Entries tagged with: Snapcase
by Andrew Marinaccio
This Saturday (4/21) marks the 5th annual Record Store Day, and with it comes another chance to procure your favorite band's most exclusive (or oddest) musical releases yet. There will also once again be lots of in-shop events.
No matter where you are located (in the U.S., UK, Germany or Belgium) (like Chicago maybe?), you should be able to find a still-open record store near you that will be selling the good schwag and possibly throwing a party too. As we've been, we'll continue to highlight some of the NYC stores, along with what you might find in them.
Aside from selling fresh rarities, NYC's Other Music is celebrating with a live lineup of DJs featuring Four Tet, Black Dice, The Men (who appear on a Sacred Bones RSD comp), Ex Cops, and Wild Nothing. Other Music will exclusively sell Ex Cops's debut 7", "I Am the Lion, You Are the Lamb," which is relasing on their Other music label. Other Music is set to open to the public at 11 a.m. Saturday morning (which gives you time to hit other record stores who open even earlier, first).
Kim's Video & Music looks to attract the early birds with an 8 a.m.opening and live and/or DJ sets by MUSH1, X-ray Eyeballs, Prince Rama, and more. In addition to the gig there will be discount offers, "over 150" record store day exclusives, pizza and beer. Maybe you'll find a copy of the, a day late for 4/20, Lee "Scratch" Perry Blackboard Jungle Dub Limited Edition Box...
The West Village's Generation Records has a show of their own planned, with The Paul Collins Beat, Supertouch, Night Birds, and Joyce Manor performing, as well as DJ sets by Tom Scharpling, Three Chord Monte, Zachary Lipez, and Mikey Post. They will also be selling a variant of Supertouch's Lost My Way EP, which will feature shop-exclusive cover art. Generation Records is pegged on opening at 10 a.m. this Saturday.
Williamsburg shop Sound Fix will host Mates of State for a gig and meet-and-greet on Saturday night. The band's 2009 covers album, Crushes, will be released for the first time on vinyl as a Record Store Day exclusive. Sound Fix opens at 10:30 a.m.
Amid touring, Portugal. The Man, who have a RSD 7" of their own, are playing an in-store set this Saturday at Fords, New Jersey's Vintage Vinyl. The shop's also opening early at 8 a.m., and their stock's boasting reiusses of Graceland and Raw Power, as well as Iggy and the Stooges' LP picture disc of their ATP 2010 performance of the seminal album.
Long Island's Looney Tunes Records is featuring a trio of free acts by Grace Read, The Lumineers, and JuiceheaD and Osaka Popstar, who are bringing their collaborative 7" "Waiting Room" exclusively to the shop. The show will start at 1 that afternoon, but shoppers can begin at 9 a.m. if they're "VIP Members" (to inquire what that means, check here). Doors will open to the general public at 10 a.m.
Local giant J&R Music World will house acts starting at noon, including Everest, Yann Tiersen, Mike Doughty, and guitarist Doyle Dykes. The insitution will also demonstrate some tech to attendees, showcasing the features of the new audio software suite Roland R-MIX. Miles Davis' (who has a special Record Store Day compilation, "Forever Miles," planned for release) nephew, Vince Wilburn, Jr., will also be making an appearance.
Permanent Records in Brooklyn will host in-stores by Memoryhouse and Mattison.
Cake Shop says "the CAPESHOK RECORD MART back for one day only!" and are hosting a performance by the Hairs at 3pm.
Check Record Store Day's site or call your local record store to find more happenings.
Of course, there will be precious records found at a variety of independent shops across the country, including the more exotic collaborations that have been hyped as blog post oddities. Fiest and Mastodon's (or 'Fiestodon') will be releasing their split 7" featuring both acts covering songs from each other's 2011 studio releases, Metals and The Hunter, respectively. Listeners can look forward to hearing Feist's rendition of "Black Tongue" and Mastodon's turn on "A Commotion".
Mastodon also-- perhaps inevitably-- succumbed to the bidding of current off-kilter audio project warlocks The Flaming Lips for another split 7", where they'll cover the Lip's "A Spoonful Weighs A Ton." While the Lip's contribution to the baby pink record is their original track recording, fear not, for the band has a more outlandish and sprawling album ready for the big day. The Flaming Lips and Heady Fwends, the mistifying mega-collaboration they've been working on with Bon Iver, Prefuse 73, Yoko Ono, Chris Martin, Nick Cave, Ke$ha, and more, features new tracks with the aforementioned guests including their previous work with Neon Indian and Lightning Bolt. And, as if the music wasn't enough, Wayne Coyne has been amassing the blood of his fellow collaborators to somehow infuse into the record. At the very least, Alan Palomo, Justin Vernon, The Flaming Lips, and Kesha's blood could be in your copy.
