Entries tagged with: Pitchfork
And the winner is... (obviously) Kanye West. Pitchfork posted their annual much-talked-about list of the best albums of 2010. Much like Rolling Stone, SPIN and others, Kanye's new album topped the list. Pitchfork's recipient for best song of the year, Ariel Pink, landed the 9th best album. Wavves, who they dissed pretty hard in 2009, was given the #50 spot this year (Best Coast got #39). Metal was represented by Kylesa at #44 (BBG's #21). You can scan the whole list below...
To be clear, Kanye West is not Michael Jackson. As he told MTV last month, "I do have a goal in this lifetime to be the greatest artist of all time, [but] that's very difficult being that I can't dance or sing." He ended the thought with a laugh, but you get the impression he's not kidding. Unlike Michael, he's not interested in scrubbing away bits of himself-- his blackness, his candidness-- to appease the masses. And while Jackson's own twisted fantasies of paranoia and betrayal eventually consumed him whole, West is still aware of his illusions, though that mindfulness becomes increasingly unmoored with each newspaper-splashing controversy. The balance is tenuous, but right now it's working to his advantage. On Twisted Fantasy, Kanye is crazy enough to truly believe he's the greatest out there. And, about a decade into his career, the hardworking perfectionist has gained the talent on the mic and in the control room to make a startlingly strong case for just that.PREVIOUSLY: NY Times says Kanye West 'seems virtually incapable of making a bad album'
[Ryan Dombal, Pitchfork, Best New Music]
Matthew Dear @ MHOW in 2008 (more by Bao Nguyen)
As mentioned, Pitchfork will be hosting three days of shows at Brooklyn Bowl during, but-it-looks-like/probably completely unaffiliated with, CMJ this year (Thursday/Friday/Saturday CMJ week). "Brooklyn Bowl is located at 61 Wythe Avenue between N. 11th and N. 12th streets. The festival starts at 2 p.m. each day, with doors opening at 1 p.m. Tickets are $10, both in advance and day of the show." They're calling it the #OFFLINE Festival.
Based on the lineups and start time, it looks like each #OFFLINE day will be about a 12 hour show. No set times yet though, but the full lineups and ticket links are below...
Matthew Dear is one of the biggest names on the list (he plays Saturday), and it will be one of three CMJ week shows for Matthew. His first is Friday night at Webster Hall with Jamaica and Dominique Young Unique. His third is later on Saturday at Public Assembly for the FIXED/Making Time Party with Matthew Dear, Crocodiles, Holy Ghost!, Javelin, Gold Panda, Jamaica, and Kisses.
The FIXED/Making Time party starts after the BrooklynVegan party which is also happening at Public Assembly that same day. Just to be clear:
SATURDAY OCTOBER 23RD
* BrooklynVegan @ Public Assembly 12-6pm (free - more details TBA)
* FIXED/Making Time @ Public Assembly 9pm-late (tickets)
* Pitchfork @ Brooklyn Bowl 2pm-late (tickets)
* BrooklynVegan metal @ Union Pool 7pm-late ($5.00 or CMJ badge at the door)
We (BrooklynVegan) will also be at Public Assembly all day on Friday, October 22nd (details TBA), and at Music Hall of Williamsburg on the Thursday night.
All Matthew Dear tour dates (many of which we previously posted including a November show at MHoW), and the Pitchfork #OFFLINE Fest info, below...
Marnie Stern @ the Rock Shop on 10/5 (more by Amanda Hatfield)
Marnie Stern @ CMJ 2010
Oct 20 2010 6:00P - CMJ Terrorbird @ Cake Shop
Oct 20 2010 11:00P - CMJ Stereogum/PopGun @ Santos Party House
Oct 21 2010 10:30P - CMJ Kanine Records @ The Pyramids
Oct 22 2010 3:30P - CMJ Redeye/Village Voice @ Bowery Electric
Oct 22 2010 5:30P - CMJ Pitchfork @ Brooklyn Bowl
Oct 23 2010 12:00A - CMJ NME @ The Delancey
Oct 23 2010 ?:00P - CMJ Brooklyn Vegan @ PUBLIC ASSEMBLY
(Pitchfork will apparently be at Brooklyn Bowl for Thursday, Friday and Saturday)
(save the dates!)
