Entries tagged with: Riot Fest
Chicago has been announced for a while, but now we know for sure that Riot Fest will be back in Denver and Toronto this year too. Stay tuned for more info and lineup announcements.
photos by James Richards IV, words by Zach Pollack & Milos Markicevic
Mineral / Patti Smith / Superchunk
Riot Fest Chicago wrapped up this past Sunday (9/14) with sets from The Cure, Weezer (playing Blue Album), Primus, Social Distortion, Cheap Trick (playing Heaven Tonight), Patti Smith, Mudhoney, Hot Snakes, Mineral, Lucero, Naked Raygun (playing Throb Throb), La Dispute, Superchunk, The Hold Steady, Kurt Vile, Bouncing Souls, The Front Bottoms, The Menzingers and many more.
I arrived at the final day of the festival to find New Jersey punk heroes The Bouncing Souls already on the Roots Stage, and NJ folk punks The Front Bottoms getting set to perform on the Rebel Stage. Having seen the former a few times, I went for the latter band and heard "Flashlight" as I approached the stage. Their early afternoon-yet-rabid crowd screamed the lyrics along to the song's stop-start chorus. The tongue-in-cheek Talon of the Hawk opener "Au Revoir (Adios)" came next, followed by mix of songs from that album and their 2011 self-titled LP. --ZP
Kurt Vile & The Violators were the next band I caught, over at the Riot Stage. Given that Sunday beared even better weather than Saturday had, opening with "Wakin on a Pretty Day" was an apt choice in full sun. The Violators proceeded to deliver a low-key and enjoyable set that touched on Wakin on a Pretty Daze, Smoke Ring for My Halo, and Childish Prodigy. After a bit of KV and co., I headed over to the Rebel Stage to catch The Hold Steady. The NYC crew kicked things off with "I Hope This Whole Thing Didn't Frighten You" from this year's Teeth Dreams, followed by the Boys and Girls in America favorite "Stuck Between Stations." The band flew by their usual M.O. -- flexing some muscle without coming off as too cheesy -- while pulling out tunes from their back catalog. --ZP
Next I went to catch Superchunk, and I arrived at the Riot Stage a bit prior to their set. In the meantime, I caught the last few songs of Billy Bragg's performance on the nearby Roots Stage. Before playing "The Milkman of Human Kindness," Bragg shared that he's out to become "the Pete Seegar of punk" and hopes to be performing into his 90s. He turned "There Is Power in a Union" into a sing-along and finished off with "A New England." Superchunk began with the No Pocky for Kitty tune "Cast Iron," followed by the one-two punch of "Digging For Something" and "FOH." It was back to No Pocky... for "Punch Me Harder," and then Mac asked the crowd to sing along during "Learned To Surf." "I'm gonna need you to repeat after me, in the age-old tradition of repeating after people on stage, he quipped. Their 11-song set came to a close with "Slack Motherfucker" into "Precision Auto." --ZP
Michigan post-hardcore crew La Dispute were up next at the far-from-everything Rock Stage. The four-piece were heavy on this year's great Rooms of the House, and began their 10-song set with "HUDSONVILLE, MI 1956," "Stay Happy There," and "First Reactions After Falling Through the Ice" from the LP falling within the first five they played. Their meditative grooves quickly won over the large crowd they had gathered at the stage. My next target after La Dispute was the Rise Stage, where whiskey-soaked Memphis crew Lucero would soon begin their late afternoon set. I only stuck around for a few songs, but I got to hear some of my favorites from the start, including "On My Way Downtown" into "Nights Like These." --ZP
La Dispute's crowd
After Lucero, it was back over to the Rock Stage for reunited Austin emo band Mineral. The band quietly took the stage and delivered an excellent set that was split evenly between their 1997 debut The Power of Failing and 1998's EndSerenading. Highlights included their heavier moments found within the brief "Five, Eight, & Ten," "For Ivadell," and "Gloria," and also the more subdued offerings like "Love Letter Typewriter." Mineral were one of the best emo bands out there, and it's great to see them return sounding great. --ZP
One of my most anticipated sets of the three-day fest was Patti Smith's 6PM performance on the Riot Stage. Patti was born in Chicago not all that far from the stage she occupied, and spoke about coming to the park with her mother as a very young child. She and her band opened with "Dancing Barefoot" into the Horses tune "Redondo Beach." A cover of John Lennon and Yoko Ono's "Beautiful Boy (Darling Boy)" came next, followed by "Pissing in a River." Along with a select few others, Patti Smith fully embodies the spirit of Riot Fest. --ZP
While Zach was over at Patti Smith on the Riot Stage, I was at the Rise Stage for Mudhoney. The grunge grandfathers ripped through their set and barely stopped to catch their breath. Drummer Dan Peters was a beast on drums throughout the set, and at one point the band even made way for a brief drum solo, bringing in the fuzz at the climax. You would think Mark Arm's vocal style would have wrecked his pipes after all these years but the guy sounded just as good as he did on the band's debut album. The definite highlight of set was the band's classic "Touch Me I'm Sick" which left everyone floored. --MM
