Entries tagged with: St Vincent
Long-running UK music weekly NME has just published their Year-End issue and have named Tame Impala's Lonerism as album of the year, with Grimes, Frank Ocean, Crystal Castles and Alt-J rounding out the Top 5. Tame Impala offshoot Pond comes in at #7. Check out the entire Top 50 list below.
NME's Top 50 LPs of 2012 are listed below.
words by Kelly Pratt; photos by Bryan Murray
Kelly Pratt of Bright Moments and many other musical projects has been on tour with David Byrne and St. Vincent, and chronicling it on BrooklynVegan. If you're just joining us, also check out part 1, part 2 , Part 3, Part 4, and Part 5. Part 6 begins here...
San Diego through Vancouver and beyond
After the Dallas show we all pile on the bus for the long trek to San Diego. Fortunately we don't have to tackle it all in one drive so we stop in El Paso for the day off. Jon N and I end up taking a long bike ride, including a shady trek through an arroyo, to go see Looper. The film turns out to be quite entertaining, despite its numerous violations of the grandfather paradox.
The following morning we wake up in San Diego at Humphrey's Half Moon, a fancy resort on Shelter Island. We have the day off again, so most of us bike to Mission Beach to enjoy the food and drink on the boardwalk. We meet up at a bar with two friends of John A and while everyone else heads to the beach, I stay behind to hear about the profession of one of them: horseshoe crab blood salesperson. She explains that the blood is vital to the pharmaceutical industry as a testing agent to ensure their products are free of bacterial infection. The crabs "donate" their blood, then are placed back in the ocean where their blood volume returns to normal within a week. With the price tag of $15,000 per quart the blood is quite valuable, and some of us make a silent pledge to change careers at the end of the tour.
The following night's show takes place in the outdoor courtyard of the hotel. Susanne, the lighting designer, sets up her rig directly on the balcony of my room. We are situated right next to the marina and during the show several dozen people pilot their boats into a little recess where they can hear (but not really see) what is coming from the stage. During our set David addresses them as "the boat refugees" and thanks them for coming.
The next few shows are a bit of a blur, primarily because we are playing every night. While there may not be as many opportunities for extra-curricular activities it feels nice to get into a bit of a groove. If anyone knows what tour momentum is about, it would have to be The Melvins. On the road at the same time as us, they are currently attempting to break a world record of "51 shows in 51 states in 51 days". They have a fascinating (and funny) account of it here. Reading of Trevor Dunn's encounter with a rowdy fan during an improvised bass solo reminds me of a recurring joke from our tour. Early on Brian Wolfe told us of his theory of free jazz. According to him you can boil almost the entirety of the history of the music down into two factions: "scratch 'n sniff" and "pet store on fire". Both types can be present within a single composition, or even simultaneously, but one must be present at all times. It is a joke of course, but close enough to the truth.
At 5700, the Greek Theatre is the largest venue of our tour and one we have been looking forward to since the beginning of rehearsals. It is a stunning amphitheater and has housed many legendary concerts including Neil Diamond's "Hot August Nights". Everyone is a bit nervous, but nerves quickly dissipate as concentration is vital to this show. Afterwards we have our largest group of guests yet, including Jason D's parents. One lovely thing about this coast to coast tour is that many members' parents are able to see the show, including mine. We also get to meet our second O'Hara of the tour, Catherine (Mary Margaret came in Toronto).
Somehow I've managed to visit a different dim sum establishment nearly every time I've come to San Francisco. So upon arrival I decide to bike on my own to Hong Kong Lounge, one that comes highly recommended. The food is delicious, but I'm reminded of why no one goes to a dim sum restaurant by themselves. Cycling the hills of San Francisco with a belly full of dumplings isn't exactly easy, and I barely make it back for soundcheck. The first few weeks of the tour we picked up a ritual we have been performing every night, and it follows us here. The last song we play every night is The Talking Heads' "Road to Nowhere". The choreography is a loose follow the leader with the horns ending in a straight horizontal line behind David and Annie. As we leave the stage for the final time the line breaks in two and we depart on opposite sides, playing an improvised reprise of sorts. Once we are firmly backstage we continue playing, but the song morphs into a television theme song, typically one that takes place in the city we are currently in. Some previous numbers have included Dallas, Mr. Belvedere, and Laverne and Shirley. Tonight's version, of course, is Full House.
After a week in California we take off for the Pacific Northwest, and the home stretch of this leg of the tour. On most of the days off DB has been giving talks to support his new book "How Music Works", and we all attend one of these the evening after the Portland show. For this particular talk David is joined by Carrie Brownstein of Sleater-Kinney and Portlandia.
The format consists of David flashing an image onto a movie screen, followed by the two of them talking about what that image means to them. As a result the majority of the talk is concentrated around the importance of the visual side of a musical performance, be it fashion, lights, or movement. It is quite fascinating and something most musicians should spend more time thinking about. After Vancouver some of us take the bus back to Portland, while the rest of us head back to NY for a few days rest. Next up Colbert, and Australia in the New Year!
'Til next time,
Watch Kelly, the rest of the band and David Byrne & St. Vincent on Colbert tonight (11/1).
UPDATE: Colbert happened. Watch the videos.
They were also supposed to play Letterman the other night, but that was cancelled due to Sandy. Speaking of, read a Sandy-related letter David Byrne sent out to his mailing list, with more pictures from their tour, below...
words by Kelly Pratt; photos by Bryan Murray
David, St. Vincent and the gang on stage in Houston
Nashville, Atlanta, Austin, Houston, Dallas
Arriving in Nashville, a few of us head straight to the local "meat and 3." Three sides of vegetables should not be taken as a sign that this is a diet-conscious tour. In the South, vegetables function as napkins for grease rather than repositories for vitamins.
