Entries tagged with: Pat Jordache
Heat @ Union Pool during CMJ (more by Amanda Hatfield)
M for Montreal was just here for CMJ, hosting a nine-hour showcase on Friday (10/24) at Arlene's Grocery with Lydia Ainsworth, HEAT, Homeshake, The Muscadettes and more. If you went, how was it? Those artists and a lot more will also be playing the ninth edition of the actual M for Montreal festival which happens in the Quebec city from November 19-22. Like the last few years, the first two days of M are more of an industry event with only "official selection" showcases, including performances by Operators, BADBADNOTGOOD, Ainsworth, July Talk, HEAT and more. Then on the weekend it moves into proper festival mode with shows all over the city and bands from all over the world, including Thee Oh Sees, Wrekmeister Harmonies, Toro Y Moi side project Les Sins, The Blind Shake, Nils Frahm, PyPy, Moon King, and lots more.
by Bill Pearis
Pop Montreal HQ (via @popmontreal)
Pop Montreal happened last week at venues all over the Quebec city. I've been to M for Montreal many times, but this year was my first Pop and it was a pretty fun time. One thing you notice almost straight away is that unlike some festivals, this one clearly feels like it is for its home city first and foremost. Luckily, Montrealers are a friendly sort of folk. There were a handful of "international" acts (Ty Segall, Twin Shadow, Suzanne Vega), but the lion's share of the music was Canadian and specifically from Quebec. And there are no shortage of bands and artists in Montreal. I saw a bunch of them.
The festival works basically like SXSW, you get a badge which allows you in to all the participating venues (most in the city). Unlike SXSW however, said venues are not all conveniently located on or around a six-block stretch. There are patches of venues clustered around, but if you're trying to take advantage of your badge's club-hopping abilities, it involves hoofing it or cabs. I found myself on Saint Laurent a lot, which has La Sala Rosa, Casa del Popolo, Divan Orange, and a few others right around each other. There aren't a lot of day parties like you get at SXSW and CMJ, but plenty of late-night afterparty action.
I missed the basketball game and Steve Albini cooking class, but across five days, many Cadence Weapon sightings and the single worst hangover I've ever experienced, these were some of the Pop Montreal musical highlights:
The Unicorns @ Metropolis (9/21): Reforming at Arcade Fire's behest, Montreal cult band Unicorns played their final home show on the last night of Pop. It really is a different experience seeing them in their hometown. They did two single-note band hit encores as a joke before finally leaving the place with "I Was Born (a Unicorn)."
Light Fires @ Balattou (via)
Light Fires @ Ballattou (9/17): Toronto cross-dressing synthpop solo act Light Fires opened for Unicorns at Metropolis but I also caught her the first night of the fest at Ballattou, which clearly used to be a strip club. The seedy atmosphere fit Light Fires' vibe well, which was part Hedwig and part Erasure. (Her record's pretty good.) I stuck around afterwards for LA Foster who used to be in Mozart's Sister but now makes her own synth-n-B on her own.
Choses Sauvages @ Club Lambi (9/19) I don't think I've gone to Montreal and not seen a Francophone dancerock band, and this trip it was Choses Sauvages who were playing another place that seemed like it used to have exotic dancing. The French language works well for this kind of funky disco and the band goes the extra mile in the live department, hamming it up just enough.
TOPS @ Sala Rossa (9/19): TOPS are one of the more popular rising bands in Montreal and I'd seen them play a few times already (plus their old band Silly Kissers), but they've come a long way even in the last year. Jane Penny's confidence as a frontperson has grown and guitarist David Carriere's playing is Steely Dan clean. Hearing them do "Way to Be Loved" live was maybe the highlight of the fest. They'll be in NYC soon with Wampire, and for CMJ as well. Moon King opened and also just seem to get better.
Holy Data @ Divan Orange (via @brooklynvegan)
Holy Data @ Divan Orange (9/20): Featuring ex-members of Sunset Rubdown and Parlovr, with a fair amount of synths and effected guitars, Holy Data make a swirling, occasionally muscular brand of dreampop. You can check out a couple demos on their soundcloud.
Monomyth @ L'Escogriffe (9/18) Hailing from Halifax, NS and having all four members write and sing, I couldn't help but compare them a bit to Sloan. But Monomyth sound nothing like them though. Like Sloan, the styles of the songs vary wildly depending on who's singing (one of them clearly went through a jam band phase). But the songs are uniformly terrific, ranging from powerpop to warbly indiepop. Also, I really like L'Escogriffe's down-n-dirty rock vibe. Their new album, Saturnalia Regalia, came out this summer on Mint (stream it via Spotify)
Pat Jordache @ Pop HQ (9/20): I've seen Pat play a few times, and it's always a different lineup of the band. Here they were a three piece (no drummer) but their sound has gotten darker and groovier. Liquid bass, ala Japan or early Brian Eno, with appropriately gothy (but not too) vocals. We're due for some new music from Pat Jordache soon, keep an eye out.
The Muscadettes @ L'Escogriffe (9/20): Shouty two-piece (plus drummer live) who are here to have fun and make sure everyone else does too. Heaps of attitude and the songs loads of fun. Currently working on their debut album, you can check out a single here.
