Entries tagged with: Roger Waters
by Andrew Sacher
Paulvana (via BrooklynVegan Instagram)
The 12/12/12 Hurricane Sandy benefit concert at Madison Square Garden went down last night and aired on multiple TV channels, websites, and in theaters worldwide. The concert featured performances by Bruce Springsteen & The E Street Band, Roger Waters (joined by Eddie Vedder), Bon Jovi, Eric Clapton, The Rolling Stones, The Who, Alicia Keys, Kanye West, Chris Martin (joined by Michael Stipe), and Paul McCartney (joined by members of Nirvana). And in between there were speeches/appearances by Billy Crystal, John Stewart, Stephen Colbert, Jimmy Fallon, P. Diddy, Chris Rock, and many more, spliced with footage of the devastation caused by Hurricane Sandy. (The less said about Adam Sandler's "funny" version of Leonard Cohen's "Hallelujah" with Paul Shaffer the better.) As was to be expected, the sets were short (though some longer than others) but it still ran late, ending after 1 AM. If you missed any of it, videos of some of the highlights are in this post.
Bruce Springsteen opened the show, getting everyone into the spirit of the night right away. Of all the sets, his choice of songs felt the most catered to the event ("Land of Hope and Dreams," "Wrecking Ball, "My City of Ruins," and of course also "Born to Run") and halfway in he prefaced "My City of Ruins" with a touching, personal speech about the damage done to the NY/NJ area, similar to the one he gave in Rochester in October.
Other highlights from throughout the show: Roger Waters ended his set by bringing out Eddie Vedder to sing lead on "Comfortably Numb." The Rolling Stones only got to play two songs ("You Got Me Rocking" and "Jumpin' Jack Flash") but still looked like they were having a great time. The Who, meanwhile, played seven songs. Then Kanye delivered a set which sent much of the twitterverse into an angry fit, though you have to wonder if this would have happened at a non-classic rock show (probably not). And of course, it was a pretty great surprise when Chris Martin brought out R.E.M. frontman Michael Stipe to do "Losing My Religion."
But the most anticipated part of the night was that Nirvana reunion with Paul McCartney on vocals that everyone was talking about. Paul ended up bringing Dave Grohl, Krist Novoselic, and Pat Smear out during his set to perform a new song they wrote, titled "Cut Me Some Slack," and then they left the stage and Paul returned to his own material. It would've been interesting to see those guys jam with Paul during "Helter Skelter" (which he opened with) or something, but at least Paul didn't sing "Smells Like Teen Spirit."
Videos and setlist from last night are below...
by Klaus Kinski
Roger Waters at Yankee Stadium, July 2012 (more by Greg Cristman)
Given his penchant for large scale theatrics (both onstage and off) as a solo artist and as one of Pink Floyd's founding members, I guess it makes sense that Roger Waters will finally make the leap to the off-Broadway stage as a straight-up actor. Old Man Waters will be joining the cast of The Exonerated to act out the role of Gary Gauger at NYC's Bleeker Street theater. He will be joining the cast for performances between November 27 -- December 2 2012. That's a wicked small, intimate theater so if you've ever wanted to see Rog "in the flesh" not holding a bass, now's your chance. Roger's presence as cast member is the only reason I've ever heard of the play, but after reading this New York Times review I've actually developed some interest in checking this thing out, with or without Roger Waters as cast member. From the CultureProject website:
2012 marks the 10th anniversary of Culture Project's New York premiere of The Exonerated, a ground-breaking dramatization of the real-life stories of six individuals who were sentenced to death and later freed amidst overwhelming evidence of their innocence. It is a powerful play culled from interviews, letters, transcripts, case files and court records of individuals on death row. As timely as ever, The Exonerated is once again poised to increase visibility and to create a sense of urgency as part of a rising movement to restore justice to a system that has shown itself time and again to be deeply flawed. Since 1989, when the first DNA exoneration took place, 300 post-conviction DNA exonerations have been won in 36 states.Tickets are currently available and, like I said, this theater is SMALL. When buying tix you can even choose your own seat which is pretty sweet.
Meanwhile, Roger recently announced many non-US tour dates where he will be rolling out his epic Wall Live show. Dates for that below.
This letter, signed by a ton of artists and pictured above, is set to appear in an ad in Billboard:
We are big fans of Pandora. That's why we helped give the company a discount on rates for the past decade.Pink Floyd, Down, Primus, Dead Kennedys (with our without Jello?), Nas, Alabama, Sheryl Crow and many more big major label names signed this (or someone signed it on their behalf). Check out the full list below, and head to fairpayforartists.com for more information on their point of view..