After a long night of honky-tonking with the crew, we file in to play the historic Ryman Auditorium, which for over thirty years housed the Grand Ole Opry. Our show is great, but the horn section isn't quite ready to pack up their cases. One of the best things about touring is bumping into friends who are also on the road. By happy accident, Antibalas is also in Nashville, performing at a venue nearby our own. Several Antibalas band members played on "Love This Giant," and a few of them are in bands with other people in our party. At the end of their set, all eight of our horns join them for Fela's "Open and Close":
Next up is Austin. Jon has a biologist friend teaching at UT so we ride our bikes over to campus to hear her give a lecture on sexual selection. We learn some truly fascinating facts about animal courtship behavior, such as the seduction technique of the Australian bowerbird. In an attempt to find a mate, the male bowerbird builds a highly complex and elaborately decorated hut, which he then presents to his sweetheart as a nuptial gift. But sex isn't all romance. As if we needed further proof that bedbugs are the most disgusting animal on the planet, we learn their reproductive habits. Apparently when ready to mate, the male bedbug grows an intermittent organ that he then uses to randomly stab the female through her exoskeleton.
Learning about sexual suicide can build up quite an appetite. After the lecture, we get in a cab and head to the best restaurant of tour yet: Uchiko. Executive chef Paul Qui won season 9 of Top Chef and the food does not disappoint. The jar jar duck is one of the most delicious things I have ever tasted, Star Wars: Episode One reference notwithstanding.
In my experience, Austin audiences are usually very receptive and this time is no exception. Several people speak of the St. Vincent song "Cheerleader" as one of the show highlights, in part because of its choreography. The movements for this song are quite simple: lie supine on the floor and play. But as anyone who has ever played a brass instrument knows, it is really hard to play while lying down. Breathing is more labored, as is forcing air through a horn. Also, water tends to build up and flow back down into the mouthpiece. But the visual effect is stunning
In Dallas, I get some time by myself and take long bike ride to the Dallas Museum of Art. This museum holds quite a few works by contemporary masters, many of which I have never seen before. Of particular note are a series of early post-impressionistic Piet Mondrian landscapes juxtaposed with some of his later Neo-Plasticist works. The stylistic differences between the two are striking and provide a perfect example of an artist completely abandoning one style for another.
David, Tony, Mary-Anne
The Dallas show turns out to be the 100th David Byrne show Tony and Mary-Anne, a couple who we have seen at several stops along this tour. They have seen every incarnation of David's bands since 1978. They met when David, from the stage, spotted Tony with a homemade Talking Heads t-shirt. David invited him backstage because he liked the shirt, and Tony subsequently went on to design some t-shirts for DB. After the Dallas show we all cheers Tony and Mary-Anne and jump on the bus for San Diego.
David Byrne and St. Vincent play Santa Barbara, CA tonight (10/11) at the Arlington Theatre. The rest of their tour dates are here. More photos from Brian Murray are below.
words by Kelly Pratt; photos by Bryan Murray
David Byrne & St. Vincent @ Beacon Theater 9/25/2012 (more by Chris La Putt)
NY, Philly, Bethesda, on to Nashville
Most of the band live in NY so it's great to come back and spend nearly a week on home turf. The Beacon Theatre is an ideal place for the show, partially because of the large number of balcony seats. The audience in the balcony is able to see the choreography more fully than one would in the first few rows. One song in which this is particularly rewarding is The Forest Awakes. The idea is to move freely, lining yourself up with someone or something on the stage. Therefore the movements in this piece are improvised in a completely different way every night. Another unique aspect of the show is the massive amount of samples, programmed primarily by Daniel Mintseris and triggered and played by him and drummer Brian Wolfe. The brass provide the backbone of the band, but the samples give the songs an electronic edge that take the sound firmly out of "brass band" territory.
Williamsburg Park, 2/29/2012 (more by Amanda Hatfield)
Williamsburg Park is our biggest show of the tour, and turns out to be our best response yet. In my experience NY crowds are among the iciest around, but this one brings the energy. Maybe it's that everyone is standing the whole time or maybe it's the cheaper ticket price bringing out more youngsters. Regardless we all have a great time, and depart NYC with a little sadness.
Our next show is in Bethesda, MD, a suburb of DC, at a large arts center. We arrive early so I make a few phone calls outside, where there are four large black SUVs in a row. I tend to pace around nervously while on the phone, and I can tell that some of the drivers of the caravan are paying attention to me. A few moments later the front door opens and a little girl walks out surrounded by two buff dudes with earpieces. It's one of the Obama daughters. The secret service escort her into the backseat of one of the vehicles and the caravan peels out. It seems like a lot of trouble for a ten-year old's ballet class. A little later we have the best laugh of the tour yet when Bryan tells us his workout routine. Having attempted running outdoors ("I tried running around Prospect Park, but that sucked!"), he now heads down to his basement and runs in place while watching The West Wing for 45 minutes. Whatever works...
Nashville next. See you soon,
David Byrne and St. Vincent play Atlanta, GA tonight (10/3) at the Cobb Energy Center. The rest of their tour dates are here.
The photos you see above are from other recent BrooklynVegan posts. An original set that accompanies this post, by Bryan Murray, can be seen below
David Byrne & St. Vincent @ Williamsburg Park
David Byrne and St. Vincent (aka Annie Clark) played their third of three NYC shows on their tour together in support of their collaborative album, Love This Giant, at Williamsburg Park last night (9/29). The setlist didn't change much from the Beacon Theatre shows (or the rest of the tour), kicking off with Love This Giant singles, "Who" and "Weekend in The Dust;" and including Talking Heads favorites like "This Must Be The Place (Naive Melody)," "Burning Down The House," and "Road To Nowhere;" St. Vincent favorites like "Cheerleader," "Cruel," "The Party," and others; plus some David Byrne solo cuts and more off of Love This Giant.
The two pop wizards were in their own distinct characters throughout the show, as they were backed by a choreographed eight-piece horn section. (Who, not to mention, added great layers to the newly-worked out versions of Talking Heads/David Byrne/St Vincent songs.) David and Annie were both in admiration of each other during the songs from their respective projects, and though it was David who had the hits and got the crowd going most wild, Annie brought her own flare as well with physical guitar freakouts worked into all of her songs. They also had a shared moment as they "fought" with their hands over a theremin.