photos by Benjamin Lozovsky
"This M.I.A. album is unforgivable. Y'all put her on the cover of your magazines before actually hearing this thing, right?" - Chris Weingarten
"every1 who came 2nite to PS1 TO REP the LP Release party THANK YOU! I LOVE YOU! !!!!!! i dint get to say it coz the cop turn my sound off!.." - _M_I_A_
M.I.A. @ The Creators Project in June
"The record is a shambling mess, devoid of the bangers that characterized Arular and Kala, two of the stronger pop albums of the past decade. It aims to capture a technological and cultural zeitgeist in its over-stimulated, digitally degraded sound, but the songs are too flimsy to carry her bold conceit. Without compelling tunes, the obnoxious public antics, dubious political messages, and thin voice that had grated on her naysayers have become impossible for even dedicated fans to ignore. It's as if everything that was great about M.I.A. has been stripped from this music, leaving behind only the most alienating aspects of her art and public persona." [Pitchfork (Matthew Perpetua) gave / \ / \ / \ Y / \ a 4.4]M.I.A.'s new album is streaming on MySpace.
M.I.A.'s next NYC show is on Governors Island.
M.I.A.'s last NYC show was at PS1 last night, Sunday, July 11th, sort of. As previously mentioned, she was only scheduled to play a very short set, and as you can see by her tweet above, that set was cut even shorter (by actors pretending to be cops. just kidding! well, you never know).
interview by Billy Jones, top photo by Ryan Muir
Dom, pictured above playing at a party inside Pitchfork's Brooklyn offices on Tuesday night, are in town to play two Northside Festival shows. The first happens tonight, Thursday, June 24th, at the Knitting Factory. Dom opens for Cloud Nothings and WAVVES. That show is sold out. After that it's Saturday night at Music Hall of Williamsburg aka the BrooklynVegan showcase with Zaza, Twin Sister, and Memory Tapes. That one still has tickets available. Both shows are also accessible with a Northside Festival badge (first come, first served, capacity permitting, etc).
Billy Jones (you may have read his recent interview with Dave Sitek) caught up with Dom (the person) via gchat on Wednesday. They talked about Dom (the group), the Pitchfork party, Cults, gingers (they both are), Total Slacker, salvia, Party Expo, merch and more...
Billy: sup man
Dom: nothing much. chillin.
Billy: i am ginger
Dom: sick! u kno we are less than 10 percent population
Billy: have you seen the M.I.A. video?
Dom: yes i have
Billy: how do you feel about mia? i am left handed and ginger. fucked.
Dom: i love mia. yeah i wasnt really moved one way or another by the vid. great concept, butttt, i could have done it better
The Very Best @ Santos Party House in November (more by Benjamin Lozovsky)
The Very Best will be playing shows in North America leading up to SXSW, where the group has sets scheduled including the Pitchfork official showcase at The Scoot Inn on March 20th, and additional shows around Sasquatch in May (and the Roots Picnic in June). Those dates, the full Pitchfork party lineup, and videos are below...
Animal Collective @ ATP NY (more by Ryan Muir)
So how the hell did Merriweather Post Pavilion-- an album closer in spirit to the sub-aquatic psychedelia of 2005's Feels and Panda Bear's 2007 solo Person Pitch than its predecessor-- wind up in the Billboard Top 20 and outsell both the Arctic Monkeys and Franz Ferdinand's most recent albums in North America? That mystery is ultimately the most wonderful thing about the album. Unlike so many indie-rock crossover artists before them, Animal Collective did not breach the mainstream by cleaning up their act, or adopting classic-rock conventions, or scoring a strategic soundtrack or iPod-commercial placement. And, above all, they did little to formalize their defining mercurial quality. [Pitchfork]Pitchfork posted their Top 50 Albums of 2009.
Animal Collective is DJing the Museum of Natural History in January.
DOWNLOAD: Big Boi f. Gucci Mane, "Shine Blockas" (MP3)
In theory, she was an artist you want to root for-- all these ideas about art and celebrity and a flair for the dramatic. But the first few singles made the Lady Gaga project feel so presumptuous, her artsy entitlement overwhelming her songs' occasional strengths. "Bad Romance" was the moment where the music didn't just live up to the (self-inflated) hype, but surpassed it. The track is epic in construction-- by the time she gets to the bridge, more than three minutes in, the realization that there are hooks yet to come is thrilling. It helps that RedOne's production matches the songwriting's torrential drama; the churning, earth-shifting low-frequency synths are a programmatic reflection of the singer's unsteady, perhaps unwise, infatuation. But it's Gaga's performance, the wholly unapologetic fools-rush-in carnal energy, that commitment to emotional bravery in a context of increasingly twee chart pop, that makes "Bad Romance" feel so necessary. --David Drake [39. Lady Gaga "Bad Romance"]Pitchfork posted their Top 100 Tracks of 2009. Lady Gaga took two spots.
