Entries tagged with: Nosaj Thing
LA Fest FYF Fest is celebrating 10 years this year, and will take over Los Angeles State Historic Park on August 24 & 25. Check out the massive lineup in the poster above, and in alphabetical order below...
Nosaj Thing at MHOW in 2010 (more by Chris Doss)
LA glitch hop producer Nosaj Thing is set to release his new album, Home, on January 22 via Innovative Leisure. The album will feature guest vocals from Toro y Moi on the song "Try" and Blonde Redhead's Kazu Makino, who sings on the song, "Eclipse/Blue," the latter of which you can watch the video for below, and the former of which you can stream. You can also stream another album cut, "Snap," a teaser for a third track, "Light 3," and check out the cover art and full tracklist below.
Nosaj Thing doesn't have a tour in the works to support the album just yet, but he'll be in NYC TONIGHT (1/18) at Webster Hall for a Girls & Boys party with "guests," and GIrls & Boys regulars Alex English and rekLES. Tickets for tonight's show are available.
Video, song stream, cover art and tracklist below...
Blonde Redhead at FFF Fest 2011 (more by Fred Pessaro // BBG)
Blonde Redhead have been quiet for most of 2012 (perhaps spent writing songs for their next album) but will play NYC on New Year's Eve at Irving Plaza with openers Beach Fossils (whose new album features vocals from BR's Kazu Makino). Tickets are still available but if you'd like to go for free, we're giving away a pair of tickets. Details on how to enter are below.
For a glimpse at what Blonde Redhead did do this year, the band gave us a Top 10 of 2012 list that includes, travel, food, parties, memories, live shows... and albums too (Dirty Projectors made their favorite). Check out their list below.
Ralf, who also showed up as the surprise special guest on Sunday at PS1, hasn't tweeted yet today, but if and when he does, it will probably say "Tonight, Tour de France." And when that's over, so is the entire 8-night MoMA run, but then there's an afterparty. Flyer below...
AraabMuzik at Moogfest in October (more by Diana Wong)
When Altered Zones announced last month that they would no longer be operating, editors Ric Leichtung and Emilie Friedlander also announced a new project, AdHoc.fm, which will be "a 100% independent, daily music and visual culture publication" and is "coming in 2012."
Ad Hoc are throwing a New Year's Eve party at 285 Kent (12/31) with sets by AraabMuzik, Balam Acab, Light Asylum, Laurel Halo, Run DMT, a special guest, and Weird Magic DJs. Tickets for the show are on sale now. More details and dates are below.
Laurel Halo will also be DJing in NYC on New Year's Eve at Zebulon with DJ Hiro Kone and a band TBA. They'll be spinning "Italo Disco, House, Soul, Techno, Postpunk; whatever makes you move."
Another similar electronic-filled NYE option is the Nosaj Thing show at Glasslands (12/31). When we first discussed the show, no openers had been announced yet. We now know that the bill also includes El Topo (aka Dave Harrington of Nicolas Jaar's Darkside project), Archie Pelago, and DJIlirjana (Pop Manifesto/Typical Girls). Tickets are still available.
Speaking of AraabMuzik, he released the deluxe edition to his album Electronic Dream last week. The album features six new tracks, including the Deadmau5-sampling "I Remember," which you can stream below. We recently spoke to Gang Gang Dance engineer Sean Maffucci who is in New Moods, and he said "I don't think I've heard a record like this before. It seems to break every production rule and yet sounds so sweet and pleasing to the ears."
That stream, NYE show details and more AraabMuzik dates, below...
Nosaj Thing at Music Hall of Williamsburg (more by Chris Doss)
Celebrate New Year's Eve with Nosaj Thing, who will bless Glasslands on 12/31 as part of a PopGun party that will feature a vodka open bar (for a limited time) and a champagne toast at midnight. Tickets are on sale, and so far no support has been announced.
The show is one of only two dates on the calendar for Nosaj Thing (the other being at Rotture in Portland, Oregon on 11/19), as he is currently in the midst of writing material for his new album. Details are still forthcoming.
The Creators Project will return to New York from October 15 - October 16 by transforming the DUMBO neighborhood of Brooklyn into a colossal two-day arts and technology festival.Except for Karen O at St Ann's, it's all free with RSVP.
After spending the year traveling the world, VICE and Intel's The Creators Project lands back in New York with a marquee lineup of live performances and original Studio works by groundbreaking artists, musicians, designers and filmmakers.
