Entries tagged with: Suicidal Tendencies
Suicidal Tendencies at Orion 2012 (more by Dana (distortion) Yavin)
Suicidal Tendencies will hit the road for a full US tour in this spring, happily promoting their newest LP, which is due soon. Dates for the "Slam City" tour kick off in San Francisco and head eastbound, and include DRI (who also play Saint Vitus next week) and Sick of it All on select dates. Look for both to join ST at Best Buy Theater on April 20. Ticketing info is on the way.
All tour dates, plus a couple videos, are below.
Jello Biafra as the president of the United States in Lovedolls Superstar, occupying an empty office adjacent to SST/Global, 1985 (photo by Jordan Schwartz)
Fanzine We Got Power! was created in 1981, born out of a love for hardcore music between two friends, David Markey and Jordan Schwartz. The zine compiled photos and text that documented the early LA hardcore scene including legends like Black Flag, the Minutemen, Social Distortion, Red Cross/Redd Kross, Suicidal Tendencies, the Descendents, M.D.C., Big Boys, and so many others who would change the face of music as we knew it.
We Got Power! has now been compiled into a book due on 10/5 via Bazillion Points (order it), and it's chockful of photographs and pieces that document this crucial time in punk rock music. In celebration, Markey and Schwartz dropped off a few of their photographs that appear in the book along with some details behind each. Check out those photos below.
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
As mentioned, Orion Music & More happens this weekend in Atlantic CIty's Bader Field from June 23-24 and is being headlined by Metallica both nights, who play Ride the Lightning in full on Saturday (6/23) and The Black Album in full on Sunday (6/24). Other bands playing include Arctic Monkeys, Modest Mouse, Hot Snakes, Fucked Up, The Gaslight Anthem, Titus Andronicus, Best Coast, Liturgy, A Place to Bury Strangers, and more, plus a heavy stage with Suicidal Tendencies, Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done and others. The heavy stage (aka "Damage, Inc.") isn't the only place you can catch heavy bands though. The festival also includes Baroness on the Orion stage, The Sword on the Fuel stage, Liturgy on the Frantic stage, and Ghost on the Orion stage. You can check out the full schedule of both days and all four stages HERE.
Orion Music & More is the first NYC-area appearance for Hot Snakes since the reunited band played The Bell House and Maxwell's in December. They'll play another area show (also in NJ) at ATP I'll Be Your Mirror in September.
As mentioned, it's the first time in a while that Modest Mouse will be in the NYC area. They play Orion on Saturday (6/23) before heading to Randall's Island for Governors Ball, which also happens this weekend.
There's a ton of stuff going on at Orion other than live music too. You can pick up rock 'n' roll memorabilia at Ktulu's Rock 'N' Roll Emporium, check out film screenings hand-picked by Lars Ulrich at Hit The Lights Films, skate the Motorbreath Mini Ramp, have a glimpse into Kirk Hammett's creepy personal collection of horror film memorabilia at Kirk's Crypt, surf, nerd out at the ESP Guitar Experience, check out the Metallica Museum, show your support for a variety of charities, or check out the car show.
If you're heading out to Atlantic City for the fest this weekend, head here for directions. If you're driving, there's no on-site parking at the field, but there are a number of parking areas nearby and free shuttles that run from the lots to Bader Field. If you're taking the train, you can get there via the Amtrak or the NJ Transit Rail and there will be a free shuttle from the Atlantic City terminal to the festival. Once you're there, this map should help you get around. We're also told that it's about a 20-30 minute walk from the boardwalk.
Tickets for the festival are still available.
In related news," Kirk's Crypt" isn't the only place Mr. Hammett will be indulging in his love of all things creepy. He'll be publishing a book titled Too Much Horror Business - The Kirk Hammett Collection this October via Abrams Image with photographs of his personal collection of horror memorabilia. The book also includes Kirk's own handwritten captions for many of the photographs. He'll be putting out limited edition toys, like the ones he's been collecting his whole life, along with the book this October. You can pre-order the book at Kirk's online toy store. He'll be discussing the book at Kirk's Crypt at 4 PM each day.
Maybe his old friend Glenn Danzig will add it to his book collection...