Neon Indian is also on there twice, which is the the same amount of times they're playing Mercury Lounge (Tuesday and Wednesday night).
The video for the 21st best song, below...
Trend You Wish Would Go Away
- 90s revivalism (No Age, Japandroids, Cymbals Eat Guitars)
- Afropop indie (Dirty Projectors, Fool's Gold, Abe Vigoda)
- Animal Collective acolytes (Blind Man's Colour, Our Brother the Native, USF)
- Balearic (jj, John Talabot, Windsurf/Hatchback)
- Chillwave/glo-fi (Washed Out, Neon Indian, Nite Jewel)
- Dubstep and its offshoots (wonky, funky, bassline)
- Post-Lily Allen UK pop (La Roux, Little Boots, Florence and the Machine)
- Prim, buttoned-up indie (Grizzly Bear, Andrew Bird, St. Vincent)
- Shitgaze/lo-fi aesthetics (Times New Viking, Wavves, Vivian Girls)
DOWNLOAD: Girls - Lust for Life (MP3)
Happy Monday. I'm still wiped out from this past post-CMJ Halloween World Series weekend, but three notable indie rock tours hit town tonight (11/2) (the night the Yankees might win it all in Philadelphia). Luckily all three tours include at least two NYC-area chances to to see the bands, though some will be harder to get tickets for than others.
First up is Girls.
Owens and White first united as roommates in San Francisco, but their lives couldn't have started out more differently. While White was playing in punk bands in his parents' Santa Cruz garage and going to recording school, Owens was growing up as part of the Slovenian sect of the Children of God cult, where secular music was forbidden unless one of the cult's adults decided to indulge the younger members' desire to learn the occasional Beatles or 1960s folk tune. [SFBG]Touring behind their great new True Panther/Matador "album", Girls are now in demand. They probably could have added a 2nd NYC show to their itinerary, but instead they kept it modest. They'll play a single show at Maxwell's in Hoboken (tonight), and then one at Bowery Ballroom (11/6), both of which are with Real Estate and completely sold out.
For those counting, Pitchfork recently gave the Girls album a 9.1. Animal Collective and Dirty Projectors are the only two albums that got higher ratings from the website this year, and only three other "Best New" albums got as high as a 9.0 in 2009. Those are Grizzly Bear, the Flaming Lips, and the new... Fuck Buttons.
Fuck Buttons' "Tarot Sport" was released on October 20th via ATP Recordings. The band kicked off their tour in support of it last night (11/1) in Northampton, MA. Tonight, 11/2, the show is at Bowery Ballroom.
I think they're also back on November 27th to play Market Hotel though that show has disappeared from existence... maybe just temporarily because tickets are still available for tonight's Bowery show. Growing play on all dates, and These are Powers also open tonight. Updated dates below.
These Are Powers also play Glasslands with Soft Circle and three bands from China on November 6th (more about that later), and a Cinema 16 show at Galapagos on November 21st ("we will be performing a live, original score for PSAs from the 50s and 60s").
Finally, speaking of cinema, UK band Noah and the Whale screened a movie upstairs at Pianos last night. Today (11/2), they kick off a three night run at Mercury Lounge. Robert Francis opens all three shows, and each night has a different first-of-three opener. Tonight it's Alex and Janel. Tuesday is Essie Jain. Wednesday is Sharon Van Etten. Tickets are still available for all three shows. Video from a recent BBC Radio 1 live session, below...
photos by Leia Jospe
Though the Saturday night Pitchfork-curated Showpaper-benefit show at Market Hotel promised two special guest headliners, the addition of Cold Cave, who played before Cymbals Eat Guitars, was the only lineup change come Saturday (10/24).
The lineup, which also featured Delorean, Real Estate, the Smith Westerns, Javelin, Small Black, Bear in Heaven, Surfer Blood and Highlife, highlighted some of CMJ's busiest, most talked-about acts - especially nice since, unlike much of CMJ, Market Hotel is an all-ages venue. Aside from sound problems causing bands to cut out, it seems like it was a great night.