Pandora is now enjoying phenomenal success as a Wall Street company. Skyrocketing growth in revenues and users. We celebrate that. At the same time, the music community is just now beginning to gain its footing in the new digital world.
Pandora's principal asset is the music.
Why is the company asking Congress once again to step in and gut the royalties that thousands of musicians rely upon? That's not fair, and that's not how partners work together.
Congress has many pressing issues to consider, but this is not one of them. Let's work this out as partners and continue to bring fans the great musical experience they rightly expect.
The issue is that Pandora is supporting the Internet Radio Fairness Act which they say will "help end the long-standing discrimination against internet radio". Artists are mad because that possibly means less money for them, but Pandora and other Internet radio providers argue they can't stay in business the way things are now.
"Whoever said sarcasm is the lowest form of wit, is a fucking idiot. Not only that, it stops me killing people" - Ricky Gervais last night at NYCF (via @newyorkcomedyfest)
John Hodgman and Ricky Gervais @ NYCF 11/07/2012 (via @yarp4cornetto)
The New York Comedy Festival got underway last night with Ricky Gervais shooting the breeze with John Hodgman at Town Hall. The fest keeps the laughs going all weekend.Tonight's (11/8) big event is the "Stand Up for Heroes" benefit for the Bob Woodruff Foundation at Beacon Theatre with Mike Birbiglia, Ricky Gervais, Patton Oswalt, Bruce Springsteen, Jon Stewart, Robin Williams, John Maher and Roger Waters. Would you be surprised to learn that it's sold out? Well it is, and was also really expensive, but the good news is you can watch it online for free at 8pm EST!
Other shows tonight include Artie Lange at Town Hall, and Shawn and Marlon Wayans at Carolines (and you can still get tickets to those shows).
Other events this weekend include Patton Oswalt at Town Hall and Aziz Ansari at The Apollo on Friday (11/9), not to mention the Ben Stiller Show reunion at the Paley Center; Jim Gaffigan at The Apollo, Rob Delaney at NYU Skirball Center and Kevin Hart at MSG on Saturday (11/10); and Robin Williams in conversation with David Steinberg at 92nd St. Y on Sunday (11/11). There are lots of other shows happening as well, and full schedule and tickets are at the NYCF2012 website.
Also part of the NYCF is Hannibal Buress at Santos on Saturday (11/10) with DJ support from Prince Paul and Mike Lawrence. Tickets are still available. Hannibal is also celebrating the 3rd anniversary of his Sunday night comedy show at Knitting Factory in Brooklyn with a special show this week (11/11) in the main KF performance space (his shows are usually in the bar). Prince Paul will also be DJing this, plus "special guests." While Hannibal's shows there are usually free, this is a ticketed one ("We need the money to buy all of the party soup" - Hannibal). We're guessing it will be well worth it.
Oh, and if you're going to Knitting Factory Sunday, we also have a very good reason you should get there a few hours early.
Roger Waters at Yankee Stadium, July 2012 (more by Greg Cristman)
Roger Waters has been added to the big "Love for Levon" tribute that goes down next week (10/3) at the Izod Center. The onetime Pink Floyd guitarist/vocalist joins the likes of Gregg Allman, John Mayer, My Morning Jacket, John Prine, Warren Hayes, Garth Hudson, Grace Potter and more in the all-star band that will celebrate the life and music of Levon Helm who lost his battle with cancer back in April. A full list of performers for "Love for Levon" is below.
Tickets are still available and please remember that the whole show is a benefit with net proceeds from the concert helping support "the lasting legacy of Levon Helm by helping his estate keep ownership of his home, barn and studio, and to continue The Midnight Ramble Sessions." We are, however, also giving a pair away. Details on how to enter are below.
photos by Dana (distortion) Yavin
Roger Waters brought his The Wall tour to Philly's Citizens Bank Park on Saturday (7/14), after hitting NYC twice earlier this month. Like the other shows, the band played in front of the giant titualar wall, and the show was broken up into two sets, each being a different platter of the double album. The setlist of course, was The Wall in its entirety. The Philly Inquirer write:
Given that The Wall eventually draws a pointed analogy between rock excess and Fascist spectacle, the sprawling, thoroughly immodest production was awash in unintended irony. "In the Flesh" staged a rock concert as Nazi rally, climaxing with Waters machine-gunning the crowd, who heartily cheered their own mock execution. During "Bring the Boys Back Home," the stage behind Waters flooded with images of poverty and famine, climaxing with a photo of what looked like a starving African child; the image was disturbing but also deracinated, torn from its specific time and place to make a statement so broad it verged on generic. Onscreen quotes referenced Kafka and George Orwell, but there was something disconcerting, even grotesque, about the obeisance Waters' own spectacle demanded. With its enveloping surround sound, The Wall made surrender seductive, not the natural endpoint for an evening that began with a speech from Spartacus.More pictures, videos, and setlist from the Philly are below...