SEOUL @ The Plant (9/20): In addition to official shows, I also went to a Pop Montreal fashion show (weird/cool), and on Sunday checked out DIY space The Plant that reminded me of RIP Brooklyn spots Dead Herring and the old Silent Barn. Someone brought bagels from St. Viateur and you could help yourself, and between bands folks hung out behind the building where the railroad passed by every so often. SEOUL, who make airy pop that would sound at home on a Prefab Sprout album, are good Sunday afternoon hangout (hangover) music. They'll be in NYC for CMJ too.
Pop Montreal has announced dates for next year: September 16 - 20.
photos by Amanda Hatfield; words by Bill Pearis
YT//ST / Foxxtrott @ Arlene's Grocery 10/29/2013
The 2013 M for Montreal happens at various clubs across its namesake city from November 20 - 23. Like last year, in addition to it's industry conference/showcase side earlier in the week, the Friday and Saturday shows are part of M Fest which like a smaller scale CMJ or Pop Montreal with over 75 bands playing over those two days. This year's bands include Mac DeMarco, Born Ruffians, The Dears' Murray Lightburn, Thundercat, Thus:Owls, Laura Mvula, Young Galaxy, Pat Jordache, A Wilhelm Scream, Grand Analog, High Dials, Damien Robitaille, The Damn Truth, Kandle and more.
After partnering with the M folks at CMJ, SXSW and other festivals, BrooklynVegan will be co-presenting (with CMJ) our first show at the actual M for Montreal with We Are Wolves, Duchess Says (who've played M/BV shows at CMJ and SXSW) and Solids (who we've written about) at Cabaret Underworld on November 22. This will be the first time in ages that We Are Wolves and Duchess Says shared a bill together in Montreal. Tickets are on sale now, and the poster for that show is below.
You can check out the full M for Montreal line-up below and tickets for some of the other shows are on sale too. We'll be there the whole week so look for coverage then.
Some of the artists playing this year's fest were down for CMJ a couple weeks ago, playing the official M for Montreal showcase which happened at Arlene's Grocery on October 18. Our photographer was there for Yamantaka // Sonic Titan (who played our party earlier in the day), and A K U A, plus Kandle (who played last year's M) and Foxtrott (who we've written about), both of whom will play M for Montreal. Pictures from their sets are in this post. Later in the night there were sets from Pat Jordache and related soft rock project CAMP, and others.
Full list of M for Montreal 2013 peformers, the flyer for the BV presented show, and more pics from the M4M CMJ showcase, below...
Shuggie Otis / Pat Jordache / Brendan Canning
Back before Montreal was in NYC for CMJ, NYC was in Montreal for the annual Pop Montreal festival which we began by seeing DIANA and Empress Of followed by The Dodos, Braids, Suuns, Patrick Watson & more. After that came How Sad, Valleys, Angel Olsen, Yamantaka // Sonic Titan, Leif Vollebekk & more. Day four went like this...
The penultimate day of Pop Montreal started a bit slower as the late nights started bleeding into early mornings and getting out of bed became harder and harder. The goal was to be at Little Italy Park for Pat Jordache and I made it just in time for them to take the stage. I enjoyed their set (you can catch them in NYC courtesy of M For Montreal at Arlene's Grocery). The BBQ and kids fair going on at the back end of the park, supplied a festive atmosphere as kids ran about in front of the stage covered in face paint.
I'd heard good things about Jessy Lanza - whose debut record, Pull My Hair Back, will certainly find her being compared to fellow electronic, synthpop countrywoman, Grimes - so I headed to Divan Orange to catch her set. I was pleasantly surprised in that her sound moves in warmer synth textures, providing a nice backdrop for breathy voice.
The goal was to head back to the hotel to regroup for the night but I tagged along to the Ubisoft rooftop performance featuring Swedish-Canadian band, Thus:Owls, and Montreal's Secret Sun. What started as a lark turned into two of the most pleasant surprises of my Pop.
Backed by a spectacular view of Montreal - and the full-swing, fall foliage of Mont Royal - Secret Sun, the duo of Anne-Marie Campbell and Simon Landry, crafted lush and languid alternative pop songs that were simply spellbinding. Campbell has one of those beguiling, siren-like voices that effortlessly moves from high to low and back again. (Check out the song "Stay Still" from their excellent Cold Coast EP.) The sold-out, rooftop audience was rapt as the sun set and out in the distance, Mont Royal slipped into darkness.
Thus:Owls, a full, five-piece band wrapped around core husband and wife duo Erika and Simon Angell, were every bit as impressive, spinning experimental chamber pop through a cinemascope. The song "White Night" from their new sophomore LP, Harbours, was stuck in my head the rest of the weekend.
After that it was on to the Rialto to see 70's R&B, blues legend Shuggie Otis, who sounded great though it would have been nicer to have done away with the cabaret tables and let the crowd right up to the stage to watch his guitar playing at closer proximity.
I made a quick stop at Rhodo's to catch Montreal band, Seoul, who someone tipped to me as the next big thing. I was told that nobody would be there because, "nobody knows about them," yet I arrived to a packed house that went "one in one out" right after I walked through the door. Their brand of dream-pop instantly evoked Wild Nothing, Soft Black and Washed Out. The girls up close were swooning all over the young four-piece in that way teenage girls with rock star crushes do. Their song "Stay With Us" is woozy and warm enough to soundtrack your autumn.