Keith Morris of OFF! at SXSW 2012 (more by Greg Cristman)
today in NYC
* Falu @ Joe's Pub
* Mireya Ramos @ Barbes
* Finbar Furey @ Joe's Pub
* Vicky Chow @ The Stone
* Tell Your Friends @ Lolita
* Slavic Soul Party @ Barbes
* Sanjaya The Sceptic @ The Stone
* Dark Star Orchestra @ Brooklyn Bowl
* Cory Chisel, Bhi Bhiman @ City Winery
* No Glow, Night Shining, Gracie, Beca @ Glasslands
* Statik Selektah, Termanology, Freddie Gibbs @ SOB's
* The Long Eye, Ghost Heart, Good Sports @ Cake Shop
* The Mob (UK), Sickoids, Nomad, Anasazi @ Death By Audio
* OFF!, Cerebral Ballzy, The Coathangers @ Bowery Ballroom
* Foster The People, The Kooks @ Central Park Rumsey Playfield
* Glass Vaults, Treasure Teeth, Civilian, The Goddamn Hustle @ Pianos
* Haybaby, Shy Hunters, Noble Laureate, Little Anchor @ Cameo Gallery
* Needful Things, Agents of Abhorrence, Dissent, Chainsaw To The Face @ The Acheron
* Velta, The Spanish Channel, Alexander Howard, Jessica Pomerantz @ Mercury Lounge
* Adam Green, Supercute!, Wyatt Cenac (Lowbrow Reader Variety Hour) @ Housing Works Bookstore Cafe
* Dustin Wong, Sam Hilmer, Weasel Walter, Mike Wexler, Driphouse(Diamond Terrifier Presents Practice!) @ Zebulon
Portland Cello Project and Alan Sparhawk (of Low) covered the Suicidal Tendencies classic "Institutionalized" for the AV Club's "Undercover" series. You can watch it below.
Suicidal Tendencies at Terminal 5 (more by Meghan McInnis)
After an initial announcement featured bands from across the map, Metallica's Atlantic City summer festival Orion Music & More (June 23rd and 24th at Bader Field) has announced more bands and a "Damage Inc" stage. The new stage has a more metal focus while avoiding the standard "Summer Slaughter"/"Monster Energy Drink Mayhem Festival" type fare. Suicidal Tendencies will headine the stage, which will also feature Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, and Thy Will Be Done.
Eric Church, The Jim Breuer Heavy Metal Comedy Tour, Soul Rebels, and Wooden Shjips have also been added to the lineup.
The new bands are in addition to previously announced folk like Metallica, Modest Mouse, Titus Andronicus (who play the BV Official Showcase at SXSW), Arctic Monkeys, The Black Angels (who are also playing a BV SXSW event), and many others. Tickets are on sale. Full lineup below...
DOWNLOAD: Thundercat - "Daylight" (MP3)
Flying Lotus collaborator/Suicidal Tendencies member (2002-present)/jazz bass wizard Thundercat (aka Stephen Bruner), who made his NYC debut at LPR in November, will be returning to NYC for a show happening on February 1 at S.O.B.'s with special guest Deathrow Tull. Tickets are on sale now. A flier for the show is below.
Thundercat's excellent debut LP, The Golden Age of Apocalypse, came out last year. You can buy it on eMusic and grab the track "Daylight" from the album above and stream it below. Pitchfork ranked the track "For Love (I Come Your Friend)" as the 100th best track of 2011.
All dates, flier and stream below...
Suicidal Tendencies at Terminal 5 (more by Meghan McInnis)
Announcement coming soon.Suicidal Tendencies made the above announcement on their website, and though the private show details haven't (won't?) be announced, good money would put Suicidal Tenencies at The House of Vans on 9/16 (not one of the FYF-presented RSVP-able shows though).
Vans is bringing ST back East for 3 shows.
September 16th Brooklyn (private show)
September 17th Long Island
September 18th Starland Ballroom N.J.
More info shortly...
Meanwhile, details regarding the 9/17 and the 9/18 shows HAVE emerged.... both are with Sick of It All! Tickets for 9/18 at Starland Ballroom in Sayreville, NJ and 9/17 at Crazy Donkey in Farmingdale, NY are on sale.
"Thanks to all that emailed and were concerned about the bands safety.All SOIA dates and some video is below.