photos by Greg Cristman
Roger Waters projected his message stadium-wide, literally, when he brought his new production of "The Wall" to Yankee Stadium on Friday, starting a two-night stand. A white-brick wall, which is both an ideal video screen in concert and the central metaphor of the rock opera he wrote for the 1979 album by Pink Floyd (with additional music by the band's guitarist, David Gilmour), spanned the stadium and towered 40 feet high.Roger Waters brought his unbelievable, high-budget, musical-theater performance of The Wall to NYC this past weekend for shows on Friday (7/6) and Saturday (7/7) at Yankee Stadium. Complete with the long video screen wall (and stage) spanning the outfield, costume changes, the pig flying around the stadium, giant puppets of Wall characters like the teacher and mother, pyrotechnics, video of David Gilmour singing parts (and Robbie Wyckoff handling some of the Gilmour parts live), G.E. Smith of the Saturday Night Live band on guitar, and much more, the Wall Live is an over the top spectacle that leaves even the most die-hard capitalists (the ones in the $250 seats), but maybe not all Pink Floyd purists, satisfied.
The message Mr. Waters hammered home -- with images including animated regiments of goose-stepping hammers on the march -- was distrust of power and authority in many forms: parents, schools, celebrities, corporations, countries, ideologies. Throughout intermission (as elegiac music played), and at points during the concert, the names and faces of people killed by wars, terrorism and government actions were shown on the wall. Quotations from George Orwell, Franz Kafka and Dwight D. Eisenhower also appeared on it. At one point, animated bombers dropped corporate logos and religious symbols; "Run Like Hell" included a WikiLeaks video from an American helicopter firing on Iraqi journalists. Early in the concert, Mr. Waters decried "all the victims of state terror all over the world," and preached that giving governments, police and soldiers too much power was "a very steep and slippery slope to tyranny. [NY Times]
The shows were part of an ongoing tour, which also hits Philly this week.
More pictures, a video, and setlist (aka the Wall, in order, with an intermission between the two records) from night one, below.
She just played Lucas Oil Stadium, and now it's been announced that, like Metallica before her, Madonna will perform at the new Yankee Stadium on Sept 6th. Yankees.com peeps will get access to a presale. The general public ticket on-sale will begin on Monday, February 13 at 10:00 a.m. Tickets are on Ticketmaster.
The show is one of a zillion dates Madonna just announced. They're all listed below.
Meanwhile, as previously mentioned, tickets to see Roger Waters' 2nd show at Yankee Stadium went on AmEx presale Sunday, and are now also on "NYY Presale" (New York Yankees presale I assume). Check HERE for full ticket-on-sale schedule for this show.
Madonna tour dates are listed below...
Onsale to General PublicAmEx presale is first and it starts Sunday.
Start: Sat, 02/11/12 10:00 AM EST
American Express Presale
Start: Sun, 02/05/12 10:00 AM EST
End: Fri, 02/10/12 10:00 PM EST
Start: Tue, 02/07/12 09:00 AM EST
End: Fri, 02/10/12 10:00 PM EST
Live Nation Presale
Start: Thu, 02/09/12 11:00 AM EST
End: Fri, 02/10/12 10:00 PM EST
We're thrilled to announce that due to an overwhelming response to the July 6 New York City date at Yankee Stadium, a second The Wall Live show has been added for July 7, 2012.Tickets for the first show went on sale Monday.
The RogerWaters.com presale for this show is set to begin on Sunday, February 5. If you'd like to participate, please log into your RogerWaters.com account and update your list of cities. If you don't yet have an account, click here to create one now.
Tickets are on sale now for the pre-party hang at BB King's ("We will be showing "Dark Side Of Oz" on the big screen and have live music and food and drink specials.)"
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The press release reads:
Roger Waters, the co-founder and principal songwriter of the archetypal progressive band Pink Floyd, has announced the return of the historic production of "The Wall" to North America in 2012. His aural and visual masterpiece of alienation and transformation will be performed in-its-entirety featuring a full band and state-of-the-art production. "The Wall" live has played more than 120 shows around the world for more than 1.6 million fans making it one of the most successful tours of 2010 and 2011. Roger Waters will return to New York, bringing the historic production to New York's Bronx landmark, Yankee Stadium, on Friday, July 6. Tickets for "The Wall" 2012 at Yankee Stadium go on sale on Monday, January 30th at 10AM on LiveNation.com.More tour dates HERE (the NYC venue was previously listed as "TBA").
