Entries tagged with: Swans
intro by Bill Pearis
Grooms @ Death by Audio's final show (more by PSquared)
Grooms' last live show, the final night of Death by Audio, was a little hard to get into. Their next NYC show should not prove as difficult. They're playing Brooklyn Night Bazaar on Saturday (12/12) with The Teen Age, Glazzies and headliners Celestial Shore. That's a free show where you can maybe get some holiday shopping done (or a round of mini-golf) and you can RSVP to get on the skip-the-line list.
Grooms' next show after this weekend is opening for A Place to Bury Strangers (who also played DbA's final night) at Music Hall of Williamsburg on February 17 (tickets).That serves as a record release show for both APTBS' Transfixiation, and Grooms' Comb the Feelings Through Your Hair which are both out that day. (You can hear "Doctor M" below.) Look for a tour after that, details are still TBA at the moment.
Main man Travis Johnson took time out from practicing for tomorrow's show to give us his Top 10 LPs of 2014, plus a few runners-up, with a little commentary for each. You can read that below...
NYC goth duo Tempers previously released a few promising singles on Pendu Sound, and they recently teamed up with photographer Bela Borsodi to make an appropriately dark video for one of those songs, "Hell Hotline." Check out the video below, and if you haven't gotten it already, you can download the track for free below too.
Tempers have also given us a list of their top ten albums of 2014, which you can also check out below...
UK music site Drowned in Sound is kinda the British equivalent of Pitchfork, albeit with a very strong community aspect to it. They just published their 50 Favourite Albums of 2014 list and while it contains many of the LPs we've been seeing on a lot of these lists, it's a distinctly not-American point of view. Well, at least their #1. Check out the whole list below...
by Andrew Sacher
Into It. Over It. at Bowery Ballroom in September (more by Mimi Hong)
Evan Weiss is just about everywhere in the emo world right now, whether it's in Into It. Over It., Their/They're/There (with Mike Kinsella), Pet Symmetry, Stay Ahead of the Weather, or any other active band we may be forgetting, or producing records for The Jazz June and You Blew It!, or running his record label. He bridges the gap between old school and new school as far as his tourmates go, and sometimes you'll find him somewhere totally un-emo like Lollapalooza.
One of his most beloved bands though, is one who only put out one full length and two EPs in the early-mid 2000s before breaking up, The Progress. Their sole LP, 2006's Merit, was keeping the indie rock-oriented mathy style of '90s emo alive way before it was trendy to do that. It's one of the true gems to have come out during emo's (for lack of better words) "hair metal phase." And now it looks like The Progress may be reuniting.
In November, Absolute Punk pointed to to a tweet from Evan that reads "oh yeah, that thing i confirmed is a show. for a band that hasn't played a show in 7 years" and hashtagged "US Camera." That was pretty convincing on its own, but now Evan has posted a show announcement confirming a show for December 30 at Boot & Saddle in Philly with the caption "take the hint" and a show flyer that looks suspiciously similar to the Merit artwork. Hint taken. The only technically announced bands for that bill are Sleep In and Dryjacket. Tickets are on sale now. If it is in fact a Progress show, let's hope it's not the only one!
Meanwhile, Evan has given us a list of his favorite LPs and EPs of 2014. It's a cool, diverse list ranging from ambient pop to powerviolence, and you can check it out for yourself below.
Into It. Over It. also has an upcoming solo tour with Kevin Devine and Laura Stevenson (doesn't hit NYC), and he recently put out the video for "Spinning Thread" (dir. Max Moore) from last year's Intersections LP. Watch that, with his year-end list, some Progress song streams and the Philly show flyer, below...
SPIN returned with their Top Albums of 2014 list today. It's got a lot of the indie albums that usually show up on these lists (Caribou, Future Islands, FKA twigs, Parquet Courts, Cloud Nothings, How to Dress Well, Swans, St. Vincent, Real Estate, etc), a handful of rap albums (YG, Young Thug, Shabazz Palaces, Run the Jewels, Schoolboy Q, Freddie Gibbs & Madlib, etc), metal (Pallbearer), punk (Against Me!, Joyce Manor), mainstream pop (Taylor Swift, Miranda Lambert), and a couple headscratchers (Betty Who at #11?). You-know-who scores the #1 slot once again here. Check it out for yourself below.
