Entries tagged with: Pat Jordache
by Bill Pearis, Fred Pessaro and Andrew Sacher
Savages @ CMJ 2012 (more by Dominick Mastrangelo)
SXSW gets underway today (3/13) in earnest, with 83,207 bands* playing SXSW this year. Trying to figure out who to see can be an overwhelming feeling. (Actually, just standing on 6th St. on Friday night is an overwhelming feeling.) Hopefully this post will give you some inspiration if you're among the throngs of people. Or maybe just some new stuff to listen to if you're not there.
Of course you could just hang out at all our day parties (our first starts at noon today!) and evening showcases, as we're really proud of our line-ups. But there are bands who we are pumped to see who aren't playing too. So here are 40 bands we're genuinely pumped to see in Austin this week. We made a Spotify playlist of all the bands (at least the ones on the service) you can stream below.
Check out our list below...
*not the actually number of showcasing bands. But it feels accurate.
Frightened Rabbit @ T5, Nov. 2010 (more by Lionel Bergeron)
SXSW has just announced another round of bands for the 2013 edition of the annual music festival that will happen March 12 - 17. This brings the total current number of acts to around 1300. Someome of the highlights include Vampire Weekend, Frightened Rabbit, The Thermals, Black Lips, Camera Obscura, Merchandise, Bleached, Mr. Muthafuckin' eXquire, Eagles of Death Metal, Parenthetical Girls, Indians, Night Beds, IO Echo, KEN Mode, Prince Paul, Pure Bathing Culture, Sepalcure, UK motorik post-punks TOY, Finnish instrumentalists K-X-P, Toronto's Moon King, UK indie rockers Splashh (not Brooklyn Splash with one "h") and loads more. Head to BV Austin for the whole Round 3 list.
by Bill Pearis
PyPy at Club Lambi, 11/16/2012
Freedom...horrible freedom! One thing M for Montreal, part festival part industry conference, was previously known for was its tightly-controlled schedule. There was one show a night with two stages and attendees saw all the bands, no overlap. And while this was still the case for the first two nights of the 2012 edition, Friday and Saturday saw the launch of the M Fest which had shows at about ten different venues each night. So for the first time in the five years I've attended this fest I had to make up my own mind about what to see.
Cousins at Club Lambi, 11/16/2012
I was going to start the night at Sala Rossa with D'Eon but when I got to the club the schedule had been pushed an hour due to Sun Airway canceling their appearance later in the line-up. So, I headed down Saint Laurent to Club Lambi, a place that felt more like a nightclub than a rock venue, complete with "mandatory coatcheck." First band was Halifax, NS duo Cousins who make garage-y pop with an emphasis on the latter. A little rough around the edges but enthusiastic and they've got some good songs. You can stream their album, The Palm at the End of the Mind, below.
Yardlets at Club Lambi, 11/16/2012
Next up were Yardlets which features vocalists/guitarists Sam Goldberg (who spent time in Broken Social Scene) and Montreal scene vet Jeff Edwards. Backlit with strips of blinding light, Yardlets tore out of the gate and never looked back, playing balls-to-the-wall rock n' roll that could be the soundtrack for a trucker's pill-fueled 72nd hour of being awake. ("Ace of Spades" being played on warped vinyl is a good reference point.) DFA 1979's Sebastian Grangier plays drums on the record (em>Middle Ages is streamable below) but not live, but his replacement seemed just as pummeling. The aural equivalent to a shot of tequila and just what I needed to jump-start the night.
PyPy at Club Lambi, 11/16/2012
Though, honestly, if Yardlets hadn't played, certainly PyPy would've had the same effect. The band formed when Duchess Says and Red Mass shared rehearsal space and some of each decided to jam, the band features both wild-eyed redhead Annie-Claude and Red Mass' Choyce on vocals/guitar, neither of whom shy from the spotlight. No surprise Annie-Claude dominated the proceedings but here she's in relatively restrained mode, meaning she's still going crazy but not totally in-your-face. She even played guitar on one song. Musically, PyPy (yes, pronounced peepee) are almost '60s style acid rock, a lot of soloing and riffs, not so much memorable tunes. But a blast to watch.