[As previously announced] The 2012 tour will begin on May 1st in Houston, Texas at the Toyota Center making a 36 show trek throughout North America, including several outdoor stadium performances with state of the art modifications transforming the arena production into magnificent outdoor events. The tour, promoted by Live Nation, includes stadium stops in San Francisco at AT&T Park on May 11th, Vancouver at BC Place on May 26th, Chicago's Wrigley Field on June 8th, Toronto at Rogers Centre on June 23rd and Philadelphia at the Citizens Bank Park on July 14th.
"Thirty years ago when I wrote 'The Wall,' I was a frightened young man," Waters recalls. "In the intervening years it occurred to me that maybe the story of my fear and loss with its concomitant inevitable residue of ridicule, shame and punishment, provides an allegory for broader concerns: Nationalism, racism, sexism, religion, whatever! All these issues and 'isms are driven by the same fears that drove my young life."
In addition to Roger Waters (lead vocals, bass), "The Wall" live touring ensemble includes: Snowy White (Guitar), Dave Kilminster (Guitar), GE Smith (Guitar & Bass), Jon Carin (Keyboards), Harry Waters (Hammond Organ), Graham Broad (Drums), Robbie Wyckoff (Vocals), Jon Joyce, Pat Lennon, Mark Lennon and Kipp Lennon (Backing Vocals).
Philip Glass at Bang on a Can in June (more by Andrew Frisicano)
Philip Glass and Laurie Anderson are headlining the NYC Film-Makers Co-op Benefit at Santos Party House on November 16. Other artists performing include David Barton's band Liquid Blonde, Little Annie, Transgendered Jesus, the Love Butchers, and possibly more to be announced. Tickets for the show are on sale now.
Meanwhile, the New York Philharmonic and Philip Glass Ensemble are performing Glass's music for the 1982 film Koyaanisqatsi: A Life Out Of Balance TONIGHT (11/2) and Thursday (11/3) at Avery Fisher Hall. This will mark the first time that the New York Philharmonic have ever performed Philip Glass's music. Tickets for both shows are still available but are almost sold out so act quickly. A trailer video is below.
In other news, Beck (who recently worked with Stephen Malkmus and Thurston Moore) is working on a Philip Glass tribute remix album with producerHector Castillo. The album will feature contributions from Beck, Bjork, Lou Reed, Memory Tapes, Tyondai Braxton (ex-Battles), Amon Tobin, Roger Waters, Cornelius, and potentially more to be announced. No release date has been announced yet.
Speaking of Lou Reed, you can still stream the album he made with Metallica, "Lulu", over at loureedmetallica.com (if you dare!).
NY Philharmonic video below...
by Klaus Kinski
Roger Waters and The Wall (more)
As a 34 year old living in the best fucking city in the fucking world, I should be overflowing with the zeal and stamina to go out 5 or 6 nights a week and still show up to work on time and kick ass. And yet, that isn't really the case. I am like a big stupid elephant who decides to sit on his keyster in the middle of a circus performance and refuses to move no matter how much cruel the whipping and prodding he is faced with (note: circuses suck) (unbridled animal cruelty) (Occupy Ringling).
The sedentary habits I've developed don't really bother me; I go out and tear it up when it's worth the hassle. But then I get a message yesterday that 68 year old geezer Roger Waters is about to drag The Wall tour all over the US AGAIN in 2012 and am reminded of the words of Lloyd Christmas, "Man, you are one pathetic loser!"
To date, he's played this damned show like 120 times the world around! Sigh. Annnnnnyyywhoozle, The 2012 Wall Tour kicks off in Australia on January 27th for several dates and from there hits New Zealand. Then heads over to South America for a ton of dates and then *BAM* the tour lands in Houston Texas on May 1st, winds it's way across the US until the tour wraps in Philadelphia on July 14th. New York Fuckin' City will be graced with this impossibly expensive monstrosity on July 6th, 2012 at a venue TBD. I wonder what venue in NYC could possibly house such an elaborate show? My guess in Mercury Lounge. The presale begins today.
And hey, McDuck, while you're dusting off your sheckles to buy tickets to this show, which I am guessing will have the good seats in the $300 range, why not spit shine a few more and get the Why Pink Floyd Discovery Edition Boxed Set too?
All tour dates are listed below.
I know you're sick of Radiohead posts, but, well, they keep doing things! (and anyway, more importantly, this post also contains Portishead!). But back to the point.... Radiohead just played two shows at Roseland Ballroom, appeared on SNL, and on The Colbert Report. They're also rumored to play for Occupy Wall Street today at 4 PM, though that might not happen. In addition to all of that, Thom Yorke and Jonny Greenwood will perform on Fallon on Monday (10/3). According to Radiohead At Ease, they'll be performing "Give Up The Ghost."