Have you been keeping up with Kelly Pratt's (aka main member of Bright Moments and co-musical director/member of David Byrne & St. Vincent's horn section) tour diary of his time on the road with David and Annie?
More pictures, videos, and the setlist from last night's show are below...
We already posted lots of posts today. Here's some more, and some reminders too...
Speaking of the new venue, Lady Gaga's MSG (2/22) & Barclays Center (3/6) shows sold out today, so she added one more at each venue. The new dates are 2/23 @ MSG and 3/7 @ Barclays. Both go on sale Friday, October 5th at 10am.
Other NYC shows that went on sale today include JEFF the Brotherhood, Field Report, Diamond Rings, Anais Mitchell, Kelly Hogan, Callers and Petty Fest.
And regarding that Staten Island politician talking shit about her, Lady Gaga thanked him.
As mentioned, Soundgarden is releasing a new album, their first in 15 years, on 11/13. Now you can hear the first song which is streaming at the bottom of this post.
In other bands who were good in the '90s Barclays Center news and, Smashing Pumpkins warmed up for their arena tour with an intimate, two-and-a-half-hour show at Stubb's in Austin last night. The tour hits the Barclays Center in Brooklyn on Halloween.
Apple knows its maps app sucks.
Trevor Dunn, who is currently on tour as a member of Melvins Lite, took to his tour diary to comment on Green Day frontman BIlie Joe Armstrong's recent freakout: "That guy's main problem is that he doesn't realize that he is Justin Bieber."
Do you love the blown-out, pixelated artork on MIA albums? You may want to buy here coffee table book then.
On a somewhat similar publishing tip, Diplo "and photographer Shane McCauley are launching the zine series Blow Your Head. Each volume will explore a different country and musical genre.
Tour diaries are hot these days. (Have you read ours with Kelly Pratt whose touring with David Byrne and St. Vincent)? Diamond Rings and Stars writing about their adventures on the road for The Huffington Post. Those adventures included a show at Webster Hall this week.
Winter is coming for everyone, it seems. Neko Case tweeted today: "Dude. I'm just gonna admit to being balls-deep in Game of Thrones on CD."
While on the subject of rock star confessions, a recent quote from Pete Townshend: "What I remember of the size of Mick Jagger's penis - I remember it as being huge and extremely tasty."
If you need more, maybe you'd like to read some Phil Collins erotic fan fiction?
Speaking of St. Vincent, today is Annie Clark's 30th birthday. Happy Birthday, Annie! We always liked this picture of her, by Chris La Putt, from her days as a member of the Polyphonic Spree:
It's also Les Claypool of Primus' birthday, who turn 49. Catch Primus on tour this fall.
Not that surprising, but awesome -Austin just became the first Texas city to endorse marriage equality.
Austin music venue Scoot Inn, a popular place to be during SXSW, has a new owner.
Kreayshawn's new album flopped.
Mumford & Sons' new album probably won't.
more stuff below...
photos by Chris La Putt
St. Vincent/David Byrne @ Beacon Theater - 9/25/12
If you've been reading this site at all in the past week or so, you know that David Byrne & St. Vincent (aka Annie Clark) recently kicked off their tour together in support of their collaborative album, Love This Giant. We've already posted pics of David and Annie at POP Montreal, where David also performed at the Pop vs Jock halftime show (the tour hit Chicago last week too), and surely you've been keeping up with Kelly Pratt's tour diary of his experiences on the road with David, Annie and co. That tour finally came to NYC last night (9/25) for the first of two Beacon Theater shows, and first of three NYC shows overall this week.
Their tour continues, hitting Beacon Theater again tonight (9/26) and Williamsburg Park on Sunday (9/29). Tickets for both of those shows are still available.
At Beacon, David and Annie were backed by their eight-piece horn section (Kelly Pratt included), and in addition to playing material off of Love This Giant, they spliced in songs from their respective solo careers, and included a few Talking Heads cuts as well. One of the Talking Heads songs they played was "Burning Down the House," which you can watch a video of from last night's show, along with more pictures from the show, below.
In addition to everything else we posted, today, here's some more, and some reminders too...
It's also National Voter Registration Day, as miss Annie Clark has so kindly reminded us above. Did you register to vote yet? We also would like to know, however, what's the deal with the Tiny Tim photo in the background?
Speaking of St. Vincent, it's David Byrne / St. Vincent Week here in NYC. Their first of three area shows together happens tonight at the Beacon Theater, as Kelly Pratt pointed out in the latest edition of his tour diary.
Neil Young has started a Twitter account and will be taking your questions via it in October. Right now, though, @NeilYoung seems to handled by a marketing intern.
Paper Bag Records just released the free David Bowie tribute album, Paper Bag Records vs. The Rise and Fall of Ziggy Stardust and the Spiders From Mars, with covers by Austra & CFCF, PS I Love You, The Luyas, Yamantaka/Sonic Titan and more. Download it for free HERE.
Speaking of Yamantaka/Sonic Titan, they performed at the Polaris Prize Gala in Toronto last night, but ended up losing to Feist.
Converge is back with "Shame In the Way" a new song from their forthcoming LP All We Love We Leave Behind. Stream that new track, coupled with an interview with vocalist Jacob Bannon in the latest Show Now Mercy at Pitchfork. Look for the LP on 10/9 via Epitaph.
Sweden's Terrible Feelings have released a new video for "Next Round's On You" from their Shadows LP. Check that out below.
Field Report visited the A.V. Club's HQ in Chicago and took on the Sufjan Stevens mainstay "Chicago" for their Undercover series. Check out the clip below.