USA Out of Vietnam at L'Esco, 11/16/2012
From here we cabbed it over to L'Esco for some heavier sounds via MTL hardcore act Dig it Up and the more mathy USA Out of Vietnam and bearded frontman Jonathan Cummins (formerly of Doughboys and Bionic) greeted the crowd thusly: "Hi we're Grimes. We've changed our sound a little and we hope you like our new direction." Their music is not my thing, but I like their attitude.
Pat Jordache, somewhere in Montreal, 11/16/2012
From here we headed to an afterparty at some DIY space I don't know the name of to catch a very late night (3:30 AM) set from Pat Jordache who played almost exclusively new material. While the PA wasn't doing the band a whole lot of favors, you could still get a feel for Pat's new musical direction, rhythm-heavy post-punk with watery bass and saxaphone that tipped its had toward Eno-era Talking Heads (or The Higsons or Pigbag). I was struggling to keep my eyes open at that point but the new material is very promising (and I liked 2011's Future Songs too). While the album won't be out till next year, Pat just dropped "steps (DAMAGED GOODS)" as an appepitizer and it is very tasty indeed. You can stream it below.
Yan Wagner at Cafe Campus, 11/16/2012
Next up that night... sleep. But earlier I did check out some bands at Cafe Campus during the day, the highlight of which was Parisian electronic artist Yan Wagner (who also played CMJ this year). While his mike-and-samplers setup didn't make for the most exciting live show, his style of electropop falls squarely between Depeche Mode and OMD which pretty much guarantees I'll like. And I did.
After that we were treated to a "headphone concert" by Kid Koala at Le SAT which was a very fun, relaxing way to ease into the evening and you can read about here. You can also read accounts of M for Montreal Day 1 here and Day 2 here. Streams are below.
by Bill Pearis
DOWNLOAD: Sophia Knapp - Close to Me (MP3)
DOWNLOAD: Sophia Knapp - Into the Waves (MP3)
DOWNLOAD: Cardinal - Love Like Rain (MP3)
DOWNLOAD: Cardinal - Carbolic Smoke Ball (MP3)
DOWNLOAD: Savoir Adore - Dreamers (Golden Pony remix) (MP3)
DOWNLOAD: Savoir Adore - Dreamers (MP3)
Del Fuegos in the '80s
Things are beginning to heat up, show-wise, as SXSW gets closer so if you're going to Austin you might do the smart thing and stay home and rest. But if you're dumb like me, there's lots of good music this weekend. To wit:
Dan Zanes these days is best known for his highly successful career as a maker of children's music, but in the '80s he fronted Boston's Del Fuegos, whose brand of no-nonsense roots rock was a college radio staple in the Reagan years. Dan and his brother Warren, plus other original members Tom Lloyd and Woody Giessmann have gotten the old band back together so 40-somethings can call the sitter and go hear him sing songs for grown ups. They play Bowery Ballroom tonight (2/23) and The Bell House on March 3.
In addition to records like 1984's The Longest Day and 1985's Boston, Mass, The Del Fuegos were one of the first "cool" bands to be accused of selling out, appearing in a
Budweiser Miller commercial (which you can watch at the bottom of this post) that, if nothing else, inspired the classic Young Fresh Fellows song "Beer Money." Seems kind of silly today, and I'm sure Del Fuegos singles like "Don't Run Wild" and "I Still Want You" have held up pretty well.
The band have recorded a new EP, Silver Star, and you can stream one of its songs at the bottom of this post, where you'll find all Del Fuegos 2012 tour dates.
Another option tonight, over at Union Pool, is Sophia Knapp who you may know from Lights or Cliffie Swan but will release her solo debut on Drag City next week. The press release for Into the Waves offers up "melodic psych pop of the 60's, Tropicalia ballads, chilly '80s New York dance records, and the seduction of Stevie Nicks or Françoise Hardy" as influences but I think it sounds uncannily like the soft-focus pop of late-'70s Olivia Newton John.