Speaking of Fallon, his week-long run of Pink Floyd covers (that started with the Shins) continued on Tuesday when Foo Fighters played "In The Flesh" with Roger Waters, on Wednesday when MGMT took on "Lucifer Sam" off of The Piper at the Gates of Dawn, with help from Bradford Cox who was dressed as Joey Ramone. Dierks Bentley did "Wish You Were Here" last night (9/29). You can watch all three videos below.
MGMT will also perform at The Guggenheim on November 10 and 11 as part of the 2011 Guggenheim International Gala. The 11/10 show is a private party, but the 11/11 show is a public event. Tickets go on sale Friday (10/14) with a member presale starting Thursday (10/13).
Portishead, who plays and curated ATP NJ this weekend, will appear on Fallon on Wednesday (10/5), two days after Thom Yorke and Jonny Greenwood do. Portishead play their second of two sold out shows at Hammerstein Ballroom the same night.
Fallon videos below...
by Klaus Kinski
I might be one of the most obsessive Pink Floyd fans who ever lived, and I say that as more of an embarrassing confession than as a statement of pride. I have written about them and their related projects and tours a coupla times now, but every time there is Pink Floyd related news bouncing around the atmosphere I can't help but feel somewhat annoyed at the fact that everything they do is such an obvious and grotesque cash grab. I mean, I still love their records and will be buried with them but, Jesus Christ guys, you use your back catalog like a wet towel, wringing out re-releases and "Best ofs" while expecting us to empty our wallets.
And this pattern started early. I mean, in 1970 EMI released a Best Of record, despite Pink Floyd only having two albums under their belt. Then, BAM, in 1971 another greatest hits record, Relics, hit the shelves and yet the ink on their third album (Atom Heart Mother) had barely dried. 1974 rolled around and saw the re-release of Piper at the Gates of Dawn and A Saucerful of Secrets as a double album called A Nice Pair. That same year, ANOTHER greatest hits record hit the shelves, this time entitled Masters of Rock. In 1981, which would have been the perfect year for a retrospective album considering the body of work they had behind them by then, they released A Collection of Great Dance Songs, which is a supremely anemic and vapid attempt at a greatest hits record. Then between 1992 and now, we were given the Shine On 9 CD Boxed Set (1992), The Piper at the Gates of Dawn 30th Anniversary edition (1997), 1967 The First Three Singles (1997), Wish You Were Here 25th Anniversary Edition (2000), Echoes: The Best of Pink Floyd (2001), Dark Side of the Moon 30th Anniversary SACD Edition (2003), The Final Cut re-release (2004), The Piper at the Gates of Dawn 40th Anniversary edition (2007), and the 14 disc Oh By The Way (2007). Add to that the massive amount of singles, EPs, 7"s, 45s, and other redundancies and you have a veritable shit load of items culled from very few actual sources. Talk about milking it, am I right?
Now we find ourselves in the final quarter of 2011. 2012 is around the corner and Roger Waters and David Gilmour are buddies again, Rick Wright and Syd Barrett RIP, the world economy is in the shitter... what better time to embark on an exhaustive and multi-tiered Pink Floyd re-issue campaign! Starting on September 26th, 2011, Pink Floyd and EMI are orchestrating a re-issue campaign:
encompassing CDs, DVDs, Blu-ray discs, SACD, an array of digital formats, viral marketing, iPhone Apps and a brand-new single-album 'Best Of' collection.The aptly titled WHY? PINK FLOYD re-release project is almost preposterous in scope. And by everything you read up until this point, I bet you think I am poo-pooing this project. In a certain sense, I am. I mean, all of these studio albums have been reissued more than once. How many copies of Dark Side do I really need? Certainly this aspect of the campaign interests me very little (if at all). It's the stuff deeper in the guts of this thing that has me dorking myself to death. Here's a breakdown of how they've got these sets organized.
The legendary band, who are still one of the most successful and iconic artists of all time, recently signed an agreement with EMI which has allowed the development of a multi-format programme of packages, many containing archive material that has been collated during an extensive process between EMI and Pink Floyd for a range of media formats.
DISCOVERY EDITIONS and BOX SET (Available 9/27/11)So while some of this stuff is a rehash, I am still very stoked about some of these releases. So stoked in fact that I am going to give two lucky BV readers a shirt, a poster, and a newly remastered 2 CD set of Dark Side of the Moon, just for reading this far! Directions on how to enter the contest are below!
This release is broken into two tiers. The first tier Discovery Edition is all 14 studio albums remastered from the ground up, all available for purchase individually. The second tier Discovery Edition is a box set that features all 14 records and a 60-page booklet housed as one massive package (hehehe).