ST is at Pukkelpop, but were set to play today, friday August 19th.
Pukkelpop, the largest festival in Belgium, is a three day event.
Needless to say, the rest of the festival has been cancelled.
Everyone in the band, crew and family, just want to say our thoughts and prayers are with all the families and friends of all the people that were hurt, injured or so sadly the 5 that passed away"
Suicidal at Terminal 5 on Sunday (more by Meghan McInnis)
"Sunday Night ST played NYC to 2000 old and newschool Cycos! It's always great to hit the East Coast and catch up with a lot of our friends, bands and family. Unfortunately the NYC show will be the last show of this tour. Sadly, one of the band members had a parent pass away suddenly and needed to fly home to be with his family in this difficult time and handle all the funeral arrangements, etc. With heavy hearts, the band decided it would be best to postpone the remaining ST shows and make them up sometime next year. We appreciate your understanding, your thoughts and your prayers. Please give us a few days and we will try and let those who already have tickets how how to get refunds, etc. Again, we are so sorry to have to postpone these shows, but hope that everyone will be able to understand, and we'll do our best to make the dates up."Our best go out to the ST army. The cancelled dates include 11/17 in Chicago, 11/18 in Minneapolis, 11/20 in Denver, and 11/21 in Albequerque, NM.
photos by Meghan McInnis
"Towards the end of Friday night's Suicidal Tendencies concert at the 9:30 Club, lead singer Mike Muir brought the band's photographer on stage to share his experiences in DC earlier in the day. The photographer introduced as "Luke from Australia" is in the United States for the first time while video-taping ST's tour. Their DC tour stop gave Luke the opportunity to do some sight seeing earlier in the day. One of his stops was the White House; where he was briefly detained and questioned by security; for taking pictures while wearing a Suicidal Tendencies t-shirt and having an accent.Suicidal Tendencies headlined Terminal 5 in NYC last night, Monday (11/14), with classic hardcore veterans Cro-Mags and Underdog, as well as beatdown-core Boston thugs Death Before Dishonor. ST are back in business after 10+ years away, and are currently touring the US as part of the No Mercy Fool!/The Suicidal Family tour which hit Fun Fun Fun Fest in early November. That tour concludes on Sunday (11/21) in Albuquerque.
During the show, Muir asked Luke to relate his tale to the audience before the band launched into their controversial 80's hardcore song "I Shot The Devil" better known as "I Shot Reagan". It was a classic punk rock move and a reminder of a time when the nation had bigger things to worry about than Al-Qaeda; like swear words in music, the failure of New Coke, and mutually assured destruction." [We Love DC]
For those of you who are fans of the ST offshoot Infectious Grooves, the band is playing their first US show in ten years at House of Blues in LA on November 23rd (tickets). No word on if it'll lead to other shows.
More pictures from Terminal 5 including one of the setlist (with some other setlists from recent shows typed out), and the rest of the ST dates, below.
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
Madeline Follin of Cults & Bethany Cosentino of Best Coast
It was like a buzz band explosion on Sunday when Bethany of Best Coast, who were playing the same stage later, came on stage during Cults' set to lead the crowd in singing "Happy Birthday" to Cults member Madeline Follin who then wished Toro y Moi, who played the same stage earlier, a Happy Birthday as well. Cults were good too. I didn't see any of Best Coast's actual set, though Tim did.
The reason I missed all of Best Coast's set was due to the veggie hot dog eating contest happening on the Yellow Stage. I first met Mike Litt in 2008 when we partnered on a SXSW day party (which was also in partnership with Transmission who puts on Fun Fun Fun). At the time, I didn't know much about Mike except that he was vegan, a bit of an activist, a local Austin event promoter, and that he was responsible for throwing an annual veggie hot dog eating contest every July 4th in Austin. And it was those reasons that made me immediately want to start working with him and we've stayed in contact each SXSW since, and so there was no way I was missing this special edition of his veggie dog eating contest which was happening right at the festival (not to mention I've seen Best Coast multiple times already, I've seen the Bronx, and I wasn't really planning on catching P.O.S. who was also on at the same time).