From there it was on to Casa Del Popolo to see Broken Social Scene's Brendan Canning. I've been a fan of most of the BSS satellites, both group and solo-related, and enjoyed Canning's Something for All of Us. His new record, You Gots 2 Chill, is decidedly low-key and his set was reflective of that as many of the songs lingered in with instrumental intros, quietly sung lyrics, followed by a meandering jam session on the back end with many of the songs just fizzing out altogether.
Canning's set was stark contrast to the bombast and good-time dance party that ended my Saturday as Dancehall legends, Yellowman and Josey Wales, teamed up to pass the mic for nearly three hours. Even though I'd been anticipating this show since I saw it on the schedule - being a big Yellowman fan - the length of their set was a little ambitious as the duo outlasted many of the people at the after party. (Wales returned by himself to the stage and went on 'riding riddims' deep into the night.)
With a day full of great music in my head and a hint of daylight in the sky, there was only one thing left to do - go get a bagel. A warm, sesame, Fairmount bagel in hand (sorry St-Viateur), I hopped a cab back to the hotel for some much-needed sleep.
More pictures below...
by Andrew Sacher and Bill Pearis
Hop Along at Saint Vitus in September (more by Vladislav Grach)
Sure, NYC has a lot of great shows almost every night of the week. But CMJ definitely stacks the deck (and the stages) a little more, with some overachieving bands playing upwards of 10 times over the next five days (10/15 - 10/19). With that in mind, here are 30 bands we think are worth catching during CMJ 2013. Clicking on the artist name takes you to their corresponding page on our NYC Show Calendar with a list of all of their upcoming NYC shows. We also made a Spotify playlist featuring songs from all the bands (who are on the streaming service).
Check out our full list and a stream of that Spotify playlist below...
by Bill Pearis
Our friends at M for Montreal will be down for CMJ again for their showcase which, as in years past, happens at Arlene's Grocery on October 18 with Yamantaka // Sonic Titan, TOPS, Pat Jordache, CAMP, Kandle, A K U A and Foxtrott. Tickets are $10 at the door, or you can get in with a CMJ badge or Evening Showcase Pass (based on capacity, of course).
Yamantaka // Sonic Titan, who formed in Montreal but now reside in Toronto, are probably the best-known band on the bill, and will release their new album, UZU, on October 29. The multi-hyphenate band are better known for their theatrical live shows which you should witness if you can. They're on
late at 1 AM. UPDATE: YT//ST are now playing at 10 PM. They play 285 Kent at 1 AM later that night (see below).
YT//ST are also playing at least two other shows during CMJ: the Panache showcase at Knitting Factory on October 16 with Jacco Gardner, Saint Rich, U.S. GIrls, Slim Twig, and Arp (tickets); and the unofficial Pitchfork show with Speedy Ortiz, Priests, Joanna Gruesome, Perfect Pussy, Eleanor Friedberger (solo), and Courtney Barnett (tickets). (Currently both P4K and M have Y//ST's settimes as 1 AM, some shifting will likely happen at Arlene's.) After CMJ, they'll play Basilica Hudson on Halloween, which sounds like a pretty good time, too.
TOPS played CMJ last year and are working on the follow-up to 2012's Tender Opposites which came out on Arbutus Records (Grimes, Doldrums, Blue Hawaii). You can stream that, in all it's lite R&B indiepop splendour, below.
It's been almost two years since Pat Jordache last played NYC and they've undergone a somewhat radical reinvention since then into dark postpunk territory, though not your average influences, pulling from Jah Wobble style dub, and mid-'80s 4AD (to my ears at least). You can stream their three digital singles from this year below ("O.M.O." is excellent). You can also catch Pat Jordache at Silent Barn on October 17 with CAMP (who also play the M showcase) and Chicago's J Fernandez. More info on that show here.
Pat also plays in CAMP, who share a similar vibe, with some slinky funk -- complete with '80s-style watery bass, -- on their track "Little Boy Blue," which reminds me of, um, Kajagoogoo. (In a good way? Maybe Japan is a more palatable comparison.) You can stream it below.
Kandle is Kandle Osborne whose father, Ben, is the singer of long-running extremely popular (in Canada) Canadian band 54-40. Sam Golberg of Broken Social Scene produced her debut EP (streamable below) and plays in her live band.
A K U A spent time recently as one of Solange's backup singers and, recently, has been collaborating with Twin Shadow drummer Andy Bauer, the results of which can be heard on this year's One's Company EP, which you can stream some of below.
As for Foxtrott, that is the name Marie-Hélène L. Delorme records under. Her music is definitely dance pop but don't look to compare her to other one-named Montreal singers -- it draws from a variety of global influences and is pretty good. Judge for yourself: a few tracks are streamable below.
As M for Montreal has done every year, the night starts off with a "poutine party" that is free and open to the public. During that time (5 - 7 PM) there are a couple Francophone acts playing, Quebec city rapper Webster and VioleTT Pi.
