Entries tagged with: Pitchfork
by Andrew Sacher
Angel Haze at Villain - 10/19/12 (via @wolverskulkbrecht)
Rapper Angel Haze was on when I walked in and she was probably the best act I saw at the whole show. She delivers with a fast, fierce flow and is a way confident performer. She has a style that will definitely appeal to hip hop purists, eschewing the slow flow of cloud rap and only using pre-recorded vocals if it benefited the song, not as a vice. But though she ignores current trends, she isn't overtly a throwback rapper either. Angel Haze is just a refreshing reminder of the levels that rap can be taken, something that really comes across in her powerful new song.
Hundred Waters at Villain - 10/19/12 (via @twodegreesinbebop)
Up next was Hundred Waters, one of my most anticipated bands for this year's CMJ. I'm not trying to draw any grand conclusions about their signing to Skrillex's label, which I'm still scratching my head about, but I will say that after seeing them it makes a little more sense why he would be interested. Though their album reminds me of a slightly more electronic Joanna Newsom, they're a lot louder and bassier at their shows. There's a noticeable split on stage -- the two girls stay on the left and if it was just them, they'd sound like a forgotten psych folk duo from the late '60s, and on the other side of the stage, the three guys handle drums, bass, and synths, vibing like an edgy jamtronica band. It's a weird mix, but it often meshes really well.
Hundred Waters were followed by Le1f, who I had seen the night earlier at the Studio at Webster Hall. Le1f fit in a lot better on this lineup than he did with the mostly hardcore rap lineup of the Studio show, and the larger crowd were way more into him in this environment. I'm still more a fan of his head knockers and the slower ones wash over me a bit, but still a fun set to watch.
Daughn GIbson was up next, and like Hundred Waters, his strong point is his eclectic mix of sounds. He played mostly off of his debut album, All Hell, which came out earlier this year via White Denim (he's since signed to Sub Pop) and combines gothic country with downtempo electronic music. While other beatmaker/singers like James Blake prefer to sit at their piano and let the music do the talking, Daughn is a natural born frontman and couldn't help but perform like a melodramatic barroom singer.
Then Merchandise played, after which I stuck around for a few songs by Holy Other. His new album, Held, is one of my favorite electronic releases of the year and Holy Other is really on some next level shit, but admittedly isn't much of a live act.
After I left, the crowd was treated to sets by METZ, DIIV, Joey Bada$$, and Death Grips. You can watch some videos from the show below.
by Andrew Sacher
Merchandise at Bowery Ballroom - 10/21/12 (via BrooklynVegan Instagram)
On Friday night (10/19) during CMJ, I made my way over to Brooklyn warehouse Villain, which has recently begun hosting shows, for Pitchfork's unofficial CMJ showcase. The venue's a pretty decent size, but with the wall running down the middle which separated the stage from the bar area, they could only let in 300 people. It's a nice location though, and they had great visuals for every artist, projecting footage of them performing blurred with trippy imagery onto the white wall behind the stage. I got there about a half hour before doors and was told that by the second act, the venue was at capacity, though with the always-crowded smoking pit and bar area, the crowd never felt too dense and it was easy to make your way to the front. I was there for about half the show and saw Angel Haze, Hundred Waters, Le1f, Daughn Gibson, Merchandise, and Holy Other. The whole lineup was great, but my main reason for going was to check out Merchandise, whose only other show this week was a post-CMJ show at Bowery Ballroom last night (10/21) (pictured above), so I'll start there.
Merchandise have been around for a few years, but they gained a significant more amount of attention this year with their impressive Children Of Desire album. And the tunes sound great on record, but the band are still without a permanent drummer and when they tried to pull it off with a drum machine at Villain on Friday, it just didn't cut it. I spent most of their set in the front and their amps were twice as loud as the drum machine (it was a bit better in the back). I've heard people like to mosh at Merchandise shows and there were a few attempts at a pit, but with such a lack of power in the band's sound, I couldn't see the motivation for one. And when frontman Carson Cox demanded the crowd "wake up," it was hard to really agree that the crowd was at fault here. To give credit where it's due, all three members of Merchandise who were on stage were great. They had totally driving bass, sharp guitar lines, and Carson's voice was just as romantic as it is on record and it's still the band's selling point -- they just need a drummer to give them the push they deserve.