You can download two tracks from her album at the top of this post and watch the video for "Nothing to Lose" further down. In addition to tonight's show at Union Pool, Sophia plays a free record release show at Sway on Wednesday, Feb 29 (leap day), and opens for Nite Jewel at Bowery Ballroom on April 24.
Cardinal (Richard Davies on the right)
There are a lot of good shows Friday night (2/24) and we'll start with Richard Davies at Cake Shop. The Australian-born singer fronted cult band The Moles in the late '80s, and whose 1994 album with Eric Matthews, Cardinal, is a baroque pop classic. Improbably, Davies and Matthews made a second Cardinal album, Hymns, that came out last month and basically picks up where the first one left off. It's a little more indie rock and a little less harpsichord and trumpets, but it's recognizably Cardinal. You can download two tracks from Hymns at the top of this post.
Davies will also be playing SXSW next month. He can be hit-or-miss live, but is a legend and worth going to see. Also playing are What Next?, the new band from onetime Cause Co-Motion dude David Klein that also features members of The Beets and Beachniks, so expect some scratchy shambolic (maybe charming) indiepop. Check out one song at their Bandcamp page. Also playing: The Pharmacy and Intuitions.
Montreal's Pat Jordache play Glasslands Friday night (2/24). Pat was in Sister Suvi with Merrill Garbus and though his music is a little more trad-indie than tUnE-yArDs, it's still rather weird. When I saw them at CMJ, they reminded me of '80s goth but their album that dark side isn't quite as pronounced. Maybe it was the two drummer thing. Anyway, Pat Jordache make a cool racket and know how to play to a crowd. They're opening for Javellin which I realize is why most people are going to go to this show, but do get there early for Pat.
Over at Cameo on Friday, Savoir Adore are having a record release party for their Dreamers EP. The single "Dreamers" came out on Neon Gold late last year and expands on their heartfelt, big pop sound. The EP expands that 7" with a bunch of remixes, one of which you can download at the top of this post. The band are going out with fellow Neon Gold acts The Knocks and St. Lucia, touring their way to SXSW and all dates are at the bottom of this post. Savoir Adore are putting the finishing touches on their new album, Our Nature, which will be out later this year.
And finally, Spanish Prisoners are playing Knitting Factory Friday (2/24) with fellow locals Clouder. Spanish Prisoners album from last year, Gold Fools, is still a pay-what-you-want download from their Bandcamp page and is a terrific album if you haven't heard it yet. The band just released a video for "Know No Violence" which you can watch at the bottom of this post. Like pretty much every band in America, they're going on tour next month, stopping in Austin for SXSW, and all tour dates are below.
And that's the main stuff for this week's TWII. A few more day-by-day picks for shows not mentioned already are below
THURSDAY, FEBRUARY 23
We haven't heard from Acrylics in a while. See what they're up to at Cameo, with Kuroma, Tezeo, and Bright Moments.
Get trippy at Glasslands with Prince Rama, Gary War, Future Shuttle, ^w0rm b1n^, plus a DJ set from Gang Gang Dance.
Snowmine wrap up their Pianos residency tonight, playing with Tiny Victories, Decades, and Awning.
by Bill Pearis
Apologies for no day post today, I had a full CMJ day yesterday and stretched myself a little thin. (And I'm thin already.) As I came to realize recently, with CMJ every night is Saturday night and every morning is Monday morning. Anyway, I hope you all went/go to a day show and saw a bunch of free music and maybe had some free booze and snacks somewhere. Maybe our day party?
Speaking of this website, I hope all of you are going to come to the BrooklynVegan Official CMJ showcase tonight at Music Hall of Williamsburg which features a couple repeat players from one of our SXSW shows: Weekend and Braids, both of whom are just fantastic. The band I'm most excited/curious about is Blue Hawaii, a duo that features Braids' Raphaelle Standell-Preston. In between those three bands, we also have Pepper Rabbit (who were great when I saw them at Northside) and Active Child. It's a really solid night of music, tickets are still available, come on down.