Song streams, videos, and the M for Montreal showcase schedule below...
by Bill Pearis
SILO: How would you describe the sound of the new singles and do you laugh at bloggers when they try to find ways to describe your music?I think I reffered to them country goth when I saw Pat Jordache at CMJ a couple years ago, a post-punk sound that wasn't really evident on their debut album. Since then, Pat has reworked the band, adding a saxophonist and heading in a more rhythm-heavy direction that I experienced in their Montreal hometown last November.
Pat Gregoire: (Laughs)
Adam Wilcox: I liked it when you were called the "dank pop don." Once someone described the bass playing as parping... I had to look that up. It just means like farting around, which was so funny because the song they were describing we had to play in tandem and it was complicated enough that it took three or four practices for me to nail it. To have that described as farting around is like "oh yeah, really nailed it perfectly."
Cameron MacLean: Talking with some older musicians I've heard them describe Jordache as like jazz fusion. I had a professional pianist and vocal teacher tell me she listened and said it was going to be a "nice fusion record."
AW: It's cool when the moms get it before the music journalist do. Journalists are like "new wave." But I don't listen to new wave. - [Silo Montreal]
That new direction can be heard on Pat Jordache's series of downloadable singles, the final of which surfaced this week. With watery bass, undulating synths, and a dubby rhythm, "O.M.O" is sultry like a July night where bad decisions thrive (and makes this guy think of '80s acts like Mark Stewart or The Wolfgang Press). You can stream it below along with the other two worthy digital singles. All three are free downloads via Bandcamp.
For those wanting more, Pat says "STAY TUNED FOR JORDO LP2, VERY SOON. XO."
Download or stream the new singles below...
by Bill Pearis, Fred Pessaro and Andrew Sacher
Savages @ CMJ 2012 (more by Dominick Mastrangelo)
SXSW gets underway today (3/13) in earnest, with 83,207 bands* playing SXSW this year. Trying to figure out who to see can be an overwhelming feeling. (Actually, just standing on 6th St. on Friday night is an overwhelming feeling.) Hopefully this post will give you some inspiration if you're among the throngs of people. Or maybe just some new stuff to listen to if you're not there.
Of course you could just hang out at all our day parties (our first starts at noon today!) and evening showcases, as we're really proud of our line-ups. But there are bands who we are pumped to see who aren't playing too. So here are 40 bands we're genuinely pumped to see in Austin this week. We made a Spotify playlist of all the bands (at least the ones on the service) you can stream below.
Check out our list below...
*not the actually number of showcasing bands. But it feels accurate.
Frightened Rabbit @ T5, Nov. 2010 (more by Lionel Bergeron)
SXSW has just announced another round of bands for the 2013 edition of the annual music festival that will happen March 12 - 17. This brings the total current number of acts to around 1300. Someome of the highlights include Vampire Weekend, Frightened Rabbit, The Thermals, Black Lips, Camera Obscura, Merchandise, Bleached, Mr. Muthafuckin' eXquire, Eagles of Death Metal, Parenthetical Girls, Indians, Night Beds, IO Echo, KEN Mode, Prince Paul, Pure Bathing Culture, Sepalcure, UK motorik post-punks TOY, Finnish instrumentalists K-X-P, Toronto's Moon King, UK indie rockers Splashh (not Brooklyn Splash with one "h") and loads more. Head to BV Austin for the whole Round 3 list.
by Bill Pearis
PyPy at Club Lambi, 11/16/2012
Freedom...horrible freedom! One thing M for Montreal, part festival part industry conference, was previously known for was its tightly-controlled schedule. There was one show a night with two stages and attendees saw all the bands, no overlap. And while this was still the case for the first two nights of the 2012 edition, Friday and Saturday saw the launch of the M Fest which had shows at about ten different venues each night. So for the first time in the five years I've attended this fest I had to make up my own mind about what to see.
Cousins at Club Lambi, 11/16/2012
I was going to start the night at Sala Rossa with D'Eon but when I got to the club the schedule had been pushed an hour due to Sun Airway canceling their appearance later in the line-up. So, I headed down Saint Laurent to Club Lambi, a place that felt more like a nightclub than a rock venue, complete with "mandatory coatcheck." First band was Halifax, NS duo Cousins who make garage-y pop with an emphasis on the latter. A little rough around the edges but enthusiastic and they've got some good songs. You can stream their album, The Palm at the End of the Mind, below.
Yardlets at Club Lambi, 11/16/2012
Next up were Yardlets which features vocalists/guitarists Sam Goldberg (who spent time in Broken Social Scene) and Montreal scene vet Jeff Edwards. Backlit with strips of blinding light, Yardlets tore out of the gate and never looked back, playing balls-to-the-wall rock n' roll that could be the soundtrack for a trucker's pill-fueled 72nd hour of being awake. ("Ace of Spades" being played on warped vinyl is a good reference point.) DFA 1979's Sebastian Grangier plays drums on the record (em>Middle Ages is streamable below) but not live, but his replacement seemed just as pummeling. The aural equivalent to a shot of tequila and just what I needed to jump-start the night.