A video of Merchandise from their set at the Pitchfork showcase is below.
Car Bomb at CMJ 2010 (photo by Fred Pessaro // BBG)
Car Bomb will headline the Pitchfork-Show No Mercy unofficial CMJ event that will go down on October 20 at 285 Kent, tagging Batillus, Pyrrhon, Primitive Weapons and Theologian plus "special guests." Tickets are on sale. The show is one of three Pitchfork shows announced during CMJ.
Car Bomb have decided to go it alone with w^w^^w^w, their new album and first release since leaving Relapse Records. Stream all of that LP below and order the CD/vinyl via the band (due in "mid-October").
The show is the same night as the $5, complimentary-while-supplies-last PBR/Sailor Jerry/Mercy-drink, BBG showcase at Saint Vitus featuring exclusive CMJ appearances from Yakuza, Royal Thunder, Enabler, Fight Amp, Helen Money and Sannhet. Tickets are on sale.
Pitchfork flyer and LP stream are below.
Death Grips at Coachella 2012 (more by David Andrako)
As mentioned, Death Grips are also playing a NPR-presented CMJ show with Flying Lotus at Le Poisson Rouge on October 17. That bill also includes Ali Shaheed Muhammad (of A Tribe Called Quest) and since we last spoke Buke & Gase were added as well. The show is free with "confirmed RSVP", which opens TODAY (10/9) at 10:45 AM (aka really soon). Act quick.
We already mentioned that Death Grips and LE1F are playing Pitchfork's CMJ showcase at new Brooklyn warehouse venue Villain on October 19 (50 N 3rd St). Now the full lineup is out and it also includes DIIV, Joey Bada$$, Holy Other, METZ, Merchandise, Daughn Gibson, Hundred Waters, and Angel Haze. The show goes from 8PM to 3 AM and is totally free to the public, but there will also be 200 priority tickets being given away at the Topman store (478 Broadway in SoHo) "on Wednesday and Thursday between 10 AM and 9 PM."
Pitchfork is also teaming up with MoMA PS1 to present a show in the VW Performance Dome on October 20 (22-25 Jackson Ave, Long Island City) with Andy Stott, Chairlift, and Doldrums, which runs from 3-6 PM. That show is free with museum admission.
Pitchfork's metal column, Show No Mercy, is also presenting an unofficial showcase during CMJ.
The fliers for both Pitchfork shows are below...
Death Grips at Coachella 2012 (more by David Andrako)
As mentioned, Death Grips are finally going on tour this fall and will be in NYC for a show on November 12 at Music Hall of Williamsburg. Tickets for that show just went on sale. The group will also be in NYC even sooner than that for CMJ, where they'll play the previously discussed show at Le Poisson Rouge on October 17 with Flying Lotus.
It's now been announced that Death Grips will also play the Pitchfork (who just awarded their new album an 8.2 today) showcase at new Brooklyn warehouse venue Villain on October 19 (50 N 3rd St), the same venue that the Brainfeeder showcase happens on October 10 during Flying Lotus' NYC takeover. More acts and details for the Pitchfork showcase (like how to get tickets) TBA.
A list of updated Death Grips dates is below.
photos by Fred Pessaro // BBG
The 2012 Pitchfork Music Festival kicked off in Union Park on Friday (7/13) afternoon after heavy rain slightly delayed the opening of the gates. Rain continued to be a theme of the day, but it couldn't stop the fun. Local garage rock greats Outer Minds played the first set, and the first great set of the day, followed by Jana Hunter's Lower Dens across the park which was the first set streamed live. The webcast continues today, Sunday, with Ty Segall, Real Estate, Chavez, Vampire Weekend and more.
