Entries tagged with: Suicidal Tendencies
photos by Gretchen Robinette
Lauryn Hill / Death Grips / Suicidal Tendencies @ Afropunk Fest 8/22/2015
Death Grips, on a smaller stage right after Ms. Hill's set, played with a similarly uninterrupted, flow-through feeling, though way more explosive and less legible, and with zero sentimentality. Through five years of confounding moves against record companies and its own listeners (the band announced last year that it would break up, but who knows?), its sound has held steady: A punk-noise-rap hybrid with Zach Hill's assaultive live drums, MC Ride's bellowing warnings and a general air of police-state dread and negativity. But the good feeling of the festival accommodated them too: hundreds of fans near the stage jumped in coordination to the jagged beats; behind that front flank, there was more general pleasure in the audience than I've seen at their shows in the past. - [NY Times]Following Friday's Grace Jones-headlined Fancy Dress Ball, the 2015 Afropunk Fest got underway proper on Saturday (8/22) with performances from Lauryn Hill, Death Grips (who did in fact both show up and play), Kelis, Danny Brown, Suicidal Tendencies, Candiria and more. Our photographer was there mainly to shoot the concertgoers and scene, but did get a few shots of Lauryn Hill (who started 40 minutes late and had her set cut short because of it), Death Grips and Suicidal Tendencies. Pics from those acts, plus lots of the 30,000+ crowd continue below...
The lineup for Brooklyn's 2015 Afropunk Festival was already pretty great, and now it got even better. Death Grips, Gary Clark Jr., Kelela, Jessie Boykins III, SZA, Candiria and more were added to the festival, which already included Lenny Kravitz, Grace Jones, Lauryn Hill, Kelis, Danny Brown, Suicidal Tendencies, Kele, Thundercat and more.
This year also marks the first Afropunk Fancy Dress Ball, hosted by Grace Jones, Cakes Da Killa and MikeQ, proceeds from which will go toward the Afropunk Global Initiative. The party goes down August 21 at Commodore Barry Park, just ahead of the festival, which happens August 22-23 in the same park. Tickets for the ball are on sale now, and festival passes are still available.
Afropunk also continues to branch out. They did an Afropunk Paris festival this past May, and will do so again in June 2016, and they're also putting on the inaugural Afropunk Atlanta on October 3 & 4 in the city's Central Park. The lineup for that includes D'Angelo and the Vanguard, Flying Lotus, Santigold, Death Grips, Tyler the Creator, Public Enemy and more. Tickets go on sale Wednesday (7/8).
Speaking of Death Grips, they play NYC twice this week (supposedly, at least).
Full Afropunk Atlanta lineup and updated Brooklyn lineup, below...
While you may not think a festival curated by Slipknot is a thing you wanted to attend, the lineup is actually pretty awesome for their annual Knotfest this year. They've got cool stuff like Judas Priest, Mastodon, GWAR, Corrosion of Confirmity, Clutch, Mobb Deep, Ghostface Killah, At the Gates, Suicidal Tendencies, Body Count, Cannibal Corpse, Helmet, Red Fang, The Sword, Goatwhore, Kataklysm, Dying Fetus, Inquisition, Abysmal Dawn and more. Early bird, VIP, and camping passes go on sale today (6/29) via the festival's website.
The fest happens October 24-25 at at the San Manuel Amphitheatre and festival grounds in San Bernardino, CA. Full day-by-day lineup below...
The annual Afropunk Festival returns to NYC in 2015 from August 22-23 in Brooklyn's Commodore Barry Park. The lineup includes Lenny Kravitz, Grace Jones, Lauryn Hill, Kelis, Danny Brown, Suicidal Tendencies, Kele, Thundercat, Cakes Da Killa, Goldlink, Raury, Petite Noir, Curtis Harding, Kaytranada and more. Full lineup below. The fest is also throwing the first annual Afropunk Fancy Dress Ball the day before the fest (8/21) in Commodore Barry Park to raise funds for their Afropunk Global Initiative. Grace Jones, Cakes Da Killa and MikeQ with Special Guest will perform at that.