Best of Lists Season continues, here with AV Club's favorite records of 2014. As it's a cumulative list with ballots from the site's music writers (most of whom are in their 30s), you get a pretty typical list but we'll leave the suspense of whether The War on Drugs, Sharon Van Etten or St. Vincent landed at #1 for you to check out below.
intro by Andrew Sacher
Restorations (photo by Mitchell Wojcik)
Philly rockers Restorations put out LP3 earlier this year on SideOneDummy. It's an excellent record; one you'll probably see on a handful of year-end lists this year thanks to its superior take on heartland/blue collar rock that rivals a lot of the stuff it was likely influenced by (Lucero, The Hold Steady, Hot Water Music, etc). The band's singer Jon Loudon was also nice enough to give us his own 2014 year-end list, which includes 10 pretty diverse picks.
Check it out for yourself, with commentary on each one from Jon and honorable mentions, below...
Gazelle Twin's 'Unflesh'
Now that it's December, Best of Lists Season is in full swing. If you're already tired of seeing ones that have The War on Drugs at the top (or near it), you can always rely on UK website The Quietus to offer up something different. They just published their "Albums Of The Year 2014" and topping it is electronic artist Gazelle Twin's second album, Unflesh. Say The Quietus:
On Unflesh, Gazelle Twin - aka Elizabeth Bernholz - doesn't see dualism as an academic exercise or a philosophical plaything. Instead, it's born of bloody experience as she claws and digs her way to its gory, physical core. Puberty, anxiety, miscarriage, illness and euthanasia are all present, and Bernholz's treatment of them ranges from a shuddering disgust to vengeful catharsis to something approaching tender acceptance.The Quietus' list is not without names familiar to readers of our site -- Swans, Scott Walker & Sunn O))), FKA twigs, Aphex Twin, Future Islands -- but it definitely does not follow the beaten path.
Check out The Quietus' full "Albums Of The Year 2014" (and stream a few songs from their #1) below...
We're just over a month away from 2015 and those UK year-end lists keep pouring in. Now British music mag Uncut has posted their 75 Best Albums of 2014. Looks like their winner is becoming a popular choice for #1, and the rest of their top 10 is split between real-deal veterans (Leonard Cohen [falling just a tad from his 2012 #1 spot], Robert Plant) and rising newcomers (FKA twigs). Elsewhere the list has a lot of the indie-related albums that keep popping up, a good deal of folk/country, more veteran appearances, and a certain opinionated UK duo who have appeared on every UK list we've seen so far and make their US debut this week.
Check out the full list below...
We just posted Q Magazine's Best of 2014 albums list and now here's the same from sister publication MOJO. Not only do they share a publisher, but also more than half of same albums appear on both lists. The War on Drugs was #2 here, making war for Beck's Morning Phase in the top spot. Check out the whole list below.
While MOJO is seen as a safe haven for "heritage" acts, there are some records in their Top 10 that don't prominently feature acoustic guitars: coming in at #3 is Sleaford Mods' Divide and Exit. You can catch the Mods' North American live debut this Saturday (11/29) at The Wick with The Gotobeds, The Rogers Sisters and "very special guests" who will be announced closer to the show. Tickets are still available.
MOJO's full Top 50 LPs of 2014 list below...
Liturgy at Pitchfork Fest 2012 (more by James Richards IV)
As discussed, Swans have upcoming dates including a hometown show in NYC at Warsaw on December 12. Since we last spoke, it's been announced that NYC black metal band Liturgy will open that show, which is a great double bill. Previously, both bands' drummers contributed to this year's Ben Frost album. Tickets for that show are still available. Swans have also added several more tour dates, including many in North America such as the Big Ears Festival. Updated dates are listed below.
Swans are also releasing the "Oxygen" EP next week (11/25) via Young God/Mute which features four alternate versions of that track which appeared on this year's To Be Kind. It includes an edit by Mute founder Daniel Miller, which you can stream below, as well as a live recording from Primavera, an early version recorded by Michael Gira at his house, and an acoustic version.
That song stream and the list of dates below...
Rough Trade NYC on Record Store Day 2014 (more by Amanda Hatfield)
As they usually are, Rough Trade Shops are one of the first this year to post their favorite albums of 2014 list. It's 100 albums long and mostly filled with the bigger indie and indie-related releases of the year, but there's a few surprises in there too. Mark Kozelek will not be happy to see that The War On Drugs placed #2, 8 higher than the Sun Kil Moon record. Mark should be proud that he made the list not once, but TWICE though. His Christmas album landed at #84. Run the Jewels, who are not on it all, have started a "Suck My Dick Rough Trade" chant. Check out their full list below and see more on each album here.