This year's festival will take to the streets of DUMBO, Brooklyn, erecting 30-foot sculptures, showcasing works from over thirty leading international artists, and featuring dozens of live music performances. The event will also include the world premiere of Karen O's psycho-opera, Stop The Virgens, along with film screenings and panels.
Original artworks include Life on Mars Revisited, an immersive short film of David Bowie's classic space-rock anthem from legendary music photographer Mick Rock and filmmaker Barney Clay; 'A Physical Manifestation of Ladies and Gentlemen, We Are Floating in Space,' a cathedral-like physical manifestation of the song created by Spiritualized's J. Spaceman and acclaimed film director Jonathan Glazer; and Origin, a striking thirty by thirty foot audiovisual installation by UVA and composer Scanner, which will be the largest responsive work ever created by the UK based artists.
The festival runs:
Lineup, venue list, etc, below...
photos by Nathanael Turner
Punk rock long ago transcended class, age, gender and ethnicity to become a signifier not necessarily of outward rebellion but of the symbolic, crazy-on-the-inside variety. That sense of internal defiance continues to permeate the entire underground and has become a secret handshake that united not only the artists who made traditional-ish punk rock over the course of 10 hours of the FYF -- the Descendents, No Age, Off! among them -- but from a wildly divergent cast of in-yer-face artists including beat makers Nosaj Thing and Dan Deacon, the deeply sensual, self-referential house music of New York's Chromatics and Glass Candy, and the catchy, arena-aspirant bands like Broken Social Scene.You saw the Future Islands shots. Here are some more of a bunch of the acts that played FYF Fest in LA on Saturday (9/3). No Dead Milkmen, Kid Dynamite or Guided By Voices, but a bunch of other stuff below...
"It's a punk rock festival. That means we're going to play ... in the wrong key," declared Guided by Voices singer Robert Pollard during his band's sturdy, hook-infused rock set featuring acrobatic kicks, monster choruses and a sexy girl delivering between-song lighted cigarettes to guitarist Mitch Mitchell.
But Pollard missed the point. As anyone who roamed downtown's Los Angeles State Historic Park on Saturday could see, punk no longer means inept, either on a musical or festival level. It means being inspired and maybe a little irrational, like festival founders Sean Carlson, Phil Hoelting and Keith Morris. It means realizing strengths and weaknesses. It means pushing at the edges like L.A.-based instrumental Nosaj Thing, who fused the deep, penetrating bass of dubstep with touches of skewed Aphex Twin breakbeat rhythms to create architecturally sophisticated sound structures as solid as they were abrasive. Or it means setting up gear in the crowd like electronic/serialist/rhythmatist Deacon to make sounds so driving and strobing that the level of crowd surfing reached Nirvana-like proportions. [LA Times]
DOWNLOAD: Mister Heavenly - "Pineapple Girl" (MP3)
Descendents at FFFFest (more by Tim Griffin)
Much like last year, FYF Fest 2011 is poppin' off with some incredible bands, many of whom recently reunited. This year the LA fest will host a coveted Descendents appearance, a Death From Above 1979 show, Guided By Voices, another Kid Dynamite reunion, The Dead Milkmen, Explosions in the Sky, the return of The Weakerthans and many, many notable others. Full lineup is below. The show goes down at 1st and Main in downtown Los Angeles on September 3rd. Tickets are on sale.
For Kid Dynamite, which features members of Lifetime, Paint it Black and None More Black, the reunion is their first since re-emerging for This is Hardcore last year with Ink & Dagger. The band called it quits in 2000 and reunited in 2005 at CBGB and some other times too. I hope they schedule another NYC show, but it's just LA for now.
This is Hardcore THIS YEAR features an appearance from Ressurection, which also featured Dan Yemin on guitar. Tickets for This is Hardcore 2011, taking place in Philly's Starlight Ballroom, is mostly sold-out, with tickets for the Sunday show still available.
The Descendents appearance at FYFest is one of several dates scheduled for the reunited band, NYC's Roseland, Chicago Riot Fest, and Philly's Riot Fest included. Tickets are still available for the 9/23 Roseland show.
Mister Heavenly will hit the road for a string of dates on the West Coast leading up to FYF Fest. Check out their full tour schedule below, and look for their new LP Out of Love on 8/16 via Sub Pop. Check out "Pineapple Girl" from that record above.
The Death From Above 1979 appearance is one of several slated for the band in the coming months, including a 7/22 appearance at Williamsburg Waterfront. Tickets are still available OR, you can try your hand by winning a pair at our Facebook. The full set of DFA1979 dates are below.