More recaps from the weekend coming. For now, here are the pictures from Friday. One set is on BV Chicago. Another is here on BrooklynVegan, and they continue below...
On the roof at 47 Wooster St. for Pitchfork-presented Ryan McGinley opening.
There may be a surprise. (Ryan Schreiber)
Atlas Sound performing 'Te Amo' on the roof at 47 Wooster St, NYC
for Pitchfork-presented Ryan McGinley open (Ryan Schreiber)
Atlas Sound plays acoustic set in gallery after NYC cops
force performance indoors due to noise complaints (Ryan Schreiber)
"An exhibition of new work from the photographer Ryan McGinley opens this Wednesday at Team Gallery in SoHo. Technically, it's two exhibitions, because the gallery has two spaces, one at 83 Grand Street and one around the corner at 47 Wooster -- and McGinley's pictures will be at both. The Grand Street location is showing "Animals," studio-made photos of various creatures interacting with naked humans in sometimes cute and sometimes provocative ways. Wooster Street, meanwhile, has "Grids," photos taken at music festivals all over the world, including pictures from Bonnaroo that we commissioned for our Look pages last year." [NY Times]Atlas Sound is also DJing Glasslands this Saturday (5/5), after playing a set at BAM as part of the three day Crossing Brooklyn Ferry which begins TONIGHT (5/3).
In related news, Lotus Plaza just announced a tour. All Atlas Sound dates, including another Pitchfork event, are listed below...
by Bill Pearis
Hot Chip have signed to Domino Records who will put out the band's fifth album, In Our Heads, which will be out June 12 in all the popular formats. It will be the band's first since 2010's One Life Stand.
Hot Chip's only American show scheduled at this point is the Pitchfork Music Festival in Chicago on July 13, but a NYC show before or after seems likely. No music yet (or album art) at this early juncture, but the tracklisting is at the bottom of this post.
2012 is a busy year for Hot Chip, in and out of the group. Joe Goddard is one half of The 2 Bears whose debut album, Be Strong, came out back in January and is one of the more fun, danceable albums of the year so far. (You can stream it on Spotify.) Felix Martin and Al Doyle are two-thirds of New Build whose debut (very Roxy Music) is out April 3 via the band's own Lunark Recordings. New Build will be at SXSW and play Mercury Lounge March 13 and 14.
Tour dates and audio streams for New Build are below, plus 2 Bears videos and the In Our Heads tracklist...
by Andrew Sacher
Last week, Pitchfork posted their much anticipated top 50 albums of 2011 and their top 100 tracks of 2011. It's no huge surprise that Bon Iver took best album and that M83 took best track with "Midnight City," but some other choices were a little less expected.
PJ Harvey, who was basically unanimously the UK's choice for album of the year (says NME, Uncut, Mojo, The Guardian, and the Mercury Prize, among others) came in at #4, making it her first album of the new millennium to end up on a Pitchfork year-end list. Odd Future's Frank Ocean's Nostaliga, Ultra came in at #35, while the crew's ringleader Tyler, the Creator's Goblin was nowhere to be found (though "Yonkers" was named the 16th best track). The King of Limbs was the first Radiohead album released during Pitchfork's existence that didn't make the year-end list. Wild Flag and SBTRKT both released albums that initially surprised us by not getting "Best New Music" but have both ended up in the top 50. Liturgy's Aesthetica, which didn't end up on Pitchfork's best metal albums, though it was given an honorable mention, where Brandon Stosuy wrote, "In many ways it was the album of the year," came in at #41 on the top 50, the only metal album on the list.
As for the top 100 tracks, as usual, the higher rated tracks were pretty pop-dominated, with Nicki Minaj beating out the bulk of this year's indie rock. Some other odd ones made the list like Britney Spears, Kreayshawn, and Soulja Boy, but there were also some great tracks that went a little overlooked this year like Action Bronson's "Larry Csonka," Cities Aviv's "Coastin'" and Peaking Lights' "All The Sun That Shines" that made the list.