More stuff below...
words by Kelly Pratt, new photos by Bryan Murray
Kelly Pratt @ Pop Montreal (more by Dominick Mastrangelo)
Chicago, Toronto, Montreal, Boston, on to NY
On this tour, we are exceptionally lucky to be playing some of North America's most beautiful theaters. The Chicago Theatre is perhaps my favorite. Built in the early 1920's, it was initially used primarily as a movie theater. In 1986, it was massively restored and repurposed as a music venue. I find myself thinking of a memorable collection of photographs that document a number of abandoned theaters across the US. Many of these are beautiful rooms, but because of a variety of reasons (including urban population shifts and the rise of home video in the 1980's) they were deserted and are in various states of decay today. The shows in Chicago and Toronto go very well. We are at a point now where we can perform the show without having to concentrate on every little detail, thereby allowing us to focus more on the overall musical and visual impact (and the beautiful venues we are playing in).
We arrive in Montreal the morning after Toronto to play the Eglise St-Jean-Baptiste as part of the Pop Montreal festival. The church is majestically cavernous: there are huge chandeliers and two imposing organs. I head over to the Arcade Fire studio where David has just finished rehearsing some covers for the halftime show of the their yearly charity basketball game POP vs. Jock. As I walk in Regine is practicing some jock jams on organ for the in-game entertainment.
Halftime show (more by Dominick Mastrangelo)
During our sound check DB suggests that Daniel use one of the organs for the St. Vincent encore, "The Party," and also that, during that song, we put all the horns in the crowd. Luckily we have front-of-house engineer Pete Keppler on tour. He manages to make us sound great no matter what venue we are in, or what new ideas we throw into the mix. In Montreal we get what might be our best audience response yet, setting the bar very high for the rest of the tour.
The next day we all head to Boston for a day off. Most of us end up getting tickets to see Grizzly Bear at the Orpheum where we are playing the following night. [Like at Radio City] Their set draws heavily from their new album, which takes them further into psychedelic territory. The visuals are particularly breathtaking, accentuated by 12 or so hanging lanterns that rise and sink throughout the show. A few late games of pool later we head back to the hotel to rest.
Beacon Theater tonight is their first of three NYC shows on the tour. Tickets are available for tonight and tomorrow at Beacon Theater, and for the Saturday show at Williamsburg Park.
The photos you see above are from other recent BrooklynVegan posts. An original set that accompanies this post, by Bryan Murray, can be seen below...
photos by Dominick Mastrangelo
St. Vincent / Julia Holter
When it came down to it, [Annie] Clark's voice was the star. Though [David] Byrne, a shock of white, was the one the thousands came to worship - and it's hard to deny the unadulterated joy hearing of "This Must Be the Place" and "Burning Down the House" in such a pristine setting - it was Clark who made the deepest impact. Free of reverbed guitar heroics and floating above a cloud of brass, her rendition of "The Party" during the evening's second encore was a revelation. Drawing from the gigantic church's natural resonance (not to mention its massive pipe organ), the song began with the brass band walked down the aisles as Clark appeared onstage alone, spinning a macabre rhapsody till its eventual sonic denouement.POP Montreal returned to Montreal for its tenth annual year this past week with countless artists across multiple venues in the city. Like CMJ and SXSW, there are so many good options at POP Montreal -- newcomers and old favorites alike -- that it's impossible to catch everyone. While we were there on Friday (9/21), we caught David Byrne & St. Vincent (who are on a tour which hits NYC three times this week -- have you checked out Kelly Pratt's tour diary with David and Annie?), French electronic artist Bertrand Burgalat (who plans to make his way to NYC for CMJ), Julia Holter, Solar Year, and recent Sub Pop-signees METZ (who have also been on the road a lot, and will be back in NYC for CMJ and again on their November tour).
Closer "Road to Nowhere" wasn't too shabby either. [National Post]
POP Montreal pictures from Saturday (9/22) and Sunday (9/23) are coming soon. More pics from Friday are below.
by Kelly Pratt with photos by Bryan Murray
Kelly Pratt is currently on tour with St. Vincent and David Byrne, acting as co-musical director as well as one of their many band members. Since last week he's been chronocling that tour right here on BrooklynVegan. Welcome to the second installment, written last night...
End of rehearsals, Minneapolis, Milwaukee.
We finish our rehearsals at the beautiful Wellmont Theatre in Montclair, New Jersey. Two full days of running the set as many times as possible takes a toll on the brass players' lips, but tightens up the choreography and transitions between songs considerably. Annie-B Parson is the choreographer for the show with Lizzie Dement assisting. She's worked with David in the past, and her next next project is with Baryshnikov--needless to say, she has some brilliant ideas that really expand the kind of performance we are used to. This is also the first time we have played the show with lighting design, which adds another level of difficulty.
The following morning the band heads to JFK for a flight to Minneapolis where we will have a much-needed day of rest. We travel on Sun Country Air. Ever heard of it? Me neither. The trip gets interesting when Ira Glass takes the seat next to me. He is on the way to Minneapolis to do a Q&A for the premiere of his and Mike Birbiglia's new film "Sleepwalk With Me". Always the workaholic, he interviews the guy sitting next to him who (after some deduction skills and Googling) I determine to be the inventor of the KneeDefender. He invites Jon and me to the premiere of his film that evening. The movie is great and we discover that Ira is as good at talking in person as he is on the air. The theater serves bourbon, a novelty for us (in the theater, not on its own).
The first show of the tour goes better than expected. It may sound obvious, but performing in front of a live audience adds an extra level of energy and intensity. It's like we finally realize the show, in its full potential, for the first time. Afterwards, a few of us go across the street to a bar where we meet some folks from Dero, the company that manufactures the bicycle racks David designs. One of the best aspects of this tour so far has been the focus on cycling. Nearly everyone in the band bought a folding Tern bicycle before we left. There are even a couple extras for the crew. This is the first time that I have toured with a bicycle and I will never leave home without one again. It's so nice to slip away from the tour for an hour or two for a long ride. It has also allowed me to see more of the city than the few blocks near the venue. Both Minneapolis and Milwaukee are great cities for cycling with long bike paths and beautiful views.
Next we go to Chicago for a day off. It's Carter's birthday, so we may have to get him a white wine spritzer or two.