The Weakerthans have a few other dates slated for Europe and Canada in the coming months. Hopefully they add more US dates too. All dates for now are listed below.
A few bands on the FYFest lineup (namely, Cults, Off!, and No Age) will also appear in NYC at the House of Vans this summer, and for FREE. The FYF-presented House of Vans series of shows starts this Thursday (6/30). You just have to RSVP to get in (and maybe get there early).
All Weakerthans, DFA1979, and Mister Heavenly dates, some video, and the full FYF Fest lineup is below.
photos by Chris Doss
Jason Chung is Nosaj Thing (get it? Jason -> Nosaj), and the LA artist/beat-killer played Music Hall of Williamsburg on Friday 12/3 with Mary Anne Hobbs, Toro Y Moi, and Dirty South Joe. The very visual show was also marked with an acrobatic performance (literally, not just on the MPC/drum pads) by Brooklyn aerialist Anya Sapozhnikova to accompany the glitchy thump.
More pictures and an 18+ minute video from the show, along with a revealing documentary on Nosaj Thing produced during a recent trip to Brazil, below...
"What a mesmerizing thing it was to watch this guy [Nosaj Thing] alone on stage, his own shadow looming against the projection screen behind him, turning knobs and slapping out drum hits while the crowd (in a singular head-nod) just stood there in shock. The way a DJ "performs" on his decks, Nosaj Thing's feet were in a constant two-step dance while his arms and hands flailed when the music became bigger or started a transition. After 45 minutes, Nosaj left the stage and the crowd slack-jawed while Warren G.'s "Regulate" played during the encore's interim. Nosaj Thing's roughly one hour set was a perfect union of lights, sounds and total crowd control." [Reverb]Toro y Moi and Nosaj Thing spent some time on the road together in November, but that tour never hit NYC. They make up for it with a post-tour reunion which goes down at Music Hall of Williamsburg in Brooklyn tonight (12/3) (and if you're confused about the venue it's because this show was originally scheduled at Good Units). Mary Ann Hobbs and Dirty South Joe are also on the show which LA's Nosaj Thing is advertising as the "New York Debut of Visual Show", but note: Toro Y Moi is only DJing at this show. Flyer and all dates below...
photos by Bao Nguyen
"They started their set behind a huge white curtain glorified with epic lighting that showed all three members as huge silhouettes dramatically playing "Intro". They played all of the songs on their debut album, including a cover of a Kyla song called "Do You Mind". Going into the show I was worried about how the xx would put the songs together live while keeping the crowd involved and interested. They had no problem. They gave songs like Basic Space and Night Time a new life live, engaging the crowd with extra bass and dance inspired electronics. Romy Croft and Oliver Sim's voices were top notch live delivering all of their lyrics with the same passionate consignment that made their debut so excellent." [We All Want Some]The above review is from the xx/jj/Nosaj Thing show that happened Wednesday, March 31st at Webster Hall. Those three bands (who played in the same lineup at Big Ears) continue on tour for the next few weeks.
The xx didn't play a show on Tuesday night (that we know of... maybe they played an Auto Show party like She & Him did for Audi last night), but jj used her off night to headline Knitting Factory and Nosaj Thing opened for Kode9 and Flying Lotus at Le Poisson Rouge on that evening (which was the show right after Tanlines and Micachu and the Shapes). Reviews of jj's live show haven't been very positive which used to be the same problem The xx had, but now more and more people are starting to say really nice things about the headliner's live show.
After this tour, the xx team up with Hot Chip for shows that include an April 22nd sold out gig at Terminal 5.
Jamie xx (who's working on a remix of Gil Scott-Heron's I'm New Here) DJed after their Webster Hall show at Santos as part of Fixed. Check out his remix of Jack Penate's "Pull My Heart Away" at WNYC. Jamie didn't remix it, but it should be noted that The Notorious xx, a mashup of Notorious B.I.G. and the xx, has been making rounds online.
More pictures and set list from Webster Hall are below...
by Andrew Frisicano
Sam Amidon, accompanied by Thomas Bartlett, ushered in the first show of the 2010 Big Ears Festival at the Knoxville Museum of Art on Friday (3/26) with "Wild Bill Jones," his own version of the Appalachian folk song, punctuated with a piercing scream half-way through. "These are all folk songs, some from around here," said Sam, which was the right thing to say at the KMA, an institution whose collection and staff brims with East Tennessee pride. After a welcome by festival organizer Ashley Capps (whose AC Entertainment also organizes Bonnaroo) and co-curator Bryce Dessner, Calder Quartet and violinist Iva Bittova led the audience through the folk-inspired world of Bartok, Janacek and guitarist/composer Fred Frith.