If Patti Smith carries the ethos of Riot Fest, then Primus serve to represent the festival's large carnival presence. Les Claypool was transfixed on the ferris wheel he faced from the stage and spoke at length about how beautiful it was and how lucky they were to be performing near it. He later prompted guitarist Larry LaLonde to do a solo inspired by the wheel. Unlike when I saw them in 2013, Primus shed their jammy approach of late for the tighter feel of their early material. This shift was aided by stand-in timekeeper Danny Carey, who delivered a fast-handed, rigid performance. The trio opened with the Sailing the Seas of Cheese cut "Those Damned Blue-Collar Tweekers," followed by the driving LP number "Here Come the Bastards." The tweaky Brown Album song "Over the Falls" was also played, as well as more favorites like "My Name Is Mud," and set endcap "Jerry Was a Race Car Driver." --ZP
Weezer were one of the albums billed to play a classic album (The Blue Album), but first they warmed up with some of their more recent singles, steadily going back in time with each song. The band played "Pork and Beans," "Beverly Hills," "Island In The Sun," "Hash Pipe," "El Scorcho" and others before getting to 1994, the year of The Blue Album. Everything prior to The Blue Album's performance felt like filler as everyone, including myself, sang along to every Blue Album song, most loudly to "Buddy Holly" which some fans begged to be played again. Weezer performed flawlessly while their stage lights bathed everyone in blue light, keeping in theme of the album's color. It was amazing seeing the band perform The Blue Album-- one of my favorite 90s albums-- in its entirety. I only wish they could've squeezed in Pinkerton right after. --MM
photos by James Richards IV, words by Zach Pollack & Milos Markicevic
The Flaming Lips / Afghan Whigs / mohawks
Riot Fest Chicago kicked off this past Friday (9/12) in Humboldt Park and continued the following day with Samhain (playing Initium) (video below), The National, The Flaming Lips, Descendents (playing Milo Goes to College), The Get Up Kids (playing Something to Write Home About), The Afghan Whigs, Television, Buzzcocks, Samiam, Wavves and many more. Pictures of the second day, and Milos and Zach's reviews, are in this post.
I skipped the rainy first day of Riot Fest and waded through the muddy aftermath to The Dandy Warhols perform at the Riot Stage. Getting there early I used the extra time attempting (and failing) to clean my sneakers, which had accumulated enough mud under the soles to make them look like brown platform shoes. The Dandys hit the stage on time and managed to squeeze in a good variety of their hits in the short 45 minute set time, including "I Love You," "We Used To Be Friends," "Bohemian Like You," and "Boys Better." The sound was a bit off the first couple of songs, possibly having something to do with Courtney Taylor's dual mic setup. But overall the set was excellent and managed to distract me from the sinking feeling under my shoes. The band seemed to enjoy themselves, especially keyboardist Zia McCabe who danced like a hippy while playing her Korg synth and tambourine. I spotted her again later in the day rocking out among the audience during the Die Antwoord set. Overall my only complaint was that Dandy's set felt criminally short and left me craving more. --MM
I started off day 2 of the festival by catching NYC punk legends Television's late afternoon set on the Rise Stage. They delivered almost all of their classic Marquee Moon (3/4 of their current lineup recorded the LP), complete with its signature paranoid feel and fantastic interlocking guitar work. Though they don't play all that many shows these days, the band were way on at the fest and came off sounding just as powerful as their recordings. After watching a large part of their set, I headed over to the Riot Stage for something very different: Die Antwoord.
The South African rave rappers began their performance by piping a highly-effected "DJ Hi-Tek Rulez" over the sound system, which includes the hook "DJ Hi-Tek will fuck you in the ass." Their subsequent set followed suit, with more ridiculous and highly danceable songs. During what I stuck around for, rapper Ninja mooned the crowd multiple times and did some serious stage hopping with Yo-Landi Vi$$er. We then broke for food prior to The Afghan Whigs' set on the nearby Roots Stage. --ZP
The crowd waiting for the Whigs couldn't have been more different than the one we had left. Older and somber, they occasionally took furrowed glances at Die Antwoord's stage in manner similar to a disgruntled parent. The Afghan Whigs finally hit the stage at 4:15 sharp and the crowd erupted with a mix of excitement and relief. Greg Dulli and the band were dressed in the debonair style that they're known for and reached deep into their back log, pulling out favorites like "Debonair" from their classic Gentleman album (which they're reissuing this year). The band flat out rocked and Duli even slammed his own drum near the end of the set. It was a real pleasure seeing these guys fully back in action. --MM
After Afghan Whigs, we headed to the smaller Revolt Stage to catch Buffalo, NY punk pop trio Lemuria. The three-piece delivered a mix of tunes from last year's The Distance Is So Big and its predecessors with a ton of energy. The humble crowd they gathered seemed to eat it up too. Highlights included the driving "Clay Baby" and grungy "Brilliant Dancer." After a handful of songs from Lemuria, we headed over to the already-packed Roots Stage where Wu-Tang Clan would soon be playing.