The Experience Editions are more modest and seem to be the most appealing to me. Available for individual purchase will be Wish You Were Here (11/8/11), Dark Side of the Moon (9/27/11), and The Wall (2/28/12) ONLY . These sets will include a newly remastered album CD, a CD containing additional material pertaining to the album, and an expanded (and pretty beautiful) CD booklet.
The Immersion Editions serve to separate the nerds from the super nerds. Available for individual purchase will be Wish You Were Here (11/8/11), Dark Side of the Moon (9/27/11), and The Wall (2/28/12) ONLY. Lavishly packaged in a sturdy 29cm square box, the sets contain remastered, previously unreleased and audio-visual material, plus much additional content - reproduced memorabilia, brand new graphics, art prints, collectors' items, lavish booklets and several more CDs remastered as 5.1, Quadrophinic, Stereo, etc... it's a doozie!
The Best of Pink Floyd: A Foot In The Door (11/8/11). An expanded and remastered greatest hits album. As far as this remaster campaign goes, this CD is the equivalent of Wayne and Garth standing in front of the green screen in Wayne's World I saying "I'm in Delaware."
The Vinyl Editions are records dude. Available for individual purchase will be Wish You Were Here (11/8/11), Dark Side of the Moon (9/27/11), and The Wall (2/28/12) ONLY. Features the 2011 remastered version on 180 gram heavyweight Vinyl. Original packaging including stickers and posters plus free 320kbps download and exclusive new poster.
And you know who else is stoked about this new remaster campaign? Funnyman Jimmy Fallon, that's who! Each episode of Late Night With Jimmy Fallon from September 26th through September 30th (a whole week!) will be dedicated to Pink Floyd. From what I've heard the schedule is as follows:
- Monday 9/26 - The Shins perform Breathe from Dark Side of the Moon. Nick Mason will be the interviewed.Fallon airs at 12:30am on NBC.
- Tuesday 9/27 - Roger Waters will join Foo Fighters will perform In the Flesh from The Wall. Waters will also be interviewed.
- Wednesday 9/28 - MGMT will perform early Floyd classic Lucifer Sam.
- Thursday 9/29 - Dierks Bentley will perform Wish You Were Here.
- Friday 9/30 - Pearl Jam (!) will do Mother from The Wall.
In other old geezers from awesome classic rock bands news... don't forget that tonight at Nassau Coliseum The Who's Roger Daltrey performs the rock opera Tommy in its entirety as well as other Who classic cuts. Tickets are still available and, I swear to Cod, if I had a car, I'd be all over that shit. Fiddle about.
by Klaus Kinski,
As a rabid Roger Waters and Pink Floyd fan, I am in a very weird place right now with regards to that fact. Roger has been on what seems like a 200 date tour of The Wall. He did two shows at Madison Square Garden on October 5th and 6th and has a third show lined up at the same venue exactly a month later on November 6th (tickets still on sale). But before he reunites with the asbestos laden MSG, he is charged with the task of tearing down the wall at the Izod Center tonight (November 3rd) and tomorrow (November 4th). There's no way to describe how badly I want to see this show. I have friends from other states who have gone and have reported back unanimously that I absolutely have to see this show. Yet I am incapable, mentally and financially, of coughing up a whopping $277 for the experience especially when Waters himself pretentiously stated:
There is enough of everything in THE WORLD for us all to have enough to eat, to be warm and dry and to have a colour TV and a car. WE are taught to FEAR that if WE share what WE have with THEM, WE won't have anything left for US.Sure, while there MAY BE enough of everything in THE WORLD for us all to have enough to eat (me), to be warm and dry (me) and to have a colour TV (me) and a car (not me), there clearly isn't enough of everything in the world for us all to have something as simple as a ticket to see Roger Waters in concert. So while some of you New Yorkers / New Jersians have three opportunities to see the Roger Waters Wall spectacle, some of us will have to be content with our TVs and food. And hey, you never know... one of these three dates MIGHT JUST be the one where David Gilmour makes the live appearance that has been promised to happen on one night during the tour.
On a somewhat related note, it seems that seeing a cover band has become a pretty accepted means of seeing your favorite band without actually seeing your favorite band or paying what you'd have to pay to see your favorite band. I am not talking about bar bands; I am talking about cover bands as BIG BUSINESS (not the band). Last night The Australian Pink Floyd Show hit the Gramercy Theater in NYC. The place was PACKED with people who paid $45 to see a band play songs they didn't write. And they were good. Remember how at the beginning of this post I said that I was in a very weird place right now with regards to Pink Floyd and Roger Waters? The APF show contributed to this. The devil on one shoulder was cursing the fact that these dudes are making a living playing music they didn't write. The angel on the other shoulder kept whispering into my ear "Dag yo, this is kind of awesome."