But this being NYC and CMJ, there is other stuff going on (which is maybe why you're reading this). At some point in the evening, I'm going to head to Arlene's Grocery for the M for Montreal showcase, which has ten, count 'em, ten Canadian acts performing. Of them, I'm most excited about getting to see Jesuslesfilles again, who were great at the M4M fest last year. Their 2011 album Une Belle Table (streamable below) is still a "name your price" download from Bandcamp and I highly recommend you do. It's somewhere between the Pixies and that first Dandy Warhols albums...but in French. They're great live.
I also really like Pat Jordache who I saw for the first time yesterday. Wearing overalls and wifebeaters, I was expecting maybe something countrified, but with a two-drummer assault it was closer to '80s goth than anything else, maybe a little Wild Beast-y too. (That dark side isn't quite as apparent on PJ's album.) They're pals/colaborators with tUnE-yArDs and, like Merril, have a good sense of showmanship. Check out "Phantom Limb" at the top of this post and stream the entirety of their Future Songs album at the bottom.
There's also Parlovr, The Barr Brothers, Miracle Fortress, TOPS, Philemon, TONSTARTSSBANDHT, Passwords and Peter Peter.
For those who are on a budget and want to keep the day party spirit alive into the night, YoursTruly are presenting a show at Glasslands that is free to you and me. And it's a great line-up of talent: Active Child, Born Gold (formerly GOBBLE GOBBLE), The Stepkids, Araabmuzik, Memoryhouse, Caveman, INC, and Ava Luna. No badges needed. No RSVPing. Just show up. Mind you when it hits capacity -- and it will -- there will be a one-in-one-out policy even if you're just going out for a smoke or some fresh air. You do have to be 21, though. Sorry King Krule.
And for those into dancing and/or "alt-culture," Forcefield PR and Hipster Runoff are presenting the BleepyBloopFest at Cameo with latenight DJ sets from Neon Indian, Teengirl Fantasy, Beach Fossils, Dent May, DJ Taolin, and maybe even HR's enigmatic Carles himself. Will it be relevant/authentic? Possibly. But it will no doubt be a scene. This one is also absolutely free. But also 21+.
Meanwhile at Santos, Neon Gold is putting on two floors of New Sounds, including Australian artist Gotye whose Sting-y sounding single "Somebody That I Used to Know" is a massive, massive hit over there down under, spending eight weeks straight in the top slot. (The longest run in AU chart history since Savage Garden in the '90s.) The video has racked up over 11 million hits.
There whole line-up is impressive. Totally Enormous Extinct Dinoaurs. The Knocks. Savoir Adore. Is Tropical. And many more! $10, less than a buck a band! There's a lot of bang for your buck here, it's all fun, party music. Sad bastards stay home.
Masters of the Hemisphere
And a couple one-off bands I'd like to point out. Georgia indiepop legends Masters of the Hemisphere return after a 10-year hiatus for a show tonight at The Rock Shop. (11:30PM) Check out an MP3 at the top of this post. They'll play again Saturday (10/22) at Bruar Falls if you can't go tonight.
Dark, sultry locals Zaza play their only show of CMJ tonight at Knitting Factory. (Midnight) Overlooked I think, but Zaza do the dark romance thing better than just about anyone in this town and their record is very, very good -- you can stream it at the bottom of this post.
There's a ton of stuff happening tonight and I'm sure I'm missing something huge and awesome, but these are the things I'm considering. What are you going to see?
by Bill Pearis
Thursday, we're in the thick of it now and maybe some of us are already frazzled. Which might explain why this picks post is shorter than yesterday's. Also, we're starting to see a lot of the same bands, so see this as a reminder as to what's happening where. This isn't comprehensive, just what I personally recommend. I've tried to include set times at the bottom of this post for all parties mentioned.
Hopefully you're going to stop by the BV Day Party at Kniting Factory which has Yellow Ostrich, Still Corners, Hundred Visions, Forest Fire, BOBBY, Main Attrakionz and the just added We Were Promised Jetpacks. Yellow Ostrich kicks things off at 12:30, hope you can make it down. There's free PBR & HobNob Wine too for those over 21.