The fest used to be free, but this year you have to buy a ticket to get in. And they're also introducing a more affordable earned ticket program, which "will work closely with partners to provide low barrier volunteer activities and projects for youth to complete in exchange for a ticket to the festival. The volunteer program will create awareness for organizations in need, provide access to an engaged pool of valuable resources and help deliver a sustainable impact to communities. Sample projects include landscaping (beautification, painting), packing supplies (meal prep, serving) and advocacy via social promotion." Tickets go on sale Wednesday (6/3).
UPDATE: As a commenter points out, you can get tickets on presale now using the password = 2015.
There's also a TBA Afropunk Fest in Atlanta's Central Park happening this year on October 3 and 4.
Full Afropunk Brooklyn lineup below...
Motörhead's floating festival, Motörboat, is back for a second year, setting sail September 28 thru October 2, 2015, from Miami to the private island of Great Stirrup Cay and Nassau in the Bahamas. In addition to Lemmy and crew, this year's lineup includes Slayer, Anthrax, Suicidal Tendencies, Hatebreed and more. Tickets go on sale March 25.
Motörboat is not all headbanging, either. There's also:
Motörhead's Motörboat will keep it crazy with theme nights where flying your freak flag is not looked down upon but paraded and appreciated. Weird and wonderful poolside and beach events and activities will keep the motor going, and artist Q&A sessions plus meet & greets will get you up close and personal with your favorite artists on board. All this is punctuated with 24-hour access to the food, bars and fellow Motorboaters who are up all night with music demons to fight.Check out pics from Motörboat 2014 here. Full Motörboat 2015 lineup and flyer are below.
Suicidal @ Orion Fest 2012 (more by Dana (distortion) Yavin)
Suicidal Tendencies have shared this sad news:
It's with complete sadness that we have to announce the passing of bassists Tim "Rawbiz" Williams. Tim played bass for Suicidal Tendencies for almost four years until recently.Billboard points out that Tim has also "worked with everyone from Toni Braxton to Boyz II Men to Keyshia Cole", and that "Neither Williams' cause of death nor his age are known at this time."
Tim was a monster on bass, running around on stage in the pit, giving his all, even when his body wasn't at it's best.
We will always remember him and appreciate all the kind words by those that were touched by his bass playing and him personally.
Rest in Peace Tim.
Suicidal Tendencies are touring with Slayer and Exodus this fall.
Get ready to thrash when the mighty Slayer is joined by fellow legends Suicidal Tendencies and Exodus on a tour this fall that hits the Wellmont Theater in NJ and many other places around the country.
Tickets for every show on the tour go on an exclusive Invisible Oranges presale today (6/26, 10am local time). The password for all dates is "invisibleoranges" All dates are listed with ticket links below....
by Ian Chainey
Slayer at Madison Square Garden Theater in 2013 (more by Caroline Harrison)
The Slayer, Exodus, and Suicidal Tendencies showcase that brought together the thrash luminaries for a few dates in May (including Rock on the Range) was apparently just a taste of things to come. In the fall, the three will reprise that bill in a North American tour presented by Scion. The tour begins on November 12 in Oakland, California and ends on December 5 in Detroit, Michigan. On November 29, the speedy triumvirate will hit Montclair, New Jersey's Wellmont Theatre. Slayer Fan Club members will be able to purchase tickets on Wednesday, June 25 at 10 AM EST. Sales for tickets for the general public begin on Friday, June 27 at 10 AM EST.
This incarnation of Slayer will include Kerry King, Tom Araya, guitarist Gary Holt, and drummer Paul Bostaph. Exodus, too, just underwent a membership shift, welcoming singer Steve "Zetro" Souza back into the fold. Said Souza, "For my first tour back with Exodus, I'm beyond excited to be on the road with my brothers in true thrash metal! I'm also looking forward to meeting and hanging out with all of the fans on this heavy as hell tour." All three bands have been working on new material. Slayer have their eyes set on 2015, Exodus's material will come a little sooner at near the end of 2014, and Suicidal Tendencies released 13 a little over a year ago.
