Pants Yell

Entries tagged with: Pants Yell

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Leaving Mornington Crescent

"The fourth annual NYC Popfest, which ran from Thursday [May 20th] through Sunday [May 23], consisted of five showcases featuring more than 30 bands, mostly those that adhered to a few key tenets: summery, lo-fi, melodic, twee, nonconfrontational. This was indie-pop in the vein of the late 1980s through the mid-'90s, a mode that has been creeping back into fashion as part of a broader full-scale pop revivalism in indie rock.

From Best Coast to Dum Dum Girls to the Pains of Being Pure at Heart to Vivian Girls to Strange Boys and beyond, pop is ascendant once again, especially the sort with debts to clean-cut '50s rock and girl-group pop and soul." [NY Times]

It's been almost a month since NYC PopFest happened, and we actually already posted a set of pictures from the first night at Cake Shop back then. BUT, like the NY Times, Dominick, who got the flu right after the fest, was also on hand. His pictures from the first two days, now finally ready for posting, continue below...

Continue reading "NYC PopFest Day 1 & 2 in pics (belated pics) "

posted at 2:53 PM on June 16, 2010 in music | pictures | Comments (8)

by Bill Pearis

PopFest

NYC Popfest 2010 starts on Thursday with four days of cheery tunes and good vibes. And with temperatures that are supposed to climb into the '80s, we may finally answer the question, "When is it too hot to wear a vintage cardigan?" In years past, Popfest has played host to the likes of Pains of Being Pure at Heart ('07 & '08), Cats on Fire ('08 & '09), The Radio Dept ('09), BMX Bandits ('07), The Drums ('09), and lots more.

This year's line-up is pop-solid and we're giving away a Festival Pass that will get one person into all four nights. Just send an email to BVCONTESTS@HOTMAIL.COM with the subject line "POPFEST" and we'll pick a winner at random and notify them Wednesday night (tonight). Please note, some of these Popfest shows are 21+.

Festival passes are otherwise sold out, but there are currently still tickets available for all four shows, though I think you might want to act quick on the Cake Shop (5/20) and Don Hills (5/21) shows as they're at small venues. Here's an overview of what's going on, complete with MP3s for almost every band playing (above).

The Wake

Popfest organizers scored a coup getting Scottish indiepop legends The Wake (not the American goth band of the same name) to play the big Saturday (5/22) show at the Bell House. While they the attention their Factory Records labelmates New Order and Happy Mondays (or even A Certain Ratio) received, their catalog is well-regarded, especially 1985's Here Comes Everybody which is a bona fide indie classic. Check out "O Pamela" at the top of this post. The band's hazy, reverb-laden sound has parallels to current bands like The Radio Dept or Wild Nothing, or any of the chillwave groups out there. The Wake are working on a new album due out this year. This is their only U.S. show. Stick around after The Wake's show for a DJ set from Victoria Bergsman.

Bunnygrunt

Bunnygrunt date back to the early '90s cuddlecore scene (a genre which now sounds like some kind of porn for Furries) and were contemporaries of bands like Tiger Trap and Tullycraft. Reformed since 2004, these Saint Louis indie legends are pretty much patron saints to Popfest bands.

The Embassy

At the all-day Sunday (5/23) show at The Littlefield show features the first and only U.S. performance by enigmatic Swedish duo The Embassy who's music is somewhere between indiepop and Balearic disco. I liked 2005's Tacking which came out on the Service label, home of Jens Lekman, Studio and The Tough Alliance. Check out "It Pays to Belong" at the top of this post. but the band have been rather quiet since. Maybe we'll find out what's going on with them at the show.

Then there's Veronica Falls play the 5/20 show at Cake Shop. Maybe you saw them this past weekend when they played Glasslands on Saturday and Bruar Falls on Sunday. Their Glasslands performance was great, and they were surprisingly rockin', given the gentle nature of some of their recordings. Singer/guitarist James Hoare is a student of the David Gedge school of manic strumming, especially on their "Found Love in a Graveyard" single that becomes almost like an extended VU jam onstage.

Neverever

Singer Roxanne Clifford and drummer Patrick Doyle were both in Glasgow's The Royal We, whose singer Jihae is now in Neverever who will play the Littlefield show on Sunday. The band also features her n0w-husband Wallace Meek who was in fellow Glaswegian band Bricolage but they now call Los Angeles their home. The band's debut, Angelic Swells, is out next week on Slumberland and is fairly indebted to '60s girl groups. Check out "Blue Genes" at the top of this post. I'll admit that part of me hopes we'll get a Veronica Falls/Neverever supergroup to play Royal We's awesome single "All the Rage" (the band never played America) but I'm not holding my breath.

Tender Trap

Tender Trap play the Friday (5/21) show at Don Hill's which is also the bi-weekly Mondo! party. Not to be confused with anthemic Australian band The Temper Trap, The Tender Trap features Amelia Fletcher and Rob Pursey who were both in iconic indiepop bands Tallulah Gosh, Heavenly and Marine Research. I was a big fan of their last album, 2006's 6 Billion People, Their new album, Dansette Dansette, is out June 22 on Slumberland Records and you can download "Girls with Guns" from it at the top of this post.