Both lists can be quickly viewed below...
Pitchfork offshoot Altered Zones has called it quits...
Dear friends,RIP Altered Zones.
Today, the road comes to an end. We are saying goodbye.
Altered Zones was launched in July 2010 with the mission of highlighting small-scale DIY music from all over the world, and we couldn't be more proud of the work we've done together during this past year and a half. We've helped new artists on the fringes of experimental music find likeminded fans, we've thrown a series of amazing events, and most importantly, we've built a community of devoted listeners seeking new and relatable voices outside the sphere of popular independent music.
This site began as a tight-knit collective of 14 music blogs with a common goal, but as many of our original contributors moved on from their blogs to start labels, run venues, create zines, and make music of their own, that original group has become increasingly splintered. We love what we've built, and the idea of it remaining as a sort of time capsule of this particular era of music feels right.
We don't view Altered Zones closing as an end in itself, but rather the end of one chapter and the opening of another. AZ editors Ric Leichtung and Emilie Friedlander will contribute to Pitchfork, and will launch a new project together called Ad Hoc in 2012. In the meantime, Altered Zones will be signing off tomorrow and Friday with our favorite quotes, songs you might've missed, and albums of 2011.
Thanks to everyone who counted themselves as a loyal reader of this site-- you are who we built this for. Thanks to everyone who contributed-- it could not have existed without you! And thanks to Pitchfork for creating and supporting this site since its inception, and for making it all possible in the first place. Happy 2012. We'll see you all again very soon...
Seven Sisters of Sleep at A389 2011 (more by BBG)
Seven Sisters of Sleep (mems Tafkata) are two for two with releases in 2011, dropping both their excellent debut and their similarly crushing split with Children of God this year. Get both at A389. Though no full East Coast trek has been planned, Seven Sisters of Sleep will join the great All Pigs Must Die, labelmates Low Places, and NYC's Grudges for an NYC date at Acheron on 1/20, just a few days after the always awesome A389 Anniversary show at Sonar in Baltimore with Eyehategod, Gehenna, and many others.
All Pigs Must Die was recently given an "honorable mention" in Pitchfork's top metal of 2011 list (though no shout out for Seven Sisters of Sleep). Check out the full list, along with some streaming APMD material and a few videos below...
Pitchfork Fest (more by Dominick Mastrangelo)
The online music magazine that runs the Pitchfork Music Festival in Chicago -- the influential outdoor showcase for indie bands -- has plans to start a new festival in New York City next February, teaming up with the one of city's largest music promoters, The Bowery Presents.
The new festival in New York will be called "Pitchfork Presents: Forms" and will include works by visual artists and game designers at galleries, museums and unconventional performance spaces around the city, along with four days of performances at clubs run by Bowery Presents, organizers said.
Christopher Kaskie, the president of Pitchfork, said his company had been seeking a way to do a festival in New York for several years, but did not think a large, outdoor event at a park, like the Chicago festival, would be successful in a city with such a crowded social calendar and so little public space.
"We never thought that kind of a model would really work that well in New York," he said. "We've been strategizing for a number of years on how we could come up and do a festival that was impactful and unique."
The decision was reached earlier this year to do most of the events inside at established clubs and to incorporate more visual artists and independent video-game designers into the mix, creating some multimedia events. "It's going to be more of an urban festival," he said.
