Entries tagged with: Pink Floyd
So here's what happened. Last year, 'The Hoping Foundation' a charity that supports Palestinian refugee kids, (www.hopingfoundation.org) put on a fund raiser at Ronnie Scott's Club in London, the idea of which was to raise money by auctioning karaoke performances by various celebrities. David was there as a supporter and was moved to perform an impromptu rendition of George Gershwin's 'Summertime?' which he performed aided and abetted by supermodel Kate Moss.That apparently means that one show on the Roger Waters "Wall" tour will get the golden David Gilmour ticket. Six of those shows are in the NYC-area.
In the wake of that evening, someone, I think it was David himself, came up with this 'Wouldn't it be funny', idea. What if he (David that is) were to sing the old Teddy Bears song 'To Know Him Is To Love Him' with me (Roger that is), what with us having been so famously at each other's throats for years and years. Get it!!!! Anyway he E-mailed me with this suggestion and I loved it, so then it was just a question of juggling dates and deciding to do 'Wish You Were Here' and 'Comfortably Numb' to round out our little set. Or so I thought, until he sent me a number of very musical and eloquent demos of how we could do the song in two-part harmony. I listened with a sinking heart, knowing that David, with his superior vocal skills, could sing either part standing on his head, whilst I would have to search for a different key and then struggle through hours and hours of routining a performance that lay way outside my vocal comfort zone. To my eternal shame I bottled out and told Dave I would happily do 'Wish You Were Here' and 'C. Numb', but that 'To Know him is to Love him' was beyond me.
Some weeks passed with David cajoling me from time to time, telling me how easy it would be, but I clung resolutely to my fear of failure until one day he made one final entreaty. I quote "If you do 'To Know Him Is To Love Him' for The Hoping Foundation Gig, I'll come and do 'C. Numb' on one of your Wall shows". Well! You could have knocked me down with a feather. How fucking cool! I was blown away. How could I refuse such an offer. I couldn't, there was no way. Generosity trumped fear. And so explaining that I would probably be shite, but if he didn't mind I didn't, I agreed and the rest is history. We did it, and it was fucking great. End of story. Or possibly beginning.
PS. Just heard from David, he will decide in due course which gig he wants to do, it will be a surprise!
Flaming Lips @ Bonnaroo 2010 (The J Train)
"It's not a Bonnaroo set without a wild-card cover version. The Flaming Lips and an allied group, Stardeath and White Dwarfs, played the entirety of Pink Floyd's "Dark Side of the Moon" with no deference at all. With fuzztone bass and wah-wah guitars, a garage-rock kick and non-portentous vocals, it went lurching toward Flaming Lips' disheveled version of madness rather than Pink Floyd's majestic one.You can listen to the Flaming Lips' 2-set performance in NPR's archive. People have also posted it for download.
Wayne Coyne, to stir up the crowd, claimed there was actual money inside some of the balloons released during "Money." Who knows?"
More pictures, various videos, and the setlist from Bonnaroo, below...
photos by Chris La Putt
"Holy shit. If I had only one band to choose to see in concert it would be The Flaming Lips. Best concert I've ever been to, no contest. Friendly people, which makes sense: Flaming Lips fans are some of the friendliest people I know.In other words, just your average Flaming Lips show at Wellmont Theater in NJ last night. More pictures, the setlist of video of the band performing a Pink Floyd cover with opener Stardeath and White Dwarfs during the encore (they'll play Dark Side of the Moon in full again at Bonnaroo), below...
Words cannot do this concert justice. The music, the atmosphere, the smoke, the GIANT balloons filled with confetti that would POP in an explosion of rectangular colored shreds of paper, the dense cloud of pot - so thick you couldn't even smell the person next to you sparking up. And oh, the visuals, the fantastical videos they had, drippy gooey egg yolks, and naked dancing ladies, and naked drum-hitting ladies, and naked ladies dancing on the beach, and laughter, and love, and everything all around. I'm still glowing from the show." [Hilary]
I recently came across this quote of mine from 22 years ago:As promised, tour dates below...
