Entries tagged with: St Vincent
St. Vincent sent the above tweet in reaction to technical difficulties she experienced at Summerstage on Sunday. Unlike M.I.A. though, she hasn't made any crazy promises that we're still wondering if she'll keep.
photos by Chris La Putt
Still shaking from the @basiabulat @tuneyards and @st_vincent show at #summerstage. Definitely one of the defining concerts of the summer! -Laura Rubin
St. Vincent at first seemed nervous due to a lot of technical difficulties with her band, but she quickly came into her element- perhaps focusing on Actor too much, Annie did not settle for just performing her songs, but reinventing them. She was absolutely exceptional, performing a sort of dance when she played guitar that was both a dance of rage and a parody of modern guitar solos at the same time as this spindly siren carries a pretty serious, Chuck Berry-esque guitar up to the front of the stage. She seemed lost in the world of her songs, a morose fairytale land of abstract orange hues and jagged shapes, but she brought something new out in her music with her reinterpretations- 'Your Lips Are Red' suddenly seemed almost like a Browning poem with its powerful jealousy and murderous themes.St. Vincent headlined a free Central Park SummerStge show on Sunday, August 1st. She played with a full band with horns, as did opener Tune-Yards (who's playing the Rock Shop tonight)...
The real highlight however, of this really quite exceptional set, may have been Black Rainbow- her impressive selection of band members (whom she recalled every name of, bless her) had starred and shone through several of her other hits. But with Black Rainbow the song just trickled into a dark, powerful musical marsh. You became weighed and yet uplifted by the powerful musical breaks, and it was... It was really something to watch. For all her nerves and sometimes awkward demeanour, St Vincent really performed today- but did so with a more rocky, almost Joplin edge to her music than she does on her albums. It was.... Divine. [Deliciously Apart]
"The second Tune-Yards album can't come quickly enough. The existing recordings are very good, but don't do enough to showcase exactly how jaw-dropping Merrill Garbus has become as a live performer. I would go so far to say that she may be one of the greatest singers in the world today." [Fluxblog]Canada's Basia Bulat was the first act of the day - she'll be back in NYC for two shows with the Acorn in September. The first is at Mercury Lounge on September 23rd. Tickets are on sale now. The second is one day later at Littlefield. Tickets are also on sale. All Basia dates are below.
More pictures & videos from the Central Park show, with two of the setlists, below too...
by Andrew Frisicano
St. Vincent @ Pitchfork Fest in Chicago (more by Kate Gardiner)
David Byrne and Annie Clark are collaborating on music for a future Housing Works benefit. There's no date set for that, but Asphalt Orchestra will be debuting a version of one of the songs they've been working on...
A few months ago we had [Here Lies Love arranger] Tony Finno arrange the horns, and we performed one of the songs -- tentatively titled "Who" -- at the end of Annie's show at the Rose Room at Lincoln Center. Now, having been approached by the Bang On a Can spinoff Asphalt Orchestra, with the help of [Asphalt saxist/producer] Ken Thomson we've adapted another song called either "Two Ships" or "The Movie" for their group. This will be an instrumental version and we'll do a vocal version later. [David Byrne]Asphalt will perform that song on Wednesday, August 4th, at the first of five free shows the avant-marching band is doing around the Lincoln Center as part of LC's Out of Doors Festival. Locations and times for the band are below.
In addition to that piece, they'll be debuting a commission by Yoko Ono; other songs in the group's repertoire include commissions by Tyondai Braxton of Battles and Stew & Heid Rodewald of Passing Strange and BAM Next Wave 2010. The 12-piece will release a seven-track CD of its material on August 3rd through Canatloupe Music. That includes a blisteringly dissonant song by Swedish metal band Meshuggah and an intricately-arranged version of Bjork's "Hyper-Ballad." There are a few more typical "ra-ra" maching band songs on the album too (Zappa in particular is already quite melodic and pompy), but the band focuses on getting unusual sounds out of the limited instrumentation. Live, they move in unique coordinated patterns, so the experience is individualized to the space and where you stand.
As an aside, this Saturday at Lincoln Center Out of Doors Festival is going to be particularly amazing, with the "Detroit Breakdown" lineup of Mitch Ryder, ? and the Mysterians, The Gories, Death and more.
St. Vincent has her own free show this weekend, at the Central Park SummerStage Sunday (8/1) afternoon, with openers Tune-Yards and Basia Bulat.