Recently added to Tender Trap's lineup is Elizabeth Darling of Allo Darlin who also play the Don Hills/Mondo! show. Their debut album is out June 7 (in the UK at least, not sure if anyone's grabbed it up stateside) and is full of bouncy and charming guitar pop not too far removed from Belle & Sebastian. Their single "The Polaroid Song" is one of my favorite tracks of 2009 and you can watch the Breakfast Club homage video for it at the bottom of this post. And you can download a couple tracks from the album at the top of this post. Allo Darlin are also making the most of their trip, playing a short East Coast tour. Dates are at the bottom of this post.

Moustache of Insanity
Moustache of Insnity

Allo Darlin's Will Harrison also plays in Moustache of Insanity who are playing the free daytime show on Saturday at Spike Hill. Sometimes compared to Moldy Peaches, the band should provide some levity (and cheap keyboards) to the proceedings. Check out "Amazon Wishlist" at the top of this post for an idea of what you're in for, and if you want to hear more, you can download a zip of their new EP here and there are loads of downloads via their website.

Some more UK bands: Horowitz make nerdy, nasally bedroom pop, and hearts!attack are one of the more ramshackle/low-fi groups playing the fest. Good stuff.

Leaving Mornington Crescent
Leaving Morning Crescent

And it wouldn't be a Popfest without some Swedish bands. In addition to The Embassy, there's Leaving Mornington Crescent who play Cake Shop on Thursday, and A Smile and a Whisper at Littlefield on Sunday.

The Don Hill's show on Friday will be the last-ever NYC show for Boston's Pants Yell! who are splitting up after playing a farewell show in their hometown next week.

One of the many highlights of The Bell House show is Seattle's BOAT who will play some non-popfest shows too.

One Happy Island

This will be the second year in a row at Popfest for Chicago's Very Truly Yours, who are playing the e debut LP was just released this spring. You can download at track from it at the top of this post. Recommended if you like winsome, Camera Obscura style. pop. Also back from last year are Vermont's Smittens (5/21 Don Hill's), and it will be the second Popfest for Boston's One Happy Island who last played it in 2008 and play this year at the Saturday afternoon free show at Spike Hill. Check out "Temporary Tattoo" at the top of this post.

There's a few animal bands (in addition to Bunnygrunt): Cleveland, OH's Bears, who play the Bell House show (5/22), are lush and lovely with gorgeous harmonies. Check out "Wait and See" at the top of this post, whereas Gold Bears (Spike Hill, free day show 5/22) from Atlanta, are more in the shambly tradition of The Shop Assistants and Boyracer. Then there's local duo Elephant Parade (Cake Shop on 5/20) who play laptoppy folk, and the Sea Lions (Oxnard, CA playing the Sunday show at Littlefield) evoke comparisons to the Pastels and The Clean.

Sweater Girls
Sweater

More out-of-town American bands: Sweater Girls are from Los Angeles and feature Allan Kingdom of C-86-era UK group The Siddelys; and Santa Monica Swim & Dive Club are actually from Michigan and play super-twee acoustic pop; The Young Friends are from Arizona but sound like Scotland 1980; and Apple Orchard hail from Richmond, California and make dreamy, Field Mice-ish pop (lots of free MP3s on their website).

Florida's For Ex-Lovers Only named themselves after a Black Tamborine song and kind of sound like that too. They play Littlefield on Saturday.

Opening the Don Hills show on Friday are Cotton Candy, which is Mark Robinson's current band that also features his wife. There's more a capella covers of old commercial jingles than you might expect from the former frontman of Unrest (who are reforming briefly).

And of course NYC is well represented. In addition to previously mentioned Elephant Parade, indiepop stalwarts My Teenage Stride, who are the only band to have played all for NYC Popfests, will play the big Bell House show on Saturday, as do World Atlas (NYC's answer to Belle & Sebastian); Dream Diary (NYC's answer to The Pastels/Field Mice) play Cake Shop on Thursday, and the shoegazy Corita play the free Saturday afternoon show at Spike Hill. And The Secret History make their third appearance at the Fest at Littlefield on Sunday.

Ok, I think I got everybody in there. Day-by-day Popfest schedule, plus some other tour dates and videos after the jump.

Continue reading "a massive guide to NYC Popfest 2010, lots of MP3s & a chance to win a festival badge "

posted at 1:43 PM on May 19, 2010 in Contests | MP3 | music | Comments (49)

by Bill Pearis

DOWNLOAD: Veronica Falls - Found Love in a Graveyard (MP3)
DOWNLOAD: Allo Darlin' - My Heart is a Drummer (MP3)
DOWNLOAD: BOAT - Lately (MP3)

Veronica FAlls

The line-up for the fourth annual NYC Popfest has just been announced, which will happen May 20 - 23 at a variety of venues in Manhattan and Brooklyn. Thirty-two bands from around the world will be playing, and I think it's a pretty strong bunch of bands. Highlights for me include Veronica Falls (pictured above) which features ex-members of The Royal We and Sexy Kids; newly-reformed Glasgow/Factory Records legends The Wake who'll have a new album out this year; London all-girl trio The Tender Trap (not to be confused with The Temper Trap); winsome Allo Darlin' who are also from London and will be at SXSW this year; L.A.'s Neverever (until recently known as the Champagne Socialists); and Seattle's awesome BOAT.