A little after 7pm at the gorgeous Bijou Theatre (est. 1909), Terry Riley and his quartet - consisting of his son Gyan on classical guitar, Tracy Silverman on electric violin and Ches Smith on drums and marimba - played a series of extended ragas and genre-morphing songs. By midnight, an ecstatic crowd of all ages filled the hall for the xx. Just a few hours before, University of Tennessee basketball advanced to the NCAA Elite 8, and the partly collegiate crowd carried the celebratory mood to the gig. Some danced in front of their seats or in the aisles, and cheered in anticipation - in one opera box, an exhibitionist couple shared a drunken embrace dangerously close to the railing. Clandestine cigarettes were smoked as the xx performed their moody rock alongside minutely choreographed stage lights.
The earlier jj were even more laid back than the xx, with a sole singer, Elin Kastlander, standing before video projections that included an Italian soccer game, romps on the beach by Elin and co-member Joakim Benon, and whales and other nature scenes. We also got to see Elin roll a big blunt on screen, which might speak to her onstage ambivalence and generally lackluster approach. She did pick up an acoustic guitar once, as did her blond gentleman collaborator, Joakim, for a few numbers. With the music on autopilot, everything else - from the canned "native" beats to the narcissistic video - seemed to follow suit.
The first act had much better luck: Nosaj Thing's post-apocalyptic electronica, riddled with blippy bullets and ghostly echoes, destroyed the darkened theater. The xx gig was one of of the fest's sold out gigs (the others are currently Vampire Weekend and Joanna Newsom) but those with all-access Inner Ear passes ($250 now, but cheaper if you bought earlier) had no trouble finding front-row first-come, first-served seats if they showed at least 15 minutes before doors. The passes are pricey, but a good deal even if you make it to only 1/3rd of the 30-some shows at the fest.
A few blocks away, Andrew WK and the Calder Quartet finished their set with a cover of John Cage's 4'33" - or as Andrew put it "Johnny Cage! Fatality! Mortal Kombat!" The room was divided between those trying to rebel ("Play music!"), those trying to explain the piece ("It's supposed to be people talking"), those shushing, and those just enjoying the spectacle. Andrew returned for an encore of "Party Hard" (piano, voice and crowd participation) and brought out Calder's Eric Byers for a Bach cello piece, accompanied by an interpretive dance by Andrew WK (think "an impressionistic karate kid") dedicated to the late Merce Cunningham.
The compact nature of the participating venues in downtown Knoxville (one mid- and one large-size theater and a handful of smaller club-like spaces) gives Big Ears an intimate feel, and the festival's musicians - most recognizably, Sufjan Stevens, though his only performance is in a supporting role with Clogs (The BQE is being screened too) - can be seen hopping from venue to venue along with the fans.
The difficult decisions of Big Ears day one - Dutch post-punks the Ex against newcomers the xx - only intensify as the festival progresses, with the headliners like Joanna Newsom, Vampire Weekend and composer in residence Terry Riley all going head to head on Saturday.
More pictures and video from Big Ears day one are below...
"As Daedelus I tend to give into all my crazy thoughts, the twists and turns in productions will go this way and that way pretty much as it will. I almost feel like I have little say in the matter. Whilst the Long Lost for instance is two on all decisions (Laura Darlington, my wife and co-conspirator for the Long Lost, is quite good at the recording desk or behind a mic playing instruments or singing), that keeps the crazy much more domesticated. That, and we are interested at this time in songwriting that isn't altogether traditional, but has more elements people can access, I believe." [Daedelus]Daedelus will be going on tour with Jogger and Nosaj Thing across North America this February. They play NYC's (Le) Poisson Rouge on Saturday, February 20th. Tickets are on sale now.
Daedelus's new label, Magical Properties, who's putting on the tour, released Jogger's debut, This Great Pressure, last October. Album info is below and a remix of their song "Napping Captain" is a free download above.
Nosaj Thing is L.A. producer Jason Chung (whose website also lists "01.15.10 NYC? - New York, New York" a possible gig?). His remix of The xx's "Islands" is above. A 2010 Charlotte Gainsbourg remix is also on his resume.
Flyer and tour dates are below...