Slayer is currently on a world tour, but will return to the States before the Exodus/Suicidal Tendencies tour in September for Riot Fest Chicago and Denver. Exodus will play Heavy Montréal 2014, along with dates in Europe and Brazil. And Suicidal Tendencies have two Asian fests on their schedule.
All dates are listed with ticket links and live videos of the three, below...
Chain of Strength at Acheron in 2012 (more by Fred Pessaro)
Hardcore vets Chain of Strength, who were briefly around from 1988 to 1991, reunited in 2012 for Revolution 25 (pics) at Irving Plaza and a much smaller Brooklyn show at Acheron (pics). They've since played LA in 2013 and it turns out the reunion isn't over yet, as they'll be going on a short Northeast tour in June with Turnstile, Strife, Mindset and Praise which brings them back to Brooklyn's Acheron on June 15. Tickets for that show go on sale via Ticketfly on May 8. All dates are listed below.
The brief tour is leading up to their appearance at Canada's Amnesia Rockfest (6/20-21) with blink-182, Motley Crue, Weezer, Alice In Chains, Megadeth, Primus, Danzig with Doyle, Mastodon, Cock Sparrer, Black Flag, Fear, Dead Kennedys, Misfits, Joan Jett, Brand New, Taking Back Sunday, Meshuggah, Henry Rollins, Rocket from the Crypt, Judge, Strife, Glassjaw, Dying Fetus, Cannibal Corpse, Title Fight and many more. Tickets for that fest are on sale now.
Full Amnesia Rockfest lineup, with the list of Chain of Strength dates, a video of their 2012 Acheron show and the tour flyer, below...
Mastodon at Roseland Ballroom in 2012 (more by Rebecca Reed)
Georgia sludge bashers Mastodon have announced that they'll follow 2011's hard rock-oriented The Hunter with their sixth full length at some point this year. It's being produced by Nick Raskulinecz, who also did the upcoming Hold Steady LP, and has worked with Ghost, Foo Fighters, and others. Release date and title still TBA, but stay tuned.
They're also going on a US tour this spring, and they've got some pretty great support coming from French death metal greats Gojira and Norwegian rock 'n' roll devils Kvelertak. The tour hits NYC on May 15 at Terminal 5. Tickets for that show are not on sale yet, but you can check Ticketmaster for updates.
The tour also brings all three bands to Columbus, OH's Rock on the Range festival (5/16 - 5/18), which also includes Guns N Roses, Motorhead, Slayer, Wolfmother, Suicidal Tendencies, Down, Exodus and lots of bands that may steer you away from going like Avenged Sevenfold, Kid Rock, Stained, Seether, Chevelle, Fuel and more.
Full Rock on the Range lineup, along with the list of Mastodon's tour dates, below...
photos by Cory Dewald
The Replacements / Pixies
For a band that thrived on an anything-goes approach to performing, the Riot Fest show ran with relative precision, with barely a pause between songs. Despite tossing the clock, [Paul] Westerberg and the boys finished precisely at 10:30 p.m. Everything on the set list was at least 23 years old. But the 25-song, 75-minute performance brimmed with energy and heart. Nostalgia it was, but there was nothing formulaic or phoned-in about it.Chicago's Riot Fest (the second of three Riot Fests happening this year) wrapped up this past Sunday (9/15) with sets from The Replacements, Pixies, Rocket From the Crypt, Bob Mould, Mission of Burma, Quicksand, Touche Amore, Peelander-Z, Brand New, Best Coast and more. One set of pictures from that day is in this post, and a second set with more bands
Looking like thrift-shop dandies with their splashy mismatched clothes and spiky hair, Westerberg and Stinson cracked jokes, blew a few lyrics, and laughed like they were just banging out tunes in their garage. They stayed loose but kept the pace brisk, with plenty of help from Freese's dynamic drumming and the bow-tied Minehan's concise lead guitar.