PyPy at Club Lambi, 11/16/2012
Though, honestly, if Yardlets hadn't played, certainly PyPy would've had the same effect. The band formed when Duchess Says and Red Mass shared rehearsal space and some of each decided to jam, the band features both wild-eyed redhead Annie-Claude and Red Mass' Choyce on vocals/guitar, neither of whom shy from the spotlight. No surprise Annie-Claude dominated the proceedings but here she's in relatively restrained mode, meaning she's still going crazy but not totally in-your-face. She even played guitar on one song. Musically, PyPy (yes, pronounced peepee) are almost '60s style acid rock, a lot of soloing and riffs, not so much memorable tunes. But a blast to watch.
USA Out of Vietnam at L'Esco, 11/16/2012
From here we cabbed it over to L'Esco for some heavier sounds via MTL hardcore act Dig it Up and the more mathy USA Out of Vietnam and bearded frontman Jonathan Cummins (formerly of Doughboys and Bionic) greeted the crowd thusly: "Hi we're Grimes. We've changed our sound a little and we hope you like our new direction." Their music is not my thing, but I like their attitude.
Pat Jordache, somewhere in Montreal, 11/16/2012
From here we headed to an afterparty at some DIY space I don't know the name of to catch a very late night (3:30 AM) set from Pat Jordache who played almost exclusively new material. While the PA wasn't doing the band a whole lot of favors, you could still get a feel for Pat's new musical direction, rhythm-heavy post-punk with watery bass and saxaphone that tipped its had toward Eno-era Talking Heads (or The Higsons or Pigbag). I was struggling to keep my eyes open at that point but the new material is very promising (and I liked 2011's Future Songs too). While the album won't be out till next year, Pat just dropped "steps (DAMAGED GOODS)" as an appepitizer and it is very tasty indeed. You can stream it below.
Yan Wagner at Cafe Campus, 11/16/2012
Next up that night... sleep. But earlier I did check out some bands at Cafe Campus during the day, the highlight of which was Parisian electronic artist Yan Wagner (who also played CMJ this year). While his mike-and-samplers setup didn't make for the most exciting live show, his style of electropop falls squarely between Depeche Mode and OMD which pretty much guarantees I'll like. And I did.
After that we were treated to a "headphone concert" by Kid Koala at Le SAT which was a very fun, relaxing way to ease into the evening and you can read about here. You can also read accounts of M for Montreal Day 1 here and Day 2 here. Streams are below.
by Bill Pearis
DOWNLOAD: Sophia Knapp - Close to Me (MP3)
DOWNLOAD: Sophia Knapp - Into the Waves (MP3)
DOWNLOAD: Cardinal - Love Like Rain (MP3)
DOWNLOAD: Cardinal - Carbolic Smoke Ball (MP3)
DOWNLOAD: Savoir Adore - Dreamers (Golden Pony remix) (MP3)
DOWNLOAD: Savoir Adore - Dreamers (MP3)
Del Fuegos in the '80s
Things are beginning to heat up, show-wise, as SXSW gets closer so if you're going to Austin you might do the smart thing and stay home and rest. But if you're dumb like me, there's lots of good music this weekend. To wit:
Dan Zanes these days is best known for his highly successful career as a maker of children's music, but in the '80s he fronted Boston's Del Fuegos, whose brand of no-nonsense roots rock was a college radio staple in the Reagan years. Dan and his brother Warren, plus other original members Tom Lloyd and Woody Giessmann have gotten the old band back together so 40-somethings can call the sitter and go hear him sing songs for grown ups. They play Bowery Ballroom tonight (2/23) and The Bell House on March 3.
In addition to records like 1984's The Longest Day and 1985's Boston, Mass, The Del Fuegos were one of the first "cool" bands to be accused of selling out, appearing in a
Budweiser Miller commercial (which you can watch at the bottom of this post) that, if nothing else, inspired the classic Young Fresh Fellows song "Beer Money." Seems kind of silly today, and I'm sure Del Fuegos singles like "Don't Run Wild" and "I Still Want You" have held up pretty well.
The band have recorded a new EP, Silver Star, and you can stream one of its songs at the bottom of this post, where you'll find all Del Fuegos 2012 tour dates.
Another option tonight, over at Union Pool, is Sophia Knapp who you may know from Lights or Cliffie Swan but will release her solo debut on Drag City next week. The press release for Into the Waves offers up "melodic psych pop of the 60's, Tropicalia ballads, chilly '80s New York dance records, and the seduction of Stevie Nicks or Françoise Hardy" as influences but I think it sounds uncannily like the soft-focus pop of late-'70s Olivia Newton John.
You can download two tracks from her album at the top of this post and watch the video for "Nothing to Lose" further down. In addition to tonight's show at Union Pool, Sophia plays a free record release show at Sway on Wednesday, Feb 29 (leap day), and opens for Nite Jewel at Bowery Ballroom on April 24.
Cardinal (Richard Davies on the right)
There are a lot of good shows Friday night (2/24) and we'll start with Richard Davies at Cake Shop. The Australian-born singer fronted cult band The Moles in the late '80s, and whose 1994 album with Eric Matthews, Cardinal, is a baroque pop classic. Improbably, Davies and Matthews made a second Cardinal album, Hymns, that came out last month and basically picks up where the first one left off. It's a little more indie rock and a little less harpsichord and trumpets, but it's recognizably Cardinal. You can download two tracks from Hymns at the top of this post.
