Entries tagged with: Padma Newsome
photos by David Andrako
Shara Worden & The Orchestra for the Next Century, Ecstatic Music Fest 2013
As you may know, the Ecstatic Music Festival is underway in NYC with concerts happening now through March 21 at Merkin Concert Hall in the Kaufman Music Center. Last night (2/6) featured a performance by Clogs and Sarah Kirkland Snider & Orchestra for the Next Century. The latter was presenting the world premiere of Unremembered, a 13-song cycle set to poetry and artwork by New-York-based poet/writer Nathaniel Bellows. DM Stith, My Brightest Diamond's Shara Worden (who performed the opening night) and Clogs' Padma Newsome. sang as part of it. Pictures from the evening, as well as setlist and program notes, are in this post.
The next EMF performance happens February 20 featuring a collaboration between Deerhoof and Chicago ensemble Dal Niente, including new work by Brazilian-born composer Marcos Balter. Deerhoof and Dal Niente previously collaborated last summer as part of Chicago's Wordless Music series. Tickets to the event are still available.
More pics from last night's Ecstatic Music Festival performance are below...
photos by David Andrako
DJ /Rupture @ Ecstatic Music Fest, 2/2/2013
"There's nothing you can do to avoid a museum-ification of your own work when you put out a retrospective box set, but we're doing everything we can to keep it fresh," said [Zs' saxophonist Sam] Hillmer, a thoughtful and passionate performer for whom Zs ("It just means us.") has always held a firm creative perspective.Avant garde ensemble Zs are celebrating their 10th anniversary this year, and just played a collaborative show over the weekend (2/2) with DJ /Rupture at NYC's Merkin Concert Hall as part of The Ecstatic Music Festival. Zs and /Rupture did alternating mini-sets that fed off each other. Pictures from that performance are in this post.
Influenced by overlapping currents of radical sound--free jazz, the 20th century classical avant-garde, punk rock and underground noise--the musicians applied rigorous technique to embrace its enthusiasms without cliché. "One thing that was really prevalent at the time was this kind of salad-bar approach to creating innovative music," Mr. Hillmer said later, flashing back to the early 2000s, when a certain canned hybridization was in vogue. "'Classical music that rocks!' That's a view of music that tacitly renders styles as alienated from one another. We find that to be philosophically untenable and untrue." - [Wall Street Journal]
The Ecstatic Music Fest continues on Wednesday (2/6) with Clogs and Sarah Kirkland Snider & Orchestra for the Next Century. Snider will be presenting Unremembered, a "13-song cycle set to poetry (and with accompanying projected artwork) by New-York-based poet/writer Nathaniel Bellows," and features vocal performances by DM Stith, My Brightest Diamond's Shara Worden (who performed the opening night) and Padma Newsome. The latter will also appear with band/chamber ensemble Clogs. More info is here and tickets are still available.
Clogs (which also features Bryce Dessner) have a new EP out titled The Sundown Song and you can check out the video for the title track below.
More pics from the 2/2 performance below...
photos by David Andrako
"Sufjan did not disappoint us. He came, he played banjo and sang We Were Here, acting in his self-effacing way just any other hired musician. It was a wonderful moment and a delightful surprise. But I don't want to sell Clogs short. The concert was delightful even before Sufjan arrived onstage.More pictures from the Saturday show, and the full setlist, below...
Clogs put on a beautiful show as part of the excellent Ecstatic Music Festival. Wonderfully quirky vocalist Shara Worden, in an extremely colorful ensemble, joined Clogs to sing and play some guitar on several tunes from the latest Clogs album, The Creatures in the Garden of Lady Walton, on which she appears. The band also did some older tunes and a new song cycle, called Unattended Shadow, by the band's violist, Padma Newsome. (Clogs' lineup is rounded out by Rachael Elliott on bassoon and Thomas Kozumplik on percussion.)
One of the real treats of the evening, though, was the band's interaction with the fabulous Brooklyn Youth Chorus. They performed guitarist Bryce Dessner's new Tour Eiffel, which was premiered at the Nico Muhly Tell the Way show at St. Ann's Warehouse early in February."
[Will You Miss Me When I'm Gone]
by Andrew Frisicano
this post concludes our Big Ears 2010 Festival coverage. links to the first two posts are also below...
"When people ask what my favorite place to play is, I tell them about this place. It's like playing inside an Easter egg," quipped My Brightest Diamond's Shara Worden, gazing at the deep-sea blue dome overhead at Knoxville's Tennessee Theater. The psychedelic cavern, a mish-mash of decorative styles and colors, served as the home to the Big Ears festival's largest shows, and its final act on Sunday night, with headliner the National.
The National's presence was felt long before they took the stage - in the hand of guitarist Bryce Dessner, who co-curated the fest, in the National members' supporting gigs, playing behind Doveman, Clogs and others, and in the abundance of friends and fellow Brooklyn-ites in the Big Ears lineup. Of course, those are all connected. One look at the stage during the first song of the National's encore - "Vanderlyle Crybaby Geeks" off their forthcoming High Violet - revealed a selection of Big Ears' top acts - Nico Muhly, St. Vincent, Shara Worden and sometimes-National members Padma Newsome and Thomas Bartlett (Sufjan came out for a song, but not during the encore), all of whom performed earlier in the weekend on their own. (Read here about days one and two)
Attendees also had the chance to opt for music outside of that circle. At Big Ears Annex, Tim Hecker and Ben Frost collaborated for a set of fragile, icy noise (they both played on their own earlier too - Hecker opened for Bang on a Can All-Stars' performance of Music For Aiports and the Books at the TN Theater). Trio Konk Pack took the same stage later for improvised noises, pops and whirs - like the soundtrack to an invisible film. The night before, one could choose between Liturgy and Gang Gang Dance - two bands at the top of their respective genres - while Terry Riley's In C filled the Tennessee Theater to its elliptical rafters.
Around the corner from the Annex at the Pilot Light, KnoEars, an unaffiliated, somewhat anti-Big Ears DIY Fest, hosted an all-day lineup that included homemade noise, Replacements-style punk and more emanating into Sunday's rainy street.
Terry Riley, selected to be this year's resident guide, performed four times over the three days - all in different settings. Other repeat acts like Thomas Bartlett (Doveman), who played with Sam Amidon, the fest's first act (interviewed here), and The National, its last, were frequent Knoxville fixtures for the three-day fest, running to their own gigs or enjoying others'.
"Mr. Riley also enjoyed a fair number of other people's shows, especially the art-song band Clogs. ("They were the hit for me," he said, beaming over breakfast on Monday morning. "Great performers, great writing. I'm going to buy their CD when I get home.")" [NY Times]Doveman and Nico Muhly both played earlier Sunday in a set that included material from their recent Peter Pears project, the Footloose soundtrack, and their 802 tour partner Sam Amidon (who had to catch a flight to Germany). That show's headliner, St. Vincent, provided a counterpoint to their pianos with a set of songs steeped in squealing noise and leveling distortion.
More pictures and videos from the fest are below...