Westerberg's voice sounded appropriately rough and gritty on the opening "Takin' a Ride," the first song on the first Replacements album, "Sorry Ma, Forgot to Take out the Trash" (1981), and the sneering "Tommy Gets His Tonsils Out." But he also found the tenderness in a song ("Androgynous") that rhymes "kewpie dolls" with "urine stalls." [Chicago Tribune]
Pixies, Joan Jett & the Blackhearts, Suicidal Tendencies, Andrew W.K., Hatebreed, T.S.O.L., Off With Their Heads, The Flatliners, Nativ, Hostage Calm, The Interrupters, New Beat Fund, and Pet Symmetry will all be joining us this September to round out this rock and roll carnival!Bummer about the cancellations (feel better Lemmy!), but nice additions, Kim Deal-less Pixies included. Get your tickets, stay cool, and check out the just-released map of Lollapalooza this year.
Regrettably, a few bands have had to cancel due to unforeseen circumstances. Motörhead, Bad Brains, and Attack Attack! will not be able to make it this year.
Keep an eye out for the daily schedules and individual day passes for all of this year's Riot Fests Wednesday, July 24.
Quicksand @ Webster Hall recently (more by Rebecca Reed)
We get a lot of great free shows here in NYC (like The Walkmen and Solange as part of Northside this weekend) but we have to admit this week of free all-ages shows Converse has lined up at San Francisco club Slim's later this month is pretty crazy (though they may be pretty hard to get into). We'd happily spend the whole week there if we could. The line-ups are:
Converse Represent series in San FranciscoThe only way to go is to fill out the entry form before June 18 and "winning ticket holders will be notified via email soon after with instructions on how and when to retrieve their tickets." All events, "which lead up to the grand opening of the Converse San Francisco retail store on June 28", will take place at Slim's in San Francisco.
Jun 23 - Black Rebel Motorcycle Club, DIIV, Metz, Tamaryn, The She's
JUN 24 -Deltron 3030, Juicy J, Blackalicious, Angel Haze, Special Guest
JUN 25 - Hot Chip, Tycho, Blackbird Blackbird, Social Studies
JUN 26 - Quicksand, Mastodon, High On Fire, Saviours, Hot Lunch
JUN 27 - Suicidal Tendencies, Rocket From The Crypt, Ceremony, Special Guests
Suicidal Tendencies at Orion 2012 (more by Dana (distortion) Yavin)
Suicidal Tendencies will hit the road for a full US tour in this spring, happily promoting their newest LP, which is due soon. Dates for the "Slam City" tour kick off in San Francisco and head eastbound, and include DRI (who also play Saint Vitus next week) and Sick of it All on select dates. Look for both to join ST at Best Buy Theater on April 20. Ticketing info is on the way.
All tour dates, plus a couple videos, are below.
Jello Biafra as the president of the United States in Lovedolls Superstar, occupying an empty office adjacent to SST/Global, 1985 (photo by Jordan Schwartz)
Fanzine We Got Power! was created in 1981, born out of a love for hardcore music between two friends, David Markey and Jordan Schwartz. The zine compiled photos and text that documented the early LA hardcore scene including legends like Black Flag, the Minutemen, Social Distortion, Red Cross/Redd Kross, Suicidal Tendencies, the Descendents, M.D.C., Big Boys, and so many others who would change the face of music as we knew it.
We Got Power! has now been compiled into a book due on 10/5 via Bazillion Points (order it), and it's chockful of photographs and pieces that document this crucial time in punk rock music. In celebration, Markey and Schwartz dropped off a few of their photographs that appear in the book along with some details behind each. Check out those photos below.