The Wu entered with their classic party-starter "Bring Da Ruckus," followed by the majority of 36 Chambers. Standout moments from their overall fun set included the RZA-led "The Mystery Of Chessboxin'," "Protect Ya Neck," and the classic "C.R.E.A.M." RZA also gave Syl Johnson a big shout out while talking about influential Chicago artists. --ZP
The Flaming Lips were our next mark, who were to take the Roots Stage after Wu-Tang. Wayne Coyne and co. began their sprawling trip-out with "The Abandoned Hospital Ship" followed by "Yoshimi Battles the Pink Robots, Pt. 1." The band had an elaborate, hanging fiber-optic setup and a stage-spanning screen with visuals behind them. When combined (most often with a tunnel-looking rainbow video), the backgrounds and fiber-optics worked extremely well together. There were also various blowup mascots on stage throughout their set, like a sun, mushrooms, a creepy butterfly, etc. with people inside animating them. While attempting a confetti cannon shot during "The Abandoned Hospital Ship," The Flaming Lips blew the power on the Roots Stage. The confetti still shot off, and it was a bit sad for a few minutes while they assessed the situation. They did manage to come back strong, yet Coyne still seemed understandably deflated. This didn't stop him from putting on a great show though, and he channeled some of that weirdness into an excellent performance of The Terror standout "Look...The Sun Is Rising." The uplifting "Do You Realize??" came next, followed by their incredibly warped cover of The Beatles classic "Lucy in the Sky With Diamonds." The verses remain fairly intact, but the chorus is shopped with doom-ridden explosions throughout. It's a really interesting take on the song, and I'm curious to see what the recording will be like. --ZP
The National were a bit delayed due to a border crossing mishap in Ottawa, so The Flaming Lips were given a bit more time. When they did arrive, Matt Berninger first joked that he was busy checking his email before actually explaining what happened. The National proceeded to give us a mostly late-period headlining set that featured songs from Trouble Will Find Me and High Violet. That's not to say their older material was completely ignored. " They capped off their characteristically great show with "Fake Empire" into "Mr. November," and finished with "Terrible Love." --ZP
photos by James Richards IV, words by Zach Pollack
Jane's Addiction / GWAR fans / Title Fight
Riot Fest Chicago is currently underway at Chicago's beautiful Humboldt Park. It kicked off on Friday (9/12) and that first day was plagued by light to heavy rains that pretty much continued from doors until the headliners. But the weather didn't seem to slow down the bands or the audience much at all, and it was an opening day with something for everyone. On the heavier end, there was American thrash kings Slayer performing Reign In Blood in its entirety, resilient interplanetary scumdogs Gwar, and Mastodon; classic punks Stiff Little Fingers and ALL; alternative rock flag bearers Jane's Addiction; anthemic and melodic punks The Offspring (performing Smash), Gogol Bordello, The Hotelier, Pity Sex, and Title Fight; the excellent Pussy Riot -- Discussion Panel; and much more packed in there.
We began day 1 of Riot Fest Chicago by catching Boston-based melodic punks Somos at the Revolt Stage -- one of the festival's two smaller setups. The four-piece drew a decent crowd with their punchy output, including the especially catchy "Dead Wrong" and "Lives of Others" from their 2014 debut Temple of Plenty. Title Fight were up next, over at the larger Roots Stage. The Pennsylvania-based road dogs impressed with tunes from their debut LP, huge-sounding 2012 album Floral Green, and their many EPs. They got the crowd moving with the Hot Water Music-like "Secret Society," and kept the momentum up throughout their set, which closed with the thrashy "27." After the combination attack opening of "Numb, But I Still Feel It," "Shed," and "Like a Ritual," the band brought things down a bit with the great Floral Green shoegaze number "Head in the Ceiling Fan."
GWAR have a hell of a lot to be proud of, and not just the troves of blood-caked fans who were easy to spot throughout the park for the remainder of the day. The Oderus-less (RIP) outfit are indeed back in fine form, with a thrilling new stage show in Dave Brockie's honor. The interplanetary warriors delivered seven-songs (or acts) throughout their set, each coming from a different album. Bloody Pit of Horror's "Hail, Genocide!" was the absolute highlight, with blood baths both by way of a rotating circular saw and vocalist Blothar (aka Michael Bishop, formerly Beefcake the Mighty)'s chest. Yummy.
Taking things down a notch from GWAR were Worcester, MA's The Hotelier, who we caught next on the Revolt Stage. Christian Holden and his band gave 110% while delivering nearly all of their anthemic second album Home, Like Noplace Is There. The packed crowd braced along with Holden and co. for the multiple cathartic full-band crashes, as well as the din of the album's more subdued and vocal-only moments. After a few tunes, Holden seemed as if he couldn't help but to share that this was the largest crowd that had ever paid attention to the band at once. He also had his bass turned waaaay up, which cranked up the intensity for punchy numbers like "The Scope of All of This Rebuilding" and "In Framing."