You can make a day of it in Williamsburg, and we wouldn't grudge you for venue hopping. Public Assembly's got the Pop Montreal party today, with Miracle Fortress, Pat Jordache, Teen Daze, Tops, Tonstartssbandht, and Touchy Mob... plus food courtesy Mile End. Maybe some Montreal-style bagels?
Over at Bruar Falls it's the Camper's Rule Records party, with Radical Dads (if you're from out of town, one of my favorite new local bands), plus Fort Lean, Backords, Beat People, Easter Vomit, Yanqui, and Moonmen On the Moon, Man. Plus, you're running out of chances to hang out at Bruar Falls... it closes at the end of the month.
And at The Woods, there's a cool afternoon/early-evening party being thrown by the folks at all-girl-drummer zine Tom Tom, with a great line-up of bands that, yes, all feature ladies behind the kit. There's Baybee Teeth, Coasting, TEEN, The Suzan, Pearl & the Beard, Brute Heart and Satellite Sky. $5 cover for this one. Let's hope the sound has improved from last year's CMJ-week shows, which was a joke.
Of course it's hard to deny the allure of the Lower East Side, what with five or so clubs all within a block or two of each other, making for very easy show-hopping. The two best are on the same Ludlow Block. At Cake Shop, NYC Taper has indie rawkers Mr. Dream, the widescreen pop of Savoir Adore, the dreamy/dusty sounds of Widowspeak, superior psych group White Fence, the dark anthemecism of Hoop Dreams, plus Prussia and Teletextile.
And at Pianos,I Guess I'm Floating and Tell All Your Friends PR have two floors of fun, with a few Canadians (Grimes, Parlovr, Doldrums), one Australian (Little Red), dance music (Beat Connection, Body Language) and lots more. Full schedule is below.
Okay, those are my daytime choices of choice. Flyers and set times, some for shows not mentioned above, are below.
DOWNLOAD: Chelsea Wolfe - "I Let Love In" (Nick Cave Cover) (MP3)
Chelsea Wolfe at Saint Vitus in August (more by Amanda Hatfield)
Stereogum and PopGun are co-presenting a CMJ showcase with Titus Andronicus, Delicate Steve, Chelsea Wolfe, Cuckoo Chaos, Mr. Dream, and Hollerado at Glasslands on October 18. Tickets are $15 with RSVP.
PopGun are also co-presenting the True Panther showcase at Glasslands, the Weird Vibes showcase at Cameo on October 20 with Weekend (who also play the BV CMJ showcase @ MHOW), Headless Horseman, Pat Jordache and others, and the Yours Truly showcase at Glasslands on October 21 with Active Child (who also play the BV CMJ showcase @ MHOW), Born Gold, The Stepkids, Memoryhouse, Caveman, Inc., and Ava Luna. PopGun also do their own showcase at Cameo on October 22 with Teen Daze, Art Vs. Science, and others. RSVP is open for all of the showcases.
Speaking of Chelsea Wolfe, she's got other CMJ shows scheduled including Europa on October 19, the Life or Death CMJ showcase at Cake Shop on October 20, a Pendu/Impose showcase at 285 Kent on October 22, and more TBA. She also recently recorded a cover of Nick Cave & the Bad Seeds' "I Let Love In." You can download that cover at the top of this post. Chelsea and her band also recently performed for an I-N Session. Check out a video of that performance below. In December, she'll go on a North American tour with The Black Heart Procession, though that tour unfortunately does not include any East Coast dates.
All dates and video below...
photos by Toby Tenenbaum
Toro y Moi @ Bowery Ballroom
Toro y Moi, Braids, and Adventure toured through NYC earlier this month, playing two sold out shows at Bowery Ballroom while they were here. Pictures from one of those shows is in this post.
Adventure returns on May 14th to play a show at Glasslands with Pat Jordache. Tickets are on sale. All future tour dates for all three bands and more pictures from Bowery, below...
The Rock Shop may have been open for a couple of months now, but last night's show marked the official party to celebrate the new Park Slope venue (the first show happened a month earlier). The Rock Shop is kind of like a smaller version of the Mercury Lounge (minus the door between the bar and the show space). There's a bar lining the wall as you walk in, and the concert space is in the back. There are even benches lining both walls like at the Mercury Lounge. But the Rock Shop benefits by having additional space upstairs with large open windows that look onto 4th Ave.