To bed, for we rise at 9:30 for 10(ish),
David Byrne & St. Vincent, Kelly Pratt & band play the Chicago Theater tonight (9/18) before continuing on their tour which includes three NYC shows. Check out some more photos from their rehearsals in NJ, a video from Minneapolis, and all tour dates, below...
by Kelly Pratt with photos by Bryan Murray
Kelly Pratt is no stranger to the pages of BrooklynVegan. From being a member of Beirut to playing in Arcade Fire to performing at LCD Soundsystem's final show to his own projects Team B and now Bright Moments, we've written about stuff Kelly Pratt does a lot. Now we're going to let him write a bit. This time about his latest project, which as previously mentioned, is being co-musical director and a band member on the St. Vincent and David Byrne tour that begins this week in support of the pair's new album "Love the Giant" which is out now via 4AD and streaming on Spotify and at NPR. Look for a new post by Kelly right here on BrooklynVegan each week, starting now...
David Byrne/St. Vincent North America tour Fall 2012 - rehearsal
The Band:New York, September 11
David Byrne - vocals/guitar
Annie Clark - vocals/guitar
Daniel Mintseris - keyboards/co-musical director
Brian Wolfe - drums
Kelly Pratt - trumpet/flugelhorn/French horn/flute/co-musical director
Carter Yasutake - trumpet/flugelhorn
Rachel Drehman - French horn
Jason Disu - trombone
Dave Nelson - trombone
John Altieri - tuba
Bryan Murray - saxophones/clarinet
Jon Natchez - saxophones/flute/clarinet/flugelhorn
We've been in rehearsal for the last three weeks on an extremely intensive schedule: 8 hours a day, 6 days a week. The first week is primarily focused on drum programming and rhythm section coordination. With week 2 all the rest of us join in. As one can imagine, putting together a full set of music for twelve people can be a bit of a daunting task! Fortunately we have an experienced, talented, and motivated group of people involved.
By the beginning of the third week we are running the set with a pretty high degree of success. Then the choreography starts. I have six years of marching band experience (strictly "don't ask, don't tell" information), but most of the rest of the horns have never moved and played at the same time. Learning to play a brass instrument while walking around a stage is a bit like patting your head and rubbing your stomach. But way harder. Finally Sunday we manage to run the set with choreography. It's going to be pretty impressive.
Monday we play Jimmy Fallon, definitely the most welcoming and my personal favorite of the late night programs. It's our first public performance, and goes pretty well. Right before we play we all get a moment to warm up our horns. Carter starts playing Chuck Mangione's "Feels So Good" as he tends to do 70% of the time he puts the horn to his face. Jimmy Fallon comes over and beamingly declares "I love that song!"
The next two days we head out to New Jersey for full production rehearsals at the Wellmont Theatre. After that we hit the road, first stop Minneapolis!
Watch the Fallon videos HERE. All tour dates, more pictures from rehearsal, and the official video for "Who". below...
Pallbearer at Saint Vitus, May 2012 more by Fred Pessaro // BBG
today in NYC
* Peter Whitehead @ Stone
* Jenny Scheinman @ Barbes
* Paloma Faith @ Joe's Pub
* Slavic Soul Party @ Barbes
* Simon Townshend @ Joe's Pub
* Sasha Bogdanowitsch @ The Stone
* Andrew WK @ Coney Island (piano show)
* Arnold Dreyblatt @ Issue Project Room
* We Were Promised Jetpacks @ The Bell House
* Strawbs, John Wesley Harding @ B.B. King's
* Brooklyn Brothers, Gondola @ Cake Shop
* Lianne La Havas, Willy Mason @ Bowery Ballroom
* Jaill, Fergus & Geronimo, Darlings @ Maxwell's
* Steve Vai, Beverly McClellan @ Best Buy Theatre
* AC Newman, Lizz Winstead, David Rees @ UCBEast
* Skerik's Bandalabra, Adam's Castle @ Cameo Gallery
* Brick + Mortar, Ravin Dave (DJ) @ Solo Event Space
* Adam Sullivan, Freddie Stevenson @ Rockwood Music Hall
* The Vaccines, The Denzels @ Music Hall of Williamsburg
* Black Marble, Starred, Cosmetics, Warm Ghost @ Glasslands
* ACME performs Steve Reich's "WTC 9/11" at Le Poisson Rouge
* Cool Serbia, The Sparrow, The Nepotist, Jason Ewald @ Pianos
* Auditorium, Rachel Goodrich, Clare & the Reasons @ Mercury Lounge
* Pallbearer, Royal Thunder, Kings Destroy, Inter Arma @ Knitting Factory Brooklyn
* Obituary, Broken Hope, Decrepit Birth, Jungle Rot, Encrust, Open Denile @ Gramercy Theatre
* Amanda Palmer & The Grand Theft Orchestra, The Simple Pleasure, Jherek Bishoff @ Webster Hall
* Rachael Yamagata, Adam Sullivan, Freddie Stevenson & more @ Rockwood Music Hall
* Giggles w/ Sean Patton, Jacqueline Novak, Matt Mccarthy, Jena Friedman, Dave Hill @ Grand Victory
* Hank Wood and the Hammerheads, Rational Animals, Nomad, Subclinix, Savage Sex Boys, Secret Guest @ Saint Vitus
* Diamond Terrifier, Psychic Reality, Okkyung Lee + Carlos Giffoni, Dominique Vaccaro, Sandy Gordon/Andrew Lafkas-Barry Weisblat/C. Spencer Yeh Quartet, DJ Steve Lowenthal @ Zebulon
Tonight is the "all live" debut of Steve Reich's composition "WTC 9/11" at Le Poisson Rouge. If you can't make it out to the sold-out performance (we're giving away tickets on Facebook), you can stream it online.
BrooklynVegan is co-presenting the Pallbearer tour that rumbles into Knitting Factory this evening. Note that Kings Destroy replace Samothrace who unfortunately had to drop off the tour. Tickets are still available for these Best New Music recipients, it's gonna be a great show.
If laughing's more your thing, Lizz Winstead (one of the original creators of The Daily Show), New PornographerAC Newman, comedian David Rees discuss how they got started down a creative path at the live taping of Wrestling Team (Mark Bisi and Andy Beckerman)'s "Beginnings" podcast at UCB East.