Davies will also be playing SXSW next month. He can be hit-or-miss live, but is a legend and worth going to see. Also playing are What Next?, the new band from onetime Cause Co-Motion dude David Klein that also features members of The Beets and Beachniks, so expect some scratchy shambolic (maybe charming) indiepop. Check out one song at their Bandcamp page. Also playing: The Pharmacy and Intuitions.
Montreal's Pat Jordache play Glasslands Friday night (2/24). Pat was in Sister Suvi with Merrill Garbus and though his music is a little more trad-indie than tUnE-yArDs, it's still rather weird. When I saw them at CMJ, they reminded me of '80s goth but their album that dark side isn't quite as pronounced. Maybe it was the two drummer thing. Anyway, Pat Jordache make a cool racket and know how to play to a crowd. They're opening for Javellin which I realize is why most people are going to go to this show, but do get there early for Pat.
Over at Cameo on Friday, Savoir Adore are having a record release party for their Dreamers EP. The single "Dreamers" came out on Neon Gold late last year and expands on their heartfelt, big pop sound. The EP expands that 7" with a bunch of remixes, one of which you can download at the top of this post. The band are going out with fellow Neon Gold acts The Knocks and St. Lucia, touring their way to SXSW and all dates are at the bottom of this post. Savoir Adore are putting the finishing touches on their new album, Our Nature, which will be out later this year.
And finally, Spanish Prisoners are playing Knitting Factory Friday (2/24) with fellow locals Clouder. Spanish Prisoners album from last year, Gold Fools, is still a pay-what-you-want download from their Bandcamp page and is a terrific album if you haven't heard it yet. The band just released a video for "Know No Violence" which you can watch at the bottom of this post. Like pretty much every band in America, they're going on tour next month, stopping in Austin for SXSW, and all tour dates are below.
And that's the main stuff for this week's TWII. A few more day-by-day picks for shows not mentioned already are below
THURSDAY, FEBRUARY 23
We haven't heard from Acrylics in a while. See what they're up to at Cameo, with Kuroma, Tezeo, and Bright Moments.
Get trippy at Glasslands with Prince Rama, Gary War, Future Shuttle, ^w0rm b1n^, plus a DJ set from Gang Gang Dance.
Snowmine wrap up their Pianos residency tonight, playing with Tiny Victories, Decades, and Awning.
by Bill Pearis
Apologies for no day post today, I had a full CMJ day yesterday and stretched myself a little thin. (And I'm thin already.) As I came to realize recently, with CMJ every night is Saturday night and every morning is Monday morning. Anyway, I hope you all went/go to a day show and saw a bunch of free music and maybe had some free booze and snacks somewhere. Maybe our day party?
Speaking of this website, I hope all of you are going to come to the BrooklynVegan Official CMJ showcase tonight at Music Hall of Williamsburg which features a couple repeat players from one of our SXSW shows: Weekend and Braids, both of whom are just fantastic. The band I'm most excited/curious about is Blue Hawaii, a duo that features Braids' Raphaelle Standell-Preston. In between those three bands, we also have Pepper Rabbit (who were great when I saw them at Northside) and Active Child. It's a really solid night of music, tickets are still available, come on down.
But this being NYC and CMJ, there is other stuff going on (which is maybe why you're reading this). At some point in the evening, I'm going to head to Arlene's Grocery for the M for Montreal showcase, which has ten, count 'em, ten Canadian acts performing. Of them, I'm most excited about getting to see Jesuslesfilles again, who were great at the M4M fest last year. Their 2011 album Une Belle Table (streamable below) is still a "name your price" download from Bandcamp and I highly recommend you do. It's somewhere between the Pixies and that first Dandy Warhols albums...but in French. They're great live.
I also really like Pat Jordache who I saw for the first time yesterday. Wearing overalls and wifebeaters, I was expecting maybe something countrified, but with a two-drummer assault it was closer to '80s goth than anything else, maybe a little Wild Beast-y too. (That dark side isn't quite as apparent on PJ's album.) They're pals/colaborators with tUnE-yArDs and, like Merril, have a good sense of showmanship. Check out "Phantom Limb" at the top of this post and stream the entirety of their Future Songs album at the bottom.
There's also Parlovr, The Barr Brothers, Miracle Fortress, TOPS, Philemon, TONSTARTSSBANDHT, Passwords and Peter Peter.
For those who are on a budget and want to keep the day party spirit alive into the night, YoursTruly are presenting a show at Glasslands that is free to you and me. And it's a great line-up of talent: Active Child, Born Gold (formerly GOBBLE GOBBLE), The Stepkids, Araabmuzik, Memoryhouse, Caveman, INC, and Ava Luna. No badges needed. No RSVPing. Just show up. Mind you when it hits capacity -- and it will -- there will be a one-in-one-out policy even if you're just going out for a smoke or some fresh air. You do have to be 21, though. Sorry King Krule.
And for those into dancing and/or "alt-culture," Forcefield PR and Hipster Runoff are presenting the BleepyBloopFest at Cameo with latenight DJ sets from Neon Indian, Teengirl Fantasy, Beach Fossils, Dent May, DJ Taolin, and maybe even HR's enigmatic Carles himself. Will it be relevant/authentic? Possibly. But it will no doubt be a scene. This one is also absolutely free. But also 21+.