Big Ears Festival will return to various Knoxville, TN venues in 2015 from March 27-29, and the initial lineup was just announced. Kronos Quartet will be the artists in residence for the weekend and perform at several concerts. Others performing include Laurie Anderson, tUnE-yArDs, Swans, Perfume Genius, Grouper, Sam Amidon, Max Richter, Ben Frost, Bryce Dessner, Bill Frisell, Jamie xx, Clark, Demdike Stare, SQURL, A Winged Victory for the Sullen, Nosaj Thing, Steve Gunn, Nels Cline, Amen Dunes, Jozef Van Wissem, Holly Herndon, Terry Riley & Ryan Riley, Harold Budd & Keith Lowe, The Bad Plus, Rhiannon Giddens, Tanya Tagaq and Hildur Guonadottir. Stay tuned for more lineup additions.
The shows will take place at the Tennessee and Bijou Theatres, the intimate Square Room, the Knoxville Museum of Art and more. Weekend passes go on sale Friday (11/14) at noon EST. A portion of the proceeds will benefit Knoxville music and arts education programs Joy of Music School and Community School of the Arts.
Swans at MHOW in May (more by Amanda Hatfield)
Swans just played Hudson, NY's Basilica Sound Scape this past weekend, and they've since announced that they'll play one more New York show before the year ends, this one at NYC's Warsaw on December 12, the same Greenpoint venue they played as the final NYC stop of The Seer tour. Tickets for that show go on sale Friday (9/19) at 10 AM. All dates (the rest are in Europe) are listed below.
Swans are also reissuing a remastered version of their excellent and perfectly named debut album, Filth, on vinyl for the first time in decades on October 28. You can pre-order it now. Read what Michael Gira had to say about the album, with the list of dates, below...
Basilica Sound Scape happened this weekend in Hudson, NY. Among the artists playing were Swans, Richard Reed Parry, Deafheaven (who also played MHOW the next night), Tim Hecker and White Lung (who also played the BV-curated Red Bull Sound Select show on Friday night).
I attended Saturday's (9/13) portion, which was presented by Pitchfork's Show No Mercy. I drove to the festival, but Basilica Hudson is also accessible from New York City via the Amtrak, whose Hudson stop is only a block away from the venue.
Basilica Hudson is a gorgeous setting for live music. The venue is a reclaimed 19th century factory with many of the door and window frames left open, creating a pleasant indoor-outdoor ambiance. Most of the food and beer vendors were also outside, allowing attendees to hang in the refreshing autumn weather and rest our ears under the starry Hudson skies. The whole event felt dreamlike and far enough removed from everyday life to really be something memorable.
The mixed media component of the festival further added to the surreal atmosphere. There were record sellers, book sellers, film clips projected in the alcoves of the building - and even a performance artist sleeping in a Buddha booth later in the night. I arrived around 8:45 to find Meredith Graves (of Perfect Pussy) reading from an opening in the wall of the main room, fifteen feet above our heads. Later in the night, Greg Fox (of Liturgy/Guardian Alien) would perform a drum solo in the same space.
Meredith's reading, which has now been posted in full at The Talkhouse, is about Andrew WK, Lana Del Rey and the double standard applied to male and female performers regarding authenticity. Here's an excerpt:
It is twisted that people only seemed to love the idea of Andrew W.K. more after the truth came out. The truth is so interesting! He's fearless, talented, he has a dark theoretical and critical mind. He's on television with Glenn Beck talking about being afraid of abortion. But it was transformation into a party dude at the hands of the music industry that made people pay attention to him. Meanwhile he's up there with Ian Svenonius at the Guggenheim talking about how his early experiences exploring the interstices between "pure music" and "unwanted sound" have shaped his intentionality in the "Andrew W.K. presentation." The kids in Katowice were there to have fun and get wasted. It's Harmony Korine playing dumb for Letterman back in the '90s, over and over and over again. In a way, everybody loses. It's like nobody was listening when he himself told them at point-blank range that he isn't real.Read the whole very interesting thing at The Talkhouse.