We then headed over to the one-day Riot Fest Speaks stage to watch a bit of the Pussy Riot Discussion Panel go down. The Henry Rollins-moderated panel consisted of Pussy Riot/Zona Prava members Nadya Tolokonnikova and Masha Alekhina, with guests Greg Graffin (Bad Religion), Tim McIlrath (Rise Against), Marcelle Karp (writer/activist), and Michael A. Petryshyn (Riot Fest Founder - aka Riot Mike). As we approached, Rollins and Karp were in the middle of a back-and-forth about feminist journalism in relation to the now six-month-old Zona Prava. Karp spoke of writing provocative messages on her and friends' bare chests, and Rollins brought up the old flyers he made while in Black Flag (ie "cop with a boner handing a child a lollipop with Black Flag scrawled across the top of the page"). It was an insightful discussion. Hopefully they bring the Riot Fest Speaks stage back in years to come.
Mastodon was the next mark we hit, over at the Rebel Stage. Touring on this year's classic rock-ish Once More 'Round the Sun, the band delivered a few tunes from that album -- including the fun single "High Road" -- some from The Hunter, as well as a bunch of their older meatier tunes. We got "Aqua Dementia" and "Hearts Alive" off Leviathan, "Bladecatcher" and "Crystal Skull" from Blood Mountain, and Crack the Skye favorites "Divinations" and "Oblivion." They were as tight as ever.
We capped off the night by catching alternative rock giants Jane's Addiction, who were performing their 1988 debut studio effort Nothing's Shocking in its entirety. Pit against American thrash gods Slayer playing Reign In Blood at the other side of the park, Perry Farrell and co. went for a much flashier approach while delivering the attitude-packed hits like "Jane Says," "Mountain Song," and "Ocean Size." It was nice to finish off the night with a feel-good set of songs.
Day 2 pics and review are HERE. Day 3 HERE. Pictures of all the day 1 bands mentioned above, plus a few others like Clutch, NOFX (they performed Punk In Drublic) and Radkey, are in this post. They continue below...
Riot Fest Chicago 2014 is set to take place from September 12-14 throughout Humboldt Park. The 10th anniversary of the festival features Jane's Addiction, Slayer, The Offspring, Pussy Riot (Nadya Tolokonnikova & Masha Alekhina), Mastodon, The Murder City Devils, Failure, Title Fight, The National, The Flaming Lips, Wu-Tang Clan, Descendents, The Cure, Weezer, Social Distortion, Primus, Patti Smith, and many more across seven-stages. The fest has now shared daily lineups, which you can scope out at the bottom of this post. Three-day and two-day passes are still available, and single-day tickets are on sale now.
RFC 2014 daily lineups lie after the jump...
We recently mentioned that Riot Fest Denver's permit to hold the festival at May Farms in Byers, CO was denied due to inconveniences it caused the residents of Byers, and that the fest will happen in a new location. We now know it will be instead held at Sports Authority Field at Mile High in Denver, still from September 19-21 as originally planned. There will also still be free parking for festival goers and all tickets purchased will be honored.
A press release also notes that many of the non-musical perks of May Farms will be kept intact:
Outside of bringing the May Farms aesthetic to the new site, organizers will also go ahead with the previously planned carnival rides and games, a miniature golf course, lucha libre, a large circus tent with oddities performers and a long list of amazing food vendors. Other plans include turfing the parking lot of the stadium and bringing all the things people love about May Farms (tractors, hay bales, etc) together with all the things to love about a country fair (rides, a pie eating contest, apple bobbing and more). Even the stages and vendor rows have been renamed to indicate Riot Fest's support of Byers, Colorado.Riot Fest is also showing their support of the Byers community:
* Any Byers resident who wants to come to Riot Fest this year will receivecomplimentary tickets as well as free daily shuttle service to and from May Farms and Sports Authority Field. Details will be announced next week on how residents can sign-up for this.As discussed, the lineup for Riot Fest Denver includes The Cure, The National, Weezer, Social Distortion, The Flaming Lips, Slayer, Wu-Tang Clan, Failure, Hot Snakes, All, Mineral and many more. Plus certain artists will be performing classic albums in full. Tickets are still available.
* Riot Fest will also allow several Byers businesses and other I-70 Corridor businesses who supported them free vending space at no cost.
* Riot Fest has also announced a $5,000 scholarship to be awarded to one graduating senior who plans on majoring in music, arts, business or marketing. Riot Fest has now asked other partners, industry friends and other Colorado businesses to contribute in hopes of getting that scholarship up to $20,000.
Day-by-day Riot Fest Denver lineup, with the new flyer, below...
DoNYC's Chicago cousin Do312 is running a contest. The prize is two VIP tickets to the punk-filled Riot Fest Chicago where a ton of awesome punk bands are playing in September. To enter, you need to "Pizzafy a Punk Album" and upload it to Do312 where there are already over 100 cheesy entries you can browse through, like the three non-vegan (and some not-so-punk, like The Cure) examples above.
In related news, the Macaulay Culkin-fronted Pizza Underground band plays a free outdoor show in Philadelphia TONIGHT (7/18). "Join us as we eat a lot of pizza, dance to pizza themed songs, and then watch a pizza themed movie, all in front of The Art Museum and all completely free of charge!"
