Entries tagged with: R&S
by Andrew Sacher
Airhead on stage w/ James Blake at T5 in May (more by Jono Bernstein)
It's been a pretty exciting time for UK garage-inspired electronic music lately. Young duo Disclosure just put out their incredible debut album today (6/4) (and will play NYC soon), and that comes a week after the lower-key but still excellent sophomore album from Mount Kimbie (who just played NYC). Mount Kimbie's friend/collaborator James Blake also put out his sophomore album earlier this year, and now the guitarist in James' live band, better known as Airhead (who has also remixed Mount Kimbie), is set to release his debut album, For Years.
For Years comes out next week (6/11) via R&S (the same label that put out those early James Blake EPs), and like many other artists on the label, it's an album better suited for headphones than dancefloors. The beats are excellent, the melodies are gorgeous, and though there are times on the album where you can tell this is a guy who's been working with James Blake for a couple of years, for the most part he's got his own approach. The album can be streamed in full at NPR and a couple of its tracks can also be streamed below.
Airhead doesn't have any of his own North American dates scheduled at the moment, but you'll be able to see him again as James Blake's guitarist on James' North American fall tour, which hits NYC on November 6 and 7 at Terminal 5. Tickets for both NYC shows are still available. James also just uploaded a BBC Radio 1 Essential Mix he made back in 2011 to the 1-800-Dinosaur soundcloud page. You can listen to that mix below.
by Andrew Sacher
Speaking of veteran electronic musicians, Detroit techno legend Juan Atkins is returning to NYC before the end of the year for an intimate gig at Cameo in Williamsburg on December 29 with Brooklyn Bass. Tickets for that show are on sale now. Before recently visiting San Francisco, SFBG wrote...
It's telling that one of the originators of Detroit techno -- who first together with Rik Davis as Cybotron not only exploded what was expected of black American music, but also reinvented the possibilities for machine generated music -- would substitute android names for human ones.Juan has continued making music throughout the years with Cybotron, and as Model 500, Channel One, Infiniti, and under his own name. Earlier this year, he dropped the single, "Control," on what is currently one of the leading electronic labels, R&S (James Blake, Lone) and he still sounds just as forward thinking as his younger labelmates. You can stream that single below.
Already the word Cybotron contained the material trace of the cyborg, spun into rapid particle acceleration by the cyclotron. "Not that I was hiding my name," Atkins clarifies. "When I first started making music in the '80s, the music industry was still really racially polarized. Even in America it still is that way to a certain degree. It was harder to cross over to certain genres, so I wanted to put more emphasis on the music as opposed to the person behind the music."
In the past year or so, Juan has made a contribution to the Scion A/V remix series and made a FACT mix, both of which you can also stream below. And in 2010, he contributed to RVNG's FRKWYS series, which included him remixing Psychic Ills' "Mantis." That remix is below too.