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David Byrne and St. Vincent's collaborative album, Love This Giant, is out today. The pair performed their song "Who" on Late Night with Jimmy Fallon last night and you can watch that below along with a web-only performance of "The Forrest Awakes" below. Tickets are still available for their upcoming NYC shows too.
Ty Segall, who plays The Well with Thee Oh Sees on September 22, just released a video for his new ripper of a single, "The Hill," which will be on his new album, Twins, which will be out via Drag City next month. Watch it below.
Tonight (9/6), the stylish and the lovers of free booze and music will be out in force on the streets of Soho, the Meatpacking District and other parts of NYC for Fashion's Night Out.
We posted a giant list of FNO music happenings yesterday and turns out there's way more including: Yoko Ono reveals her new collection at Swarovski Crystallized;
A$AP Rocky at Adidas Originals SoHo Store (see below); St. Vincent performing at at a speakeasy themed (and Boardwalk Empire-sponsored) party at Rag & Bone; Sonlange Knowles and Ed Droste of Grizzly Bear at The Ace Hotel; Theophilus London will be at The Rose Bar; Strokes guitarist Albert Hammond Jr. performs at Bloomingdale's Soho; Wild Belle at Mulberry (update: this is a DJ set); Frankie Rose and Alex Winston at Theory and more.
Basic info on these additional FNO performances/parties is below. Our previous post is here. All events are free and open-to-the-public unless otherwise noted. You can check the FNO website for more info. Some flyers below too.
David Byrne & St. Vincent's collaborative album, Love This Giant, is out next week (9/11) but you can hear the whole thing now as it's streaming via NPR. Annie and David have also just made a video for album track "Who" that involves a hit-and-run meet-cute. You watch it below.
The duo's NYC shows are coming up too: September 25 and 26 at Beacon Theater and September 29 at Williamsburg Park. Tickets are still available for all three shows.
Tour dates and video are below.
As mentioned, David Byrne and St. Vincent are making an album together this year called Love This Giant (due out 9/11 via 4AD/Todo Mundo) and will be touring in support of it this September and October. Before that tour kicks off, the two musicians will team up for a performance on Late Night with JImmy Fallon, which airs on September 10, one day before their album is released.
Their tour hits NYC on September 25 and 26 at Beacon Theatre and Spetember 29 at Williamsburg Park. Tickets to all three shows are still available. A list of all dates on the tour and streams of two album tracks, "Who" and "Weekend in the Dust," at the bottom of this post.
In related news, David Byrne has a new book, How Music Works, and he'll be doing some book readings/discussions in various cities, including one in NYC on December 5 at the New York Public Library. Tickets for that event go on sale Friday, September 7 at noon. More details can be found at NYPL's website.
A list of all dates and song streams below.
by Bill Pearis
Why would one pre-order a record? Is there a reason one would do that?My first thought on reading this email David Byrne sent out this morning was, "What are the three records you have on pre-order right now?" As he mentioned, you can pre-order Love This Giant in the physical or digital format of your choice now and get a free download of "Weekend in the Dust." You can also stream the first minute or so of that song at their website too. With that and the previously-released LP-opener, "Who," we're definitely starting to get a feel for what to expect from the album.
Well, one reason is because, like me, you might forget about a record that you're really, really looking forward to. That happens to me fairly often--so I'll either pre-order or put the record in a wish list so I don't forget to buy it. I have at least three records sitting in there right now!
The second reason is that we are offering one of the songs from the album, "Weekend In The Dust", as an advance download, if you pre-order the whole record. This song is not available for immediate download elsewhere--you will only have the opportunity to get the song two months before the record comes out if you pre-order through our site.
On "Weekend in the Dust", I came up with some brass riffs and swells that sounded pretty funky to me. I then sent those to Annie and she wrote a cool vocal melody over it (later she wrote words too). We both arranged her vocal and other elements of the track a bit further--still working with horn samples temporarily. Finally, we passed this one to baritone sax monster Lenny Pickett, ex Tower Of Power and current Borneo Horns and SNL bandleader, for arranging. I'd previously worked with Lenny on a Talking Heads track ("Blind") so I know he is really good at convoluted and funky--and that describes this track pretty well. We recorded the whole band playing it in the studio in Hoboken, which I arrived at one morning in March via bicycle and ferry. Nice!
UPDATE: 4AD's YouTube page has the stream of the full song. Check it out below.
As you may already know, David Byrne and St. Vincent have an upcoming tour together coming up, which includes three NYC shows: two at Beacon Theatre on September 25 and 26 and another at Williamsburg Park on September 29. Tickets to all three shows are still available. All David Byrne & St. Vincent tour dates are listed below.
by Andrew Sacher
Craig Wedren/St. Vincent
You've already heard more than half of the upcoming Fleetwood Mac tribute album, Just Tell Me That You Want Me (due out 8/14 via Concord, but up for pre-order on iTunes now), which features mostly indie rock bands offering their takes on songs from throughout Fleetwood Mac's expansive career. Today we premiere another song from this collection -- Craig Wedren (of Shudder to Think and Baby) and St. Vincent (aka Annie Clark) tackling "Sisters of the Moon," a Stevie Nicks-penned standout off 1979's Tusk, with co-production from Dave Sitek (TV on the Radio). The two artists' shared love of off-kilter distortion come together nicely to turn one of Fleetwood Mac's dreamier songs into something entirely new. The first part of the song prominently features Craig singing lead, and a bit more than halfway through, Annie takes over with some heavily processed vocals and gives the song a complete 180. Have a listen for yourself by streaming the cover below.
As mentioned, Kelly Pratt will be aiding St. Vincent and David Byrne on their upcoming tour, leading an eight-piece brass ensemble at venues around the country including Beacon Theater and Williamsburg Park. Before that tour, Kelly's project Bright Moments (that also has two other members going out on tour with Annie and David), who records for the Byrne-associated Luaka Bop label, will play a local show in Brooklyn on Wednesday (7/25) at Union Hall with Valley Lodge (whose members include comedian/writer Dave Hill and Walt Mink's John Kimbrough) and Good Field. Tickets for that intimate Park Slope show are on sale now.