Some unfortunate news for Riot Fest Denver. The Denver Post reports that their permit from Araphoe County (where the festival was supposed to take place) has been denied. Zoning Administrator Tammy King stated some the reasons in her letter of denial:
Based upon the information provided to me, it is clear that when Riot Fest was held in 2013, the traffic generated to and from the May Farms property by allowing the above-referenced vehicles to park on the property over a two to three day period caused numerous adverse impacts to members of the community. These impacts included residents having difficulty in getting their vehicles in and out of their driveways, substantial difficulties in traveling to obtain groceries and other essential services, difficulty in getting to and from work, [and] difficulty in conducting farm trucking activities.The fest will still go on though. They posted to their Facebook page:
Due to circumstances beyond our control and despite lots of support for Riot Fest & Sideshow in Byers, May Farms is no longer available to host Riot Fest. A nearby alternate location will be announced early next week. We know this sucks, we're as disappointed as you are, but if you could be a little patient with us, we'll have more information ASAP. All tickets will be honored at the new location. Riot Fest in Denver is NOT cancelled, the show will go on, and rock n roll never dies.The festival is set to happen September 19-21 and the lineup includes The Cure, The National, Weezer, Social Distortion, The Flaming Lips, Slayer, Wu-Tang Clan, Failure, Hot Snakes, All, Mineral and many more. Plus certain artists will be performing classic albums in full. Tickets are still available.
by Ian Chainey
Stiff Little Fingers at Gramercy in 2011 (more by Konstantin Sergeyev)
Stiff Little Fingers, the long-running Irish punkers, will be touring in support of the recently-released No Going Back in late summer. Along with a string of dates packaging the group with the Offspring and Bad Religion, Stiff Little Fingers will also play Riot Fest Chicago and Denver. The band hits NYC on September 20 at Irving Plaza as stand-alone headliners. They'll also play NJ's Stone Pony the day before (9/19) Tickets go on sale Friday (6/20) at noon, with a Live Nation and Music Geeks presale for Irving Plaza happening now (password: MUSICGEEKS).
No Going Back, the band's tenth, finds lone-constant Jake Burns in fine voice, using his gravelly rasp to great effect. It's a more mature, power-pop direction than the group's biting early material. Still, Bruce and company know how to build a song, setting engaging lyrics within strong, slightly twangy hooks. The record was shepherded into existence by a crowd-funded effort on PledgeMusic and you can stream it via Rdio and check out a few songs in this post.
All of Stiff Little Fingers' dates are listed, along with streams of No Going Back and past classics, below.
Riot Fest Chicago keeps getting crazier. First they announced their stacked lineup, then revealed that ten of those artists would be performing classic LPs in full, and now they've added more bands to the fest including a handful of heavy hitters. New additions include Primus, Tokyo Police Club, Say Anything, The Hold Steady, Only Crime, Lemuria, Pity Sex, From Indian Lakes, Lucki Eck$, Tiny Moving Parts, The Picturebooks and Survay Says. Tickets are still available.
Updated lineup, including The Cure, Jane's Addiction, Weezer, Social Distortion, Slayer, Descendents, Samhain, Patti Smith, Get Up Kids, Mineral, Failure, Mastodon and so many more, at Riot Fest's site and below...
by Ian Chainey
GWAR at GWAR-B-Q, 2013 (more by Josh Sisk)
You just can't keep a good GWAR down? The show must splooge on? Never "Sick of You"?
Fans and amateur pun runners (*ahem*) were excited to learn that heavy metal liquid-excreters GWAR are, apparently, still performing. As of right now, the group have two dates on the horizon: one being the 5th Annual GWAR-B-Q (8/16 at Hadad Lake, VA) and the other the Chicago iteration of Riot Fest (Sept. 12 - 14). Maybe the rumor will float around that GWAR will back Danzig for his Samhain set, thus causing the entire internet to burst into flames. Hope you had the last 20 years written down somewhere.
Of course, jokes aside, there is something of a gigantic hole in the GWAR lineup currently: Dave "Oderus Urungus" Brockie. The singer sadly passed away in March, putting the outrageous act's future on ice. But, as long as this continuation is handled with class, it should be okay, right? So far, so good: The original Beefcake the Mighty, Mike Bishop, is reportedly back in the fold for GWAR-B-Q. Bishop played bass for the band from 1987 to 1993 and again from 1998 to 1999. The fact they're getting a past relation is a great sign. Tickets to GWAR-B-Q go on sale June 5.
So, GWAR-B-Q attendees, there will still be a GWAR for you. Riot Festers? Looks that way. The band's website posted the Riot Fest announcement as well, so it's not like a flier typo/mixed signals are at play. (The website announcement added, "Socialize, you human filth!" GWAR, immersion therapy experts.) Innnteresting. Very interesting.
The Live from Antarctica video from 1990 with Mike Bishop in the mix appears below.
Danzig at Riot Fest in 2013 (more by Kirstie Shanley)
Nestled within the Riot Fest Chicago 2014 lineup sat this intriguing name: Samhain. The Samhain? The band Glenn Danzig fronted between two legacy-ensuring runs in the Misfits and his "Mother"-effin' 'solo' stardom? That Samhain?
