Entries tagged with: Tanlines
Matthew Dear @ MHOW in 2008 (more by Bao Nguyen)
As mentioned, Pitchfork will be hosting three days of shows at Brooklyn Bowl during, but-it-looks-like/probably completely unaffiliated with, CMJ this year (Thursday/Friday/Saturday CMJ week). "Brooklyn Bowl is located at 61 Wythe Avenue between N. 11th and N. 12th streets. The festival starts at 2 p.m. each day, with doors opening at 1 p.m. Tickets are $10, both in advance and day of the show." They're calling it the #OFFLINE Festival.
Based on the lineups and start time, it looks like each #OFFLINE day will be about a 12 hour show. No set times yet though, but the full lineups and ticket links are below...
Matthew Dear is one of the biggest names on the list (he plays Saturday), and it will be one of three CMJ week shows for Matthew. His first is Friday night at Webster Hall with Jamaica and Dominique Young Unique. His third is later on Saturday at Public Assembly for the FIXED/Making Time Party with Matthew Dear, Crocodiles, Holy Ghost!, Javelin, Gold Panda, Jamaica, and Kisses.
The FIXED/Making Time party starts after the BrooklynVegan party which is also happening at Public Assembly that same day. Just to be clear:
SATURDAY OCTOBER 23RD
* BrooklynVegan @ Public Assembly 12-6pm (free - more details TBA)
* FIXED/Making Time @ Public Assembly 9pm-late (tickets)
* Pitchfork @ Brooklyn Bowl 2pm-late (tickets)
* BrooklynVegan metal @ Union Pool 7pm-late ($5.00 or CMJ badge at the door)
We (BrooklynVegan) will also be at Public Assembly all day on Friday, October 22nd (details TBA), and at Music Hall of Williamsburg on the Thursday night.
All Matthew Dear tour dates (many of which we previously posted including a November show at MHoW), and the Pitchfork #OFFLINE Fest info, below...
Stereogum listed the "40 Best New Bands of 2010". They have a lot more detail, but you can also check out their list, alphabetically, below...
photos by Diana Wong
Tanlines @ the Whitney
"The crowd warmed up - and got to dancing as the room filled up - but the most sonically-fulfilling moment of [Tanline's] set didn't come until the impromptu encore, when Cohen finally removed the mutes (read: t-shirts) from his floor tom and bongos and coaxed some really compelling percussion out of the non-computer side of the Tanlines setup. Overall, the pair pumped out a great set that suffered only slightly from the incongruous scales of the acoustics and the room.Tanlines and DJ/rupture closed our the 2010 edition of Whitney Live on Friday. More pictures from the show, below...
DJ /rupture (Jace Clayton) followed quickly on Tanlines' heels, wasting none of the momentum attained in the last few minutes of their set, when the crowd finally reached room-filling proportions and tipped the balance from texting to dancing. Clayton spun a typically globe-trotting and scholarly set, his selections spanning five continents and at least as many languages. Dressed all in lavender and characteristically stoic behind the decks, he opened with a heavy Cumbia rhythm, and continued through cuts of reggaeton, dubstep and dancehall, also weaving in 90's house, some Akon, and something I'm pretty sure was in Hindi." [Melophobe]
Memory Tapes @ Williamsburg Waterfront, August 8th (more by Benjamin Lozovsky)
Tanlines, who have a free-ish show happening at the Whitney Museum on Friday with DJ/Rupture, will open for Memory Tapes at an Absolut-sponsored, free-with-RSVP (BonusTrack3@TheLMagazine.com) show at the Bell House in Brooklyn tonight (8/25). It starts at 8pm, is 21+, and the flyer is below...
The eccentrically dressed Cameron Mesirow bounded on stage at the Bowery Ballroom to kick off Saturday night's show (7/10). Mesirow, the woman who parades under the moniker Glasser, proceeded to spastically dance around the stage, mic in hand. Mesirow makes whimsical, dreamlike music with more than a touch of dramatic flair. When she wasn't dancing around stage, she would often crouch down and stare out at the audience intently as she struck odd, animal-like struck poses. With her eyes open wide and her arms out in front of her, she did a pretty solid zombie impression. I sometimes struggle with this theatrical kind of delivery (Zola Jesus springs to mind), but Glasser is better at keeping things light. Her vocals are haunting and delicate without being overly dramatic and showy. Glasser definitely helped get the audience in the mood for a night full of dancing.
Next up on the all True Panter-signed artist bill was a heavy dose of pop-infused techno music from the Brooklyn-based duo Tanlines. Though their beats were for the most part pre-programmed, Eric Emm sang and played the guitar over the loops that Jesse Cohen managed. The sound was decent overall, but the vocals did sometimes get swallowed in the mix as the layers of sound got thicker. As Tanlines' set unfolded, the people immediately in front of the stage began wildly dancing and the crowd stepped back to give them more space. As it turns out, the dancing was only getting started.