John Moore, a partner in The Bowery Presents, said the lineup of bands for the concert had not been determined, but he expects to book between 50 and 75 acts, all in the indie vein. Passes to the entire festival will be available, but people may also buy a ticket to a single night of performances one of the promoter's clubs - The Music Hall of Williamsburg, the Bowery Ballroom, the Mercury Lounge and Terminal 5. The prices for tickets have yet to be announced. Those tickets will be in the $15 to $30 range. Some of the multimedia events at galleries, museums and unconventional spaces during the day will be free, he said. [NY Times]
UMO @ the recent Vice party (more by Ryan Muir)
As just mentioned, both DOM & Unknown Mortal Orchestra will make appearances in the "SmartLounge" at Thompson Hotel in NYC during CMJ. Both artists also play a Pitchfork/Brooklyn Brewery-sponsored event at the Aloft hotel on Duffield Street in Brooklyn on Saturday, 10/22. Unknown Mortal Orchestra plays later that same night at Brooklyn Bowl with Givers, Free Energy and others.
In November DOM heads out on tour with Architecture in Helsinki.
Unknown Mortal Orchestra are still currently on your with Toro y Moi and will tour in Novmeber with Gauntlet Hair who are also coming for CMJ. All UMO dates below...
MIA at Brooklyn Bowl (more by Chris Gersbeck)
M.I.A. released ("leaked") a new mixtape at 7pm EST on New Year's Eve. It features b-sides and rarities and is called Vicki Leekx. The nineteen song mix (which is actually a single track) features production from M.I.A., Danja, Munchi, Diplo, Blaqstarr, Switch, Rusko, Sugu Arulpragasam and So Japan.. Download it for the price of an email address.
Vicki Leekx (rhymes with Wiki Leaks) is the follow-up to 2010's / \ / \ / \ Y / \, which was recently awarded 5th "Most Underrated Album" of 2010 in the Pitchfork Readers Poll. MGMT were #1 on that list. MGMT were also #14 on the list of "Most Overrated" artists, and they have a new release this week too. Daytrotter released a live session by them today.
You can probably guess who got #1 on the "Most Overrated" list. Both Pitchfork lists in full and the VICKYLEEKX track list, below...
And the winner is... (obviously) Kanye West. Pitchfork posted their annual much-talked-about list of the best albums of 2010. Much like Rolling Stone, SPIN and others, Kanye's new album topped the list. Pitchfork's recipient for best song of the year, Ariel Pink, landed the 9th best album. Wavves, who they dissed pretty hard in 2009, was given the #50 spot this year (Best Coast got #39). Metal was represented by Kylesa at #44 (BBG's #21). You can scan the whole list below...
To be clear, Kanye West is not Michael Jackson. As he told MTV last month, "I do have a goal in this lifetime to be the greatest artist of all time, [but] that's very difficult being that I can't dance or sing." He ended the thought with a laugh, but you get the impression he's not kidding. Unlike Michael, he's not interested in scrubbing away bits of himself-- his blackness, his candidness-- to appease the masses. And while Jackson's own twisted fantasies of paranoia and betrayal eventually consumed him whole, West is still aware of his illusions, though that mindfulness becomes increasingly unmoored with each newspaper-splashing controversy. The balance is tenuous, but right now it's working to his advantage. On Twisted Fantasy, Kanye is crazy enough to truly believe he's the greatest out there. And, about a decade into his career, the hardworking perfectionist has gained the talent on the mic and in the control room to make a startlingly strong case for just that.PREVIOUSLY: NY Times says Kanye West 'seems virtually incapable of making a bad album'
[Ryan Dombal, Pitchfork, Best New Music]
Matthew Dear @ MHOW in 2008 (more by Bao Nguyen)
As mentioned, Pitchfork will be hosting three days of shows at Brooklyn Bowl during, but-it-looks-like/probably completely unaffiliated with, CMJ this year (Thursday/Friday/Saturday CMJ week). "Brooklyn Bowl is located at 61 Wythe Avenue between N. 11th and N. 12th streets. The festival starts at 2 p.m. each day, with doors opening at 1 p.m. Tickets are $10, both in advance and day of the show." They're calling it the #OFFLINE Festival.
Based on the lineups and start time, it looks like each #OFFLINE day will be about a 12 hour show. No set times yet though, but the full lineups and ticket links are below...