And I wasn't alone. A healthy size crowd showed up to view the grossness. Unfortunately there were too many contestants to fit at the table on the stage (forcing them to, at the very last minute with the timer ticking, add a 2nd table in the back for more contestants who couldn't be seen by most of the crowd), and there were a lot of introductions and comedy at the beginning that included getting volunteers from the crowd, plugging local comedy shows and musicians, some guys playing the National Anthem, and all the setup of plates and hot dogs and cups of water (not necessarily how you want to spend your valuable music festival minutes), but all in all (after a bit of anxiety waiting for the actual contest to begin), it was a good time, a rare break from the music for me, and for a worthwhile cause (I think). I (literally) love Mike Litt.
Cough at CMJ (more by Keith Marlowe)
Did I book this show and not realize it? Cough will team up with Naam and Batillus to play The Charleston on 12/11. If you missed them at the BV-BBG show, this is an excellent chance to catch Cough in a small (and suuuper loud) environment. Must.
The previously discussed Incantation-plays-all-of-Onward to Golgotha show with Mortician, Funerus, and Fatalist has a new home :Europa on 11/20 (tickets) (a BrooklynVegan/1000Knives production). The show is the day before Gaza teams up with Tiger Flowers and Meek is Murder at Cake Shop.
Nachtmystium will hit Best Buy Theater on March 3rd, 2011 supporting Cradle of Filth, with Turisas and Daniel Lioneye as part of the "Creatures From The Black Abyss Tour" which also hits Starland Ballroom on March 5th . Tickets are on sale. All dates below.
Those looking to get away from their families after Christmas can scoot on down to Best Buy Theater to join Gwar with The Casualties, Infernaeon, and Mobile Deathcamp on 12/26. Tickets are on sale. Both Gwar and The Casualties will also play this weekend at Fun Fun Fun Fest (11/5 - 11/7, tickets). Gwar's new album, Bloody Pit of Horror hits store shelves next week via Metal Blade. They recently appeared on Fallon. Video of that with all dates below.
Speaking of FFFF, Suicidal Tendencies are on tour and will play the fest this weekend and are scheduled to play Terminal 5 on 11/14 with Cro-Mags, Underdog and Death Before Dishonor. Tickets are still available or you can try your luck at winning a pair! Details are at the bottom of this post with updated dates.
Dub Trio will play Mercury Lounge with CSC Funk Band on November 10th. Tickets are on sale.
Great day show at ABC No Rio on 11/13 with Cali killers Punch and Loma Prieta teaming up with the great Vaccine and Death First. Shows start early, and this is a pretty killer bill so get there!
Kayo Dot will support Newspeak at a record release party for the band's new album Sweet Light Crude. loadbang will support at the Littlefield shindig on November 14th. Tickets are on sale for $8 or you can buy entry with a CD for $15.
All tour dates, details on how to enter the Suicidal Tendencies contest, and some video is below.
Agnostic Front @ The Bell House in March (more by Tod Seelie)
The previously-mentioned Agnostic Front / Mother of Mercy /
New Lions / New Lows Product of Waste show taking place at Santos Party House on October 16th will be the end of a 2+ week tour for the three bands that kicks off September 30th at Popeye's Pub in Peekskill, NY. Tickets for the NYC date are still on sale.
Tickets are also now on sale for another upcoming NYHC show, one happening in pretty much the biggest venue possible for a hardcore show. I'm talking about November 14th at Terminal 5 when The Cro-Mags and Underdog open for Suicidal Tendencies who are playing the show as part of a larger tour. By the way, Cro-Mags are now being billed as "Cro-Mags" and not "Cro-Mags NYC" as they were at first. Drama.
Agnostic Front dates below...
The ST Army, 2010...
Suicidal Tendencies are touring in October and November. And in what will undoubtedly be an absolute mosh-stravaganza, they'll play Terminal 5 in NYC with Cro-Mags NYC (yes, the John Joseph version) and Underdog on November 14th. Tickets go on sale Friday 9/24 at noon, but are on American Express presale Wednesday (9/22) at 11AM. For the curious, Suicidal Tendencies 2010 is:
Mike Muir - vocals (1981-present)Suicidal Tendencies recently released No Mercy Fool!/The Suicidal Family, a new LP featuring re-recordings of songs by ST-related project No Mercy, as well as Join The Army. Their tour dates also include Fun Fun Fun Fest in Austin. All dates are listed below.
