Entries tagged with: Queen
Glastonbury 2015 (photo by @amandinechx)
The huge 2015 Glastonbury Festival went down over the weekend, and it was full of surprises. Bon Iver's Justin Vernon showed up twice, once during Kanye West's set and another time during The Staves. A guest came out during Patti Smith's set too, but not a musical one: it was the Dalai Lama. Though the Foo Fighters had to drop off due to Dave Grohl's broken leg, Florence and the Machine took over their headlining set and covered "Times Like These" as a tribute to them. (Much like The Killers did for Kings of Leon at Firefly the previous weekend, after lightning cancelled the latter's set.) The Libertines showed up to play a surprise set. And Lionel Richie played a hits-filled set to a huge crowd, stretching from Commodores faves like "Brick House" to "Dancing on the Ceiling" and "All Night Long."
On Justin Vernon's appearance with Kanye, NME writes:
A pink flare lit up the sky above thousands of fans as acoustic guitars marked the introduction of 'FourFiveSeconds', and the lack of both Paul McCartney and Rihanna for that song suggested that there would be no guests during the set, but Justin Vernon (Bon Iver) was revealed to be providing backing vocals when smoke cleared during 'Lost In America' and 'Can't Hold My Liquor'. Vernon, dressed in black t-shirt and baseball cap with headphones on, was introduced by West as "one of the baddest white boys on the planet."'Ye also led the crowd in a singalong of Queen's "Bohemian Rhapsody" and then called himself the "greatest living rock star" on the planet during his set, which The Who mocked during theirs. He also had some pretty hilarious subtitles of his lyrics on screen during BBC's broadcast of the festival:
As for Justin Vernon's appearance with UK folk pop band The Staves, he came out to sing "Make It Holy" off their 2014 album, If I Was, which he recorded and produced at his April Base Studios in Eau Claire. Watch a video of that, and a video of Kanye's full set (via Nah Right) below.
"China resolutely opposes any country, organization, body or individual giving any kind of platform to the 14th Dalai Lama to engage in anti-China splittist activities," Lu said. CONGRATULATIONS GLASTONBURY!!!! 🙌🏻🙌🏻🙏🏻🙏🏻 #dalailama #HHDL #glasto #pattismith #peoplehavethepower #enlightenment #freetibet
Part of Patti Smith's reason for bringing out the Dalai Lama was his 80th birthday. NME writes:
"We are grateful to him for all his love of humanity and making people aware of the importance of saving the planet," she said, before reading a poem she had written for him. Glastonbury's Emily Eavis then bought The Dalai Lama onto the stage to huge cheers from the crowd. "I think it would be nice if Glastonbury wished The Dalai Lama a happy birthday," said Smith, before leading the audience in a rousing rendition of 'Happy Birthday'.Video of Patti and the Dalai Lama, plus videos of the Libertimes, Florence covering the Foos, setlists and more, below...
The Dalai Lama then blew out a single candle on a cake made of fruit, before cutting it. "Thank you, thank you," he said. "Dear brothers and sisters, I really appreciate so many people's expression of warm feeling." He then went on to joke about the age of Smith and her band. "These singers and musicians have white hair, but they look very youthful! That gives me encouragement, I should be more like you - more active!"
When M.I.A. and A$AP Ferg came to raise hell with their middle fingers raised at the new Knockdown Center in Queens, it was an exercise in liberation. And an exercise it certainly was.
The venue operators, possibly trying to prove their ability to control crowds to the State Liquor Authority that denied their liquor license a few days ago, had the venue littered with security guards that denied entrance to anyone with a backpack and performed pat downs that some concertgoers thought erred on the side of intrusive. Nonetheless, droves of fans squeaked through security and poured into the surprisingly massive venue, anxious to see how the night would go. The venue had a distinct smell that transcended the sweat that would be spilled to the gyrations of rebellious beats bumping out of the PA system. The layers of the weary, snow-laden winter were shed as clammy revelers grooved to a DJ set that sounded great in a space as big as the Knockdown Center. The amount of space does wonders for the acoustics, allowing all of the performances to sound as they were intended instead of washed out or bass heavy.
By the time A$AP Ferg took the stage, the crowd was well stretched and in good spirits, if not a little sweaty. Ferg, and his hype man and "newest A$AP Mob member Marty Baller", took no time to reach level 11, banging out one trap anthem after another. He commanded a strong stage presence, and had an unshakeable confidence evident in his early proclamation: "I'm famous now". When he wasn't beckoning the crowd to turn up, he was spraying them with bottles of water and pouring what appeared to be champagne in the mouths of a lucky few in the front row. Later on, Ferg brought a woman onto the stage to freestyle for a nonexistent chance to become a member of A$AP Mob. At one point, Ferg and Marty even tried to make a wall-of-death mosh with Marty in the middle. While the crowd wasn't exactly feeling the heavy metal ritual, Ferg certainly had their attention. The hit "Shabba" had the entire room bouncing, as the signature drum kick of the anthem pounded holes in their chests.