But when a female musician is in any way fake, she's denied creative agency, written off as uninventive and talentless. Beyoncé is accused of lip-synching, even when she isn't. Music rags run articles exposing pop stars' real names, highlighting Lorde, Lady Gaga, Nicki Minaj, Miley Cyrus. But being that these are the most successful female artists in the world, one has to assume that their fakeness -- or, as we should be calling it, "reinvention" -- is necessary for women to succeed in the music industry. It's the basic principle of survival, period: adapt and evolve, or die. And of the women I listed above, look at what they've done that gets them called fake: taking on more seductive names and more assertive personas, getting breast and butt lifts and lip fillers and wearing makeup, wearing more elaborate, sexy, sometimes borderline-fetish costumes -- everything that men claim they want out of women! But no, that's not good enough -- those qualities have to be both present and completely natural in order for spectators to be satisfied.
I caught the full performances by White Lung, Deafheaven and Swans, who all delivered thunderously rapturous sets. I've come to expect nothing but excellence from these three acts, but it was refreshing to see them in a completely new context - and one that each managed to fit effortlessly among. I caught up with White Lung's Mish Way shortly after her set and restrained myself from telling her how obsessed I've been with "Wrong Star" ever since her Noisey Acoustic Sessions with Katie Crutchfield was released. I did, however, manage to discuss the unfortunate incident from Friday night's show when she was forced to confront an audience member who was harassing and even attempting to punch her during her performance.
"It's been awhile since I've had to do something like that," she said, "but I'm glad it happened. And I'm glad to end our tour here. It feels good. It feels special. And... (smiling) I'm really glad my reading went well."
I'm looking forward to more unique experiences at next year's festival, to which I will certainly be returning.
A few more pictures (by Molly Moltzen) and a few videos below...
The 2014 Basilica Sound Scape festival is this weekend (September 12 & 13) in Hudson, NY with performances from Swans, Deafheaven, White Lung, Majical Cloudz, Julia Holter and more. Eleanor Friedberger was supposed to have played but has since dropped off. Two-day passes and tickets to Saturday (9/13) with Swans, Deafheaven and more are sold out but you can still get tickets to Friday (9/12) with Julia Holter, Tim Hecker, Richard Reed Parry (Arcade Fire) and more. The daily lineups and performances schedules are listed below.
If you'd like to go to both nights for free, we're giving away a pair of two-day passes. Details on that below.
You can also see White Lung in NYC for $3 this Friday (9/12) at MIDNIGHT (so really 9/13) when they play the BrooklynVegan-curated Red Bull Sound Select show at Palisades (906 Broadway) with Power Trip and Sick Feeling. RSVP HERE for $3 admission at the door (it's $10 if you don't).
by Robb Sperry-Fromm
Cold Specks at Webster Hall in 2013 (more by Amanda Hatfield)
Canadian goth-inflected soul songwriter Cold Specks, who is playing AfroPunk this weekend in Brooklyn, will release Neuroplasticity on August 25, including two songs that feature Swans Michael Gira. One, already shared awhile ago, is called "Exit Plan." The newer one is called "A Season of Doubt." Both make excellent use of Gira in his sinister whisper/growl mode. Cold Specks also recently appeared on Swans' To Be Kind, so things would seem to be coming full circle. You can stream album-closer "A Season of Doubt" and the other 90% of Neuroplasticity, below.
Cold Specks has also announced a worldwide tour in support of Neuroplasticity. The tour will bring her back to NYC to play Rough Trade on November 7. Tickets for that show go on sale Friday (8/22) at noon. All dates are listed, along with the album stream, below.
Swans @ Lincoln Hall (more by Brigid Gallagher)
From the Very Interesting Press Release Department:
Le Guess Who? Festival (The Netherlands) is extremely proud to announce two special projects for 2014: a 3-day program curated by Swans/Michael Gira, and the world premiere of 24-Hour Dronefest. Le Guess Who? 2014 takes place November 20-23 in Utrecht, NL. Previously announced acts include Dr. John & The Nite Trippers, Bonnie "Prince" Billy, Selda feat. Boom Pam, St. Vincent and Einstürzende Neubauten.24 non stop hours of drone. We can't wait!!