Mike Clark - rhythm guitar, backing vocals (1987-present)
Dean Pleasants - lead guitar (1997-present)
Steve 'Thundercat' Brunner - bass (2002-present)
Eric Moore - drums (2008-present)
In related news, John Joseph of Cro-Mags has released his new book, Meat Is for Pussies: A How-To Guide for Dudes Who Want to Get Fit, Kick Ass, and Take Names. The book, a look into health and a meatless diet is on sale now. Order a copy.
All Suicidal dates, some great video of John Joseph training, and more below...
Off! (photo by Lindsey Byrnes)
Whether or not the band name Off! is a not-so-subtle reference to another band that featured the great Keith Morris and dealt destruction to the insect populi, one thing is certain, they rule. Besides the incredible vocalist for Circle Jerks/Black Flag, punk supergroup Off! also features a killer lineup including Dimitri Coats (Burning Brides), Mario Rubalcaba (Earthless/Hot Snakes/Rocket From the Crypt) and Steven McDonald (Redd Kross) and the foursome have announced their debut material to be released with Vice Records!
Off!, who you may have caught at SXSW this year, will release the accurately titled First EP via limited edition 7" inch on October 12th. Featuring art and an exclusive poster courtesy of Raymond Pettibon, aka the evil genius behind Black Flag's iconic album covers, the release is the first of four 7"s to be compiled on the First Four EPs (another Black Flag nod) due on November 23rd - a collection of 16 songs which will each feature its own Pettibon sleeve art.
As the tour dates indicate below, Off!, in addition to playing FYFFest and Riot Fest this year, has announced their involvement in Austin's Fun Fun Fun Fest (happening November 6th and 7th). For those of you counting at home, that brings the list of confirmed FFFFest bands to Woven Bones, Suicidal Tendencies, Slick Rick, Best Coast, Dirty Projectors, Cap'n Jazz, The Gories, Yelle, Snapcase, The Dwarves, High On Fire, and The Hold Steady! Stay tuned for more lineup announcements for the great Texas festival.
Meanwhile, Mario Rubalcaba was NOT part of the recent (and impromptu) Hot Snakes reunion that took place on July 29th at an Obits/Night Marchers show in San Diego, CA (the bands were on tour together).
You can view video of the three Hot Snakes songs from that set, as well as all Off! tour dates & a video from their first show in LA, below...
Cro-Mags (jam) @ Fun Fun Fun Fest (more by Tyler Nutter)
Knitting Factory closes its Tribeca location for good on New Years Eve. I think that's one of the reasons so many good shows are starting to pop up there, one of which is the Anticon anniversary party on December 18th, and another of which is the Cro-Mags (jam) show happening in the main space of the club on December 28th...
Rocks Off Presents The Cro-Mags featuring John Joseph, Mackie, AJ from Leeway & Craig from Sick Of It All plus special guests Wisdom in Chains, Trapped Under Ice & more TBA!That's the same Cro-Mags lineup I just saw in Austin. Read/see/watch more about that HERE and get tickets to the NYC show HERE.
Also coming up at Knitting Factory:
- "Complete Control NYC & Guillotine present One Big Crowd: A tribute to the legendary A7 club w/ over 30 old & new school bands incl. Reagan Youth, Urban Waste, Jerry's Kids, False Prophets, Fatal Rage, Ism, Butch Lust & the Hypocrites, more!" This one is on December 6th, on all three floors. Tickets are only $20. flyer below.
- Tributary Productions Presents: Absolution, No Escape (reunion), Vision, Backtrack. This is December 21st. Tickets are on sale.
Madball (with Mackie on drums) are going on tour with Suicidal Tendencies in December. They play Irving Plaza in NYC on December 4th.
H2O's November 23rd show was moved from Fillmore/Irving Plaza to Blender/Gramercy Theater.
Murphy's Law play Trash Bar in Brooklyn on December 12th.
Killing Time, as recently seen opening for Bad Brains at Irving Plaza, play Fins Pub in Oakdale, NY (Long Island) on the same day as the A7 Fest (12/6).
The video, a whole bunch of flyers, and even more dates, below....