St. Vincent plans on releasing a red 7" sided with two new tracks, "KROKODIL" and "GROT." Reportedly more guitar-driven and aggressive departures from her previous material, her debut of "KROKODIL" at Coachella attests to that, possesing a relentless savagery often only hinted at in her nervous yet controlled guitarwork. It also attempts to channel whatever demons she found covering Big Black for 'Our Band Can be Your Life.' You can download her Coachella performance of "KROKODIL" here.
Speaking of bands playing Coachella, Refused are putting out 1998's The Shape of Punk to Come as a limited edition colored LP on Record Store Day. Pair it with a yellow vinyl Snapcase 12".
Speaking of things to come, Record Store Day is also used to tease what's on the way. Garbage (who are paying a special Record Store Day visit to Austin) are releasing their first new physical single in almost ten years with "Blood For Poppies" in anticipation of their reunion album this spring. Public Image Ltd. came out of the woodwork to present an EP featuring their latest release of new material in 20 years, including single "One Drop." And Faith No More frontman Mike Patton is reissuing his side-project Tomahawk's entire studio output in a boxset designed with space for the band's upcoming summer LP.
Other RSD 2012 releases previously mentioned on BV include Nick Waterhouse/Allah-Lahs, Mark Sultan, Pussy Galore, JEFF the Brotherhood, Sigur Ros, Xiu Xiu/Dirty Beaches, Nobunny and Variety Lights. Others we haven't mentioned yet include the White Stripes, the Black Keys, Regina Spektor, Tortoise, The Hives, Wilco, Animal Collective, Beach House, Bonnie Prince Billy, Bruce Springsteen, Paul McCartney, Captain Beefheart, Destroyer, Jimmy Fallon, Laura Marling, Leonard Cohen, Luna, M Ward, M83, Mclusky, Minus the Bear, Misfits (red, blue and clear vinyl), Ozzy, Phish, Ryan Adams, T. Rex, Tegan & Sara, The Clash, and many more. For a full list of RSD 2012 releases, with more info on each, check HERE.
For our Chicago readers, you can check out what your local record shops are up to this Saturday, including a BV Chicago-presented event at Saki, here.
Which releases are you most excited for this Record Store Day? Check out what NPR decided to highlight, like the previously mentioned Shabazz Palaces release, HERE. Watch Cris Brown give his annual Record Store Day show and tell, and other videos below...
photos by Kurt Christensen
Sick Of It All celebrated 25 years of New York Hardcore at Webster Hall on Saturday (3/26), playing to a sold-out Webster Hall with Snapcase, Merauder and Razorblade Handgrenade. For Snapcase, the show was their first appearance in NYC in three-plus years, since headlining Music Hall of Williamsburg as part of a Callum Roberts benefit. Snapcase currently has no other NYC dates in the near future, but those of you upset about missing out on Sick of It All are in luck; they have now been officially revealed as the special guest playing Black & Blue Bowl 2011 alongside Gorilla Biscuits, Agnostic Front, and many others. Tickets for that May 28th Webster Hall show are still on sale.
Webster Hall was an odd place to be on Saturday. The hardcore show, the Hull/Horseback/Batillus/Caltrop show at The Studio, and an "Awesome 80s Prom" were all going on at once in the mammoth venue. Pictures from the Hull show are on the way, but for now check out some more pictures and some videos from upstairs at Webster Hall, below...
Sick Of It All at Gramercy (more by Chris Roque)
Sick Of It All have announced: "OK NYC! March 26th @ Webster Hall, Our 25th Anniversary Show with very special guests SNAPCASE!!! Brooklyn's finest MERAUDER and N.J.'s RAZORBLADE HANDGRENADE! Tickets go on sale Feb. 11th! Spread the word!!!" This show comes after Sick Of It All return from a string of dates in South America. It is currently Snapcase's only date, so make sure and jump on that... they ruled Fun Fun Fun Fest.
