Entries tagged with: Steven Drozd
Saunier / Chippendale LP art
There's just three shows left at Death by Audio. Last night's "Top Secret!" headliners were Thee Oh Sees and main man John Dwyer said onstage, "We're here for two nights." He didn't say "in a row" but seeing how they play Warsaw with Jack Name on Friday (tickets) and are at M for Montreal on Saturday (snowstorms permitting), the other night in question seems to only be one option. But who knows? As for the rest of the lineup, DbA has posted up today's clues:
Well shucks! looks like i forgot to mention one of the players last night, slipped my mind! Well tonight i wont try and pull the Wool over your eyes, and jack you all around with this name game, ive been actin like a kid! Anyway i apologize for all the tomfoolery, and ill sees ya tonight!Ok, sleuths, what does it all mean?
If you're going to go to one of these last three nights, do make sure to spend some time in the Death by Art installation which has a lot of cool stuff to see. You may have seen a monitor in the hallway showing a documentary about drummers Greg Saunier and Brian Chippendale titled Checking in at 20. It was directed by Matt Conboy who runs the DbA showspace (with Edan Wilber) and features interviews with Wayne Coyne, Tim Harrington, John Dwyer, Steven Drozd, Kid Millions, and rock journalist Michael Azerrad. You can watch the whole thing (via Pitchfork) below. Both Saunier (with Deerhoof) and Lightning Bolt's Chippendale (as Black Pus) played Death by Audio in the last few weeks.
Meanwhile, Saunier and Chippendale also have an album out via Famous Class. The self-titled LP features two side-long improvisations, and is limited to 500 copies. Order yours now.
Documentary stream below...
No word on how a giant vagina entrance, a bear suit, Wayne Coyne in an inflatable ball, Hulk hands and similar props will work at Carnegie Hall, but The Flaming Lips will join recent addition Taj Mahal at the 21st Annual Tibet House US Benefit Show on 3/3. The two join a veritable all-star lineup that includes Michael Stipe, The Roots, Patti Smith with Jesse Smith & Michael Campbell, Angelique Kidjo, James McCartney, and of course curator Philip Glass. Tickets for the concert are on sale via Carnegie Hall, while tickets for the concert and a fund-raising dinner are on sale via Tibet House directly. (Note: Do not expect a full set by any band - they usually play 3 songs each at the most, with a few collaborations and group sing-alongs).
In related News, Wayne Coyne recently talked to Spin about some of the Lips' plans for 2011...
First up, the band is heading to New York to cut tracks with synth-pop artist Neon Indian and longtime producer Dave Fridmann, and they're hoping to release the results on the fly. "We're going to do two or three songs with him and that shit should be ready to go pretty quickly," says Coyne, who posted a demo of a potential collaborative track earlier this week. "I have a couple of tunes that he's heard and we'll just do that shit and fix that up and fuck around together."Deerhoof is going out on tour soon, and is now playing Europa in Brooklyn on February 8th instead of Ridgewood Masonic Temple which can no longer serve alcohol. Tickets for the Brooklyn show are on sale now. Ariel Pink will be at Coachella and was just on Fallon. Neon Indian has one show coming up: Thu Feb 03 at The Palladium Ballroom in Dallas, Texas with the Flaming Lips.
Coyne adds that he'd love to do similar collaborations with Deerhoof and Ariel Pink's Haunted Graffiti: "I think everybody would be up for doing something. But a lot of it comes down to us fitting into their schedules. I can always sneak in on their thing."
Finally, Steven Drozd of The Flaming Lips recently dropped the score for The Heart Is Drum Machine, a documentary that examines music and human attraction to it. The twelve-track mostly-instrumental LP features tracks like "Born" (downloadable above, streamable below) and a cover of Elton John's "Rocket Man" featuring none other than Maynard James Keenan of Tool/A Perfect Circle. The film also features Drozd, Keenan, & Wayne Coyne, alongside appearances from Jason Schwartzman, Modest Mouse's Isaac Brock, Juliette Lewis, Spoon's Britt Daniel, George Clinton, and many others who all discuss their personal connection to music. The Heart Is A Drum Machine is out now on DVD and the soundtrack is out now on iTunes.
The soundtrack tracklisting, the film trailer, and that song stream are all below.
Steven Drozd & fans @ Wellmont Theatre - 4/19 (more by Chris La Putt)
" Due to unforeseen circumstances SunFest is announcing a last minute schedule change. The Flaming Lips have withdrawn from the festival.Get well soon Steven! The band's set at Sunfest in West Palm Beach, Florida was scheduled for Thursday, 4/29. That's followed by five dates in May.
We regret any inconvenience that this may cause. The performance of any band is in the hands of the artists, not the festival. As a result, our longstanding policy is that the schedule is subject to change and no refunds will be given for festival tickets. Festival tickets are good for any one day of the five days. SunFest has been informed that the cancellation is due to the hospitalization of Steven Drozd and therefore extends wishes for a speedy recovery."
Sunfest kicks off tonight (4/28) with sets that include Weezer and We are Scientists. Full lineup below...
words by Black Bubblegum, photos by Ryan Muir
some of the stars of ATP NY 2009
What's almost the exact opposite of a soothing set of Seven Swans performed by one of the most delicate singers in indie rock? Try nine drummers (including Hisham Bharoocha, Zach Hill, and Kid Millions among other notables) bashing your fucking skull for so long that the stage manager has to come out to unplug their gear and remove toms from underneath them! That's how I started my ATP Day 3... with the Boredoms blowing my mind.
Starting off with sparse chords on the monstrous multi-neck guitar/percussive device, Eye set a calm and reflective mood... and then the cymbals. And then the toms. And then eight drummers pummeled away led by Yoshimi P-We. And then the synced rimshots that recalled an Animal Collective beat. All of this happened before a ninth drummer was carried into the show like an emperor while doing a call and response with the other eight.
Within about 10 minutes, I knew that Boredoms would take the prize as best show at Kutsher's that weekend. The sheer power of the coordinated drums, along with pregnant pauses and killer synth effects performed via keys, CD-DJ tables, and broomsticks (!) were beyond jaw dropping.
Following Boredoms, I poked my head into Oneida's Ocropolis for the first of many times. For 10+ hours, Oneida basically had the small and very decorated room all to themselves for a long jam session with their friends. Reportedly, the band had tape rolling the whole time (Ocropolis is the name of their Brooklyn recording studio) and had visuals provided by the Mighty Robot AV Squad. With local standbys like BJ Warshaw of Parts & Labor/Shooting Spires fame, Chris Weingarten (ex P&L), Todd P, and many others spotted in the Sportsman's Bar, it seemed like Brooklyn in the Catskills. Unfortunately, I missed every single special guest appearance (word is, and in part according to a sign on the door, Soft Circle, Yoshimi, Aaron from Tall Firs, Zach Hill, Steven Drozd and many others all popped in) but the band was very interesting to watch, alternating between songs, and droney ambient jams.
Caribou was next in the main room and the 16-piece(!) band including Sun Ra Arkestra member Marshall Allen, Koushik, Kieran Hebden (Fourtet) and many others. I had no expectations heading into the set and was pleasantly surprised, although I found the mix to have waaay too much low end.
I ducked out of Caribou early to catch the last twenty minutes of Hopewell who was billed to be playing "The Desperation Suite," "complete with a female choir and avant-garde saxophonist Mark Marinoff". From what little I saw, the three person "choir" did little but coo, ooh, ahh, and coordinate a dance, but the band did close with a rousing cover of Jane's Addiction's classic "Of Course".