Entries tagged with: Rachel Drehman
words by Kelly Pratt; photos by Bryan Murray
Kelly Pratt of Bright Moments and many other musical projects has been on tour with David Byrne and St. Vincent, and chronicling it on BrooklynVegan. If you're just joining us, also check out part 1, part 2 , Part 3, Part 4, and Part 5. Part 6 begins here...
San Diego through Vancouver and beyond
After the Dallas show we all pile on the bus for the long trek to San Diego. Fortunately we don't have to tackle it all in one drive so we stop in El Paso for the day off. Jon N and I end up taking a long bike ride, including a shady trek through an arroyo, to go see Looper. The film turns out to be quite entertaining, despite its numerous violations of the grandfather paradox.
The following morning we wake up in San Diego at Humphrey's Half Moon, a fancy resort on Shelter Island. We have the day off again, so most of us bike to Mission Beach to enjoy the food and drink on the boardwalk. We meet up at a bar with two friends of John A and while everyone else heads to the beach, I stay behind to hear about the profession of one of them: horseshoe crab blood salesperson. She explains that the blood is vital to the pharmaceutical industry as a testing agent to ensure their products are free of bacterial infection. The crabs "donate" their blood, then are placed back in the ocean where their blood volume returns to normal within a week. With the price tag of $15,000 per quart the blood is quite valuable, and some of us make a silent pledge to change careers at the end of the tour.
The following night's show takes place in the outdoor courtyard of the hotel. Susanne, the lighting designer, sets up her rig directly on the balcony of my room. We are situated right next to the marina and during the show several dozen people pilot their boats into a little recess where they can hear (but not really see) what is coming from the stage. During our set David addresses them as "the boat refugees" and thanks them for coming.
The next few shows are a bit of a blur, primarily because we are playing every night. While there may not be as many opportunities for extra-curricular activities it feels nice to get into a bit of a groove. If anyone knows what tour momentum is about, it would have to be The Melvins. On the road at the same time as us, they are currently attempting to break a world record of "51 shows in 51 states in 51 days". They have a fascinating (and funny) account of it here. Reading of Trevor Dunn's encounter with a rowdy fan during an improvised bass solo reminds me of a recurring joke from our tour. Early on Brian Wolfe told us of his theory of free jazz. According to him you can boil almost the entirety of the history of the music down into two factions: "scratch 'n sniff" and "pet store on fire". Both types can be present within a single composition, or even simultaneously, but one must be present at all times. It is a joke of course, but close enough to the truth.
At 5700, the Greek Theatre is the largest venue of our tour and one we have been looking forward to since the beginning of rehearsals. It is a stunning amphitheater and has housed many legendary concerts including Neil Diamond's "Hot August Nights". Everyone is a bit nervous, but nerves quickly dissipate as concentration is vital to this show. Afterwards we have our largest group of guests yet, including Jason D's parents. One lovely thing about this coast to coast tour is that many members' parents are able to see the show, including mine. We also get to meet our second O'Hara of the tour, Catherine (Mary Margaret came in Toronto).
Somehow I've managed to visit a different dim sum establishment nearly every time I've come to San Francisco. So upon arrival I decide to bike on my own to Hong Kong Lounge, one that comes highly recommended. The food is delicious, but I'm reminded of why no one goes to a dim sum restaurant by themselves. Cycling the hills of San Francisco with a belly full of dumplings isn't exactly easy, and I barely make it back for soundcheck. The first few weeks of the tour we picked up a ritual we have been performing every night, and it follows us here. The last song we play every night is The Talking Heads' "Road to Nowhere". The choreography is a loose follow the leader with the horns ending in a straight horizontal line behind David and Annie. As we leave the stage for the final time the line breaks in two and we depart on opposite sides, playing an improvised reprise of sorts. Once we are firmly backstage we continue playing, but the song morphs into a television theme song, typically one that takes place in the city we are currently in. Some previous numbers have included Dallas, Mr. Belvedere, and Laverne and Shirley. Tonight's version, of course, is Full House.
After a week in California we take off for the Pacific Northwest, and the home stretch of this leg of the tour. On most of the days off DB has been giving talks to support his new book "How Music Works", and we all attend one of these the evening after the Portland show. For this particular talk David is joined by Carrie Brownstein of Sleater-Kinney and Portlandia.