A video of Asphalt Orchestra doing that Meshuggah song on WNYC, and their schedule, plus a video of Annie doing a nylon-string version of "Actor Out of Work," are below...
photos by Kate Gardiner
Major Lazer @ Pitchfork Fest Sunday
"The tempo picked up again with Major Lazer at 6:15 p.m., and--hallelujah!--it stayed at a pretty high level through the end of Pitchfork 2010...The 2010 Pitchfork Festival has come to an end, and if you've been following along, you saw pictures from Day 1 & 2, pictures of LCD Soundsystem, and more pictures from Day 1 & 2. Now a set of pictures from the third and final day, with a bunch of setlists from all three days (including Pavement's), below...
...Though Young is missing from the [Pavement] reunion, Stephen Malkmus and his bandmates were musically concise, tight, and focused, and they delivered many of their best songs--"Range Life," "Frontwards," "Greenlander," and "Unfair" among them--in versions that were every bit as strong as they were back in the day, and better in some cases than that last stage of the group. Since the music always seemed timeless, there was less of a taint of nostalgia here then with, say, the Pixies reunion, though to be sure, the motivations probably were very much the same, and mostly colored green... [Jim DeRegatis]
It's hard to believe that The National headlined last night at Radio City Music Hall (they were the opener a few years ago when the Arcade Fire played there) and harder to believe that the massive space sold out. Sure, their last two albums have done especially well, but really? Radio City? I mean Lady Gaga is playing there in July. In "Little Faith," Matt Berninger sings, "I know what you think. You're waiting for Radio City to sink." Yes, ominous indeed.
The evening began with a rousing set by The Antlers. As if to echo the themes of hospitals, sickness, and funerals found in their solid debut, Hospice, white flowers decorated the stage. The Antlers' performance was bolstered by the addition of a two-man brass section (courtesy of Tim Cronin and Jon Natchez) and lovely female vocalist Sharon Van Etten. They played an extended version of the standout track "Sylvia" in addition to an unnamed new song. After playing a short string of songs from Hospice roughly in chronological order, The Antlers concluded their set with "Wake."
Walking into Radio City, I admit that the prospect of seeing two praise-worthy bands in such a huge space had me both exhilarated and fearful. Would they be able to master the space and overcome the obstacles posed by a seated show? How would they make the experience personal?
Though majestic, the space was a bit stifling. But to help cut down on the formality of a seated show, the majority of the orchestra section stood up when the band walked on stage and remained standing for the entirety of the evening. The National's front man, Matt Berninger, hopped off the stage to cavort with the audience in front during the third song, "Bloodbuzz Ohio." Sure, he only stayed down there for a few seconds, but it boded well for the rest of the show. The third wall came crashing down early.
The National also had some additional musicians on stage to help fill out their sound. Throughout the show, a small brass section again consisting of a trumpet and trombone contributed to the mix. Additional treats came on the seventh song, "Squalor Victoria," when a string section walked on stage. After that, it got almost ridiculous. St. Vincent's Annie Clark hopped on the piano for "Vanderlye Crybaby Geeks" and shared backing vocal responsibilities with Sufjan Stevens for the following song, "Afraid of Everyone." "I'm sorry they're so plain looking. We try to set a standard," Berninger wryly joked. "I wish we could have them on stage all night," replied a Dessner brother.
But the real magic happened during "Abel." At least, it did for me. Berninger jumped off the stage once again and started pulling that oh-so-long mic chord behind him as he walked up the aisle in the theatre. For a few seconds, I lost sight of him. And then, there he was, right outside my row. And then... what? Berninger started climbing over the seats and ended up stumbling right into Row WW, Seat 409 - my seat. As he stood haphazardly balanced on the seat behind me, he leaned over, grabbed my shoulder to steady himself and put the mic right in my face as he sang. And, though I know nearly all of the lyrics to their songs and the chorus to "Abel" in particular is embarrassingly simple, I admit I froze a little and was too stunned to sing along. After my moment had passed, Berninger continued on his way, climbing over the seat in front of me and then heading back to the stage. It's almost as if he knew that this was only going to be a one-paragraph review (since I recently wrote a lengthy one for the BAM show) and wanted to spice it up. After Berninger fled the scene, BrooklynVegan photographer Matt Eisman and I stared at each other in disbelief. Did that just happen?
The show continued with a few more songs and a solid four-song encore that (of course) included "Mr. November". This time when he wandered into the crowd, Berninger climbed the stairs to the first tier of the balcony where people encircled him and furiously sang along. Berninger proceded to walk to the far side of the balcony and back down again, his mic chord dangling over the crowd in the orchestra section below. After over an hour and a half of play, The National concluded their encore with "Terrible Love."
More pictures, a video and the setlists from Radio City, below...