Michael Gira, the main force behind the mighty Swans, will curate a three-day program for the project Mouth To Mouth. This is the second installment of Mouth To Mouth, and the first spanning multiple days and venues. The curated line-up includes Swans, legendary UK post-punk band Wire, New York psychedelic/electronic pioneers Silver Apples, Dominick Fernow's Prurient, Carla Bozulich (Evangelista), Xiu Xiu, Baby Dee, Jenny Hval and noise tyrant Ben Frost.
The Mouth To Mouth-project will also feature a special performance of the London based post-punk group Savages, together with Japanese avant-rock band Bo Ningen, entitled 'Words To The Blind'. Inspired by the surrealist, early DADA concept of simultaneous poetry, the group experiments with improvisation and noise. Le Guess Who? will be the first time this performance of all new material will be seen and heard outside of London.
This year, Le Guess Who? will host the world premiere of 24-Hour Drone Fest, initiated together with New York's Basilica Hudson. Beginning at midnight on Saturday, November 22, this project will cover the entire spectrum of drone during 24 non-stop hours of live performances and installations. First acts confirmed for this project are avant-gardistic producer/composer William Basinski (amongst others known for his four-part The Disintegration Loops), guitarist/producer/composer Stephen O'Malley (Sunn O)))), Tim Hecker, London-based duo Raime, and Steve Hauschildt (formerly of Emeralds). More acts for 24-Hour Dronefest will be added soon.
As the release says, the 24 hours of drone thing is a collaboration with New York's own Basilica Hudson where Swans and Tim Hecker are also playing as part of Basilica SoundScape in September. As previously mentioned, that NY fest will also play the Scott Walker / Sunn O))) album that comes out ten days later, every hour from 2-9 PM on Saturday of the fest at Future Past Studio, which is located near Basilica.
Catch Bo Ningen back in the USA when they tour with Kasabian this fall.
The Europe festival won't be the first time Bo Ningen and Savages have collaborated.
Unlike Savages, Swans appear on the recently released "Best Albums of the Decade So Far" list from Pitchfork.
The full line-up for Mouth To Mouth, curated by Swans/Michael Gira, is listed with more Netherlands fest info below.
by Andrew Sacher
Yesterday, Pitchfork posted their top 200 tracks of the decade so far, and today they've listed the top 100 albums to have come out between 2010-2014. There's some surprises on there. For example, I didn't expect to see Bon Iver's self-titled, their #1 album of 2011 and with a score of 9.5, rank as low as #27 on this list. I was also surprised to see Chief Keef make it but not, say, Shabazz Palaces or Schoolboy Q. And there's a few other glaring omissions: nothing by The National? Grizzly Bear? One thing that will surprise no one though, is their #1 pick.
You can check out the full list below...
Majical Cloudz at Pitchfork Festival 2014 (more by James Richards IV)
The full lineup for Hudson, NY's two-day Basilica Sound Scape (9/12-13) has now been announced. Joining the lineup of Swans, Deafheaven, White Lung, Julia Holter, Tim Hecker and more will be Majical Cloudz, Eleanor Friedberger, British folk veteran Michael Chapman, Torn Hawk, Lower Dens' Jana Hunter, Gang Gang Dance's Brian Degraw, Gold Dime with Andrya Ambro (Talk Normal) and more. Full lineup and more details, via Pitchfork who were involved in organizing the fest, below.
Additionally, the Scott Walker / Sunn O))) album that comes out ten days after Basilica will be played in full every hour from 2-9 PM on Saturday at Future Past Studio, which is located near Basilica.
For Majical Cloudz, this festival happens right before their tour with Lorde hits NYC for three dates.
Tickets for the festival are still available. More details below...
Brooklyn's Nancy Sinatra-covering noise artist Pharmakon has announced that she'll release a new album, Bestial Burden, the followup to 2013's excellent Abandon, on October 14 via Sacred Bones. It was produced by Cult of Youth's Sean Ragon, who also helmed Abandon. You can check out the LP's tracklist and the trailer video for it, directed by Jacqueline Castel, below. Artwork above.
Pharmakon will tour Europe with Swans this fall (who she's toured with before), but before she leaves home she'll play Death by Audio on August 29 with Una Bestia Incontrolable and Survival. $10 at the door gets you in.
That's the first of two NYC dates that week for Barcelona punks Una Bestia Incontrolable. They also play 538 Johnson on 8/30 with Dawn of Humans and La Misma. They just put out a new 7" on Iron Lung Records, which you can stream (via Noisey) below.