Danzig's official website has since confirmed: "We can confirm that DANZIG has accepted an invitation to perform as his Classic SAMHAIN at Riot Fest in Chicago this September. More as we get it...Stay Tuned!!!" Riot Fest has since announced that Samhain will play Initium in full.
We actually shouldn't be too surprised. Danzg has been touring with Doyle-infused Misfits sets as part of his show for a while now, and in 2011 he did a "Danzig Legacy" tour, with shows that included (drama and) seven Samhain songs and members as part of the setlist. That tour hit Riot Fest in Chicago, a fest Danzig then played for a second time last year (and which he will play for a third time this year). Three members of Samhain played in the band (Glenn Danzig, London May and Steve Zing).
What we still don't know is who will actually be playing in this version of the reunited "Samhain". Danzig hasn't said yet. Drummer/bassist Steve Zing is a very safe bet since he was in Samhain, played the 'Legacy' shows and plays in Danzig's current lineup. Drummer/bassist London May, already back in the fold recently, also seems very possible. The bigger question is whether we'll get original member (and Danzig original member, but current country singer) drummer/bassist Eerie Von back in the fold. In our professional opinion that is who Danzig needs most to validate this thing, and actually things are looking good, though it might require Glenn also wrangling in guitarist Pete "Damien" Marshall. In 2012, Blankman ran this interview:
BMi: Why weren't you part of the Samhain reunionSlim to none is right, and even more right now that Danzig and Jerry Only are embroiled in yet another lawsuit concerning a legal spat with Misfits bassist Jerry Only over Hot Topic merchandising royalties, citing the devilocked dude for breach of a '94 agreement to share trademarks.
EV: "What reunion? Glenn and 2 drummers? I said if the Guitar player Damian wasn't involved I wasn't interested."
BMi: What do you think about Jerry Only's continued version of the Misfits?
EV: "That's Jerry's thing. He's keeping the name alive, and playing the songs for the kids who never saw the old band. I only saw them when they first got back together, and had Graves as a singer. I thought they were pretty good. I haven't seen Jerry and the others guys since.
BMi: Knowing all the guys in the band personally, what do you think the chances are of a full-fledged Misfits reunion?
EV: "Slim to None, but you never can tell. It's been discussed over the years."
After registering the trademarks, Danzig alleges Jerry then secretly entered into deals with various merchandisers, including Hot Topic, and cut Danzig out of any potential profits in the process. Danzig claims Jerry even threatened to withhold licensing rights from merchandisers if they did business with Danzig at all.Misfits say it's "sour grapes". Read the entire statement they gave to Alternative Press in response to the lawsuit, below, and good luck Glenn.
Danzig -- who left The Misfits in 1983 -- is suing for breach of contract and more. He insists he's solely responsible for the Misfits fame as a founding member of the group, and deserves his fair share of merchandising profits. [re-tox]
Meanwhile, Jerry Only's version of the Misfits just announced that their NYC Halloween show will happen this year on October 28 at Irving Plaza. Tickets are on Live Nation/Music Geeks presale and go on regular sale Friday (5/16) at 10 AM.
All of Danzig's & Misfits' 2014 tour dates, along with some Samhain samples -- that you should listen to with unbiased ears -- below.
this is one of 10 albums being performed in full at Riot Fest
The killer lineups for Chicago and Denver's Riot Fests were announced this week, and as if having tons of classic bands wasn't enough, the festival has now announced then ten of those bands will perform one of their classic albums in full. It's in celebration of the festival's 10th anniversary (they're calling it "10 Years. 10 Essential Albums.") and includes Jane's Addiction playing their 1988 major label debut, Nothing's Shocking, The Offspring playing their 20-year old Smash (which they're also doing on tour this year), Weezer playing The Blue Album (which also turned 20 this year), NOFX is doing Punk In Drublic (turning 20 in July), Slayer will play their thrash masterpiece Reign In Blood, Danzig's post-Misfits band Samhain are playing their debut, Initium, Descendents play their highly influential debut Milo Goes to College, Naked Raygun play their debut Throb Throb, and The Get Up Kids will play emo/pop punk classic Something To Write Home About, plus one more TBA. Nicely done, Riot Fest.
"10 Years. 10 Essential Albums." flyer below...
Chicago has The Cure, Jane's Addiction, The National, Weezer, The Flaming Lips, Social Distortion, Slayer, Wu-Tang Clan, Descendents, Tegan & Sara, Metric, the reunited Samhain (!), Cheap Trick, Pussy Riot (Nadya Tolokonnikova & Masha Alekhina), Patti Smith, Taking Back Sunday, Mastodon, Afghan Whigs, Naked Raygun, Cock Sparrer, Superchunk, Lucero, Murder City Devils, Mudhoney, Failure, Hot Snakes, Thurston Moore, Get Up Kids, Kurt Vile, Wavves, ALL, Mineral, Title Fight, Samiam, Menzingers, Front Bottoms, Pianos Become the Teeth, Bouncing Souls, Buzzcocks, Gogol Bordello, Stiff Little Fingers and many more. Tickets are on sale now.