"Played the Simon & Garfunkel tribute in Central Park last night. John Roderick brought it! Ben Gibbard's psych jam ruled..." - Aimee Mann
Holmes Brothers (Sherman, Popsy and Wendell) & Mayor Bloomberg (WFUV)
Ben Gibbard & St. Vincent play "Fakin it" (WFUV)
Paul Simon & WFUV Music Director Rita Houston (WFUV)
SummerStage hosted a pricey benefit for its free programming last night (June 8) in Central Park. The show was a tribute to the songs of Simon & Garfunkel, and musicians covered the pair mostly as duos. St. Vincent and Ben Gibbard teamed up for "Fakin' It," Dean & Britta played "Homeward Bound," Alejandro Escovedo and Willie Nile played "The Boxer," Aimee Mann and John Roderick did "Only Living Boy in New York," Loudon Wainwright III and Lucy Wainwright Roche sang "Bleecker Street" and lots more. Both Simon and Garfunkel were there, but didn't perform. The full performer+set list is posted below.
No videos from the show at the moment, but someone posted some from the show's rehearsal that took place one night earlier at City Winery. Those with the Central Park setlist, below...
photos by Tim Griffin
The Kitchen Spring Gala BenefitWednesday night's $500-a-ticket Gala event (the afterparty was cheaper) at Capitale didn't include any surprises (no on-stage collaborations or surprise guests), but it did include performances by Dirty Projectors, Doveman, Nico Muhly, and St. Vincent as advertised, and raise a lot of money for non-profit venue The Kitchen (whose upcoming events include two talent shows curated by Robert Melee).
Wednesday, May 26, 2010
Capitale 130 Bowery at Grand Street, New York City
6:00 pm COCKTAILS AND HORS D'OEUVRES
7:30 pm DINNER AND PERFORMANCES
by Dirty Projectors, Doveman, Nico Muhly, and St. Vincent
9:30 to Midnight AFTER-PARTY with open bar, desserts, and dancing with DJ Scott Campbell & Leo Fitzpatrick and a live music performance by Chief
Hosted by The Smile and The Journal
The honoree, David Byrne, rode his bike to and from the party. More pictures from the event (though none of Chief who play two more NYC shows in June), below...
by Andrew Frisicano
DOWNLOAD: Chief - Night & Day (MP3)
Dirty Projectors & David Byrne @ Bowery in Nov '09
The MoMA Party in the Garden benefit with Karen O and Nick Zinner is tonight (5/25), and the Anthology Film Archives benefit with Lou Reed, Sonic Youth and Kenneth Anger's band Technicolor Skull was the week before (5/19).
Tomorrow (Wednesday, May 26th), there's the spring benefit for the Kitchen, a nonprofit performance and music space in Chelsea, that will honor David Byrne. The event, which includes dinner, drinks, etc. at Capitale (130 Bowery), will also feature performances by Dirty Projectors, Doveman, Nico Muhly, and St. Vincent. Tickets for that would have run you $500 a piece, if they weren't already sold out. Byrne isn't listed as playing at the event, though he has performed with both Dirty Projectors and St. Vincent in the past.
While in town, Chief, who just signed to Domino Records (and who live back in California now that they've graduated from NYU) are also playing a show at Mercury Lounge on June 2nd with She Keeps Bees and Caveman. Tickets are on sale. They'll also be at Union Pool on June 5th...
"California 4-piece Chief, comprised of early 20-somethings Evan Koga, brothers Danny and Michael Fujikawa and Mike Moonves, will release their stunning debut album Modern Rituals on August 17, 2010. The newest signing to Domino Records, Chief has already garnered a fervent following in NYC and LA as well as early radio support from KEXP, BBC Radio 6 Music and Zane Lowe's influential Radio 1 show. The band will set out on a run of select U.S. tour dates that begins this Friday, May 28th, but first they are proud to offer their lead single "Night & Day" as a free download" [Domino Records]Grab "Night & Day" above. All dates below.
Dirty Projectors' other upcoming shows include a headlining gig at Terminal 5 on September 11th which Owen Pallett is now opening. All dates below.
St. Vincent has a headlining show coming up at Summerstage and she'll sing with Ben Gibbard at the June 8th Simon & Garfunkel-themed Summerstage benefit. You can also catch her playing DJ at Brooklyn Bowl tonight (5/25).
Speaking of David Byrne, he's been busy as usual. He's suing Florida governor Charlie Crist. And his Here Lies Love project came out in April. (Eerily, that record, about Philippine first lady and political figure Imelda Marcos, corresponded with the political success of Imelda and the Marcos family in a May election.)
There's a new book on Byrne & Talking Heads called Song and Circumstance: The Work of David Byrne from Talking Heads to the Present, which sports a cover photo by BV photographer Chris La Putt (taken at Byrne's Radio City show in 2009). Congrats Chris!