If you can't make it to the show, you can also listen to Bright Moments live in studio on NPR's World Cafe on Thursday (7/26) at noon on WFUV. The local broadcast schedule is here.
A video of Bright Moments covering Stevie Wonder's "I Just Called" is below...
Bon Iver at Bonnaroo 2012 (more by Dana (distortion) Yavin)
Bon Iver recorded an iTunes session at East West studios which is available exclusively from iTunes starting today. It includes six tracks off 2011's great Bon Iver, Bon Iver and a cover of Bjork's "Who Is It?," which the band has played live many times. You can stream the session's opening track, "Beth/Rest" below.
As mentioned, Bon Iver is touring internationally throughout the summer and fall and will come to NYC on September 19 and 20 at Radio City Music Hall. Both of those shows are now sold out. All Bon Iver dates, including a recently announced European leg, are listed below.
Speaking of Bjork, she's teaming up with the New York Public Library (NYPL) and the Children's Museum of Manhattan to create interactive educational programs for middle school-aged students based on her Biophilia app. Speaking about the program, Bjork said:
"It's not a bookish thing. You cannot learn to make music from a book." "I love books; they're like the best ever," she added. "There are things you can only learn from books, but it's also important to introduce the physical aspects. So for me, it was very important to make, somehow, music education that was physical." (via NY Daily News)Both Bon Iver and Bjork are set to play Oya Festival in Oslo, Norway this summer (Aug 7-11) with The Stone Roses, Refused, The Afghan Whigs, Bob Mould (performing Copper Blue), Chromatics, Cloud Nothings, John Maus, Purity Ring, Saint Etienne, SBTRKT, Screaming Females, St. Vincent, and more. Full list below.
Way Out West (Aug 9-11) in Gothenberg, Sweden features many of the same bands as Oya like Bon Iver, Refused, Afghan Whigs, St. Vincent, Purity Ring, John Maus, and Bob Mould in addition to Blur, Wilco, I Break Horses, Hot Chip, The War On Drugs, Mark Lanegan Band, Adolescents, Swans, and more. Check out the spotify playlist. The full lineup is listed below.
As mentioned, the reunited Mazzy Star is set to play both of those European festivals. Full lineups and the Bon Iver dates and song, below...
Sleigh Bells at Terminal 5 in Feb 2012 (more by Chris La Putt)
Sleigh Bells and The Kills will separately headline two Converse City Carnage concerts/skateboard events happening at Hudson River Park. The Sleigh Bells show happens Saturday July 21 and is with Jel and Mr. Dream; The Kills show happens August 18 and is with Black Bananas and Viva Viva.
Both shows are free but you do need physical tickets which can be ordered via Ticketmaster on June 22 starting at noon. You can also pick up tickets at Converse's Soho and Garden State Plaza retail locations.
Both shows are part of two-day events. The skateboarding part will take place on Fridays (July 20, August 17) and features Converse Skateboarding Ambassadors Kenny Anderson, Nick Trapasso, along with the entire Converse Skateboarding team. You can read more about it here. Leading up to City Carnage, Hudson River Park's Pier 62 Skate Park will get a facelift courtesy the sneaker folks.
The City Carnage show is part of Sleigh Bells expanded summer tour and all current dates -- some of which are opening for Refused -- are listed below.
In related news, The Kills are featured on a new Fleetwood Mac tribute album titled Just Tell Me That You Want Me. The Kills tackle karaoke favorite "Dreams" and elsewhere on the compilation you can hear Mac songs covered by Lee Ranaldo & J Mascis, Antony, New Pornographers (streaming below), Washed Out, Matt Sweeny & Bonnie 'Prince' Billy, Best Coast, Lykke Li, Craig Wedren & St. Vincent, Tame Impala, MGMT and more. The album's out August 14 -- tracklisting and bad cover art is below.
"I am thrilled to announce the record David Byrne and I have made together, Love This Giant. We started our collaboration around the fall of 2009 after being approached by Housing Works to write and perform a night of new music for charity. We decided to center the music around a brass band and began sending ideas back and forth in every form: wordless melodies, melody-less songs. After a while we had enough of a body of work that David, not one to do anything halfway, suggested we record it and put it out. I am very proud of what we created and excited for it to hit your ears." - Annie ClarkDavid Byrne and St. Vincent have long held a mutual appreciation society, having written a song together for the Asphalt Orchestra, and Annie Clark singing on his Imelda Marcos opera, to name two. Well now the two have collaborated on an album, Love This Giant, that will be released via 4AD on September 11. You can download "Who" from the album via a widget below.
The duo will also be touring this fall, including three dates in NYC: September 25 and 26 at Beacon Theater and September 29 at Williamsburg Park. No on-sale info yet for Beacon Theater shows but you can keep checking Ticketmaster. Tickets for Williamsburg Park on sale Friday, June 22 at noon. All David Byrne/St. Vincent dates are below.
The album is said to eschew traditional bass/guitar/drum pop in favor of "idiosyncratic horn arrangements," which were aided by Kelly Pratt of Bright Moments. He'll be leading an eight-piece brass ensemble as part of that tour. More about those arrangements in a statement from David Byrne is below.
In the meantime you can catch Bright Moments on tour with Juxebox the Ghost and Savoir Adore,, which comes to NYC for a sold-out show at Bowery Ballroom on June 22.