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
As mentioned, Orion Music & More happens this weekend in Atlantic CIty's Bader Field from June 23-24 and is being headlined by Metallica both nights, who play Ride the Lightning in full on Saturday (6/23) and The Black Album in full on Sunday (6/24). Other bands playing include Arctic Monkeys, Modest Mouse, Hot Snakes, Fucked Up, The Gaslight Anthem, Titus Andronicus, Best Coast, Liturgy, A Place to Bury Strangers, and more, plus a heavy stage with Suicidal Tendencies, Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done and others. The heavy stage (aka "Damage, Inc.") isn't the only place you can catch heavy bands though. The festival also includes Baroness on the Orion stage, The Sword on the Fuel stage, Liturgy on the Frantic stage, and Ghost on the Orion stage. You can check out the full schedule of both days and all four stages HERE.
Orion Music & More is the first NYC-area appearance for Hot Snakes since the reunited band played The Bell House and Maxwell's in December. They'll play another area show (also in NJ) at ATP I'll Be Your Mirror in September.
As mentioned, it's the first time in a while that Modest Mouse will be in the NYC area. They play Orion on Saturday (6/23) before heading to Randall's Island for Governors Ball, which also happens this weekend.
There's a ton of stuff going on at Orion other than live music too. You can pick up rock 'n' roll memorabilia at Ktulu's Rock 'N' Roll Emporium, check out film screenings hand-picked by Lars Ulrich at Hit The Lights Films, skate the Motorbreath Mini Ramp, have a glimpse into Kirk Hammett's creepy personal collection of horror film memorabilia at Kirk's Crypt, surf, nerd out at the ESP Guitar Experience, check out the Metallica Museum, show your support for a variety of charities, or check out the car show.
If you're heading out to Atlantic City for the fest this weekend, head here for directions. If you're driving, there's no on-site parking at the field, but there are a number of parking areas nearby and free shuttles that run from the lots to Bader Field. If you're taking the train, you can get there via the Amtrak or the NJ Transit Rail and there will be a free shuttle from the Atlantic City terminal to the festival. Once you're there, this map should help you get around. We're also told that it's about a 20-30 minute walk from the boardwalk.
Tickets for the festival are still available.
In related news," Kirk's Crypt" isn't the only place Mr. Hammett will be indulging in his love of all things creepy. He'll be publishing a book titled Too Much Horror Business - The Kirk Hammett Collection this October via Abrams Image with photographs of his personal collection of horror memorabilia. The book also includes Kirk's own handwritten captions for many of the photographs. He'll be putting out limited edition toys, like the ones he's been collecting his whole life, along with the book this October. You can pre-order the book at Kirk's online toy store. He'll be discussing the book at Kirk's Crypt at 4 PM each day.
Maybe his old friend Glenn Danzig will add it to his book collection...
Keith Morris of OFF! at SXSW 2012 (more by Greg Cristman)
today in NYC
* Falu @ Joe's Pub
* Mireya Ramos @ Barbes
* Finbar Furey @ Joe's Pub
* Vicky Chow @ The Stone
* Tell Your Friends @ Lolita
* Slavic Soul Party @ Barbes
* Sanjaya The Sceptic @ The Stone
* Dark Star Orchestra @ Brooklyn Bowl
* Cory Chisel, Bhi Bhiman @ City Winery
* No Glow, Night Shining, Gracie, Beca @ Glasslands
* Statik Selektah, Termanology, Freddie Gibbs @ SOB's
* The Long Eye, Ghost Heart, Good Sports @ Cake Shop
* The Mob (UK), Sickoids, Nomad, Anasazi @ Death By Audio
* OFF!, Cerebral Ballzy, The Coathangers @ Bowery Ballroom
* Foster The People, The Kooks @ Central Park Rumsey Playfield
* Glass Vaults, Treasure Teeth, Civilian, The Goddamn Hustle @ Pianos
* Haybaby, Shy Hunters, Noble Laureate, Little Anchor @ Cameo Gallery
* Needful Things, Agents of Abhorrence, Dissent, Chainsaw To The Face @ The Acheron
* Velta, The Spanish Channel, Alexander Howard, Jessica Pomerantz @ Mercury Lounge
* Adam Green, Supercute!, Wyatt Cenac (Lowbrow Reader Variety Hour) @ Housing Works Bookstore Cafe
* Dustin Wong, Sam Hilmer, Weasel Walter, Mike Wexler, Driphouse(Diamond Terrifier Presents Practice!) @ Zebulon
Portland Cello Project and Alan Sparhawk (of Low) covered the Suicidal Tendencies classic "Institutionalized" for the AV Club's "Undercover" series. You can watch it below.