David Byrne's own book, Bicycle Diaries, came out last year. Videos of David's lecture on bikes, scenes from his 2009 "Songs of David Byrne and Brian Eno" tour, and all Chief & DP dates are below...
St Vincent @ Lincoln Center's Allen Room (more by Chris La Putt)
St. Vincent (4AD), Tune-Yards (4AD) & Basia Bulat (Rough Trade) will share a Beggars family bill at Central Park Summerstage in NYC this summer. The free show will take place Sunday, August 1st at 3pm, one week before The xx (XL) and Jack Penate (XL) play the same stage (and about a month after XL's Gil-Scott Heron plays there).
St. Vincent, Tune-Yards and Basia Bulat are all female-fronted acts. Four days later a similar phenomenon takes place, also for free, in Prospect Park when Metric, Holly Miranda and Joan as Policewoman share a bill.
The Central Park gig is one of three shows St. Vincent is currently advertising. Pitchfork Music Festival and Calgary Folk Festival are the other two. Tune-Yards on the other hand has a bunch of stuff before August including Sasquatch, the Roots Picnic, Glastonbury and a June 27th show at Hollywood Bowl with Goldfrapp, Orquesta Buena Vista Social Club and Omara Portuondo.
All dates below...
Modest Mouse @ Terminal 5 in March 2009 (more by Chris La Putt)
Modest Mouse will join Faith No More and Nas & Damian Marley (tickets) as one of the acts set to play at Williamsburg Waterfront in Brooklyn this summer. Their Friday, July 23rd show will be ticketed/non-free (like the others mentioned). Tickets go on sale Friday at noon (which is when the just-added Faith no More show goes on sale too).
Modest Mouse's Brooklyn show is a week after they play the Pitchfork Festival which recently updated its lineup. New acts playing the Chicago fest include Big Boi, Major Lazer, Neon Indian, Beach House, Free Energy, Local Natives, Robyn & more. Check that out in full below. Single day tickets are still on sale.
UPDATE: Modest Mouse's Brooklyn show is one day after they play one in NJ.
Modest Mouse will be reissuing their third album, The Moon & Antarctica, on vinyl for its 10th anniversary, on Record Store Day - this Saturday, April 17th. "The album features restored original artwork and replicates the infinite lock groove found in the original vinyl pressings of 2000. The new vinyl reissue includes a download card for the album." All dates the the P4K Fest lineup, below...
by Andrew Frisicano
this post concludes our Big Ears 2010 Festival coverage. links to the first two posts are also below...
"When people ask what my favorite place to play is, I tell them about this place. It's like playing inside an Easter egg," quipped My Brightest Diamond's Shara Worden, gazing at the deep-sea blue dome overhead at Knoxville's Tennessee Theater. The psychedelic cavern, a mish-mash of decorative styles and colors, served as the home to the Big Ears festival's largest shows, and its final act on Sunday night, with headliner the National.
The National's presence was felt long before they took the stage - in the hand of guitarist Bryce Dessner, who co-curated the fest, in the National members' supporting gigs, playing behind Doveman, Clogs and others, and in the abundance of friends and fellow Brooklyn-ites in the Big Ears lineup. Of course, those are all connected. One look at the stage during the first song of the National's encore - "Vanderlyle Crybaby Geeks" off their forthcoming High Violet - revealed a selection of Big Ears' top acts - Nico Muhly, St. Vincent, Shara Worden and sometimes-National members Padma Newsome and Thomas Bartlett (Sufjan came out for a song, but not during the encore), all of whom performed earlier in the weekend on their own. (Read here about days one and two)
Attendees also had the chance to opt for music outside of that circle. At Big Ears Annex, Tim Hecker and Ben Frost collaborated for a set of fragile, icy noise (they both played on their own earlier too - Hecker opened for Bang on a Can All-Stars' performance of Music For Aiports and the Books at the TN Theater). Trio Konk Pack took the same stage later for improvised noises, pops and whirs - like the soundtrack to an invisible film. The night before, one could choose between Liturgy and Gang Gang Dance - two bands at the top of their respective genres - while Terry Riley's In C filled the Tennessee Theater to its elliptical rafters.
Around the corner from the Annex at the Pilot Light, KnoEars, an unaffiliated, somewhat anti-Big Ears DIY Fest, hosted an all-day lineup that included homemade noise, Replacements-style punk and more emanating into Sunday's rainy street.
Terry Riley, selected to be this year's resident guide, performed four times over the three days - all in different settings. Other repeat acts like Thomas Bartlett (Doveman), who played with Sam Amidon, the fest's first act (interviewed here), and The National, its last, were frequent Knoxville fixtures for the three-day fest, running to their own gigs or enjoying others'.