It was midnight when Delorean finally took the stage, but the crowd was still enthused. The mood was festive and fiercely energetic. The house's giant disco ball is typically reserved for a single song or two, but it sent shimmering splashes of light over the room for nearly all of Delorean's set.
Keeping in line with the two openers, Delorean also utilized electronic drums to some extent - though this time the drum pads were supplemented by free-standing cymbals to form some sort of a hybrid kit.
The audience began thrashing around during the very first song and it only got more rowdy as Delorean got further into their set. People were jumping up and down in time to the beat, their hands raised up. Half-full cups of beer were thrown into the air, their contents rained down to soak the frenzied crowd. Though the show was sold-out, the crowd was thinner than usual, which was probably for the best - all the more room for dancing.
It's been a long time since I've seen New Yorkers let loose that much at a show - especially one at a midsized venue. The movement spread to the back of the room and even extended to the balcony where people had abandoned the comfort of their chairs.
Back on stage, the members of Delorean were dancing, too - especially the keyboard player who was bouncing around so much that it's a wonder that he managed to hit the right notes. The infectious beats complimented their melodic but largely indecipherable vocals to create a trance-like state both in the crowd and on stage. The Barcelona-based group powered through their songs without stopping much to talk, as if they were worried about breaking their momentum.
Delorean played a relatively short set with just a single song for the encore, but they definitely went out on a high note.
Exactly one week earlier, Delorean and Glasser shared a bill at PS1. Four days after that Delorean played to a packed crowd in Stuy Town. Delorean's next NYC show is this year's final Pool Party (where they play along with two "secret special guests").
Tanlines' next show is August 27th at the Whitney.
Delorean hits Great Scott in MA tonight. All tour dates below...
DOWNLOAD: Crystal Castles - Suffocation (Memory Tapes Remix) (MP3)
DOWNLOAD: Memory Tapes - Bicycle (Tanlines Remix) (MP3)
Memory Tapes is in the process of recording the follow-up to his/their 2009 debut, Seek Magic. The next show for Dayve Hawk & Co. will be on Saturday, June 26th (NOT Friday, June 25th as it accidentally got listed as in some places), when they headline BrooklynVegan Northside show with Twin Sister, DOM and ZAZA. Tickets are still on sale. We also have a couple pairs to giveaway. If you want them, email BVCONTESTS@HOTMAIL.COM (subject: Memory Tapes) with your first and last name. Winners will be picked at random and contacted.
Dayve recently did a remix of Crystal Castles' "Suffocation," while Tanlines gave Memory Tapes' "Bicycle" the treatment. Download both above. A new video for "Bicycle", by Jamie Harley, is posted with all tour dates (including a run of Australia shows with Missy Elliott), below...
by Andrew Frisicano
DOWNLOAD: Light Pollution - Good Feelings (MP3)
As mentioned previously, Montreal dance-pop band Think About Life play Mercury Lounge tonight, two days after playing an early set at the WBAR-B-Q on Sunday. Tickets are still on sale for that. It's a late show. The early show at the same venue features Casiotone For The Painfully Alone.
Opening the late show are Chicago's Light Pollution, who play a kind of synthy post-rock and whose debut LP, Apparitions, comes out June 8th on Carpark Records. That album's first single, "Good Feelings," a mid-tempo jam with appegiated synths under cymbal crashes and mountain-top vocals, is above. Its video is below.
Light Pollution have a few more shows this week too. They play Glasslands on Friday with electronica-pop bands of varying degrees: Keepaway, Memoryhouse, Tanlines and Psychobuildings. Saturday Light Pollution was scheduled to play at the still-closed Market Hotel - according to the band's Myspace, that show has been moved to Under 100, the sometimes-open venue that hosted Erykah Badu about a month ago.
Tanlines recently received a video for their song "Reinfo" from a fan, in the form of a video love letter/tour of the East Village. The band writes: "This guy who does a blog called Pitchfork Reviews Reviews randomly emailed us this video that he made for a girl named Anna. We like it, so now it's our official video!"
That, and a Light Pollution video and tour dates are below...
"Hello, and welcome to Portland, Oregon," quipped James Mercer, as he and Danger Mouse greeted the freezing crowd at Mog Day Party on the final day of SXSW. A 40-degree drop in temperature from Friday caused flip-flops and t-shirts to be replaced by hoodies, coats and gloves. Broken Bells were just one of several excellent bands that filled the indoor and outdoor venues of the Mohawk.