DJ's on the bill for the early-morning party afterwards included Lemonade, Neon Indian/Alan Palomo, Jaime from the xx and 20 Jazz Funk Greats (and Pitchfork also lists Deerhunter's Moses Archuleta as one of the people who spun).
I personally didn't make it over to the Brooklyn show, though I caught The Smith Westerns and a face-melting set by an under-the-weather-frontman-fronted Cymbals Eat Guitars earlier the same day at the BrooklynVegan/Bowery Presents show at Pianos. I also stuck around Pianos that night and saw an awesome danceable set by Spain's Delorean at the True Panther show at midnight (after their set at Market Hotel) - definitely one of the best new bands I caught at CMJ for the first time.
Leia, who also saw Cymbals Eat Guitars at Pianos, made it to Market Hotel in time to see Real Estate, Delorean, Cold Cave and Cymbals Eat Guitars (she then took off and went to the Above the Auto Parts). The rest of her pictures, below...
UPDATE 2: Domino just posted this to their website (thx Philip!)...
UPDATE 3: Domino's header can be updated by anyone?!? (thx J!)...
UPDATE: "Fall Be Kind" (if it exists) is not to be confused with the just-announced Campfire Songs re-release scheduled for January 2010. The press release for that one is below....
Daft Punk's first album had helped refresh house music in the mid 1990s; the second went further, rewriting electronic pop's pleasure principles to such a degree that when it came out a lot of people thought Discovery must be a put-on. They took the joy in the record for irony. Rather, the band had simply plunged into the raw popstuff of their 70s childhoods, from AOR to disco, Buggles to Manilow, rock to robotics. They wanted their listeners to get the rush of context-free delight they had hearing music as kids, and on "Aerodynamic" and "Digital Love" they succeeded wildly, dissolving a decade-plus of dance music good taste. And not all of Discovery looked back. The middle of the album is house music as string theory, with the duo finding dimensions of pleasure coiled within the tiniest loops: "Crescendolls" releases an awesome, gleeful energy by repeatedly triggering one five-second sample.Daft Punk grabbed the #3 spot on Pitchfork's list of the Top 200 albums of the 2000s (now fully announced) (yesterday they were only up to #21). The top 20 are also listed below...
Discovery was simply the decade's best good-times record, with Daft Punk as pyramid-toting party wizards and the chipmunk Kraftwerk of "Harder Better Faster Stronger" their anthem. But this most celebratory of records has a bittersweet streak, too: Daft Punk know that a rush always carries the risk of exhaustion. Perhaps the album's most underappreciated track is the sad but gorgeous "Short Circuit", a three-minute robot graveyard of crumbled transistors and dying LEDs. But from Romanthony's first blissful, vocoded shout of "one more time!" the dominant emotion on Discovery is joy. A joy that wasn't afraid to be sentimental and funny as well as hard and futuristic, and is all the better for that. When a generation looks back and tries to catch a fuzzy hold of the music that made them happy this decade, Daft Punk's will be top of the list. --Tom Ewing [Pitchfork]
The backstory has been repeated so often with such insistence that three years later it's become a mythic tall tale: Guy breaks up band in North Carolina, decamps to the wilds of Wisconsin, makes a record originally intended to be heard by almost nobody. But what happened next is much more interesting: After Justin Vernon made 500 copies and distributed them himself, the album is picked up by indie juggernaut Jagjaguwar, gets big props from Wisconsin Senator Russ Feingold, holds up to hundreds of repeat listens, and get thousands of festivalgoers singing along solemnly to "The Wolves". Quiet and folkily ambient, For Emma, Forever Ago is an impassioned cry too compelling not to become heard. From those opening strums to the "Flume" to the closing hums of "Re: Stacks", the album communicates acute loneliness and nurses a pain that has dulled but obviously not died-- which is perhaps our own romantic view of ourselves. It's easy to get caught up in the stories surrounding this out-of-nowhere album, but the music pulls you back to the real world. --Stephen M. DeusnerThat's Pitchfork's description of the 29th best album of the decade (part of the top 200), Bon Iver's For Emma, Forever Ago. They will announce the top 20 on Friday. What will they be? In Rainbows got #21. Vampire Weekend was #51. Outkast put out the best song.