"What it comes down to for me is this: Will the technologies of communication in our culture, serve to enlighten us and help us to understand one another better, or will they deceive us and keep us apart?"
I believe this is still a supremely relevant question and the jury is out. There is a lot of commercial clutter on the net, and a lot of propaganda, but I have a sense that just beneath the surface understanding is gaining ground. We just have to keep blogging, keep twittering, keep communicating, keep sharing ideas.
30 Years ago when I wrote The Wall I was a frightened young man. Well not that young, I was 36 years old.
It took me a long time to get over my fears. Anyway, in the intervening years it has occurred to me that maybe the story of my fear and loss with it's concomitant inevitable residue of ridicule, shame and punishment, provides an allegory for broader concerns.: Nationalism, racism, sexism, religion, Whatever! All these issues and 'isms are driven by the same fears that drove my young life.
This new production of The Wall is an attempt to draw some comparisons, to illuminate our current predicament, and is dedicated to all the innocent lost in the intervening years.
In some quarters, among the chattering classes, there exists a cynical view that human beings as a collective are incapable of developing more 'humane' ie, kinder, more generous, more cooperative, more empathetic relationships with one another.
In my view it is too early in our story to leap to such a conclusion, we are after all a very young species.
I believe we have at least a chance to aspire to something better than the dog eat dog ritual slaughter that is our current response to our institutionalized fear of each other.
I feel it is my responsibility as an artist to express my, albeit guarded, optimism, and encourage others to do the same. To quote the great man, " You may say that I'm a dreamer, but I'm not the only one."
- Roger Waters, 2010
by Klaus Kinski
To say I have an eclectic taste in music would be a gross understatement, and I think that sentiment applies to most people these days. But the one band that has remained at the top of my musical heap has been Pink Floyd. Starting in about 1990, I would buy any Pink Floyd related item I could get my hands on. I would spend entire weekends going to every record store in Boston and Cambridge, buying anything and everything I could find. Then eBay opened up a global Pink Floyd market to me and I spiraled out of control. Financial necessity forced me to liquidate a large portion of my collection a few years back and I don't buy any more stuff, but I've still got many prized Floyd items as well as all kinds of CDs, bootlegs, and other rare recorded material. I also still avidly follow anything pertaining to Pink Floyd, David Gilmour, Syd Barrett, Rick Wright and, more than anything, Roger Waters.
By far, my favorite member of Pink Floyd is Roger Waters. As far as I'm concerned, when Roger Waters left Pink Floyd, Pink Floyd ceased to legitimately exist as Pink Floyd. Of course, I bought Momentary Lapse of Reason and The Division Bell when they were released. And how could any self-respecting pothead Masshole miss The Division Bell tour when it came to Foxboro Stadium? But those albums didn't FEEL like Pink Floyd, and I think Roger was being too polite when he called Momentary Lapse of Reason "a pretty fair forgery." In addition, while David Gilmour and Rick Wright solo records are just plain cheesy and self-indulgent (and don't get me started on Nick Mason's wtf-inducing record Fictitious Sports), Roger was always trying to create a larger musical narrative. As a matter of fact, the political and social commentary of Amused To Death is probably more relevant now than it was in 1992.
I saw Roger in 1999, twice in 2000, and twice in 2007 when he was touring Dark Side of the Moon. What's his next move? On Monday April 12th, 2010 at 2:00pm EST [editor's note: which is less than an hour from the time this is being posted, though Klaus actually wrote this last week], Roger Waters will be formally announcing a 2010 tour (update: NOW ANNOUNCED) of his epic masterpiece The Wall on his newly designed official website roger-waters.com. For years there has been speculation that this tour would happen eventually, and then a few months ago Roger's official website went from having Roger Waters content to simply having a Sony Logo on it. I had a feeling then that a redesign was in the works, and that the redesign would no doubt unveil some pretty awesome news.
In the meantime, if you DO want to see a pretty decent forgery of Pink Floyd, check out The Machine on Saturday June 19th on their Rocks Off Boat Cruise. I mean, they're no Australian Pink Floyd, but they're still good!
UPDATE: Dates announced.