Matthew Dear is one of the biggest names on the list (he plays Saturday), and it will be one of three CMJ week shows for Matthew. His first is Friday night at Webster Hall with Jamaica and Dominique Young Unique. His third is later on Saturday at Public Assembly for the FIXED/Making Time Party with Matthew Dear, Crocodiles, Holy Ghost!, Javelin, Gold Panda, Jamaica, and Kisses.
The FIXED/Making Time party starts after the BrooklynVegan party which is also happening at Public Assembly that same day. Just to be clear:
SATURDAY OCTOBER 23RD
* BrooklynVegan @ Public Assembly 12-6pm (free - more details TBA)
* FIXED/Making Time @ Public Assembly 9pm-late (tickets)
* Pitchfork @ Brooklyn Bowl 2pm-late (tickets)
* BrooklynVegan metal @ Union Pool 7pm-late ($5.00 or CMJ badge at the door)
We (BrooklynVegan) will also be at Public Assembly all day on Friday, October 22nd (details TBA), and at Music Hall of Williamsburg on the Thursday night.
All Matthew Dear tour dates (many of which we previously posted including a November show at MHoW), and the Pitchfork #OFFLINE Fest info, below...
Marnie Stern @ the Rock Shop on 10/5 (more by Amanda Hatfield)
Marnie Stern @ CMJ 2010
Oct 20 2010 6:00P - CMJ Terrorbird @ Cake Shop
Oct 20 2010 11:00P - CMJ Stereogum/PopGun @ Santos Party House
Oct 21 2010 10:30P - CMJ Kanine Records @ The Pyramids
Oct 22 2010 3:30P - CMJ Redeye/Village Voice @ Bowery Electric
Oct 22 2010 5:30P - CMJ Pitchfork @ Brooklyn Bowl
Oct 23 2010 12:00A - CMJ NME @ The Delancey
Oct 23 2010 ?:00P - CMJ Brooklyn Vegan @ PUBLIC ASSEMBLY
(Pitchfork will apparently be at Brooklyn Bowl for Thursday, Friday and Saturday)
(save the dates!)
photos by Benjamin Lozovsky
"This M.I.A. album is unforgivable. Y'all put her on the cover of your magazines before actually hearing this thing, right?" - Chris Weingarten
"every1 who came 2nite to PS1 TO REP the LP Release party THANK YOU! I LOVE YOU! !!!!!! i dint get to say it coz the cop turn my sound off!.." - _M_I_A_
M.I.A. @ The Creators Project in June
"The record is a shambling mess, devoid of the bangers that characterized Arular and Kala, two of the stronger pop albums of the past decade. It aims to capture a technological and cultural zeitgeist in its over-stimulated, digitally degraded sound, but the songs are too flimsy to carry her bold conceit. Without compelling tunes, the obnoxious public antics, dubious political messages, and thin voice that had grated on her naysayers have become impossible for even dedicated fans to ignore. It's as if everything that was great about M.I.A. has been stripped from this music, leaving behind only the most alienating aspects of her art and public persona." [Pitchfork (Matthew Perpetua) gave / \ / \ / \ Y / \ a 4.4]M.I.A.'s new album is streaming on MySpace.
M.I.A.'s next NYC show is on Governors Island.
M.I.A.'s last NYC show was at PS1 last night, Sunday, July 11th, sort of. As previously mentioned, she was only scheduled to play a very short set, and as you can see by her tweet above, that set was cut even shorter (by actors pretending to be cops. just kidding! well, you never know).
interview by Billy Jones, top photo by Ryan Muir
Dom, pictured above playing at a party inside Pitchfork's Brooklyn offices on Tuesday night, are in town to play two Northside Festival shows. The first happens tonight, Thursday, June 24th, at the Knitting Factory. Dom opens for Cloud Nothings and WAVVES. That show is sold out. After that it's Saturday night at Music Hall of Williamsburg aka the BrooklynVegan showcase with Zaza, Twin Sister, and Memory Tapes. That one still has tickets available. Both shows are also accessible with a Northside Festival badge (first come, first served, capacity permitting, etc).