The pictures in this post were taken at various stops on the current Roger Waters Wall tour, and they continue below...
The Wall, Toronto - September 15th (arezoonia)
"Roger Waters treated Toronto fans to his first performance of The Wall in more than 20 years on Wednesday, mixing bits of vintage stagecraft with all-new flourishes in front of a sold-out Air Canada Centre crowd.Tickets are now on AmEx presale for a November 6th Roger Waters "The Wall Live" show happening at Madison Square Garden in NYC. The new show is two days after the previously announced NJ shows, and a month after the other two shows Roger is playing at MSG.
The former Pink Floyd co-frontman was performing the landmark concept record for the first time since 1990, with the only other performances of the 1979 record coming in four cities (London, Uniondale, N.Y., Los Angeles and Dortmund, Germany) during a tour in 1980-81." [Canadian Press]
Check out some videos from the Canadian shows below...
So here's what happened. Last year, 'The Hoping Foundation' a charity that supports Palestinian refugee kids, (www.hopingfoundation.org) put on a fund raiser at Ronnie Scott's Club in London, the idea of which was to raise money by auctioning karaoke performances by various celebrities. David was there as a supporter and was moved to perform an impromptu rendition of George Gershwin's 'Summertime?' which he performed aided and abetted by supermodel Kate Moss.That apparently means that one show on the Roger Waters "Wall" tour will get the golden David Gilmour ticket. Six of those shows are in the NYC-area.
In the wake of that evening, someone, I think it was David himself, came up with this 'Wouldn't it be funny', idea. What if he (David that is) were to sing the old Teddy Bears song 'To Know Him Is To Love Him' with me (Roger that is), what with us having been so famously at each other's throats for years and years. Get it!!!! Anyway he E-mailed me with this suggestion and I loved it, so then it was just a question of juggling dates and deciding to do 'Wish You Were Here' and 'Comfortably Numb' to round out our little set. Or so I thought, until he sent me a number of very musical and eloquent demos of how we could do the song in two-part harmony. I listened with a sinking heart, knowing that David, with his superior vocal skills, could sing either part standing on his head, whilst I would have to search for a different key and then struggle through hours and hours of routining a performance that lay way outside my vocal comfort zone. To my eternal shame I bottled out and told Dave I would happily do 'Wish You Were Here' and 'C. Numb', but that 'To Know him is to Love him' was beyond me.
Some weeks passed with David cajoling me from time to time, telling me how easy it would be, but I clung resolutely to my fear of failure until one day he made one final entreaty. I quote "If you do 'To Know Him Is To Love Him' for The Hoping Foundation Gig, I'll come and do 'C. Numb' on one of your Wall shows". Well! You could have knocked me down with a feather. How fucking cool! I was blown away. How could I refuse such an offer. I couldn't, there was no way. Generosity trumped fear. And so explaining that I would probably be shite, but if he didn't mind I didn't, I agreed and the rest is history. We did it, and it was fucking great. End of story. Or possibly beginning.
PS. Just heard from David, he will decide in due course which gig he wants to do, it will be a surprise!
I recently came across this quote of mine from 22 years ago:As promised, tour dates below...
"What it comes down to for me is this: Will the technologies of communication in our culture, serve to enlighten us and help us to understand one another better, or will they deceive us and keep us apart?"
I believe this is still a supremely relevant question and the jury is out. There is a lot of commercial clutter on the net, and a lot of propaganda, but I have a sense that just beneath the surface understanding is gaining ground. We just have to keep blogging, keep twittering, keep communicating, keep sharing ideas.
30 Years ago when I wrote The Wall I was a frightened young man. Well not that young, I was 36 years old.
It took me a long time to get over my fears. Anyway, in the intervening years it has occurred to me that maybe the story of my fear and loss with it's concomitant inevitable residue of ridicule, shame and punishment, provides an allegory for broader concerns.: Nationalism, racism, sexism, religion, Whatever! All these issues and 'isms are driven by the same fears that drove my young life.
This new production of The Wall is an attempt to draw some comparisons, to illuminate our current predicament, and is dedicated to all the innocent lost in the intervening years.
In some quarters, among the chattering classes, there exists a cynical view that human beings as a collective are incapable of developing more 'humane' ie, kinder, more generous, more cooperative, more empathetic relationships with one another.
In my view it is too early in our story to leap to such a conclusion, we are after all a very young species.