All dates are listed below along with that widget...
photos by Dana (distortion) Yavin
Complimenting [Radiohead's] case for its post-major-label forays into art-rock craftsmanship was a stunning stage production that was a work of art in and of itself. With band members backlit by two towering video walls, a dozen tile-like screens shifted shape overhead and changed color with thrilling results. Wild-card set list selections included "I Might Be Wrong," "House of Cards," and "Kid A"; while live staples like "Idioteque," "Karma Police" and fevered-pitch show-closer "Paranoid Android" were among the oldies represented. [Rolling Stone]Day 2 of Bonnaroo went down in Manchester, TN on Friday (6/8) with sets from Radiohead, St. Vincent, Feist, and more. As reported on bvChicago, a song was dedicated to Jack White during Radiohead's set:
Before playing "Supercollider," Thom Yorke took a minute to dedicate the song to Jack White. He said, "This song is for Jack White. We saw him yesterday. A big thank-you to him, we're not going to tell you why but you'll find out." As many have speculated, this could mean that Radiohead have recorded/will be recording a Third Man single. We'll see.More pics of Day 1 are HERE. More of Day 2 below...
Ok, I'll admit it. The first time I heard about BAM's Crossing the Ferry series, I quickly concocted an idyllic scenario that may or may not have involved sipping white wine on the deck of a boat lit with twinkling Christmas tree lights with Sufjan or an unidentified Dessner brother at my side. (Really, could someone get on the whole ferry show idea, please? Something other than the booze cruise?) Luckily, I had a few days for the disappointment to wear off.
Curated by the Bryce and Aaron Dessner of The National, The Crossing the Ferry series is a three-night, multi-room spectacle of music and film. Many of the likely suspects are there (My Brightest Diamond and Beirut Saturday, Sharon Van Etten on Thursday). But there are also a few wild cards.
Due to an early start time, I missed the first few sets, but arrived on Friday in time to catch a few in rapid succession, starting with the indie-soul outfit Ava Luna, who had a much more raucous, percussion-heavy sound than I remember. Back downstairs in the gorgeous Howard Gilman Opera House, I caught an intense performative DJ set by composer Tyondai Braxton (formerly of Battles) who sat atop a crazy metal table, surrounded by a complex web of blinking lights, laptops, and samplers.
The back and forth nature of the event created a festival-like atmosphere. Following Braxton's set, I headed back to the BAM Cafe to check out another artist I had never seen - Sinkane, whose spacey sound effects seemed a good match for the room's clean, futuristic design. Though the cafe space itself was visually appealing, the acoustics were lacking, so I soon set up camp in the Opera House where impeccable sound and gorgeous lighting provided the perfect accompaniment for The Antlers' brooding, atmospheric sound. With the exception of a song or two (including one that was brand new), The Antlers focused on the material from last year's Burst Apart.
With the upstairs cafe running some 20 minutes behind, I regretfully decided to skip Buke & Gass to ensure a prime seat for St. Vincent. While The Antler's multi-layered, methodical sound encouraged me to sink calmly into my plush red seat, I quickly perked up from the first notes of St. Vincent's set. Clad in rock star black, her hair loose and wild, Annie Clark is a force behind the guitar and a charmer at the mic.
Backed by a talented three-piece band, Clark covered a wide array of songs, from a handful of older favorites ("Actor Out of Work" and "Marrow") to a number from last year's excellent Strange Mercy and a cover by The Pop Group ("She Is Beyond Good and Evil"). During "Krocodil," an aggressive new song (that was released as an exclusive 7" for Record Store Day), Clark catapulted off stage and forcefully made her way through the crowd, stepping onto chairs and reaching out to hit people as she made her way. (There's video below.) After fearlessly crowd surfing in the orchestra pit, she managed to end up back in stage at precisely the last moment of the song, and darted off, only to return for a brief encore ("Your Lips are Red").
Pictures and video from night 1 are here. Night 3 is on the way. Pictures from all the night 2 bands are below, along with video of St. Vincent performing "Krokodil."
photos by David Andrako
"Did y'all peep my Lil boob out with tha pastie today at coachella ?!? That was my Lil Kim moment !" - AZEALIA BANKS
hologram Biggie w/ Black Lips / Azealia Banks / ASAP Rocky @ Coachella Saturday
"For a certain breed of diehard Coachella fan, once is just not enough. And since 2012 is the first year that the epic desert music and arts festival is being mounted twice in Indio, California, it was inevitable that some of the most obsessed would find a way to attend both three-day weekends.Coachella concludes today, Sunday, 4/22, Earth Day 2012.
"The Monday after the first one, I was kind of licking my wounds and I said, 'Hey, let's go again! I'm down. I get paid on Friday. It can happen," 28-year-old Carlos Morales, from Fullerton, California, told Rolling Stone yesterday. "Radiohead was a big part of it. They were amazing, and I really wanted to see them again."
Tickets for a single Coachella weekend are hard enough to come by; in recent years, they've typically sold out within days of going on sale, which sparked the motivation for festival organizers Goldenvoice Productions to add an identical second weekend this year. About six percent of festivalgoers who bought tickets online directly from the promoter managed to pick up tickets for both weekends, said Coachella co-founder Paul Tollett. Resales are harder to measure, but last-minute impulse buyers for the second weekend were rewarded with some tickets being sold at below face value.
Alison Swing, 21, of Long Beach, bought her second set of tickets "from a friend of a friend of a friend" and got a $100 discount from the cover price, she said with a laugh. "It was nerve-wracking spending the money," Swing admitted, "but I wanted to go back so bad. I'll deal with it after." [Rolling Stone]
You saw the pictures from Friday, a video of the Black Keys performing with John Fogerty, video from a Friday night party that Thom Yorke DJ'd, and Radiohead's setlist from Saturday. Here are the pictures from Saturday, 4/21/2012, Record Store Day, the 2nd day of the 2nd weekend of Coachella 2012.
As you can see in the above picture, The Black Lips paid tribute (if you want to call it that) to hologram Tupac (who should be making another appearance with Dr. Dre and Snoop Dogg tonight) with their own hologram (actually a cut out) of Biggie Smalls. St. Vincent joined Andrew Bird on stage to help perform "Lusitania." Azealia Banks, in a different looking outfit than last week, apparently suffered a wardrobe malfunction. A$AP Rocky was joined by Master P, Romeo, No Limit and many other friends on stage in the Gobi tent, as he and Radiohead simultaneously closed out the night once again.
More pictures from all of Saturday, and a video from ASAP's guest-filled set, below...