The format consists of David flashing an image onto a movie screen, followed by the two of them talking about what that image means to them. As a result the majority of the talk is concentrated around the importance of the visual side of a musical performance, be it fashion, lights, or movement. It is quite fascinating and something most musicians should spend more time thinking about. After Vancouver some of us take the bus back to Portland, while the rest of us head back to NY for a few days rest. Next up Colbert, and Australia in the New Year!
'Til next time,
Watch Kelly, the rest of the band and David Byrne & St. Vincent on Colbert tonight (11/1).
UPDATE: Colbert happened. Watch the videos.
They were also supposed to play Letterman the other night, but that was cancelled due to Sandy. Speaking of, read a Sandy-related letter David Byrne sent out to his mailing list, with more pictures from their tour, below...
words by Kelly Pratt, new photos by Bryan Murray
Kelly Pratt @ Pop Montreal (more by Dominick Mastrangelo)
Chicago, Toronto, Montreal, Boston, on to NY
On this tour, we are exceptionally lucky to be playing some of North America's most beautiful theaters. The Chicago Theatre is perhaps my favorite. Built in the early 1920's, it was initially used primarily as a movie theater. In 1986, it was massively restored and repurposed as a music venue. I find myself thinking of a memorable collection of photographs that document a number of abandoned theaters across the US. Many of these are beautiful rooms, but because of a variety of reasons (including urban population shifts and the rise of home video in the 1980's) they were deserted and are in various states of decay today. The shows in Chicago and Toronto go very well. We are at a point now where we can perform the show without having to concentrate on every little detail, thereby allowing us to focus more on the overall musical and visual impact (and the beautiful venues we are playing in).
We arrive in Montreal the morning after Toronto to play the Eglise St-Jean-Baptiste as part of the Pop Montreal festival. The church is majestically cavernous: there are huge chandeliers and two imposing organs. I head over to the Arcade Fire studio where David has just finished rehearsing some covers for the halftime show of the their yearly charity basketball game POP vs. Jock. As I walk in Regine is practicing some jock jams on organ for the in-game entertainment.
Halftime show (more by Dominick Mastrangelo)
During our sound check DB suggests that Daniel use one of the organs for the St. Vincent encore, "The Party," and also that, during that song, we put all the horns in the crowd. Luckily we have front-of-house engineer Pete Keppler on tour. He manages to make us sound great no matter what venue we are in, or what new ideas we throw into the mix. In Montreal we get what might be our best audience response yet, setting the bar very high for the rest of the tour.
The next day we all head to Boston for a day off. Most of us end up getting tickets to see Grizzly Bear at the Orpheum where we are playing the following night. [Like at Radio City] Their set draws heavily from their new album, which takes them further into psychedelic territory. The visuals are particularly breathtaking, accentuated by 12 or so hanging lanterns that rise and sink throughout the show. A few late games of pool later we head back to the hotel to rest.
Beacon Theater tonight is their first of three NYC shows on the tour. Tickets are available for tonight and tomorrow at Beacon Theater, and for the Saturday show at Williamsburg Park.
The photos you see above are from other recent BrooklynVegan posts. An original set that accompanies this post, by Bryan Murray, can be seen below...
by Kelly Pratt with photos by Bryan Murray
Kelly Pratt is currently on tour with St. Vincent and David Byrne, acting as co-musical director as well as one of their many band members. Since last week he's been chronocling that tour right here on BrooklynVegan. Welcome to the second installment, written last night...
End of rehearsals, Minneapolis, Milwaukee.
We finish our rehearsals at the beautiful Wellmont Theatre in Montclair, New Jersey. Two full days of running the set as many times as possible takes a toll on the brass players' lips, but tightens up the choreography and transitions between songs considerably. Annie-B Parson is the choreographer for the show with Lizzie Dement assisting. She's worked with David in the past, and her next next project is with Baryshnikov--needless to say, she has some brilliant ideas that really expand the kind of performance we are used to. This is also the first time we have played the show with lighting design, which adds another level of difficulty.
