grindcore greats Nasum, one of the headliners at Maryland Deathfest on May 25th playing their farewell round of shows. A rare appearance from Godflesh and related band Napalm Death (Godflesh's Justin Broadrick was an early member of ND) were the night's outdoor (read: true) headliners, playing the large stages and rounding out a lineup that included campy thrash, Swedish death metal, noisecore pioneers, Romanian black metal and many stops in between.
Brooklyn's Castevet opened the show at 3:30PM, sporting new bassist Nick McMaster (also of Krallice). I missed the next band Nashgul (and would later miss Setherial in the same room), but managed to catch the campy and fun Ghoul, who take cues from their ex-tourmates Gwar in the theatricality and dousing-the-audience-in-"blood" arenas. Finnish death metal crew Demigod, who were a highlight at Rites of Darkness, opened the outdoor stage and delivered a similarly inspired performance.
Today is The Day were next on the indoor stage, playing quite possibly my favorite performance from the band and definitely a highlight for the day. The band's new lineup featuring the rhythm section of Wetnurse is a perfect match for Steve Austin's madman antics, and I heard quite a few comments afterword to the tune of "I forgot how much I used to love Today is The Day". Their former labelmates on Amphetamine Reptile, Unsane, would also kill it later that evening.
Negura Bunget, or what left of them, followed on the indoor stage (the bulk of the original band was recently replaced), and seemed oddly placed and limp following Today is The Day. Meanwhile, thrashers Artillery riled up the thrashers on the outside stage but didnt do much for me.
Napalm Death headlined the first of the two outdoor stages, playing material from each of their prior albums to a circle-pitting, crowd-surfing audience. Besides being the originators of the genre, Napalm Death is also one of grind's tightest live crews; the term legend is more than well-deserved.
The crowd had lined up in front of the second stage a long time before Godflesh ripped into their first chord, so from the moment that the band kicked into "Like Rats" the pits and surfers had easily migrated to the other end of the parking lot. The duo (and requisite drum machine) played material from their legendary Streetcleaner and though they slightly overstayed their welcome, it was nonethless amazing to see them live.
The reactivated Nasum (who we recently interviewed) headlined the indoor stage at Sonar and similar to the Godflesh and Napalm Death, the crowd let loose by the time Rotten Sound's Keijo Niinimaa belted out the first vocal. The five piece will be missed, but they definitely went out with a bang.
photos by Greg Cristman, words by BBG
I went to watch Transylvanian black metal band "Negura Bunget" play on Friday night in a small venue called Cameo in Fuckface Town (previously called Williamsburg, and now the zombie epicenter of Brooklyn and NYC in general)...Despite significant sound issues, their performance was excellent. Negura is a large band and they have different sounds requiring different and surprising instruments, such as traditional Romanian flutes and bells. The vocals were very polished, ranging from traditional black metal harsh to smooth and operatic. They arrived late because of airport problems and could only play for an hour. I was home by about 12, ears slightly ringing and very, very happy. -[Obsidian Noise]Coming straight from Romania, directly to the stage in Brooklyn, Negura Bunget played Cameo on 4/20 with Haethen. The NYC show was the kick-off to their US tour that includes a stop at Maryland Death Fest.
The NYC show's lineup changed a few times. It was originally supposed to include Eclipse Eternal, Wolven Ancestry and The Way of Purity. Then Din Brad (which contains members of Negura Bunget) was added, but forced to cancel due to their late arrival at the venue that night. Pictures of both bands that played, Negura Bunget and Haethen, are below, along with all tour dates and a video of Negura Bunget.
Horna in Paris
The previously discussed Horna show on the June 6th at Saint Vitus is one of TWO at the venue, with the second (actually first) going down on June 2nd. Kommandant are on board for both nights, with Abazagorath and Woe on board for June 2nd and Mutilation Rites and Mortum hitting the June 6th show (the prior is celebrating a new LP). Tickets for both June 2nd and June 6th are still available. Kommandant will ALSO play Saint Vitus on 5/22, this time with Sweden's Demonical as part of a string of dates for the band. Tickets are on sale, and all Demonical and Horna dates are listed below.