A few MP3s to whet your Popfest appetite. Ticket info hasn't been announced yet, but you can follow the Popfest blog or Twitter for updates. You can check out the full NYC Popfest line-up after the jump.

Continue reading "NYC Popfest 2010 lineup announced (Veronica Falls, The Wake, The Tender Trap, BOAT & more) "

posted at 4:21 PM on February 24, 2010 in music | tour dates | Comments (10)

by Bill Pearis

DOWNLOAD: The Big Pink - Velvet (MP3)
DOWNLOAD: The Big Pink - Dominoes (MP3)
DOWNLOAD: Pants Yell! - Cold Hands (MP3)
DOWNLOAD: JEFF the Brotherhood - Bone Jam (MP3)
DOWNLOAD: JEFF the Brotherhood - Heavy Damage (MP3)
DOWNLOAD: Sisters - Accolades (MP3)
DOWNLOAD: Sisters - Street Cars (MP3)
DOWNLOAD: Coin Under Tongue - Junksmith (MP3)
DOWNLOAD: Dinowalrus - Electric Car, Gas Guitar (MP3)

Field Music

Slow week my ass! The next four or five days are positively packed with shows, at least from a TWII standpoint. No time for small talk, let's get into it.

Tonight/Thursday's the big birthday celebration for Skippy who books The Bell House and Union Hall. I wish I could throw a party for myself and get bands like Field Music (one of two American Performances in 2009) and Wye Oak to play it, not to mention a rare appearance by the mostly defunct '90s electropop band The Pulsars. Also, a band (or someone) called "Rumours" is on after Field Music play. Skippy has been tight-lipped about what this is, but my money is on some sort of all-star Fleetwood Mac cover band. (And if that's the case I'd bet you $20 it involves Carl Newman.) You're invited, too, to this "Improbable Birthday Concert" as tickets ($12, cheap!) are still available.

I've had the new Field Music album, Field Music (Measure), on repeat for the last couple days and it's another knockout from the Brewis brothers, 20 tracks that further refine their distinctive mix of baroque pop, nervy new wave, prog, krautrock and whatever else they're into at the time. It's a Field Music album, no doubt about it, but it's less buttoned up, more rhythm heavy ("Let's Write a Book" shows that one of them's been listening to Can) and willing to give anything a try. If you've never seen Field Music live before, you should definitely come out, the Brewises are shit-hot musicians as well (David is an especially impressive drummer). There used to be a lot of switching instruments when they were a trio, but now as a four-piece I wonder if that'll still happen. ~~We'll see tonight~~

UPDATE:. Field Music canceled, tickets good for tonight AND rescheduled performance, and Rumours details announced.

The Figgs

Long-running Upstate New York power pop band The Figgs are are in town for two shows (or three if you count Saturday night in Staten Island): tonight/Thursday (12/3) at Bruar Falls with the Nouvellas and Friday (12/4) at Cake Shop. Both shows are with Detroit's The Sights who open for The Queers at Maxwell's on Saturday (The Queers play Southpaw tonight).

The Figgs are a band who I've always liked but never closely followed. Luckily, my friend Steve, who writes a genuine photocopied fanzine The Reynolds Report (now also available in convenient blog form) is arguably the foremost Figgs authority (and you'd be a fool to argue with him on this subject), so I asked him to write a little guest paragraph for this week's TWII:

The Figgs have been creating great power pop for two decades now, with no signs of stopping any time soon. Steeped in the tradition of The Replacements, Cheap Trick and Elvis Costello, their annual Christmas shows are always a great time to catch them as the coming of winter seems to kick the trio's playing up just a notch. Look for them to break out songs from their upcoming album (due out in April), a choice Christmas cover or two, a wide selection from their nine albums and their brand new 45 "Casino Hayes." I'm pretty sure it's the best song about a gambling-addicted drummer (um, their own) ever.

The Figgs rock, so go see them! All dates below.

Sloan There's a competition for the power pop dollar this weekend. If you're not going to the Figgs on Friday (12/4), it's probably because you're going to see Sloan at the Bell House. That's where I'll be. My love of these Canadians is no secret, and even when they've made a less-than-totally-awesome album they're always worth seeing in concert, one of my favorite live bands of the '00s. (I'm pretty sure I've seen them at least once a year since 2001.) They've got a new five-song digital-only EP, Hit & Run, which is pretty darn good. Chris Murphy contributes two tracks, including the excellent "Take it Upon Yourself," and the rest of the band each gets one. Tickets ($17.50) are still available. They play with fellow Torontonians, the lovely and talented trio Magneta Lane, and locals Deleted Scenes.