"Mr. Riley also enjoyed a fair number of other people's shows, especially the art-song band Clogs. ("They were the hit for me," he said, beaming over breakfast on Monday morning. "Great performers, great writing. I'm going to buy their CD when I get home.")" [NY Times]Doveman and Nico Muhly both played earlier Sunday in a set that included material from their recent Peter Pears project, the Footloose soundtrack, and their 802 tour partner Sam Amidon (who had to catch a flight to Germany). That show's headliner, St. Vincent, provided a counterpoint to their pianos with a set of songs steeped in squealing noise and leveling distortion.
More pictures and videos from the fest are below...
The Pitchfork Music Festival celebrates its 5th anniversary this year at Union Park in Chicago. It runs from Friday July 16th - Sunday July 18th. Three-day passes are now sold out, but you can still get single-day passes on Ticketweb.
The Updated Lineup is below:
The Antlers @ City Winery in Jan (more by Tim Griffin)
Tune-Yards @ MHOW in Nov (more by Ryan Muir)
tonight in NYC
* Aziz Ansari @ Comix
* Baby Dee @ The Stone
* Blockhead @ Mercury Lounge
* Lez Zeppelin @ Gramercy Theater
* Anti-Flag @ Starland Ballroom
* The Soft Pack @ Cake Shop (Late Show)
* Delta Spirit, The Willowz @ Union Hall
* Hot Chip, Free Energy @ Highline Ballroom
* Future Lives, War Party, Erostratus @ Union Pool
* Josh Rouse, Christina Courtin @ (Le) Poisson Rouge
* We Are Wolves @ The Studio at Webster Hall (Late Show)
* Saxon Shore, American Dollar @ Knitting Factory Brooklyn
* Sightings, Queening, Rrind, Miami Nights @ Death By Audio
* Those Darlins, The So So Glos, Pine Hill Haints @ Bowery Ballroom
* MOPDTK, Pink Noise @ Zebulon (BAM's Sounds Like Brooklyn Festival)
* Unsound w/ Carl Craig, nsi. @ Walter Reade Theater at Lincoln Center
* Tanlines, Acrylics @ Brooklyn Bowl (BAM's Sounds Like Brooklyn Festival)
* Morgues, Ryan Scott @ Petes Candy Store (BAM Sounds Like Brooklyn Festival)
* Neon Indian, Teengirl Fantasy, Beach Fossils, Adventure, Blissed Out @MarketHotel
* The Prigs, The Woes, Kagero, Daniel Wayne @ Southpaw (BAM's Sounds Like Brooklyn Festival)
* Keepaway, Oberhofer, Radical Dads, Queen of Quartz @ The Studio at Webster Hall
* tUnE-YaRds, Takka Takka, A Rose Parade @ The Bell House (BAM's Sounds Like Brooklyn Festival)
* Ra Ra Riot, The Antlers @ BAM Howard Gilman Opera House(BAM's Sounds Like Brooklyn Festival)
* The Metrosonics, Jean Grae, Rich Medina, Scribe, Chela @ Littlefield (BAM's Sounds Like Brooklyn Festival)
* Scott Fragala, The Debutant Hour, Ching Chong Song, The Wowz, Huggabroomstick, Marionettes From Hell @ Goodbye Blue Monday (BAM's Sounds Like Brooklyn Festival)
The Unsound Festival continues.
"Sounds Like Brooklyn" runs all weekend at various Brooklyn venues. The final 'big' show is the Ra Ra Riot / Antlers gig at BAM tonight.
Sourvein has cancelled their show at The Charleston tonight.
Aziz Ansari does 8 shows at Comix this week.
Those Darlins play Bowery Ballroom tonight.
Tune-Yards plays The Bell House tonight.
Blockhead plays Mercury Lounge tonight.
Tonight's Hot Chip / Free Energy show is free and first-come, first served.
St. Vincent's new video for "Laughing With A Mouth Of Blood" is below.
the 2010 Pitchfork Music Festival will be held at Chicago's Union Park on July 16 - 18. We are pleased to announce the first batch of bands slated to perform, as well as proclaim that tickets are on sale today at 12 PM CST! This year's festival welcomes the highly anticipated return of legendary band Pavement as they make one of their first appearances since reuniting! Pavement will perform on Sunday night. Friday features indie-rock, chart-topping mainstays Modest Mouse, while Saturday and Sunday sees performances by LCD Soundsystem, Raekwon, Here We Go Magic, St. Vincent, Lightning Bolt, Cass McCombs and Sleigh Bells. Stay tuned, as more bands will be announced in the coming weeks.Meanwhile, Sleigh Bells will be keeping busy by touring with both Yeasayer and Major Lazer. Pavement's first North American reunion date so far is Coachella. The list of confirmed Pitchfork bands, by date, is below...