TMOT on Ludlow St - CMJ 2007 (by Bao Nguyen)
"They are impressive only in comparison to a) other kids their age who have not somehow been encouraged to become a full-time touring band by hipster stage parents, and b) their least-inspired adult contemporaries. At their best, the Tiny Masters provide self-conscious kiddy variations on vaguely arty strains of punk and alt-rock, but there is very little practical use for this music besides causing adults to go, "awww, cute!" The lyrics are predictably banal and laughable, the vocals are uniformly flat and insecure. The melodies are not bad, but they are simplistic and mostly have the irritating cadences of playground chants and jingles."Mean! Tiny Masters of Today have been added to the lineup of this year's Village Voice Siren Festival in Coney Island.
[Pitchfork gives Skeletons a 3.0]
"Skeletons" video below...
by Andrew Frisicano
M83 @ Webster Hall (more by Kyle Dean Reinford)
M83 has been added to Pitchfork Festival, which is taking place from July 17th - Sunday, July 19th in Chicago. Other bands added to the bill include Black Lips, Fucked Up, Wavves, the Dutchess and the Duke, and Matt and Kim. The whole, updated lineup is below. Tickets for the fest are still on sale.
Five days before he performs in Chicago, M83's Anthony Gonzalez will perform a free show at NYC's World Finanial Center Winter Garden (July 14th). For that NYC gig:
Anthony Gonzalez, M83's chief stargazer, performs a special one-off ambient performance. New York-based artist Janet Biggs begins the night with a screening of her short film, Vanishing Point.The NYC show announcement is one of the first for the mostly unannounced 2009 River to River Festival (a series of free shows at various venues all over NYC all summer). More WFC show updates on the way.
More Pitchfork Fest info below...
haircuts @ the 2008 Pitchfork Festival (more by Elizabeth Weinberg)
The 2009 Pitchfork Music Festival will be held in Chicago's Union Park Friday, July 17-Sunday, July 19. This year marks the fourth anniversary of the festival - and the fifth time Pitchfork has presented a music festival in Union Park. The three-day event will once again showcase a wide range of global artists on three stages, with a focus on forward thinking programming at a reasonable price. Beginning with the music and continuing through all facets of its production, the Pitchfork Music Festival is dedicated to providing both attendees and musicians an overwhelmingly positive, comfortable, and fun experience.Pitchfork also announced their SXSW party. Lineup below...
[12:26] TheBeard4904: yeah, i think radiohead is an interesting comparison...in [Flavorwire's] review, we said that this record is animal collective's bid to take things to a radiohead-like level...this sort of class of acceptable weirdo groups that are allowed into the mainstream, people like bjork, radiohead, beck...do you think that's an overreach?That's a segment from an interview with the AC-reviewer Mark Richardson. As already discussed, the album is out (on vinyl) and he (Pitchfork) gave it a 9.6. Did you get a copy?
[12:28] Mark_Pitchfork-666: that is something I have wondered about with this one, whether it will cross over to people who don't follow music as closely...my initial thought is that I'm a little bit skeptical of it happening, because there are still a lot of things about A.C. that are pretty strange...one thing with Radiohead, is that every album had least a few tunes that could fairly be described as "rock songs." you could tell what all the instruments were, there are guitars, etc., but that's not really true with this record.
You can listen to "My Girls" in the video below...
Animal Collective's Merriweather Post Pavillion is out on vinyl this Tuesday January 6th. Listening parties will be held the same day in many different locations around the country. NYC's is at Other Music who say, "We're throwing a listening party in the shop that night from 6 to 8PM, with free pizza and beverages, plus raffles and give-aways galore. See you Tuesday!" Pitchfork returned from vactation today and gave the album a 9.6.
Tour dates HERE.
photos by Leia Jospe
DOWNLOAD: Hot Chip & Robert Wyatt - We're Looking For A Lot of Love (Gees Mix)
DOWNLOAD: Vampire Weekend - Cape Cod Kwassa Kwassa (MP3)
DOWNLOAD: Vampire Weekend - The Kids Don't Stand A Chance (Chromeo Remix)
DOWNLOAD: WhoMadeWho - TV Friend (Hot Chip Remix) (MP3)
DOWNLOAD: Peter Gabriel - In Your Eyes (MP3)
DOWNLOAD: Robert Wyatt - Hasta Siempre Comandante (MP3)
Vampire Weekend @ Terminal 5
New Hot Chip EP
Despite their feverish schedule this year which took in numerous side projects, solo records, countless dancefloor-igniting remixes, production duties and, of course relentless touring (which culminated in their triumphal homecoming shows at Brixton Academy in November) that indefatigable, delightfully off-kilter five-headed electro pop colossus known as Hot Chip have somehow found the time to assemble a lovingly put together little present for their fans. And not only that, but they have managed to rope in the services of none other than the godfather of the experimental psych-prog world, Robert Wyatt and kindred mischievous electronic spirits Geese to help out as well.Geese = Emma and Vince from The Elysian Quartet.