And wait there's more on Friday! Speaking of Canadian, maybe you happened across one of the 37 reports I recently filed from this year's M for Montreal festival. One of that city's more exciting underground bands, Red Mass, make their American debut at Live With Animals Gallery in Williamsburg (same address as Monster Island). Their brand-new EP on Montreal label Semprini is a nice chunk of psych-garage and they definitely put on a good show. The big question is how big a Mass will they be? I've seen them twice -- once there was 10 of them, the second time only four. Safe bet would be somewhere in between. (Canadians love a good excuse to come party in NYC.) If I wasn't already spoken for, I'd definitely being going to see them. Golden Triangle are also on the bill. Singer Choyce told me their might be a house party gig on Saturday too, so look out for that.

The Big Pink

Oh crap, there's still more. The Big Pink, who are making a stink in the UK, are on their first major tour of the U.S., stopping at Bowery Ballroom tonight (12/3) and Music Hall of Williamsburg tomorrow (12/4). Haven't seen them live, but their album A Brief History Of Love is a nice slice of electro-shoegaze that reminds a lot of 30-somethings of early-'90s band Chapterhouse. The anthemic, fist-pumper "Dominos" might not stand the test of time but as an of-the-moment signifier, it's one of 2009's more memorable indie singles. You can download it at the top of this post. I hope they use lots and lots of dry ice and strobes. Crystal Antlers and Von Haze open both shows.

Pants Yell! @ The Bell House on 11/14 (more by Tim Griffin)

If you missed them when they played the Slumberland 20 party at the Bell House a few weeks back, you can download the audio from that show, and you can catch Boston's Pants Yell! at Bruar Falls on Saturday night which might be the last time they ever play the NYC area as they've vowed to break up next year. They'd be going out on a good note if that holds true, as their new album on Slumberland, Received Pronunciation, is another charming slice of deceptively gentle guitar pop. Pants Yell! rock more live than you might expect, they're drummer in particular is kind of a beast on the kit. They also know their indie rock history, from the Pastels and Felt to the Aislers Set, Unrest and beyond. The cover art, complete with a faux Japanese Obi strip, was done by Unrest/Teenbeat/Air Miami/Flin Flon/Cotton Candy maestro Mark Robinson.

Also playing at Bruar Falls on Saturday: Fluffy Lumbers, The Surprisers and comedian Mike Albo. Should be a good night.

JEFF the Brotherhood @ Glenn Danzig's House in Nashville (more by Paul Birman)

BV faves JEFF the Brotherhood, who've had a pretty good 2009, are back in town for the zillionth time this year (seems like they're here as much as Nashville) but that's okay, you don't really tire of their awesome power. Have you heard their album, Heavy Days? It's great. I know I tend to like the cardigan pop, but riffs and grooves this intense can not be denied. And they are just the best live. The vinyl of Heavy Days just got a second pressing with a new back cover, and there's also a new single, "Heavy Damage," which you can pick up at the merch table. The play Saturday (12/5) at Bowery Ballroom opening for Ted Leo (sold out), and then again on Monday (12/7) at Mercury Lounge for what they say is their last show of '09.

The Monday show is solid as a rawk. (Did I just write that? I'm doing this super late at night.) Also on the bill are Death by Audio's Sisters (noise pop backed by a foreboding amp monolith) and Coin Under Tongue (old school riff-heavy hard rock), plus Dinowalrus (kitchen sink psych not unlike early Flaming Lips). Sure it's a Monday, you're tired, but this bill is like aura caffeine. Show's eight bucks and tickets are still available. It's a bit weird to have JEFF in town and not playing Death By Audio, but if they can tear up Pianos on a Thursday afternoon (as they did at the BV day party during CMJ), they can destroy Mercury on a Monday night.

Dinowalrus, fronted by Titus Andronicus guitarist Pete Feigenbaum, are also at Union Pool tonight (12/3) with Dan Friel and others.. The MP3 on top of this post is from their debut album "%" which comes out on Kanine in January.

The Besties
Besties

And finally, Brooklyn indiepop mainstays The Besties are calling it quits. I know, it's sad. Here it is in their words, straight from MySpace:

The Besties are officially done. As happens with many awesome relationships, stuff happens and things get hard, and so you end it and remain friends and all that junk. It's like that. We guess? Well, Kelly moved to Asheville, and Frank renewed his vows with the city of Boston. And other stuff. So there's that.

Here's the good news! We are playing two last shows around NYC in December, and we plan on going out with a serious bang. So sell some CDs (keep the Lemonheads ones), bodily fluids or organs for plane ticket money, start hitchhiking, do whatever you need to do - let's party!

Those two shows are Friday (12/4) at Asbury Lanes in Asbury Park, NJ and then their last-ever performance will be Sunday (12/6) at Bruar Falls, which is made extra special because Bunnygrunt are coming in from St. Louis just to play this farewell show.

Like the Besties, I must now say goodbye. But just for this week. Flyers and applicable tour dates follow...