Klaus hopes he doesn't sound like this guy....
"Struggling music group EMI faces being taken over by its bankers after failing to clinch a deal to sell the North American distribution rights for its artists to Universal Music Group or Sony Music... The collapse of talks leaves EMI battling to raise 120 million pounds by mid-June to meet its commitments on loans from U.S. bank Citigroup... Adding to the company's woes, Pink Floyd successfully sued the company for selling individual tracks digitally and Chief Executive Elio Leoni-Sceti quit the group last month after just 18 months in the job." [AP]
Fischerspooner @ MoMA in November (more by Ryan Muir)
Speaking of New Year's Eve, shows for the night are coming together. Some NYC NYE events we've mentioned before include Patti Smith's multi-night run at Bowery Ballroom (sold out), Dean & Britta then The Felice Brothers at Southpaw, Antibalas at Knitting Factory, The Obits & Eli "Paperboy" Reed at The Bell House, Roky Erikson at Maxwell's, Clutch at Starland Ballroom, and The Detroit Cobras & The A-Bones then Titus Andronicus at Mercury Lounge.
Some we haven't mentioned include Lee Burridge at Santos Party House (tickets), Trouble & Bass at Europa (flyer below), Alice Smith at Joe's Pub (tickets), and Chuck Berry (who replaced the Dan Band) at BB King's (tickets - early and late). Tons of jam-friendly options this year: Soulive at Music Hall of Williamsburg, The Word at Terminal 5, Gov't Mule at the Beacon, The Disco Biscuits at Nokia Theatre, and most importantly, Mariah Carey at Madison Square Garden.
Phish have a four-night run in Miami.
For other out of town shows, The Black Keys and Kurt Vile play Chicago, where Jesus Lizard are also doing multiple nights and Jens Lekman is at the Empty Bottle (for three nights in a row actually). Girl Talk also plays Chicago that night- a sold out show at The Congress Theater. Crystal Castles are at Logan Square Auditorium. (Chicago wins)
Guns n Roses cover band Mr. Brownstone are playing Boston.
Pink Floyd cover band The Flaming Lips will be in Oklahama City's Cox Center, where they'll perform Dark Side of the Moon in full at midnight. They'll be assisted by OK's Stardeath and White Dwarfs. Flaming Lips are also reportedly planning an iTunes-only release of their own version of the album.
The Flaming Lips flyer, other flyers, and all Fischerspooner tour dates, below...
Nick Mason, Syd Barrett, David Gilmour, Roger Waters, & Richard Wright
today in NYC & NJ
* Les Paul @ Iridium
* Ron Sexsmith @ Maxwell's
* Glacial at (le) poisson rouge
* Andrew WK @ Santos Party House
* Tommie Sunshine @ Gramercy Theatre
* Trouble & Minsk @ Knitting Factory
* Human Highway and Becky Stark @ Cake Shop
* Laura Marling & Johnny Flynn @ Bowery Ballroom
* The Jim Campilongo Electric Trio @ Living Room
* Amazing Baby, Sian Alice Group & A Place to Bury Strangers @ MHOW
Ron Sexsmith is playing Bowery Ballroom on Tuesday.
Q-Tip has a free show coming up.
Wellmont Theatre tickets went on sale.
Richard Wright, a founder member of Pink Floyd, has died at the age of 65 after battling cancer, his spokesman said.
Wright played the keyboard with the legendary band and wrote music in classic albums such as Dark Side Of The Moon and Wish You Were Here.
His spokesman said: "The family of Richard Wright, founder member of Pink Floyd, announce with great sadness, that Richard died ... after a short struggle with cancer. The family have asked that their privacy is respected at this difficult time."
Wright's spokesman did not say from what form of cancer the star had been suffering.... [The Press Association]
2.4 milies, about 5 minutes
Susan Stolz called The Desert Sun this morning saying she and her husband found a glob of vinyl in their driveway yesterday at the Hideaway Golf Club in La Quinta. Not sure what it was, they threw it away. This morning, they read about the missing pig in the newspaper and e-mailed the following to Coachella organizers.