1. Made in the Dark (with Robert Wyatt)
2. Whistle for Will (with Robert Wyatt)
3. We're Looking for a Lot of Love (with Robert Wyatt and Geese)
4. One Pure Thought (remixed by Geese)
Click HERE to order your copy.
I am one of Hot Chip's biggest supporters, but Made in the Dark hasn't really held up for me (wheras the Warning still does). And Cut Copy at #4???? The Metronomy record crushes both of those.Hot Chip are also up for a Grammy and recently made the cover of the NY Daily News.
Also, you may have heard about the cover of Vampire Weekend's "Cape Cod Kwassa Kwassa" by Hot Chip and Peter Gabriel. The very man who is mentioned in the song, does the singing. Listen to it below.
Vampire Weekend recently ended their whirlwind year on a high note with 4 NYC-area shows, 3 of which were at Terminal 5 (the same venue Hot Chip played twice in October). They were also named the most overrated band of 2008 in Stereogum's Gummy Awards, and they got 7th best album of 2008 by Pitchfork. The latter seems less weird than Hot Chip's ranking, though it's probably even more globally controversial.
Picture's from Vampire Weekend's third of three Terminal 5 show (the one Fiasco opened - 12/6), the Peter Gabriel song, and more, below...
photos by Lori Baily
Many predicted that Deerhunter would get Pitchfork's #1 album of 2008, but in fact they gave it to Fleet Foxes. Bradford Cox should still be happy with both Deerhunter at #5 and Atlas Sound at #26 though. Speaking of Bradford Cox, he blogged this...
Just got of the phone with Brian Weitz [Geologist of Animal Collective]. This was sent out via the bands email earlier this morning:Previously there was whole Web Sheriff / Grizzly Bear thing. It was also announed that the album is coming out early on vinyl. It better be good!
"it has come to my attention that 2 full length tracks off of our upcoming album, merriweather post pavilion have surfaced online. david, noah, and I please ask that someone assist us and leak all of the remaining tracks on the album.
the album is intended to be heard as a whole, and nothing bothers us more than individual tracks leaking and ruining the the overall album experience
Total Bullshit. Someone actually had the nerve to hack into their e-mail account and send this out. The truth is that AC do not want their album to leak and are trying very hard to avoid the drama around said album that has risen to a fever pitch.
I am not trying to involve myself in AC's business, I am just voicing my own independent opinion.
Back in the 90's when I was first starting to make 4-track tapes I had a game where I would make a fake version of an album I was anticipating. If Pavement's Brighten the Corners were coming out soon, I had to wait till release day to hear it. I would record a set of songs that I would want the Pavement album to sound like. Some of those songs ended up becoming Atlas Sound and Deerhunter songs years later.
My advice to those who are so desperate for AC's album to leak is to pick up instruments and make your own version of what you would want it to sound like. Respect the BANDS wishes and wait till release day. Then you can compare your new songs with theirs. Who knows. Maybe your album will be the one people are wanting to leak next year. -Bradford
The pictures in this post were taken at the Stereogum Gummy Awards at Music Hall of Williamsburg earlier this month. More of them below...
photos by Eric M. Townsend
Like Conrad Keely, Marnie Stern played the NY Cares benefit at Knitting Factory on December 8th. Like Crystal Stilts, Marnie Stern is playing Knitting Factory again this Saturday. And like Crystal Stilts, but unlike the Dodos, Marnie Stern made Pitchfork's Top 50 Albums of 2008 (26-50). A few more NY Cares pics below...
The Dodos, Department of Eagles, Torche, Harvey Milk, Abe Vigoda, The Duchess and the Duke, Jay Reatard, Sun Kil Moon, Why? and Women were among the twenty 2008 "honorable mentions" Pitchfork awarded today. In other words, these albums will not be part of the Top 50 of 2008 they are publishing soon.
What was your favorite album of 2008?
The Dodos opened for the Walkmen @ Brooklyn Masonic Temple last night (12/16)