Denver also has The Cure, The National, Weezer, Social Distortion, The Flaming Lips, Slayer, Wu-Tang Clan, Taking Back Sunday, Lucero, Failure, Hot Snakes, ALL, Mineral, Menzingers, Pianos Become the Teeth, Bouncing Souls, Buzzcocks, Gogol Bordello, Stiff Little Fingers plus Primus, TV on the Radio, Glassjaw, Bob Mould, Violent Femmes and more. Tickets are on sale now.
Full Chicago and Denver lineups below...
Riot Fest is happening in Toronto, Chicago and Denver again this year, and the lineup for Toronto was just announced. It happens on September 6 & 7 and features The National, Flaming Lips, Social Distortion, Death Cab for Cutie, Death From Above 1979, Brand New, Paul Weller, Stars, Metric, The Head and the Heart, Tokyo Police Club, The New Pornographers, Taking Back Sunday, Afghan Whigs, Alkaline Trio, Glassjaw, Bob Mould, Thurston Moore, Buzzcocks, Clutch, Manchester Orchestra, Lucero, Title Fight and many more. Full initial lineup below. Tickets go on sale Saturday (5/10) at 10 AM.
As mentioned on BV Chicago, the Chicago fest happens from September 12-14 this year, and Denver from September 19-21. Stay tuned for those lineups.
Full initial Toronto lineup below...
photos by Cory Dewald
The Replacements / Pixies
For a band that thrived on an anything-goes approach to performing, the Riot Fest show ran with relative precision, with barely a pause between songs. Despite tossing the clock, [Paul] Westerberg and the boys finished precisely at 10:30 p.m. Everything on the set list was at least 23 years old. But the 25-song, 75-minute performance brimmed with energy and heart. Nostalgia it was, but there was nothing formulaic or phoned-in about it.Chicago's Riot Fest (the second of three Riot Fests happening this year) wrapped up this past Sunday (9/15) with sets from The Replacements, Pixies, Rocket From the Crypt, Bob Mould, Mission of Burma, Quicksand, Touche Amore, Peelander-Z, Brand New, Best Coast and more. One set of pictures from that day is in this post, and a second set with more bands
Looking like thrift-shop dandies with their splashy mismatched clothes and spiky hair, Westerberg and Stinson cracked jokes, blew a few lyrics, and laughed like they were just banging out tunes in their garage. They stayed loose but kept the pace brisk, with plenty of help from Freese's dynamic drumming and the bow-tied Minehan's concise lead guitar.
Westerberg's voice sounded appropriately rough and gritty on the opening "Takin' a Ride," the first song on the first Replacements album, "Sorry Ma, Forgot to Take out the Trash" (1981), and the sneering "Tommy Gets His Tonsils Out." But he also found the tenderness in a song ("Androgynous") that rhymes "kewpie dolls" with "urine stalls." [Chicago Tribune]
photos by Cory Dewald
Blondie / Glassjaw / Public Enemy fans
With about 20 albums under their belt, it was interesting to see what songs Guided By Voices would pick for their Riot Fest set. Keeping in mind that most audience members might not be familiar with everything in their vast discography, frontman Robert Pollard announced each song's name with a short introduction throughout the whole set. The band opened with "Xeno Pariah" and followed up with songs like "Island," "Shocker in Gloomtown," and "The Challenge Is Much More," only stopping to take a quick swig from a small bottle to oil up his voice. [BV Chicago]Riot Fest Chicago (the second of three Riot Fests this year) continued on Saturday (9/14) for its second of three days. The second day had tons of multi-generational alternative music representation including punk's late '70s heyday (Blondie, X, FLAG -- the Keith Morris version of Black Flag), second wave ska (The Selecter), third wave ska (Rancid), classic indie rock (Dinosaur Jr., Violent Femmes, Guided by Voices), modern indie rock (Surfer Blood, Stars, The Sidekicks), classic hip hop (Public Enemy), and turn-of-the-millenium poppunk/emo/post-hardcore (blink-182, Taking Back Sunday, Glassjaw). Pictures from that day are in this post, and there's more pictures, plus a review, over at BV Chicago.
photos by Kirstie Shanley
Gwar / Danzig
Not long after [Andrew W.K.'s set], on the Roots Stage, part-time UCLA professor and full-time punk rocker Greg Graffin joined his band Bad Religion. The great thing about the California punk veterans is that the majority of their songs (in true punk rock fashion) rarely pass the two-minute mark. We were treated to a nice variety of songs from their 30+ year career, including classics like "I Want to Conquer the World," "We're Only Gonna Die," and "Infected." They also performed a few tunes from this year's True North, such as "Fuck You," "Dharma and the Bomb," and the LP's title track. The members threw around some self-depreciating humor, poking fun at their age. "We've been around since the 80s!" said Graffin, now fully greyed. Their songs are timeless, and some are even more relevant now than ever. Just go re-listen to "21st Century Digital Boy." [BV Chicago]Chicago's Riot Fest (the second of three Riot Fests this year) is currently underway. It's on its third and final day (9/15) as we speak (set times). The festival began this past Friday (9/13), and on the first day we caught sets by Danzig, Joan Jett, Bad Religion, Gwar, Atmosphere, Andrew WK, Smoking Popes, Saul Williams, Dessa, and more. Pictures from that day are in this post, and there's more pictures, plus a review, over at BV Chicago.