With the lights back on, attention was drawn upstairs where police officers had made a guest appearance, while security in the front shined flashlights into the crowd. It was never made apparent what they were searching for, but the irony fell somewhere between eerie and hilarious when the lights went down again and the intro to M.I.A's set included the sounds and search lights of police helicopters. When M.I.A. took the stage, the crowd erupted and a push to the front sent some of the people still reeling from Ferg's set seeking cover in the back. It was hard to pin down the demographic there to see Maya; the crowd was extremely diverse, a good sign at a new venue in the most diverse borough, or place in the world for that matter. For the first few minutes of her set, M.I.A. was almost completely unintelligible, seemingly whispering into her mic. Once she removed her sunglasses to a hearty cheer from the crowd, however, M.I.A. owned the stage. Songs from her latest album "Matangi" sounded the best over the PA, and went over the best with the dance-philic crowd. Where she might have lacked in strength of vocal delivery, M.I.A. was aided by a well mixed set that included instrumental interludes that kept the crowd dancing, tireless dancers that livened the atmosphere, as well as the myriad of middle fingers she tossed, saving none after her incident at the Super Bowl led to her being sued by the NFL for $16 million. The versatile stage design that she has been using on the tour adds depth to the overall experience with a dazzling display of lights and an ornate centerpiece donned with symbols. The highlight of her set came when she invited all women onto the stage to dance with her to frenetic "Y.A.L.A." and again for "Bad Girls" keeping with the carefree, party atmosphere that the crowd seemed to appreciate. High fives were abound as the crowd cleared out, and still others sought to keep the party rocking with a DJ spinning towards the exits.
Two M.I.A. shows were originally scheduled to take place at the Knockdown Center, but Thursday's was cancelled. M.I.A. does play another NYC show tonight with Solange at Webster Hall though. More pictures from Friday night's show (5/9), M.I.A.'s setlist included, below...
I think the thing that's really special is that this is the real deal. This is live. In today's music world, you go to a concert and you're getting a lot of playbacks. There's click tracks. It is what it is. I'm not hating on it. But this is the real deal. This is pure. We're not playing to a click. We're not playing to tracks. This is all live instruments. I'm singing all the vocals with these guys on vocals. It's purely organic. I think in today's day and age, it's very exciting for an audience to see something that has that much heart. [Adam Lambert to Rolling Stone]Back in 2011, we asked What's the worst example of a band replacing their singer? around the time INXS, Journey, and "Sublime With Rome" were all touring. Giving all three of those a run for their money, American Idol season 8 runner up Adam Lambert will tour as the lead singer of Queen this year, in place of the late Freddie Mercury. He's performed with the band before but this will be their first full tour together. Can't wait.
The tour, which features original members Brian May and Roger Taylor (but not John Deacon), comes to NYC for a show on July 17 at Madison Square Garden. Tickets go on sale Friday, March 14.
All dates are listed below...
Queen and David Bowie producer David Richards passed away on Friday (December 20) after suffering a long, undisclosed illness.The NME article also points out that The Cribs have posted a tribute to him on their Facebook that reads:
Richards began working at London's Chappell Studios in 1973 before moving to Montreux, Switzerland where he found work at the then just-opened Mountain Studios. By the time he turned 21, he had already risen to chief engineer at the studio that he would later come to own.
He co-produced Queen's final four albums, 'A Kind Of Magic', 'The Miracle', 'Innuendo', 'Made In Heaven', along with Iggy Pop's 'Blah Blah Blah' and David Bowie's 'Never Let Me Down', 'The Buddha Of Suburbia' and 'Outside'. The producer also won a Juno award in 1978 for Best Jazz Recording and being one of Billboard Magazine's Producers Of The Month in 1994. [NME]
We are very sad to have today received the news that our friend David Richards has passed away in Montreux.Rest in peace, David.
David was a producer that The Cribs always had a deep admiration for, having produced many of our favourite Queen records back in the 1980's/90's. We had the honour of recording with him back in the late summer of 2012, while working on preliminary sessions for 'In The Belly of The Brazen Bull'.
You can stream some songs he produced below...
photos by Amanda Hatfield
"Twin Shadow killing it to an absurd extent. @ Music Hall of Williamsburg" Joe Peltier
"Twin Shadow just brought the house down at Music Hall of Williamsburg!" - @marcellobutron
Twin Shadow @ MHOW
Twin Shadow and Niki and the Dove ended their tour in NYC with two shows last week, including Webster Hall on Thursday (9/27) and then the more intimate Music Hall of Williamsburg the next night (9/28). Both shows were sold out and last night was especially packed with the whole crowd going nuts for Twin Shadow. He split his set pretty evenly between his two full lengths (2010's Forget and this year's Confess) and ended with straightforward but awesomely done cover of Queen & David Bowie's "Under Pressure." A video of that cover is below. After the show, Twin Shadow headed a few streets over to DJ the afterparty at Brooklyn Bowl.