Baltimore punks Deep Sleep are on the road starting next week, and will play on 4/23 at Black Light in New Brunswick NJ with Real Cops, Radio Exiles, Easy Rider and Attitude Era. Unfortunately no NYC dates in this go-around, but you can check out some of their other dates below.
Supporting acts for the Negura Bunget show at Cameo on 4/20 have changed. The band will now be joined by Din Brad (side project of Negura Bunget's keyboardist), Inia Dina, and Heathen. Tickets are still available.
Naam will play Glasslands on May 12th as part of a Record Release show for their new baby, Starchild. Hull, who are also on board to play Saint Vitus on 4/20 (tickets), will join them and Rainbows at the venue, and tickets are on sale.
Spazzy noise-core Frenchmen Escarres will team with Hessian and Only Child for a show at Acheron TONIGHT (4/13). Stream some Escarres material below.
Stream tracks from the new Mammoth Grinder 7", video from that Veins/Hoax/Raw Nerve show with all previously mentioned streams and dates, and this week's list of suggested shows. below. What did I miss?
Hellooo busy spring! Romanian black metal crew Negura Bunget will play a string of European dates with Primordial in early March, but shortly after will embark on a US tour the surrounding their appearance at Maryland Death Fest. Joining them on the trek will be Eclipse Eternal, Wolven Ancestry and The Way of Purity, and their set of dates kick off with an April 20th apeparance at Cameo. Tickets are on sale.
Negura Bunget released their last LP, Focul Viu, in 2011 and Vîrstele Pamîntului in the year prior. The band's breakout OM LP was released in 2006 via the now-defunct Enucleation Records. All tour dates, some video and the tour flyer is below.
intro by BBG, interview by Kogaionon, English translation of that interview & the rest of the story by Stefan Raduta
Dordeduh with guest percussionist Thelemnar
Stefan Raduta is no stranger to the darkness. As a writer with Metal Maniacs, Imhotep, and many other outlets, the Romanian born scribe has profiled and reviewed some of the biggest and most influential names in the blackened depths of extreme music. In the following piece Stefan examines black metal and its current move toward transcendentalism and then focuses on his Romanian countrymen, black metal band Negura Bunget, and their fracture into Dordeduh. He concludes with an interview with Dordeduh (ex-NB) member Hupogrammos. The interview was originally conducted by another writer in his native tongue and translated for us by Stefan. Check it all out below...
by JJ Koczan
Cathedral LIVE at Roadburn (Erik Luyten)
It's really easy to tell as you walk around Tilburg who is here for Roadburn and who isn't. Even when I first got here from Amsterdam on the train, the front of the station looked like an Eyehategod show could have broken out at any minute, all the bearded longhairs and black t-shirts, including my own, standing around looking for a bus or a cab. Like some kind of convention for the International Society Of Social Awkwardness. But oh, we do have a good time.
The thing about the "doom scene," as much as there is one, is that it's really more of a community. Maybe it's because the majority of its patrons are a little older, a little more stoned, a little more concerned with paying their rent, but there are way fewer scene rules than, say, in black metal, where the contest to be more kvlt than thou goes on ceaselessly. Certainly there's a uniform -- see "beards and t-shirts," above -- but there are some normal looking dudes running around here and no one really gives a crap one way or the other what they look like. I'd say it's refreshing, but it's been this way for as long as I've been into doom, so it's nothing new.
This is easily the best festival I've ever seen. The fact that I'm here still astonishes me. Yesterday, as I watched Angel Witch demolish bands half their age (though Saviours would answer back heartily later on), I couldn't help but look around me and be amazed at the gathering of riff worshippers. The Atomic Bitchwax, for example, played to a Green Room so packed that people were lined up into the hallway watching them through the open doors. I've seen the Bitchwax plenty of times in our shared home state of New Jersey, and most of those shows have been relatively empty. Here you can barely go from one part of the venue to the next without doing a bump 'n grind on some poor schlub. It's something to get used to, but I made a conscious decision to take a different approach to day two than I had to day one.