photos by Chris La Putt
"St Vincent brought out David freaking Byrne!!" - Kari
For the second week in a row, Justin Vernon (Bon Iver) and Annie Clark (aka St. Vincent) performed together at a NYC show. Last week it was the Haiti benefit. Last night it was St Vincent's headlining show at Lincoln Center's Allen Room. Last week included a bunch of covers. Last night included the Twilight song. Shara Worden, saxophonist Colin Stetson and a member of Megafaun were surprise guests last week. David Byrne, Budos Band horns, and a member of The National (and Justin) were surprise guests last night.
St Vincent appears on David Byrne's new album, as does Nicole Atkins who shares a bill with David at Bowery Ballroom on February 3rd. Bon Iver and St Vincent are both playing MusicNOW fest in March. The National just announced a new album and a tour that includes Radio City Music Hall, and the Big Ears Festival that St. Vincent is also playing.
St. Vincent heads out on tour with Wildbirds & Peacedrums on February 3rd. More pictures and the setlist from the Allen Room, below...
photos by Paul Birman
"Thanks to everyone who came to the BV Haiti benefit last night. You made it really special." - St. Vincent
"St. Vincent and Justin Vernon performing together was easily one of the most beautiful things I have ever seen/heard." - Steph Lo
Wyatt Cenac was funny. Then came Britt Daniel (of Spoon) with White Rabbits frontman Stephen Patterson. They had such a good time on stage together, you can tell they were buds. Janeane Garofalo came next - she has the smartest humor and is a strong rooted New Yorker. Made a ton of jokes about the L train and hipsters which the crowd took very warmly to. Gosh she's tiny. St Vincent went on and sounded like the lovely thing she is. Someone yelled while she was setting up 'show us your bush'????', In which she replied, 'that is the strangest thing someone has ever said to me...on or off stage'. Adorable. Following her was Zach Galifianakis who everyone was undeniably waiting for. It really looked like he just rolled out of bed, picked up some papers from a table and walked on stage totally winging his whole act...hilarious. Alas came Justin Vernon (aka Bon Iver). His voice sounded just as amazing it does on record. The room was at its most quiet during "Flume". Unreal. He was the last act but did say something about a special guest - I heard it was Megafaun/My Brightest Diamond (had to leave early), which I imagine rounded out the benefit nicely. Really awesome that these guys all came together"...Thanks for that partial recap S&S. You should have gotten there earlier and stayed later though!
[Stadiums & Shrines]
The night opened with a great debut set by singer-songwriter John Shade (previously Dave Godowsky) who brought out Justin Vernon on drums for two songs. Before and after John, and between every set of the night, came comedy by our two able hosts: Bobby Tisdale and Leo Allen. St Vincent's set included a National and a Nico cover. Justin covered John Prine. Britt Daniel did three songs, which was one less than he played at Sound Fix a few hours earlier.
And yep, the special guest after/during Justin's set was in fact Shara Worden (My Brightest Diamond) who (after headlining Bowery Ballroom one night earlier) played two jaw dropping numbers - one with Colin Stetson on his most-insane giant saxophone, and a cover of Prince's "How Come U Don't Call Me Anymore".
But it didn't end there. A supergroup called Songer Singwriter featuring Annie, Justin, drummer, and Brad from Megafaun came back to close the night off right with a set of four more covers. Neil Young's "Harvest Moon", Tom Petty's "Face in the Crowd" (with Brad on lead), Dolly Parton's "Jolene", and Annie Lennox's "Why". Each of those final covers was better than the next. To quote one of my tweets, "To quote my friend, 'Sounds like sonic youth playing a dolly parton song. Sick!' and now Annie Lennox Why! Full room Bon Iver singalong".
We ran almost non-stop for 3.5 hours straight (8-11:30), and raised over $20,000. I'm still waiting for an exact number. More pictures (one of two sets we have) and some videos from the show, below....