The following morning the band heads to JFK for a flight to Minneapolis where we will have a much-needed day of rest. We travel on Sun Country Air. Ever heard of it? Me neither. The trip gets interesting when Ira Glass takes the seat next to me. He is on the way to Minneapolis to do a Q&A for the premiere of his and Mike Birbiglia's new film "Sleepwalk With Me". Always the workaholic, he interviews the guy sitting next to him who (after some deduction skills and Googling) I determine to be the inventor of the KneeDefender. He invites Jon and me to the premiere of his film that evening. The movie is great and we discover that Ira is as good at talking in person as he is on the air. The theater serves bourbon, a novelty for us (in the theater, not on its own).
The first show of the tour goes better than expected. It may sound obvious, but performing in front of a live audience adds an extra level of energy and intensity. It's like we finally realize the show, in its full potential, for the first time. Afterwards, a few of us go across the street to a bar where we meet some folks from Dero, the company that manufactures the bicycle racks David designs. One of the best aspects of this tour so far has been the focus on cycling. Nearly everyone in the band bought a folding Tern bicycle before we left. There are even a couple extras for the crew. This is the first time that I have toured with a bicycle and I will never leave home without one again. It's so nice to slip away from the tour for an hour or two for a long ride. It has also allowed me to see more of the city than the few blocks near the venue. Both Minneapolis and Milwaukee are great cities for cycling with long bike paths and beautiful views.
Next we go to Chicago for a day off. It's Carter's birthday, so we may have to get him a white wine spritzer or two.
To bed, for we rise at 9:30 for 10(ish),
David Byrne & St. Vincent, Kelly Pratt & band play the Chicago Theater tonight (9/18) before continuing on their tour which includes three NYC shows. Check out some more photos from their rehearsals in NJ, a video from Minneapolis, and all tour dates, below...
by Kelly Pratt with photos by Bryan Murray
Kelly Pratt is no stranger to the pages of BrooklynVegan. From being a member of Beirut to playing in Arcade Fire to performing at LCD Soundsystem's final show to his own projects Team B and now Bright Moments, we've written about stuff Kelly Pratt does a lot. Now we're going to let him write a bit. This time about his latest project, which as previously mentioned, is being co-musical director and a band member on the St. Vincent and David Byrne tour that begins this week in support of the pair's new album "Love the Giant" which is out now via 4AD and streaming on Spotify and at NPR. Look for a new post by Kelly right here on BrooklynVegan each week, starting now...
David Byrne/St. Vincent North America tour Fall 2012 - rehearsal
The Band:New York, September 11
David Byrne - vocals/guitar
Annie Clark - vocals/guitar
Daniel Mintseris - keyboards/co-musical director
Brian Wolfe - drums
Kelly Pratt - trumpet/flugelhorn/French horn/flute/co-musical director
Carter Yasutake - trumpet/flugelhorn
Rachel Drehman - French horn
Jason Disu - trombone
Dave Nelson - trombone
John Altieri - tuba
Bryan Murray - saxophones/clarinet
Jon Natchez - saxophones/flute/clarinet/flugelhorn
We've been in rehearsal for the last three weeks on an extremely intensive schedule: 8 hours a day, 6 days a week. The first week is primarily focused on drum programming and rhythm section coordination. With week 2 all the rest of us join in. As one can imagine, putting together a full set of music for twelve people can be a bit of a daunting task! Fortunately we have an experienced, talented, and motivated group of people involved.
By the beginning of the third week we are running the set with a pretty high degree of success. Then the choreography starts. I have six years of marching band experience (strictly "don't ask, don't tell" information), but most of the rest of the horns have never moved and played at the same time. Learning to play a brass instrument while walking around a stage is a bit like patting your head and rubbing your stomach. But way harder. Finally Sunday we manage to run the set with choreography. It's going to be pretty impressive.
Monday we play Jimmy Fallon, definitely the most welcoming and my personal favorite of the late night programs. It's our first public performance, and goes pretty well. Right before we play we all get a moment to warm up our horns. Carter starts playing Chuck Mangione's "Feels So Good" as he tends to do 70% of the time he puts the horn to his face. Jimmy Fallon comes over and beamingly declares "I love that song!"
The next two days we head out to New Jersey for full production rehearsals at the Wellmont Theatre. After that we hit the road, first stop Minneapolis!
Watch the Fallon videos HERE. All tour dates, more pictures from rehearsal, and the official video for "Who". below...