"It is entirely possible that I have at least part of your pig. My husband and I live at the Hideaway. We found a large pile of plastic yesterday morning on our driveway. It has some blue, yellow and silver paint. I must warn you that it is not in good shape. Maybe the balloon exploded or something. However, if you'd like to check it out, just let me know. "
the pig, pre-escape (more by Ryan Muir)
Anonymous wasn't kidding! As you can see in the video at the end of this post, Roger Waters' pig got loose at Coachella on Sunday - it just zig zagged away, never to be seen again. Although it sounds like a practical joke, I'm pretty sure this press release I just got is real....
COACHELLA ORGANIZERS OFFER $10, 000 REWARD AND FOUR FESTIVAL TICKETS FOR LIFE IN EXCHANGE FOR THE SAFE RETURN OF THE INFLATABLE PIG THAT ESCAPED DURING SUNDAY HEADLINER ROGER WATERS' SETWatch it happen in the Coachella video below...
COACHELLA organizers are offering $10,000 and four (4) festival tickets for life in exchange for the safe return of the two-story inflatable pig that broke loose during Roger Waters' set on the final night (Sunday, April 27) of the 2008 COACHELLA VALLEY MUSIC & ARTS FESTIVAL. The pig escaped and floated into the desert sky just prior to the intermission between Roger Waters' back-to-back sets--marking the only back-to-back COACHELLA sets by one artist in the critically acclaimed festival's history.
Anyone with information on the lost pig, should email email@example.com.
photos by Ryan Muir
Roger Waters headlined the main stage of Coachella on Sunday
Perfected after a week of rehearsals at the Forum arena in Los Angeles, all of it was matched with the sort of special effects and spectacular images Waters and Pink Floyd are known, like the giant inflatable pig covered in graffiti ("Don't be led to slaughter") that floated above the crowd during "Sheep" to explosive sparks of electric guitar by Dave Kilminster before being allowed to break free as spotlights crisscrossed the sky. Waters' night ended with songs from The Wall, with fiery virtuosic soloing by violinist Lili Haydn taking over Gilmour's original leads on "Comfortably Numb." During "Run Like Hell," a pair of dudes in baggy shorts responded on the grass with a lengthy interpretative dance -- falling to one knee, finger pointed in the air, stepping forward and back, bowing and swinging their hips -- a routine no doubt practiced back home between multiple bongloads. [Rolling Stoned]He played 'Dark Side of the Moon' in its entirety (as he has done many times before). More pictures below...
The indie-rock kids of Coachella are in store for a classic-rock moment this April: Roger Waters of Pink Floyd will re-create the band’s trippy 1973 masterpiece “Dark Side of the Moon” on the festival’s main stage, which also will feature the Raconteurs, the Verve, Jack Johnson, Kraftwerk and a reunion of Portishead.Entire lineup and poster below....
The ninth edition of the Coachella Valley Music & Arts Festival will take over the Empire Polo Field outside the dusty town of Indio from April 25 through 27. The 125-act lineup was announced Monday afternoon at a press conference in Mexico City with Death Cab for Cutie, My Morning Jacket, Love and Rockets, and Justice among the names on the bill along with M.I.A., the Breeders, Rilo Kiley, Sasha & Digweed, Café Tacuba and Fatboy Slim. Tickets will go on sale at 10 a.m. Friday. [LA Times]
new.... (as seen here)
DOWNLOAD: Dan Deacon - The Crystal Cat (MP3)
* Dan Deacon, Yeah Yeah Yeahs & Todd P appear in the NY Times
* Dan Deacon gets "Best New Music" the same day
* A whole bunch more assorted Dan Deacon MP3s
* Even more Dan Deacon MP3s & video
* David Bowie & Sting opening burlesque haven
* A look inside Tim Harrington's apartment
* Pink Floyd played at Syd Barrett tribute show, sort of
* Sinead O'Connor is playing Joe's Pub - way sold out of course
* Olivia d'ABO = Karen Arnold on the Wonder Years
* Olivia D'abo is playing the Living Room
DOWNLOAD: Olivia D'abo - Broken (MP3)