For such a small room (max capacity 120) the bill was pretty solid thanks in part to the venue's booker, Skippy McFadden, who formerly booked artists at both the Bell House and Union Hall. Just Sunday night, the 'surprise' headliner, tUnE-yArDs, opened for St. Vincent in Central Park.
But first up was a short set by a last-minute addition, Pat Jordache. Jordache and his two-man backing band (including the drummer of The Acorn) are apparently friends with tUnE-yArDs' Merrill Garbus, who danced a bit in the crowd during their set. With a full line-up of women scheduled for the evening, it was nice to get a little testosterone in the mix, too.
I expected the two main openers to put on a good show, but I hadn't heard a thing about Lady Lamb & the Beekeeper. Given the clunky and cutesy name, I was somewhat skeptical going into the set, but singer-songwriter Aly Spaltro quickly won me over with her beautiful lyrics, husky voice, guitar playing skills, and earnest little kid-like eyes. Unlike the other artists on the bill, Aly powered through her set alone. There were no bells and whistles, just a girl and a couple of guitars, and the result was stunning. Ally's voice is deep and raw. During the dramatic parts of her songs she rocks out on her electric guitar and nearly sings herself hoarse. Then without warning her voice becomes soft and sweet.
Up next was the Brooklyn transplant, Sharon Van Etten, who masterfully crafts heartbreaking (but ultimately triumphant) songs. Sharon began her first song solo, but was soon joined by her backing band, which included birthday girl Cat Martino on backing vox. Her new record, Epic, is slated to drop until October, but she had copies available for sale and showcased a number of songs during her set. The crowd responded fondly to the new material, prompting Sharon to comment, "I've never ever seen people bob their heads to my music before." She encouraged the warm, familial mood in the room by sweetly dedicating a song to her mother, who was present at the show.
Upon the conclusion of Sharon's set, the mood in the room became more frenetic in anticipation of tUnE-yArDs, the main act. After setting up the beat to her first song, "Hatari," Merrill Garbus offered a brief word of introduction. As the beat continued to pulse through the speakers, she inquired, "Can you dance to it?" before continuing, "Not that New Yorkers dance. I know you don't dance. Only in your bathrooms after you've pooped... Oh, New Yorkers don't poop." And with a knowing laugh from the crowd, she began to sing.
It's hard to know what to say about Merrill Garbus' dramatic musical project tUnE-yArDs that hasn't already been said. Either you're down with the tribal-like beats, fierce delivery, and zany presentation or you're talking at the back of the bar. Either way, seeing Merrill perform is an experience. When the stage allows for it, she takes advantage of the space and surrounds herself with a host of musical collaborators, but there was no room for a drum circle on the Rock Shop's small stage. Instead, Merrill handled the percussion herself, looping together upwards of 7 or 8 tracks at a time to create a rich, full-bodied sound. Merrill was also accompanied by Nate Brenner on bass and, for a few songs, a trio of brass players.
Though there were brief technical issues when Merrill began to play "Safety" on the ukulele, the audience didn't seem to mind the lull in the set. "Take your time!" "Just figure it out!" they shouted encouragingly as Merrill tried to rectify the situation. But eventually, she just had to give up. "Sorry. I just can't hear it at all. It just won't work [...] But I'll still play a good song. " And with that, she launched into the whimsical song "News."
Since she currently only has one album under her belt, Merrill has been playing many of the same songs at her shows, and the audience was fairly familiar with her material. When Merrill began to shout the question, "Do you want to live?" she was met by a resounding "YES!" before she had a chance to offer an explanation or a prompt. Fans of tUnE-yArDs will be glad to hear that new music is on the horizon. "This is the last time I will be playing this song ["Hatari"] in New York City before I finish a new album... so there," Merrill declared near the beginning of her set.
Following up her impressively strange debut BiRd-BrAiNs will be a difficult feat, but something tells me Merrill Garbus is up for the challenge.
More pictures from the show with Sharon and Merrill's setlists, below...