Continue reading "Field Music, the Figgs, Sloan, Big Pink, Red Mass, JEFF the Brotherhood, the Besties & more in This Week in Indie"

posted at 9:45 AM on December 3, 2009 in MP3 | music | To Do | Comments (14)

photos by Tim Griffin, words by Bill Pearis

Amy Linton
Henry's Dress

Frankie Rose

Influential indie label Slumberland Records turned 20 in 2009 and celebrated this landmark with two big birthday shows -- one in Washington DC (where it got its start) and one in Brooklyn (where much of Slumberland's current roster reside). The Bell House show was a cardigan-clad indie marathon, with a nice mix of Slumberland bands (and fans) old and new. It really did feel like a party. There were favors for the guests (a Slumberland rarities compilation CD) and even a few surprises. Slumberland head honcho Mike Schulman joined Philadelphia's Brown Recluse on stage for some well-played tambourine, and Amy Linton, conspicuously absent from the listed proceedings, turned up for an unannounced, too-brief (and crazy loud) set of Henry's Dress and Aislers Set songs with help from Crystal Stilts. There might've even been a cake. With the label going strong, another 20 years doesn't seem entirely out of the question.

Videos (including the entire Henry's Dress/Aislers Set set), plus pictures of all the bands from the whole long, fun night are after the jump....

Continue reading "pics & video from Slumberland's 20th Anniversary party "

posted at 12:23 PM on November 27, 2009 in music | pictures | Comments (18)

by Bill Pearis

Tonight (11/11) and tomorrow are the last two shows of The Answering Machine's extended NYC visit, playing Bruar Falls tonight (with Dinnosaur Feathers and Zambri) and Cake Shop tomorrow (11/12, with Sholi). As I've said before, this Manchester band make superior Brit Indie and like their debut album, Another City, Another Sorry, quite a bit. You can get the whole thing at their bandcamp.com page.

The Cribs

Speaking of superior Brit Indie, The Cribs fourth album, Ignore the Ignorant, was released this week, just in time for their shows at Bowery Ballroom on Thursday (11/12, still tickets available) and Friday (11/13, sold out). As you may know, The Cribs are now a four-piece, having added Johnny Marr to their otherwise all-Jarman lineup for the writing and recording of the new album which actually does sound like what you might expect it to. You've still got the big choruses and raw energy The Cribs are known for, but now with the flourishes and panache the onetime Smith is known for. I'd even say Ignore the Ignorant finds Johnny Marr sounding like Johhny Marr for the first time since his days in The The. It's a really strong record. But The Cribs are almost always better live than on record. I will be curious to see how Marr will affect the usual antics of Gary, Ryan, Ross. Will brothers still act like brothers when there's a legend nearly twice their age on stage?

Boat

The shows I'm most looking forward to this weekend are from Seattle's BOAT, a truly fun live band whose new album, Setting the Paces, is just terrific, loaded with irresistible indie pop, as much as you can fit on tangerine-colored vinyl. We're talking giant hooks, lyrics that are funny without being novelty (and have just enough of the crying-on-the-inside clown thing going on too), and production that is neither slick nor low fi. This is how it's done, and I've no doubt this will find its way into my Best of 2009 list.

BOAT play Union Hall on Friday (11/13) and Bruar Falls on Saturday (11/14) and you really should do yourself a favor and go see one of these shows. They don't make it East very often. Their live shows are fairly interactive -- they pass out bags of confetti and homemade shakers, and often work with signs and props -- but it never feels forced. They just want you to have a good time. The Union Hall show on Friday is with How I Became the Bomb; Saturday's Bruar Falls show is with Miniboone and Shark?

Pants Yell!

I feel a little bad that BOAT's show on Saturday is competing with the Slumberland 20th Anniversary show at The Bell House for the indie pop consumer's dollar. As someone who spent his college years going on road trips to Washington DC to see shows and go record shopping, Slumberland is intertwined with my musical upbringing, be it thumbing through Velocity Girl, Henry's Dress and Aislers Set 7"s at Arlington's Go Records, or hearing Stereolab's Switched On for the first time at Smash on M Street.

It's kind of amazing that, after a few years of dormancy, Slumberland has come back stronger than ever in the last year with records that have achieved a national level of attention that seemed impossible in the '90s. I'm still stunned at how popular Pains of Being Pure at Heart have gotten. It's a label that continues to be a labor of love for owner Mike Schulman. Maybe the listening public (now with the wide-reaching abilities of the internet) has come around to his way of thinking.

Anyway, Saturday's eight-band spectacular is a hard-t0-pass-up bill for any indie fan, featuring label heavy hitters The Pains of Being Pure at Heart (previously unannounced) and Crystal Stilts. There's also Boston's Pants Yell!, whose new album Received Pronunciation was just released and is what I'd call a textbook "grower," one whose many pleasures don't reveal themselves till maybe the third listen. The band are also swearing it's their last, and plan to break up next year (Check out an MP3 of "Cold Hands" above). Additionally, the show has Philadelphia's baroque-ish Brown Recluse from the label's current roster, and what is likely to be most people's first time seeing Frankie & the Outs, who were really good opening for Grass Widow at the Woodser a week ago.

There's also sets from three bands from Slumberland's dreamy '90s era: Lorelei, who have been back together since 2003, and The Ropers, and Nord Express who I'm pretty sure are playing their first shows since disbanding. While I know some Slumberland fanatics were hoping, wishing, crossing their fingers Schulman and Bell House booker Skippy might pull a rabbit out of their hat with more classic Slumberland bands (The Aislers Set, Black Tambourine, Velocity Girl or Rocketship), it's hard to argue with this lineup. It's gonna be a great night.