Coming on May 4: the new album from The New Pornographers, entitled Together. Their fifth full-length was produced by the band and Phil Palazzolo, and recorded in Vancouver, Brooklyn, Woodstock, and Catskill, NY. The album is comprised of 9 A.C. Newman songs and 3 Dan Bejar numbers, and features the full eight-person lineup of Carl, Dan, John Collins, Neko Case, Kurt Dahle, Kathryn Calder, Todd Fancey and Blaine Thurier. Additional musicians include Annie Clark (St. Vincent), Zach Condon (Beirut), Will Sheff (Okkervil River), and the Dap-Kings Horns, among other talents.The artwork for the new album is posted above. There are no sounds from it available yet, but the band has posted pictures from its recording on New Pornographers' site
Lead pornographer A.C. Newman appears at The Bell House's Haiti benefit on Wednesday, January 27th. Also at the even will be The Walkmen (they replaced Cold War Kids who had to drop off), Ted Leo, The Wrens, Sondre Lerche, Eugene Mirman, Rhett Miller and Nicole Atkins. Tickets are still on sale.
The Big Ears Festival, happening March 26-28 in Knoxville, TN, recently expanded its lineup to include the National, Dirty Projectors, Bang On A Can All-Stars, Iva Bittova, Ben Frost, Tim Hecker, Tracy Silverman, and Buke & Gass. Those are in addition to the previously announced acts of Vampire Weekend, the Calder Quartet, 802 Tour (Nico Muhly/Doveman/Sam Amidon with Nadia Sirota), Joanna Newsom, St. Vincent, Andrew WK, The Ex, Gang Gang Dance, Clogs, The xx, Javelin, DJ/rupture (solo), DJ/rupture and Andy Moor, My Brightest Diamond, Gyan Riley and jj.
Big Ears is being co-curated by Bryce Dessner of the National, who's also bringing some great acts to his hometown of Cincinnati for MusicNOW Festival. For that, the city's Memorial Hall will host three shows: Joanna Newsom on March 30th, St. Vincent and yMusic on 31st, and Justin Vernon April 1st. Annie Clark a.k.a. St. Vincent has been commissioned to write a piece for the fest that yMusic will perform. More guests TBA. Tickets and three-night passes are on sale.
Joanna Newsom is one of the announced acts for this year's Big Ears Fest in Knoxville, TN, March 26th-28th. Others on the initial lineup include Vampire Weekend, St. Vincent, the Calder Quartet, Andrew WK, The Ex, Gang Gang Dance, Clogs, 802 Tour (Nico Muhly / Doveman / Sam Amidon with Nadia Sirota), The xx, Javelin, DJ/Rupture (solo), DJ/Rupture and Andy Moor, My Brightest Diamond, Gyan Riley, and jj. The fest's artist in residence is composer Terry Riley and a number of his works will be performed (including 'In C'). Bryce Dessner of the National is also one of the curators. Weekend tickets are on sale now. Tickets to invididual shows will be announced later this month, along with the schedule (shows are at different venues around town).
David Byrne w/ Dirty Projectors @ Bowery Ballroom
I have, after many years, finished the Here Lies Love CD project - at least this iteration of it. It will come out [February 23rd] on Nonesuch. It's a collaboration with Fatboy Slim, an upbeat series of songs sung each one by a different singer. The songs are about Imelda Marcos and Estrella Cumpas, the woman who raised her. The package includes 2 CDs (22 songs), a DVD with videos of 6 of those songs, and a 100-page book that explains it all. Singers include Florence Welch (of Florence + The Machine), Sia, Santigold, Nellie McKay, Sharon Jones, St. Vincent, Róisín Murphy and many more (even me on 1 and 1/2)... I am pretty excited about this, but who knows, it might just make people crazy.What should David Bryne's new name be? The full tracklist for the new record, which also features vocal turns by Steve Earle and Allison Moorer (who both just played NYC on Friday), Cyndi Lauper, Tori Amos and Martha Wainwright, is below.
We'll see. There will be more concrete news, with links and music, in early January.
In the meantime, I have decided to rebrand myself, inspired by Philip Morris changing their name to Altria, Blackwater to Xe, and the train I'm riding on right now that calls itself Acela - none of which mean anything, but they are cleverly evocative. When I decide on the magic word, you'll be the first to know.
Here Lies Love premiered in March 2006 Australia, and Byrne brought the song cycle to Carnegie Hall as part of the venue's Perspectives Series in February 2007. As a stage show, the songs fit into a four act narrative, laid out in detail on Byrne's website. Those at either performance got a first look at the then-in-progress work...
Here Lies Love takes the form of a series of fairly traditional pop songs (verse-chorus-verse) played in a variety of styles (disco, rock, funk, latin, ballad) by Byrne and a small group of colleagues. Augmenting the core of guitar, bass and drums, is a percussionist and a keyboard player. The vocals are shared by Dana Diaz-Tutaan (Imelda), Ganda Suthivarakom (Estrella), and Byrne, who represents the 'voice' of other key players in Imelda's life. The stage itself is unadorned, although behind the band a small screen plays news clips and home movies of Imelda's life.David Byrne will appear at a free, unticketed (first come, first served) event at the Bell House on Monday, January 11th. He presents "a short video/audio lecture called 'Creation in Reverse,' speaking to the ways that venue and context shape artistic creation, followed by a Q&A."