I believe we have at least a chance to aspire to something better than the dog eat dog ritual slaughter that is our current response to our institutionalized fear of each other.
I feel it is my responsibility as an artist to express my, albeit guarded, optimism, and encourage others to do the same. To quote the great man, " You may say that I'm a dreamer, but I'm not the only one."
- Roger Waters, 2010
by Klaus Kinski
To say I have an eclectic taste in music would be a gross understatement, and I think that sentiment applies to most people these days. But the one band that has remained at the top of my musical heap has been Pink Floyd. Starting in about 1990, I would buy any Pink Floyd related item I could get my hands on. I would spend entire weekends going to every record store in Boston and Cambridge, buying anything and everything I could find. Then eBay opened up a global Pink Floyd market to me and I spiraled out of control. Financial necessity forced me to liquidate a large portion of my collection a few years back and I don't buy any more stuff, but I've still got many prized Floyd items as well as all kinds of CDs, bootlegs, and other rare recorded material. I also still avidly follow anything pertaining to Pink Floyd, David Gilmour, Syd Barrett, Rick Wright and, more than anything, Roger Waters.
By far, my favorite member of Pink Floyd is Roger Waters. As far as I'm concerned, when Roger Waters left Pink Floyd, Pink Floyd ceased to legitimately exist as Pink Floyd. Of course, I bought Momentary Lapse of Reason and The Division Bell when they were released. And how could any self-respecting pothead Masshole miss The Division Bell tour when it came to Foxboro Stadium? But those albums didn't FEEL like Pink Floyd, and I think Roger was being too polite when he called Momentary Lapse of Reason "a pretty fair forgery." In addition, while David Gilmour and Rick Wright solo records are just plain cheesy and self-indulgent (and don't get me started on Nick Mason's wtf-inducing record Fictitious Sports), Roger was always trying to create a larger musical narrative. As a matter of fact, the political and social commentary of Amused To Death is probably more relevant now than it was in 1992.
I saw Roger in 1999, twice in 2000, and twice in 2007 when he was touring Dark Side of the Moon. What's his next move? On Monday April 12th, 2010 at 2:00pm EST [editor's note: which is less than an hour from the time this is being posted, though Klaus actually wrote this last week], Roger Waters will be formally announcing a 2010 tour (update: NOW ANNOUNCED) of his epic masterpiece The Wall on his newly designed official website roger-waters.com. For years there has been speculation that this tour would happen eventually, and then a few months ago Roger's official website went from having Roger Waters content to simply having a Sony Logo on it. I had a feeling then that a redesign was in the works, and that the redesign would no doubt unveil some pretty awesome news.
In the meantime, if you DO want to see a pretty decent forgery of Pink Floyd, check out The Machine on Saturday June 19th on their Rocks Off Boat Cruise. I mean, they're no Australian Pink Floyd, but they're still good!
UPDATE: Dates announced.
Klaus hopes he doesn't sound like this guy....
2.4 milies, about 5 minutes
Susan Stolz called The Desert Sun this morning saying she and her husband found a glob of vinyl in their driveway yesterday at the Hideaway Golf Club in La Quinta. Not sure what it was, they threw it away. This morning, they read about the missing pig in the newspaper and e-mailed the following to Coachella organizers.
"It is entirely possible that I have at least part of your pig. My husband and I live at the Hideaway. We found a large pile of plastic yesterday morning on our driveway. It has some blue, yellow and silver paint. I must warn you that it is not in good shape. Maybe the balloon exploded or something. However, if you'd like to check it out, just let me know. "
the pig, pre-escape (more by Ryan Muir)
Anonymous wasn't kidding! As you can see in the video at the end of this post, Roger Waters' pig got loose at Coachella on Sunday - it just zig zagged away, never to be seen again. Although it sounds like a practical joke, I'm pretty sure this press release I just got is real....
COACHELLA ORGANIZERS OFFER $10, 000 REWARD AND FOUR FESTIVAL TICKETS FOR LIFE IN EXCHANGE FOR THE SAFE RETURN OF THE INFLATABLE PIG THAT ESCAPED DURING SUNDAY HEADLINER ROGER WATERS' SETWatch it happen in the Coachella video below...
COACHELLA organizers are offering $10,000 and four (4) festival tickets for life in exchange for the safe return of the two-story inflatable pig that broke loose during Roger Waters' set on the final night (Sunday, April 27) of the 2008 COACHELLA VALLEY MUSIC & ARTS FESTIVAL. The pig escaped and floated into the desert sky just prior to the intermission between Roger Waters' back-to-back sets--marking the only back-to-back COACHELLA sets by one artist in the critically acclaimed festival's history.
Anyone with information on the lost pig, should email firstname.lastname@example.org.