Versus
Versus

While on the subject of '90s indie rock, Versus are playing at Knitting Factory on Friday (11/13). Now augmented with a violinist (at least at their fantastic Seaport set this summer), they're sounding as good as they did in the '90s. Maybe even better. I'm told there's a new Versus album in the can and they're just trying to work out the whens and wheres of its release. The whole line-up at the Knit is TeenBeat related actually, with label head (and former Unrest frontman) Mark Robinson's new band Cotton Candy; Plus Minus which features Versus' James Balyut and ex-member Patrick Ramos and who are equally popular in their own right; The Solitary Cyclist which includes John Lindaman of True Love Always, Plus Minus drummer Chris Deaner, and food blogger (and friend of mine) Ganda Suthivarakom who has also performed with Miho Hatori, as well as in David Byrne's Imelda Marcos opera, Here Lies Love. Which leads us to the other band on the bill: Filipino indiepop band Ciudad. They've been playing shows here for the last month or so but this looks to be the final one before they head back to the Philippines.

GhostDigital

A couple other quick shows of interest. If you ever wondered what became of Einar, the other vocalist in the Sugarcubes (the one who shouted things like "I really don't like lobster!"), his current gig is GhostDigital which matches weird electronics to his particular style of vocals. They play tonight (11/11) at Monkeytown with fellow homemade diode musician Caspar Electronics.

GhostDigital also play on Thursday (11/12) at Town Hall as part of Music For 16 Futurists, which is further described as:

An evening-length concert of original scores and newly commissioned compositions for the intonarumori, or "noise-intoners" As part of its celebration of the 100th anniversary of Italian Futurism, the Performa 09 biennial, in collaboration with the Experimental Media and Performing Arts Center (EMPAC) and SFMOMA, has invited Luciano Chessa to direct a reconstruction project to produce accurate replicas the legendary instruments (8 noise families of 1-3 instruments each, in various registers) that Russolo built in Milan in the summer of 1913. As the first instruments capable of creating and manipulating noises through entirely mechanical processes, the intonarumori can be considered to be the original analog synthesizer, and the ancestors to the latest electronic synthesizers used today.

The night also features Blixa Bargeld, John Butcher, Luciano Chessa, Joan La Barbara, Nick Hallett, Pauline Oliveros, Mike Patton, Anat Pick, Elliott Sharp, Ulrich Krieger, Jennifer Walshe with Tony Conrad, Ghostigital with Skuli Sverrison, Finboggi Petursson, and Casper Electronics.

Sounds pretty cool. Aside: I used to fantasize that Einar formed a band with Fred Schneider. The most annoying band ever created.

OK that's it for this week. Videos and tour dates follow....

Continue reading "The Cribs, BOAT, Slumberland, Pants Yell!, GhostDigital, Versus, Music For 16 Futurists & more in This Week in Indie"

posted at 1:19 PM on November 11, 2009 in music | To Do | Comments (5)

by Bill Pearis

Frankie Rose

Frankie Rose is mainly known as a drummer, having played in Vivian Girls, Crystal Stilts, and Dum Dum Girls, but she's also a songwriter (she wrote VG's "Where Do You Run To?") and will be releasing her debut single, "Thee Only One," on Slumberland Records on October 27. She's also got a new band, Frankie and the Outs, who will make their live debut November 7th at The Woodser which will be the first show in a longtime for that South Williamsburg spot. Grass Widow is also on that bill.

With the new band, Frankie is sadly no longer drumming for Crystal Stilts. The split was amicable, guitarist JB plays guitar on her single. I'm told Crystal Stilts have a new drummer already, and the new Stilts lineup will even share a bill with Frankie and the Outs at two east coast Slumberland 20th Anniversary parties -- November 13th at the Black Cat and November 14 at the Bell House. (More on those further down the post.)

The Outs are a five piece, all girls, with whom Frankie will move from the drum kit to guitar (and vocals). The single's A-side is a two-and-a-half minute wall-of-sound pop that is what you might expect from someone who spent time in Vivian Girls and Crystal Stilts. (It could be the sister of CS's "Love is a Wave.") The B-side, "Hollow Life," is more unexpected -- organ-driven, harmony-laden, dreamy and drum-free, owing a lot to Spacemen 3.

Neither the A-side or the B-side of Frankie Rose's single has made it onto her MySpace page, but you can listen to her demo of "Where Do You Run To," a track the Vivian Girls only played once live. However, Frankie says it will be part of the The Outs live repertoire.

Frankie will be behind the drum kit, though, for the Dum Dum Girls upcoming CMJ shows. This will be an all-girl line-up, apparently, unlike DDG's live debut at the Woodsist/Captured Tracks Festival this summer that included Crocodiles' Brandon Welchez on guitar and Captured Tracks major domo Mike Sniper on bass. But that's only for these shows.