Suicidal Tendencies at Terminal 5 (more by Meghan McInnis)
After an initial announcement featured bands from across the map, Metallica's Atlantic City summer festival Orion Music & More (June 23rd and 24th at Bader Field) has announced more bands and a "Damage Inc" stage. The new stage has a more metal focus while avoiding the standard "Summer Slaughter"/"Monster Energy Drink Mayhem Festival" type fare. Suicidal Tendencies will headine the stage, which will also feature Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, and Thy Will Be Done.
Eric Church, The Jim Breuer Heavy Metal Comedy Tour, Soul Rebels, and Wooden Shjips have also been added to the lineup.
The new bands are in addition to previously announced folk like Metallica, Modest Mouse, Titus Andronicus (who play the BV Official Showcase at SXSW), Arctic Monkeys, The Black Angels (who are also playing a BV SXSW event), and many others. Tickets are on sale. Full lineup below...
DOWNLOAD: Thundercat - "Daylight" (MP3)
Flying Lotus collaborator/Suicidal Tendencies member (2002-present)/jazz bass wizard Thundercat (aka Stephen Bruner), who made his NYC debut at LPR in November, will be returning to NYC for a show happening on February 1 at S.O.B.'s with special guest Deathrow Tull. Tickets are on sale now. A flier for the show is below.
Thundercat's excellent debut LP, The Golden Age of Apocalypse, came out last year. You can buy it on eMusic and grab the track "Daylight" from the album above and stream it below. Pitchfork ranked the track "For Love (I Come Your Friend)" as the 100th best track of 2011.
All dates, flier and stream below...
Suicidal Tendencies at Terminal 5 (more by Meghan McInnis)
Announcement coming soon.Suicidal Tendencies made the above announcement on their website, and though the private show details haven't (won't?) be announced, good money would put Suicidal Tenencies at The House of Vans on 9/16 (not one of the FYF-presented RSVP-able shows though).
Vans is bringing ST back East for 3 shows.
September 16th Brooklyn (private show)
September 17th Long Island
September 18th Starland Ballroom N.J.
More info shortly...
Meanwhile, details regarding the 9/17 and the 9/18 shows HAVE emerged.... both are with Sick of It All! Tickets for 9/18 at Starland Ballroom in Sayreville, NJ and 9/17 at Crazy Donkey in Farmingdale, NY are on sale.
"Thanks to all that emailed and were concerned about the bands safety.All SOIA dates and some video is below.
ST is at Pukkelpop, but were set to play today, friday August 19th.
Pukkelpop, the largest festival in Belgium, is a three day event.
Needless to say, the rest of the festival has been cancelled.
Everyone in the band, crew and family, just want to say our thoughts and prayers are with all the families and friends of all the people that were hurt, injured or so sadly the 5 that passed away"
Suicidal at Terminal 5 on Sunday (more by Meghan McInnis)
"Sunday Night ST played NYC to 2000 old and newschool Cycos! It's always great to hit the East Coast and catch up with a lot of our friends, bands and family. Unfortunately the NYC show will be the last show of this tour. Sadly, one of the band members had a parent pass away suddenly and needed to fly home to be with his family in this difficult time and handle all the funeral arrangements, etc. With heavy hearts, the band decided it would be best to postpone the remaining ST shows and make them up sometime next year. We appreciate your understanding, your thoughts and your prayers. Please give us a few days and we will try and let those who already have tickets how how to get refunds, etc. Again, we are so sorry to have to postpone these shows, but hope that everyone will be able to understand, and we'll do our best to make the dates up."Our best go out to the ST army. The cancelled dates include 11/17 in Chicago, 11/18 in Minneapolis, 11/20 in Denver, and 11/21 in Albequerque, NM.