Meanwhile at Santos, Neon Gold is putting on two floors of New Sounds, including Australian artist Gotye whose Sting-y sounding single "Somebody That I Used to Know" is a massive, massive hit over there down under, spending eight weeks straight in the top slot. (The longest run in AU chart history since Savage Garden in the '90s.) The video has racked up over 11 million hits.
There whole line-up is impressive. Totally Enormous Extinct Dinoaurs. The Knocks. Savoir Adore. Is Tropical. And many more! $10, less than a buck a band! There's a lot of bang for your buck here, it's all fun, party music. Sad bastards stay home.
Masters of the Hemisphere
And a couple one-off bands I'd like to point out. Georgia indiepop legends Masters of the Hemisphere return after a 10-year hiatus for a show tonight at The Rock Shop. (11:30PM) Check out an MP3 at the top of this post. They'll play again Saturday (10/22) at Bruar Falls if you can't go tonight.
Dark, sultry locals Zaza play their only show of CMJ tonight at Knitting Factory. (Midnight) Overlooked I think, but Zaza do the dark romance thing better than just about anyone in this town and their record is very, very good -- you can stream it at the bottom of this post.
There's a ton of stuff happening tonight and I'm sure I'm missing something huge and awesome, but these are the things I'm considering. What are you going to see?
by Bill Pearis
Thursday, we're in the thick of it now and maybe some of us are already frazzled. Which might explain why this picks post is shorter than yesterday's. Also, we're starting to see a lot of the same bands, so see this as a reminder as to what's happening where. This isn't comprehensive, just what I personally recommend. I've tried to include set times at the bottom of this post for all parties mentioned.
Hopefully you're going to stop by the BV Day Party at Kniting Factory which has Yellow Ostrich, Still Corners, Hundred Visions, Forest Fire, BOBBY, Main Attrakionz and the just added We Were Promised Jetpacks. Yellow Ostrich kicks things off at 12:30, hope you can make it down. There's free PBR & HobNob Wine too for those over 21.
You can make a day of it in Williamsburg, and we wouldn't grudge you for venue hopping. Public Assembly's got the Pop Montreal party today, with Miracle Fortress, Pat Jordache, Teen Daze, Tops, Tonstartssbandht, and Touchy Mob... plus food courtesy Mile End. Maybe some Montreal-style bagels?
Over at Bruar Falls it's the Camper's Rule Records party, with Radical Dads (if you're from out of town, one of my favorite new local bands), plus Fort Lean, Backords, Beat People, Easter Vomit, Yanqui, and Moonmen On the Moon, Man. Plus, you're running out of chances to hang out at Bruar Falls... it closes at the end of the month.
And at The Woods, there's a cool afternoon/early-evening party being thrown by the folks at all-girl-drummer zine Tom Tom, with a great line-up of bands that, yes, all feature ladies behind the kit. There's Baybee Teeth, Coasting, TEEN, The Suzan, Pearl & the Beard, Brute Heart and Satellite Sky. $5 cover for this one. Let's hope the sound has improved from last year's CMJ-week shows, which was a joke.
Of course it's hard to deny the allure of the Lower East Side, what with five or so clubs all within a block or two of each other, making for very easy show-hopping. The two best are on the same Ludlow Block. At Cake Shop, NYC Taper has indie rawkers Mr. Dream, the widescreen pop of Savoir Adore, the dreamy/dusty sounds of Widowspeak, superior psych group White Fence, the dark anthemecism of Hoop Dreams, plus Prussia and Teletextile.
And at Pianos,I Guess I'm Floating and Tell All Your Friends PR have two floors of fun, with a few Canadians (Grimes, Parlovr, Doldrums), one Australian (Little Red), dance music (Beat Connection, Body Language) and lots more. Full schedule is below.
Okay, those are my daytime choices of choice. Flyers and set times, some for shows not mentioned above, are below.
DOWNLOAD: Chelsea Wolfe - "I Let Love In" (Nick Cave Cover) (MP3)
Chelsea Wolfe at Saint Vitus in August (more by Amanda Hatfield)
Stereogum and PopGun are co-presenting a CMJ showcase with Titus Andronicus, Delicate Steve, Chelsea Wolfe, Cuckoo Chaos, Mr. Dream, and Hollerado at Glasslands on October 18. Tickets are $15 with RSVP.
PopGun are also co-presenting the True Panther showcase at Glasslands, the Weird Vibes showcase at Cameo on October 20 with Weekend (who also play the BV CMJ showcase @ MHOW), Headless Horseman, Pat Jordache and others, and the Yours Truly showcase at Glasslands on October 21 with Active Child (who also play the BV CMJ showcase @ MHOW), Born Gold, The Stepkids, Memoryhouse, Caveman, Inc., and Ava Luna. PopGun also do their own showcase at Cameo on October 22 with Teen Daze, Art Vs. Science, and others. RSVP is open for all of the showcases.