Also below is the list of Pharmakon dates, LP trailer and tracklist.
Swans at Bowery Ballroom earlier this week (more by Amanda Hatfield)
For the third year in a row, Basilica Hudson's Creative Directors Melissa Auf Der Maur and Tony Stone are working in collaboration with Pitchfork Senior Editor/Director of Events Brandon Stosuy and Brian De Ran of Gleam House and Leg Up Management to program BasilicaSoundScape, a carefully curated two-day program featuring a wide range of music, visual art, and literature that aims for specific connections and overlaps instead of "festival"-style overload.Hudson, NY two-day festival Basilica Sound Scape will return this year on September 12 & 13. The initial lineup was just announced and it's already shaping up to be a great one with Swans, Deafheaven, Tim Hecker, Julia Holter and NYC's Balinese gamelan ensemble Gamelan Dharma Swara. Early bird 2-day passes are on sale now for $50 through June 15. After that, $35 single day passes go on sale and weekend passes are upped to $60. Stay tuned for the rest of the lineup.
A few videos and the flyer below...
by Andrew Sacher
Swans at Bowery Ballroom - 5/18/14 (more by Amanda Hatfield)
"As you can see we're playing mostly new songs and really fucked up versions of old songs," said Michael Gira during last night's Music Hall of Williamsburg show (5/19), the second of two sold out Swans shows in NYC on their current tour. It was true. You could hardly call this the To Be Kind tour -- those songs were all mostly played on The Seer tour -- the only real recognizable parts of that album played were "A Little God In My Hands," "Oxygen" and a small portion of "Bring the Sun." Otherwise the two-hour set included "The Apostate" from the The Seer, and three new songs that appear to (at least tentatively) be titled "Frankie M," "Don't Go" and "Black Hole Man."
If it sounds like I'm saying I was disappointed, far from it. It doesn't really matter what Swans' setlist is because every show they put on is a unique, intense experience. When the majority of other bands with classic material dating back to the '80s and '90s (like Swans) get on stage and don't play any of it, there's likely to be some cranky concert goers. But Swans have become a legacy band working entirely on their own terms, far from the type to do a nostalgia tour. And with the incredible creative burst they've had since their 2010 reformation, they wouldn't need to. The current six-piece version of Swans that recorded their last three records is literally a different a band (this lineup doesn't appear on any other Swans album), and it really feels like they're working with the passion of a new group. The way they work out new material on the road and are seemingly over it once it's recorded and released is a tactic tons of small local bands use, but hardly ever seen from a band at Swans' level.
And just like the To Be Kind material did on The Seer tour, these new songs sound great. "Frankie M" actually had a conventional chord change, which, in a set where that happened zero other times, ends up being one of the least expected moves Swans made. "Don't Go" evolved into the kind of lengthy psychedelic trip that "The Seer" and "Bring the Sun" provided at previous shows and "Black Hole Man," played as the alternate ending to "Bring the Sun," replaced the freakout shrieks of "Toussaint L'Ouverture" with Gira's demonically spiritual chants.
Swans' tourmate Jenny Hval and her two-piece backing band opened the show with music that was comparatively softer but similarly dark and uniquely distant from most modern trends. Swans' openers always feel well curated, and Jenny was no different.
photos by Amanda Hatfield
Swans @ Bowery Ballroom - 5/18/14
The almighty Swans brought their current tour to their hometown of NYC last night (5/18) for a stop at Bowery Ballroom, their first of two sold out shows here. The shows are in support of their massive, intense new album To Be Kind, and much like how Swans played a lot of that album on The Seer tour, Michael Gira & co. are already unleashing new songs on this one, "Frankie M" and "Don't Go." Opening the show was Norwegian art pop musician Jenny Hval, whose music is much quieter than Swans but was still a great fit (and the crowd treated her with respect). Pictures of the show are in this post.
Swans and Jenny do it again at Music Hall of Williamsburg tonight (5/19), which is sold out.
More pictures from Bowery Ballroom below...
by Andrew Sacher
The colossal new Swans album, To Be Kind comes out on May 13 via Young God, and we've just got another taste of it. Following the funky "A Little God in My Hands," they've just revealed another one you can move your feet too (again, as far as Swans songs go at least), "Oxygen." Of course it's also utterly maniacal. Check it out, via The Quietus, below.