Twin Shadow main man George Lewis Jr. joined Niki and the Dove on stage during their opening set for a song too. Niki and the Dove will take a short break now that the tour is over, after which they'll head out again supporting Miike Snow. That tour hits the NYC area for shows at United Palace (10/19) and Wellmont Theatre (10/23).
More pictures, video, and the setlist from last night's show are below.
"Queen star Brian May has launched a new campaign against cattle farmers in a bid to save badgers from an "indefensible" cull.Go Brian! Save the badgers!
Government officials are allowing farmers in West Gloucestershire to shoot badgers in a bid to slow the spread of bovine tuberculosis, which can kill off herds of cows.
Rocker-turned-animal rights activist May has teamed up with bosses at animal welfare charity RSPCA for the Save the Badger drive, in the hope of stopping the mass slaughter.
The guitarist claims the cull will make bovine TB rates worse as sick badgers will travel to other areas, thereby spreading infection even further.
He is urging fans to sign a petition and boycott dairy products made in the areas where badgers are being killed, insisting, "I would certainly not drink milk that comes at a price of badgers being slaughtered."
May adds, "This is a horrific proposal, truly horrific. Badgers have just as much right to live in this country as we do. They mind their own business. They do nobody any harm."" [WENN]
by Bill Pearis
George Michael at the London Olympics Closing Ceremony
While Kate Bush didn't perform in the London Olympics Closing Ceremonies segment that "Running Up That Hill" was used in (that was cut from the U.S. telecast), NBC did cut a few actual live performances from it, including The Who closing out the whole thing with "Baba O'Riley," "See Me, Feel Me/Listening To You" and "My Generation." (Yet they left in Kaiser Chiefs doing "Pinball Wizard"!). The Who was not deemed as important as letting the world see the first episode of some new sitcom. NBC also cut Ray Davies doing Kinks classic "Waterloo Sunset" and Muse who wrote "Survival," the official song for the London Olympics.
What we did get: a Spice Girls reuinon where Posh, Sporty and the rest of them mostly rode around the track in separate Bentleys; Beady Eye doing "Wonderwall" (Noel must've loved that); Annie Lennox doing "Little Bird"; Eric Idle singing Life of Brian's "Always Look on the Bright Side of Life"; Russell Brand singing "Pure Imagination from Willy Wonka and "I Am the Walrus"; current popstars One Direction and Jessie J, the latter of whom also sang "We Will Rock You" with Queen; Fatboy Slim in a giant inflatable octopus; Pet Shop Boys doing "West End Girls," Madness hoarsely performing "Our House"; and Ed Sheeran with Pink Floyd's Nick Mason and Genesis' Mike Rutherford for "Wish You Were Here."
The highlight, at least with the crowd I watched it with, was George Michael in his first live performance after a life-threatening bout with pneumonia last year. He still had the moves on "Freedom 90," though it seemed a missed opportunity by the ceremonies producers not to have the iconic video's co-stars Kate Moss and Naomi Campbell come out for it, as they were paraded around in a segment set to Bowie's "Fashion" early in the program. NBC cut (maybe not so unkind) the performance of Michael's new single "White Light" which you can watch the video for below that does feature Moss.
After the Closing Ceremonies, Blur performed in Hyde Park with New Order, The Specials and Bombay Bicycle Club and we'll have pictures from that show soon.
photos by Amanda Hatfield
Eleanor Friedberger & band @ Europa
After checking out Guided By Voices earlier in the day, Fiery Furnaces' Eleanor Friedberger played Europa instead of St. Cecilia's Church on Saturday (6/18) as part of the Northside Festival. The show was opened by Ida, Rebecca Gates, and Spectre Folk. To make that lineup even more exciting, Ted Leo showed up as a secret guest to perform a set right before Eleanor (the second time Ted played Europa in less than a month). Bradford Cox was among the Northside attendees at the Brooklyn show which is pictured in this post.
Ted Leo @ Europa
If you missed Ted at Europa, catch him as a special guest again on Hot Tub with Kurt and Kristen at Littlefield this Monday (6/27). He also plays a free 4Knots Fest kickoff show at Seaport on July 9. He won't be at the actual 4Knots Fest, but Eleanor will (and, as announced today, so will Mr. Dream, the band featuring ex-Village Voice writer Nick Sylvester).
Back in February Eleanor took part in a Loser's Lounge tribute to Queen show at Joe's Pub. Backed by an 8+ member ensemble, she got her Freddie Mercury on to "You're My Best Friend". Check out the video, and more pictures from the Northside show below...
an Ahmet Ertegun Tribute....