Speaking of Chelsea Wolfe, she's got other CMJ shows scheduled including Europa on October 19, the Life or Death CMJ showcase at Cake Shop on October 20, a Pendu/Impose showcase at 285 Kent on October 22, and more TBA. She also recently recorded a cover of Nick Cave & the Bad Seeds' "I Let Love In." You can download that cover at the top of this post. Chelsea and her band also recently performed for an I-N Session. Check out a video of that performance below. In December, she'll go on a North American tour with The Black Heart Procession, though that tour unfortunately does not include any East Coast dates.
All dates and video below...
photos by Toby Tenenbaum
Toro y Moi @ Bowery Ballroom
Toro y Moi, Braids, and Adventure toured through NYC earlier this month, playing two sold out shows at Bowery Ballroom while they were here. Pictures from one of those shows is in this post.
Adventure returns on May 14th to play a show at Glasslands with Pat Jordache. Tickets are on sale. All future tour dates for all three bands and more pictures from Bowery, below...
The Rock Shop may have been open for a couple of months now, but last night's show marked the official party to celebrate the new Park Slope venue (the first show happened a month earlier). The Rock Shop is kind of like a smaller version of the Mercury Lounge (minus the door between the bar and the show space). There's a bar lining the wall as you walk in, and the concert space is in the back. There are even benches lining both walls like at the Mercury Lounge. But the Rock Shop benefits by having additional space upstairs with large open windows that look onto 4th Ave.
For such a small room (max capacity 120) the bill was pretty solid thanks in part to the venue's booker, Skippy McFadden, who formerly booked artists at both the Bell House and Union Hall. Just Sunday night, the 'surprise' headliner, tUnE-yArDs, opened for St. Vincent in Central Park.
But first up was a short set by a last-minute addition, Pat Jordache. Jordache and his two-man backing band (including the drummer of The Acorn) are apparently friends with tUnE-yArDs' Merrill Garbus, who danced a bit in the crowd during their set. With a full line-up of women scheduled for the evening, it was nice to get a little testosterone in the mix, too.
I expected the two main openers to put on a good show, but I hadn't heard a thing about Lady Lamb & the Beekeeper. Given the clunky and cutesy name, I was somewhat skeptical going into the set, but singer-songwriter Aly Spaltro quickly won me over with her beautiful lyrics, husky voice, guitar playing skills, and earnest little kid-like eyes. Unlike the other artists on the bill, Aly powered through her set alone. There were no bells and whistles, just a girl and a couple of guitars, and the result was stunning. Ally's voice is deep and raw. During the dramatic parts of her songs she rocks out on her electric guitar and nearly sings herself hoarse. Then without warning her voice becomes soft and sweet.
Up next was the Brooklyn transplant, Sharon Van Etten, who masterfully crafts heartbreaking (but ultimately triumphant) songs. Sharon began her first song solo, but was soon joined by her backing band, which included birthday girl Cat Martino on backing vox. Her new record, Epic, is slated to drop until October, but she had copies available for sale and showcased a number of songs during her set. The crowd responded fondly to the new material, prompting Sharon to comment, "I've never ever seen people bob their heads to my music before." She encouraged the warm, familial mood in the room by sweetly dedicating a song to her mother, who was present at the show.
Upon the conclusion of Sharon's set, the mood in the room became more frenetic in anticipation of tUnE-yArDs, the main act. After setting up the beat to her first song, "Hatari," Merrill Garbus offered a brief word of introduction. As the beat continued to pulse through the speakers, she inquired, "Can you dance to it?" before continuing, "Not that New Yorkers dance. I know you don't dance. Only in your bathrooms after you've pooped... Oh, New Yorkers don't poop." And with a knowing laugh from the crowd, she began to sing.
It's hard to know what to say about Merrill Garbus' dramatic musical project tUnE-yArDs that hasn't already been said. Either you're down with the tribal-like beats, fierce delivery, and zany presentation or you're talking at the back of the bar. Either way, seeing Merrill perform is an experience. When the stage allows for it, she takes advantage of the space and surrounds herself with a host of musical collaborators, but there was no room for a drum circle on the Rock Shop's small stage. Instead, Merrill handled the percussion herself, looping together upwards of 7 or 8 tracks at a time to create a rich, full-bodied sound. Merrill was also accompanied by Nate Brenner on bass and, for a few songs, a trio of brass players.
Though there were brief technical issues when Merrill began to play "Safety" on the ukulele, the audience didn't seem to mind the lull in the set. "Take your time!" "Just figure it out!" they shouted encouragingly as Merrill tried to rectify the situation. But eventually, she just had to give up. "Sorry. I just can't hear it at all. It just won't work [...] But I'll still play a good song. " And with that, she launched into the whimsical song "News."
Since she currently only has one album under her belt, Merrill has been playing many of the same songs at her shows, and the audience was fairly familiar with her material. When Merrill began to shout the question, "Do you want to live?" she was met by a resounding "YES!" before she had a chance to offer an explanation or a prompt. Fans of tUnE-yArDs will be glad to hear that new music is on the horizon. "This is the last time I will be playing this song ["Hatari"] in New York City before I finish a new album... so there," Merrill declared near the beginning of her set.
Following up her impressively strange debut BiRd-BrAiNs will be a difficult feat, but something tells me Merrill Garbus is up for the challenge.
More pictures from the show with Sharon and Merrill's setlists, below...