Billy Jones (you may have read his recent interview with Dave Sitek) caught up with Dom (the person) via gchat on Wednesday. They talked about Dom (the group), the Pitchfork party, Cults, gingers (they both are), Total Slacker, salvia, Party Expo, merch and more...
Billy: sup man
Dom: nothing much. chillin.
Billy: i am ginger
Dom: sick! u kno we are less than 10 percent population
Billy: have you seen the M.I.A. video?
Dom: yes i have
Billy: how do you feel about mia? i am left handed and ginger. fucked.
Dom: i love mia. yeah i wasnt really moved one way or another by the vid. great concept, butttt, i could have done it better
The Very Best @ Santos Party House in November (more by Benjamin Lozovsky)
The Very Best will be playing shows in North America leading up to SXSW, where the group has sets scheduled including the Pitchfork official showcase at The Scoot Inn on March 20th, and additional shows around Sasquatch in May (and the Roots Picnic in June). Those dates, the full Pitchfork party lineup, and videos are below...
Animal Collective @ ATP NY (more by Ryan Muir)
So how the hell did Merriweather Post Pavilion-- an album closer in spirit to the sub-aquatic psychedelia of 2005's Feels and Panda Bear's 2007 solo Person Pitch than its predecessor-- wind up in the Billboard Top 20 and outsell both the Arctic Monkeys and Franz Ferdinand's most recent albums in North America? That mystery is ultimately the most wonderful thing about the album. Unlike so many indie-rock crossover artists before them, Animal Collective did not breach the mainstream by cleaning up their act, or adopting classic-rock conventions, or scoring a strategic soundtrack or iPod-commercial placement. And, above all, they did little to formalize their defining mercurial quality. [Pitchfork]Pitchfork posted their Top 50 Albums of 2009.
Animal Collective is DJing the Museum of Natural History in January.
DOWNLOAD: Big Boi f. Gucci Mane, "Shine Blockas" (MP3)
In theory, she was an artist you want to root for-- all these ideas about art and celebrity and a flair for the dramatic. But the first few singles made the Lady Gaga project feel so presumptuous, her artsy entitlement overwhelming her songs' occasional strengths. "Bad Romance" was the moment where the music didn't just live up to the (self-inflated) hype, but surpassed it. The track is epic in construction-- by the time she gets to the bridge, more than three minutes in, the realization that there are hooks yet to come is thrilling. It helps that RedOne's production matches the songwriting's torrential drama; the churning, earth-shifting low-frequency synths are a programmatic reflection of the singer's unsteady, perhaps unwise, infatuation. But it's Gaga's performance, the wholly unapologetic fools-rush-in carnal energy, that commitment to emotional bravery in a context of increasingly twee chart pop, that makes "Bad Romance" feel so necessary. --David Drake [39. Lady Gaga "Bad Romance"]Pitchfork posted their Top 100 Tracks of 2009. Lady Gaga took two spots.
Neon Indian is also on there twice, which is the the same amount of times they're playing Mercury Lounge (Tuesday and Wednesday night).
The video for the 21st best song, below...
Trend You Wish Would Go Away
- 90s revivalism (No Age, Japandroids, Cymbals Eat Guitars)
- Afropop indie (Dirty Projectors, Fool's Gold, Abe Vigoda)
- Animal Collective acolytes (Blind Man's Colour, Our Brother the Native, USF)
- Balearic (jj, John Talabot, Windsurf/Hatchback)
- Chillwave/glo-fi (Washed Out, Neon Indian, Nite Jewel)
- Dubstep and its offshoots (wonky, funky, bassline)
- Post-Lily Allen UK pop (La Roux, Little Boots, Florence and the Machine)
- Prim, buttoned-up indie (Grizzly Bear, Andrew Bird, St. Vincent)
- Shitgaze/lo-fi aesthetics (Times New Viking, Wavves, Vivian Girls)