More day 1 pics below...
Iggy and the Stooges at SXSW 2013 (more by Greg Cristman)
The Toronto one happens from August 24-25 in Fort York and features sets from The Replacements, Iggy and the Stooges, The Weakerthans, Rocket from the Crypt, Dinosaur Jr., Best Coast, The Flatliners, and Single Mothers (who all play day 2). Tickets for that day are on sale now. Flyer below.
The Denver one happens from September 21 to 22 at May Farms and features sets from The Replacements, Iggy and the Stooges, AFI, Brand New, Rocket From the Crypt, Guided by Voices, The Dismemberment Plan, Superchunk, Against Me!, Best Coast, Minus the Bear, Chuck Ragan, Bosnian Rainbows, This Will Destroy You, Touche Amore, Single Mothers and more on day 1; and blink-182, Rancid, Public Enemy, Matt & Kim, FLAG, Bad Religion, Yo La Tengo, Naked Raygun, Stars, Peelander-Z, Off With Their Heads, and more on day 2. Tickets (2-day passes and single day tickets) are on sale now. Full day-by-day lineup below.
Best Coast @ Governors Ball 2013 (more by Amanda Hatfield)
Special guest Best Coast has been added to the bills of both Passion Pit shows happening at Pier 26 in NYC this September (9/6 & 9/7). Tickets are still available for both shows, and we also have a pair of tickets to give away for each show. Details on how to enter to win, below.
Best Coast, meanwhile, have dates scheduled on the west coast, some with Lovely Bad Things, and play Riot Fest Toronto at the end of August before getting to NYC to play with Passion Pit. They then play Riot Fest Chicago with the Replacements and Pixies before hitting the road for some dates with Bleached. All dates are listed below...
Pixies at Wellmont Theatre in 2011 (more by Dana (distortion) Yavin)
The Kim Deal-less Pixies announced the European leg of a world tour earlier this month, so it was only a matter of time before North American dates were announced. First, they were announced for Chicago's totally killer Riot Fest (with Replacements, Dinosaur Jr., Rancid, Blondie, Violent Femmes, Bad Religion, Rocket From the Crypt, etc), and now four small NYC shows have been announced!
The NYC shows happen on September 17, 18, and 20 at Bowery Ballroom and September 19 at Music Hall of Williamsburg. Brooklyn's great indie rockers Parquet Courts open the 9/20 show, Reignwolf (who recently opened for Dinosaur Jr.) open the 9/17 and 9/18 shows, and Meg Myers opens the 9/19 show. Tickets for night 1, night 2, night 3, and night 4 are on Band Presale now (password: "bagboy") and they go on sale to the general public on Saturday (7/27) at 10 AM.
Taking Kim Deal's place on this tour is another indie rock Kim, Kim Shattuck of The Muffs, who play their first of two NYC-area shows tonight (7/25).
Pixies also just released a second music video for their new song, "Bagboy," because "who says you can't have two videos for a song?" Check out the new video (via Rolling Stone), along with the list of all tour dates, below.
Pixies, Joan Jett & the Blackhearts, Suicidal Tendencies, Andrew W.K., Hatebreed, T.S.O.L., Off With Their Heads, The Flatliners, Nativ, Hostage Calm, The Interrupters, New Beat Fund, and Pet Symmetry will all be joining us this September to round out this rock and roll carnival!Bummer about the cancellations (feel better Lemmy!), but nice additions, Kim Deal-less Pixies included. Get your tickets, stay cool, and check out the just-released map of Lollapalooza this year.
Regrettably, a few bands have had to cancel due to unforeseen circumstances. Motörhead, Bad Brains, and Attack Attack! will not be able to make it this year.
Keep an eye out for the daily schedules and individual day passes for all of this year's Riot Fests Wednesday, July 24.
by Bill Pearis
UPDATE: Actually it was and on me too. SPIN updated their post and Jessica Hopper admitted, "Well, that was a curious event. Sean was just punking me/you/us about joining the Replacements. Good thing no one wrote, like, news items about it."
We believed, obviously. Har Mar just tweeted, "I am, however, playing tambourine in Hüsker Dü this fall." Sean Tillman, you're a funny guy.
photos by Gretchen Robinette
The Bronx / Screaming Females at Riot Fest Brooklyn 9/8/2012
While no tornados touched down in Williamsburg on Saturday (9/8) the crazy storms cut the first-ever Brooklyn edition of Riot Fest short at 6PM after The Bronx's set, meaning only The Bronx, Screaming Females, The Menzingers and Larry and His Flask actually played. The Descendents and Hot Water Music got moved to Saint Vitus and Gogol Bordello didn't play anywhere.
Pictures from openers Larry & His Flask are HERE and more pics of the other three bands who played Riot Fest Brooklyn are below.