As already mentioned, the songs themselves are simple pop tunes, leaning heavily on the disco and dance genres, and could fit neatly onto any number of Byrne's solo albums. They are tuneful enough, and skillfully played, but I wonder about the connection of the music to Imelda's life. Would it have been possible to blend some traditional Filipino sounds and flavours into the music of Here Lies Love (although, admittedly, Imelda was a fan of Western dance music)? [Tidy Boy]
More Here Lies Love info and a video on the performance are below...
Animal Collective @ ATP NY (more by Ryan Muir)
So how the hell did Merriweather Post Pavilion-- an album closer in spirit to the sub-aquatic psychedelia of 2005's Feels and Panda Bear's 2007 solo Person Pitch than its predecessor-- wind up in the Billboard Top 20 and outsell both the Arctic Monkeys and Franz Ferdinand's most recent albums in North America? That mystery is ultimately the most wonderful thing about the album. Unlike so many indie-rock crossover artists before them, Animal Collective did not breach the mainstream by cleaning up their act, or adopting classic-rock conventions, or scoring a strategic soundtrack or iPod-commercial placement. And, above all, they did little to formalize their defining mercurial quality. [Pitchfork]Pitchfork posted their Top 50 Albums of 2009.
Animal Collective is DJing the Museum of Natural History in January.
DOWNLOAD: Deerhunter - Carve Your Initials Into the Walls of the Night (mediafire)
Atlas Sound @ MHOW in October (more by Toby Tenenbaum)
It's one of two dates currently booked for the group. The other is a February 26th show in San Francisco.
Over the weekend (12/12), Bradford posted a 2005 Deerhunter CD-R, Carve Your Initials Into the Walls of the Night, as a free download on his blog. He writes: "It features only me and Moses and is very experimental in nature. This was during our "tape phase" when we would often play shows as a duo (or as a trio with colin) playing only tape machines and vocal loops." The recording is linked above. Its tracklist, more info, Bradford's favorite albums of 2009, and tour dates below...
Wildbirds & Peacedrums @ The Bell House in September (more by Ryan Muir)
Wildbirds & Peacedrums are going on tour with St. Vincent this February. That goes from British Columbia to Philly in one month, but stops short of NYC. The reason for that is probably St. Vincent's appearance, right before the tour starts, at Lincoln Center's Allen Room (as part of their American Songbook series) scheduled for Friday, January 29th (tickets are on sale).
Sweden's Wildbirds & Peacedrums will play their own shows in the city as well, but after the tour is complete. Their first NYC show will happen on Friday, February 26th at Mercury Lounge. Tickets go on sale Wednesday, December 9th (today) at noon. They they play Bruar Falls in Brooklyn the next night (2/27).
All tour dates for both, and St. Vincent's song with Bon Iver that appears on the Twilight: New Moon soundtrack are below.
Since we're mentioning Bon Iver, it should also be noted that eight songs from his April concert with Eau Claire Memorial Jazz I, Justin Vernon's former high school jazz band, has been released...
Just in time for the holiday season, Eau Claire Memorial Jazz I is proud to announce the CD release of their A Decade With Duke concert featuring Justin Vernon of BON IVER.Bon Iver will be back in NYC in January. The classic-looking A Decade With Duke cover, and full tracklist, below...
CDs are available for purchase in Eau Claire, Wisconsin only at Brick House Music, Morgan Music, and the offices of Volume One.
A digital version which includes only the second set, featuring Vernon, is also available digitally worldwide at most online music retailers such as iTunes, Amazon, eMusic, etc.
All proceeds from the local CD sales and digital sales will be donated directly to Eau Claire Memorial High School's band and jazz band programs.
Trend You Wish Would Go Away
- 90s revivalism (No Age, Japandroids, Cymbals Eat Guitars)
- Afropop indie (Dirty Projectors, Fool's Gold, Abe Vigoda)
- Animal Collective acolytes (Blind Man's Colour, Our Brother the Native, USF)
- Balearic (jj, John Talabot, Windsurf/Hatchback)
- Chillwave/glo-fi (Washed Out, Neon Indian, Nite Jewel)
- Dubstep and its offshoots (wonky, funky, bassline)
- Post-Lily Allen UK pop (La Roux, Little Boots, Florence and the Machine)
- Prim, buttoned-up indie (Grizzly Bear, Andrew Bird, St. Vincent)
- Shitgaze/lo-fi aesthetics (Times New Viking, Wavves, Vivian Girls)