Entries tagged with: Pooh Sticks
photos by Amanda Hatfield; words by Bill Pearis
"comet gain & pooh sticks were great last night @ public assembly in brooklyn. only took approx 15-20 years to see them live." - @dfarecords
The Pooh Sticks
It was the kind of night that could really only happen at Public Assembly. The back room rumbled from the crush of Ulcerate (who had their gear stolen later that night) and Tombs, while the front was hosting the third evening of NYC Popfest, which made for a culture clash in the mutually shared hallway. With The Pooh Sticks on the bill, it was hardest Popfest has ever come to "rocking," what with the legendary Welsh band's proclivity towards crunchy powerpop a la Slade or The Sweet. No better example of that than their 1991 single "Young People," with it's twin guitar leads and lyrics that rang of even more irony now that that song is old enough to drink. (And it was ironic when first released.) A truly fantastic set.
Despite the gray hair, frontman Hue Williams was a bundle of energy and the band was tight and, yes, rocking. In addition to "Young People," we got pretty much all The Pooh Sticks' well-known material, including early indiepop sides "I Know Someone Who Knows Someone Who Knows Alan McGee Quite Well" and "On Tape," as well as later tracks like "Who Loves You" and "The World is Turning On."
Headliners Comet Gain rocked too, albiet in a more shambolic indie kind of way, despite frontman David Feck's threats of putting the audience to sleep after the Pooh Sticks killer set. But Comet Gain fans are fervent and the crowd was pumped and loaded for the band who hadn't played NYC in four years. (A little too loaded, some friends of mine got hit by projectile vomit from someone who couldn't hold their booze.) Check out video of their set at the bottom of this post.
The evening started with Sweden's Pushy Parents who were playing their second-ever show, but they sounded pretty together to these ears. Speedmarket Avenue's Isak Klasson played drums. (His own band played earlier in the week.) It was a short set, highlighted by current single "Secret Secret."
The rest of the night: Seattle's winsome and tuneful Seapony were good but needed to be louder (the metal show next door won that round); and Sweden's Electric Pop Group were pleasant enough but with a laptop rhythm section, maybe they should've played first.
Earlier Saturday it was the Popfest day show at Spike Hill with Filipino duo Outerhope, Sweden's Lisa Bouvier and locals Pale Lights and Habibi. I didn't make that one, but our photographer did and pictures of all Saturday Popfest action are below, along with Bleary Eyed Brooklyn's videos.
by Bill Pearis
Seattle's Seapony are one of the many bands in town for this weekend's NYC Popfest, playing as part of the Saturday night (5/19) show at Public Assembly with Comet Gain and the Pooh Sticks. Tickets for that show are available. In addition to the Popfest show, Seapony are also playing Friday night (5/18) at Littlefield with local shoegazey pop band Field Mouse. Next weekend Seapony play the San Francisco Popfest (May 25 - 27). All upcoming Seapony tour dates are listed at the bottom of this post.
Seapony's shimmery, exceedingly hummable debut album, Come Away with Me, was released about a year ago via Sub Pop kid sister label Hardly Art. You can download two tracks ("Dreaming" is especially catchy) from the album at the top of this post or stream the whole thing below.
Most recently the band contributed a new track to a Hardly Art 5th Anniversary compilation that could only be procured at the label's anniversary shows, but you can stream it below.
Those streams and a list of all dates below...