Entries tagged with: Paul Epworth
by Bill Pearis
The 85th Academy Awards happened last night (and a little bit into today) with Argo nabbing three Oscars, including Best Picture. Adele and her producer/songwriting partner Paul Epworth accepted the Best Original Song Oscar for "Skyfall" right after the singer performed the song onstage. Kind of weird to see Epworth, who 10 years ago fronted highly-politicized postpunk band Lomax, onstage in a tux. The other music-related award went to Rodriguez documentary Searching for Sugarman. Too bad the couldn't have gotten him to perform as well. He'll be performing in NYC in April for two shows -- both of which are sold out.
In other news, Best Live Action Short went to Curfew which was written and directed by its star, Shawn Christensen, who some of you may remember as frontman of early-'00s band stellastarr* (who haven't officially broken up but are on indefinite hiatus).
There were plenty of other musical performances, though, as last night's ceremony was a themed celebration of "music in films" and featured more singing and dancing than we've gotten in a few years. The highlight for me was certainly the tribute to Bond themes, culminating in Shirley Bassey belting out "Goldfinger" and showing she's still got an amazing set of pipes at age 76. If you missed the very long telecast (over four hours) hosted by Seth McFarlane, the whole thing is streaming at Hulu.
"A HALF-EMPTY venue and a middle-aged audience appeared to suggest that Primal Scream were not as relevant as they'd like to think they are.Primal Scream released their ninth studio album, Beautiful Future, on July 21, 2008. It was produced by "Björn Yttling (of Peter Bjorn and John) and Paul Epworth (who has produced Bloc Party)." The album features special guest appearances from Lovefoxxx (CSS), Josh Homme (Queens of the Stone Age), Lykke Li (also a friend of Bjorn), Victoria Bergsman (The Concretes, "Young Folks"), Maria Andersson (Sahara Hotnights), Linda Thompson, and many others.
Opening the night with the dirge, electro distortion of Kill All Hippies, the band rapidly ploughed through the hits. The set-list featured songs from throughout their vast back catalogue, including Jailbird, Swastika Eyes, Rocks and a smattering of material from recent album Beautiful Future.
Frontman Bobby Gillespie looked as youthful as ever, but didn't really have any real conviction despite his attempts to come over all rock and roll by turning his back on the audience for one track.
Musically, the Scream sounded tight as a band with new member Barrie Cadogan standing out on lead guitar and gelling well with ex-Stone Roses bassist Mani." [a November 25th UK review]