In other punk news, veterans Subhumans and MDC will team up to play Santos Party House on April 1st. Tickets go on sale at noon on 2/4. Citizen Fish, which features members of Subhumans, will welcome their new LP Goods via Alternative Tentacles on 3/1/11.
Three weeks prior, the venue will host Samiam with I Hate Our Freedom and I'm With Cupid. Tickets are on sale for the March 11th show.
All SOIA dates, and some video is below.
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
photos by Tim Griffin
Peelander Pink & fan
As just mentioned, Fun Fun Fun Fest closed out Sunday night with competing headlining sets by Mastodon and the Descendents. Earlier that day, NYC's own Peelander-Z played a set to a massive crowd of punks, metalheads and indie kids alike. I already thought Peelander were awesome before I saw them wow Austin, but now I'm even more enamored with them. Don't forget to catch them out on tour and greet them at Santos Party House on November 20th when they get home. Like LaneHolloway.com says:
"At first I had no clue what Peelander Z was about, but any band named Peelander Z has to be worth seeing at least once. PZ is off-the-wall fun -- it was the most fun I've had watching a band in a long time. Any band that replaces themselves with people from the audience then begins to run around in the audience doing human bowling, crowd surfing, calisthenics and banging on pots and pans is worth seeing multiple times. The songs were simplistic, but fun and the energy they gave off was something not to be missed."Another set of FFF pics, all from the Black stage on Sunday (11/7), continue below...
Off! (photo by Lindsey Byrnes)
Whether or not the band name Off! is a not-so-subtle reference to another band that featured the great Keith Morris and dealt destruction to the insect populi, one thing is certain, they rule. Besides the incredible vocalist for Circle Jerks/Black Flag, punk supergroup Off! also features a killer lineup including Dimitri Coats (Burning Brides), Mario Rubalcaba (Earthless/Hot Snakes/Rocket From the Crypt) and Steven McDonald (Redd Kross) and the foursome have announced their debut material to be released with Vice Records!
Off!, who you may have caught at SXSW this year, will release the accurately titled First EP via limited edition 7" inch on October 12th. Featuring art and an exclusive poster courtesy of Raymond Pettibon, aka the evil genius behind Black Flag's iconic album covers, the release is the first of four 7"s to be compiled on the First Four EPs (another Black Flag nod) due on November 23rd - a collection of 16 songs which will each feature its own Pettibon sleeve art.
As the tour dates indicate below, Off!, in addition to playing FYFFest and Riot Fest this year, has announced their involvement in Austin's Fun Fun Fun Fest (happening November 6th and 7th). For those of you counting at home, that brings the list of confirmed FFFFest bands to Woven Bones, Suicidal Tendencies, Slick Rick, Best Coast, Dirty Projectors, Cap'n Jazz, The Gories, Yelle, Snapcase, The Dwarves, High On Fire, and The Hold Steady! Stay tuned for more lineup announcements for the great Texas festival.
Meanwhile, Mario Rubalcaba was NOT part of the recent (and impromptu) Hot Snakes reunion that took place on July 29th at an Obits/Night Marchers show in San Diego, CA (the bands were on tour together).
You can view video of the three Hot Snakes songs from that set, as well as all Off! tour dates & a video from their first show in LA, below...
Snapcase @ Music Halll, NYC - Nov 25, 2007 (CRED)
Sondre Lerche @ Music Halll, NYC - Nov 26, 2007 (CRED)
Sondre Lerche @ Bowery Ballroom, NYC - Nov 27, 2007 (CRED)
* no Sufjan
* Tinariwen @ Other Music
* a Gram Parsons tribute @ Luna Lounge
* Celebration, Effie Briest & Holy F*ck @ Bowery Ballroom
* Dead Confederate, The Head Set & Drug Rug @ Mercury Lounge
* Warner Music to do it Sinatra's way with new deal
* Help me find videos for my iPod/Zune
* Music groups struggling to issue debt
* CSS has a new fan
* Smell Yo Dick
Snapcase (1991-2005) are getting back together for just one show. The cause? Callum Robbins. The place? The Music Hall of Williamsburg in Brooklyn, NY. The date? Saturday November 24th. Tickets go on sale October 5th at noon. 108 & Triple Threat are also on the bill.
The show is also a book release party for The Anti-Matter Anthology - "A 1990's post-punk and hardcore reader", and there's a limited pre-sale/pre-order combo package being offered. Snapcase video below...