photos by Meghan McInnis
"Towards the end of Friday night's Suicidal Tendencies concert at the 9:30 Club, lead singer Mike Muir brought the band's photographer on stage to share his experiences in DC earlier in the day. The photographer introduced as "Luke from Australia" is in the United States for the first time while video-taping ST's tour. Their DC tour stop gave Luke the opportunity to do some sight seeing earlier in the day. One of his stops was the White House; where he was briefly detained and questioned by security; for taking pictures while wearing a Suicidal Tendencies t-shirt and having an accent.Suicidal Tendencies headlined Terminal 5 in NYC last night, Monday (11/14), with classic hardcore veterans Cro-Mags and Underdog, as well as beatdown-core Boston thugs Death Before Dishonor. ST are back in business after 10+ years away, and are currently touring the US as part of the No Mercy Fool!/The Suicidal Family tour which hit Fun Fun Fun Fest in early November. That tour concludes on Sunday (11/21) in Albuquerque.
During the show, Muir asked Luke to relate his tale to the audience before the band launched into their controversial 80's hardcore song "I Shot The Devil" better known as "I Shot Reagan". It was a classic punk rock move and a reminder of a time when the nation had bigger things to worry about than Al-Qaeda; like swear words in music, the failure of New Coke, and mutually assured destruction." [We Love DC]
For those of you who are fans of the ST offshoot Infectious Grooves, the band is playing their first US show in ten years at House of Blues in LA on November 23rd (tickets). No word on if it'll lead to other shows.
More pictures from Terminal 5 including one of the setlist (with some other setlists from recent shows typed out), and the rest of the ST dates, below.
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
Madeline Follin of Cults & Bethany Cosentino of Best Coast
It was like a buzz band explosion on Sunday when Bethany of Best Coast, who were playing the same stage later, came on stage during Cults' set to lead the crowd in singing "Happy Birthday" to Cults member Madeline Follin who then wished Toro y Moi, who played the same stage earlier, a Happy Birthday as well. Cults were good too. I didn't see any of Best Coast's actual set, though Tim did.
The reason I missed all of Best Coast's set was due to the veggie hot dog eating contest happening on the Yellow Stage. I first met Mike Litt in 2008 when we partnered on a SXSW day party (which was also in partnership with Transmission who puts on Fun Fun Fun). At the time, I didn't know much about Mike except that he was vegan, a bit of an activist, a local Austin event promoter, and that he was responsible for throwing an annual veggie hot dog eating contest every July 4th in Austin. And it was those reasons that made me immediately want to start working with him and we've stayed in contact each SXSW since, and so there was no way I was missing this special edition of his veggie dog eating contest which was happening right at the festival (not to mention I've seen Best Coast multiple times already, I've seen the Bronx, and I wasn't really planning on catching P.O.S. who was also on at the same time).
And I wasn't alone. A healthy size crowd showed up to view the grossness. Unfortunately there were too many contestants to fit at the table on the stage (forcing them to, at the very last minute with the timer ticking, add a 2nd table in the back for more contestants who couldn't be seen by most of the crowd), and there were a lot of introductions and comedy at the beginning that included getting volunteers from the crowd, plugging local comedy shows and musicians, some guys playing the National Anthem, and all the setup of plates and hot dogs and cups of water (not necessarily how you want to spend your valuable music festival minutes), but all in all (after a bit of anxiety waiting for the actual contest to begin), it was a good time, a rare break from the music for me, and for a worthwhile cause (I think). I (literally) love Mike Litt.