As mentioned above, Frankie and the Outs will play the two Slumberland Records 20th Anniversary shows at the Bell House and Black Cat. The full line-up for both shows is : Crystal Stilts, Brown Recluse, Pants Yell!, Frankie and the Outs; plus some reunions of classic Slumberland bands The Ropers, Nord Express, and Lorelei. It will be the first Ropers and Nord Express shows in ten years. Additionally, the Bell House show features a "special guest headliner." And as D.C. was the original home of the label, I wouldn't be surprised if some different special guests played that one too.

I think that is enough for one post. Tour dates and some videos below...

Continue reading "Frankie Rose leaves Crystal Stilts, starts band, playing Slumberland Anniversary parties - full lineups & MUCH MORE "

posted at 12:50 PM on September 30, 2009 in music | tour dates | Comments (54)

words by Eleanor Whitney and photos by Dominick Mastrangelo

DOWNLOAD: The Secret History - It's Not the End of the World Jonah (MP3)

The Secret History

The New York City Popfest continued on Saturday night (5/16) with a packed line-up and packed house at Brooklyn's Bell House. Following openers Computer Perfection, California-based Eux Autres put in a super energetic set. From the persistent "bam bam bam" of the drums to the classic trade off of boy/girl vocals complete with girl group-esque harmonies, Eux Autres captured true the pop spirit of the festival. The were buoyed by trumpet playing from the Ladybug Transistor's Gary Olson, Brooklyn's go-to musician for indie trumpeting.

The Secret History, who rose from the ashes of indie new wave darlings My Favorite, followed with pop melodies from the eerie, narrative driven side of the spectrum. Lead vocalist Lisa Ronson, clad in all black, and vocalist Erin Dermondy, clad in all white, were a glamorous site, but were too frozen at times for the dramatics the songs demanded as they invoked monsters and dead rock stars. Lisa's talents as a singer were best showcased during a cover of the Smiths' "Reel Around the Fountain," which singer and keyboardist Michael Grace, Jr. explained was "the reason he started writing pop songs and will never write a hit." At one point during the set Michael wore a tambourine as a halo, which served as a fitting popfest metaphor.

Following The Secret History's densely orchestrated anthems, Cambridge, Massachusetts-based Pant Yell! played an enjoyably straight-ahead, indie rock set. It was heavy on the jangly guitar and three boys in the band wore their earnest hearts on their stripped sleeves.

The lineup's crown jewel were Swedish headliners The Radio Dept. in their second US appearance since 2003 (their first was one night earlier). The band delivered shimmering, dreamy pop with plenty of laptop-based layers and effects-laden guitars to keep Shoegaze fans satisfied. Their use of electronic, as opposed to live, drums made their set musically less energetic than the other bands, but the sound was still nice and full and the energy on the stage dynamic.

While from stage The Radio Dept. delivered down tempo, atmospheric pop with song titles like "I Wanted You to Feel the Same" and "The Worst Taste in Music" the sold-out crowd acted like they were at the indie-pop equivalent of an arena rock concert. The merest "thank you" uttered by the band brought forth roaring applause and cheers. While The Radio Dept.'s danceable beats and charming crush of sounds seem best suited for mild-mannered bopping, the activity of most of the crowd during their set, they also inspired fist pumping and ecstatic hand waving. After their one-song encore legions of fans rushed towards the stage to thank the band as they exited to howling applause. It was clear Brooklynites demand their pop and have high expectations for Swedish bands to deliver it. Thought their set felt short at 40 minutes, The Radio Dept. fans were not disappointed.

Pictures & videos from Day One, HERE. Day Two, HERE, Day Three, below...

Continue reading "NYC Popfest - night 3 pics & video (The Secret History, Radio Dept. Pants Yell! & more...) "

posted at 10:12 AM on May 21, 2009 in music | pictures | Comments (16)

DOWNLOAD: Comet Gain - Skinny Wolves (MP3)
DOWNLOAD: Comet Gain - Why I Try To Look So Bad (MP3)
DOWNLOAD: Comet Gain - Love Without Lies (MP3)
DOWNLOAD: Crystal Stilts - Love is a Wave (MP3)
DOWNLOAD: Pants Yell! - Magenta and Green (MP3)

by Bill Pearis

Comet Gain

The big news this week is this Sunday's (4/12) Comet Gain show at Music Hall of Williamsburg. Tickets are $13 and still available. Crystal Stilts, who are opening for them on all three of their U.S. dates, wrote this about them in a MySpace post:

It is our tremendous honor to be reminding you all the we will be playing a series of shows over the next few days with Comet Gain, about whom we could string together some words that would inevitably fail to say what it is that makes them the best band in the world. We tried, failed and decided to spare you the embarrassment of that rambling. Perhaps in that failure there is something that proves the point but that isn't worth delving into. Suffice to say, the best they are and we are floored to be playing with them, so do come out, it has been far too long since they have graced these shores with their presence and it is certainly not to be missed.

As you may have heard, Crystal Stilts just did a killer Daytrotter session that included two new songs, one of which, "Sycamore Tree," has been a highlight of their live shows for some time. (Their new Slumblerland single "Love is a Wave" is great too. You can download it at the top of this post. Also playing with Comet Gain and Crystal Stilts are Philadelphia darkwave synth trio Cold Cave who I'm looking forward to seeing for the first time. All three played last night in DC and tonight (4/9) in Philadelphia.

Pants Yell!
Comet Gain

Almost as exciting for me is that Boston's Pants Yell! are playing Saturday (4/11) at Dead Herring. Their most recent album, Alison Statton (named after Young Marble Giants lead singer), was one of 2007's best records you might not have heard. This is indie pop done just about perfectly, great songs, arrangements full of horns and glockenspiel yet never falling into the dreaded "twee" abyss. They were one of the best bands I saw at last year's NYC Popfest, where I wrote at the time, "On their excellent third album from late last year, Alison Statton, they sound polite, but live it's more hyper-kinetic. You could even say they rocked." They'll play this year's Popfest too (on 5/16 with Radio Dept) but, despite living as close as they do, don't play NYC all that often, so I highly recommend going. The whole bill at Dead Herring is a good one, with Brooklyn locals Knight School, Sisters, and World Atlas.

Eugene Chadbourne

As mentioned elsewhere on this site, Eugene Chadbourne will be playing the Issue Project Room next week, but first he'll be playing an early show on Saturday (3/11) at Cake Shop. The 1991 edition of The Trouser Press Record Guide says this about him, "On his compulsive own, the guitarist/leader of the late, lamented Shockabilly has spewed forth a ceaseless stream of records and cassettes that easily represent the oddest version of country and folk music ever." From what I can tell, Chadbourne hasn't really mellowed or slowed down since. Chadbourne has collaborated with a Who's Who of improvisational/experimental musicians, including Marc Ribot, Henry Kaiser, John Zorn, and Fred Frith, as well as bands like Camper Van Beethoven and They Might Be Giants... many of whom performed at the two-week Chadfest in August 2007. I don't claim to follow Chadbourne's career closely, but he is a legend and there is a direct through-line from his work to bands like Animal Collective (who just added another Brooklyn show) and Dirty Projectors (who just released the first track off their new album). A chance to see him up close somewhere like Cake Shop should be a treat.

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More shows this weekend: If you're looking for something weird and funny, San Francisco's bizarre Borts Minots is at The Studio at Webster Hall tonight (4/9) with Uni & Her Ukulele, Rachel Trachtenburg and Kiwi comedian Griffin Point.

The Wooden Birds, the new group from American Analog Set's Andrew Kenny, play Mercury Lounge on Friday (4/10). Their record is lovely and I caught them in Austin during SXSW, definitely worth seeing.

Flyer, videos and tour dates after the jump...

Continue reading "Eugene Chadbourne, Pants Yell!, Comet Gain, Borts Minorts & more in This Week in Indie"

posted at 5:07 PM on April 9, 2009 in MP3 | music | To Do | Comments (13)

by Bill Pearis

The Radio Dept

Enigmatic Swedish band The Radio Dept. are to play their first U.S. show since 2003 (which was in San Francisco), as part of the third-annual NYC Popfest which happens this year from May 14 - 17. Whether or not the band will have finished their delayed follow-up to 2005's Pet Grief remains to be seen, but there are lots of folks who've been waiting years for Radio Dept to play here and, so far, the Popfest date is the only one they're doing.

While the Radio Dept will no-doubt be the biggest draw, NYC Popfest has put together a pretty great lineup including a few other notable acts, more Swedes: all-girl trio Liechtenstein, who've put out a bunch of great 7-inches and will have a new EP out on Slumberland in May. We'll also get two bands from Finland: Cats on Fire, who made their U.S. debut at last year's fest; and the lovely synth-acoustic pop of Burning Hearts whose debut album, Aboa Sleeping, was released last month.

North America is well represented as you might expect. Detroit gives us Computer Perfection (who are not synth pop despite the name), and offshoot band Hidden Ghost Ship, whose very good debut album you can download for free. (The link is at the top of this post.) There's also Grand Rapids' The Icicles whose song "La Ti Da" you might know from a Target commercial; Boston's awesome Pants Yell! who were one of my favorites from last year's event; Ohio's The 1959 Hat Company and Afternoon Naps; California brings us L.A.'s The Tartans (12-strings and glockenspeil pop) and San Francisco's Eux Autres (janglepop); Vermont's Smittens (who remind me of '90s indie pop band Small Factory); Athens, GA's great power popppers Casper & the Cookies; Chicago's Very Truly Yours (classic twee pop) and Canada's Rose Melberg.

The bulk of the bands are from NYC, and include: My Teenage Stride whose new Emusic single "Creep Academy" is one of my favorite songs they've ever done; Knight School (who I've written about before); Boy Genius (ditto) and The Secret History (double ditto); plus the newly-quintet-ed The Metric Mile, Soft City, Dream Bitches, The Ballet, Strega, and Don Lennon.

Most of the Popfest shows will happen at Cake Shop, with a Friday night show at Don Hill's in conjunction with Mondo! and the Radio Dept. show at The Bell House. Unlike the two previous years, there's no BBQ/day show at Union Pool. Pricing and that sort of thing hasn't been ironed out yet, but the individual night's lineups are below:

Continue reading "NYC Popfest - 2009 lineup, The Radio Dept. included "

posted at 5:08 PM on March 24, 2009 in music | tour dates | Comments (14)