I finally made it downtown before 2pm by taking the rather efficient Metro Capitol bus. Traffic along I-35 into downtown took almost an hour the day before from just 10 minutes north. Arriving a little after noon Shilpa Ray and Her Happy Hookers were already on inside. Ray was squeezing the hell out of that squeezbox and her raspy, scowling voice was alarming so early in the day. It certainly set a tone. And Free Energy complete with free cassettes started things outside with their unabashed good times garage rock.
Back inside The Dum Dum Girls were up next with more of the same hazy lo-fi pop that drummer Frankie Rose was laying down the night before on the same stage with her band. I skipped back outside for Demolished Thoughts though Andrew WK (an advertised member along with Thurston Moore and J Mascis) was absent and the bassist for Fucked Up was filling in. It was thrashing punk stuff with silly songs like the 45-second "I Hate Kids" (those were the lyrics) followed by the 45-second "I Hate Sports" (some videos below).
Then it was back inside for a little dance - hip hop with Rye Rye and then back outside for Broken Bells - who kept busy at the festival. For a band only a couple months old they were tight and the songs sounded great. Inside again for Freelance Whales and then back outside for The Antlers, back inside for Real Estate and finally back outside for the Black Keys who straight up killed. Mercer and Danger Mouse (who produced the Keys' Attack & Release) and members of the Antlers were sidestage rocking out. The crowd was hanging over rails and pushing in toward the stage. Dan Auerbach and Patrick Carney had everyone riveted and rocking. Certainly the most polished performance of the day, perhaps the festival.
Unexpectedly, as I ventured back to the convention center, I stumbled upon Fanfarlo about to perform in Brush Square with free drinks (Shiner Bock!) and heaters to keep the tent warm. Fantastic live show. "If we knew there were going to be so many photographers, we'd have done better," quipped multi-instrumentalist Cathy Lucas about the the band's appearance.
For the evening it was all about finishing strong. I made my way to the Victorian Room at the Driskill for Miss Li who was great and her band was stellar, over to St. David's Bethel Hall to see some Texas bands as part of the Western Vinyl Showcase, including an unimpressive Matthew and the Arrogant Sea. I decided to go all out and dashed over to Barbarella for the excellent Best Coast who also played a couple of new songs that sounded really good. Back to St. David's for the ambient Sleep Whale (formerly MOM) from Denton, TX down to Paradise for crazy afro-beat inflected dance music courtesy of New York's Tanlines (it was a full-on dance party.) Finally, it was back over to St. David's for the beautiful, classical-leaning experimental band Balmorhea.
As anyone following along on @bvSXSW knows, after some serious transportation issues, Andrew Frisicano eventually made his way down to Monterrey, Mexico from Austin, TX (counting waiting for the bus to show up, it took him something like 18 hours which was 4 hours shorter than it took Ryan Muir) in time for a bit of the 2nd night and all of the third day (aka today, 3/22). Here is some of his story so far...
The Coathangers @ MtyMX (by TiTa_Elizondo)
"You Will Remember Tonight" was the song that stuck out in Andrew WK's headlining set at MtyMx Festival last night in Monterrey, Mexico. It was the second night of the fest, and the only set I saw because of a lengthy, complicated bus trip that started much earlier in the day.
There were a lot of questions coming down to Mexico: transportation, accommodations and food were mostly left in the hands of the festival, and at MtyMx now (5pm Monterrey time), most of those continue to be issues, sadly distracting from the bands who did make it. For some bands and showgoers the trip took 20+ hours of waiting and riding on buses, but if one thing has been consistent, it has been that no two MtyMx trips have been the same.
Due to spotty bus service from Austin, shaken confidence in the festival and scheduling issues, a number of the bands on the bill have canceled or been unable to make it down. Those bands (editor's note: which Todd P sarcastically addresses in a video below) include Washed Out, Small Black, Tanlines, No Age, Lucky Dragons, Anamanaguchi, Pocahaunted, Beach Fossils, MNDR, Sun Araw, Total Abuse, Talk Normal, The Wave Pictures, Fucked Up, The Sandwitches and Liturgy. On the festival's last day, arranging transportation back to Austin or elsewhere has been an overriding theme.
story continued below with video & more pics...
Most awesome show tonight for @truepanther with Lemonade + Tanlines + Blondes + Pictureplane and new fav beats man Janka Nabay.-ilirjana
photos by Erez Avissar
Tanlines, Lemonade and Janka Nabay played a co-release party at Monster Island on Friday, March 5th for each of their three EPs. Tanlines' Settings is out March 9th (today) on True Panther Sounds/Matador Records, as are Lemonade's Pure Moods and Janka's Bubu King EPs. Also at the show were Pictureplane and Blondes.
Tanlines play NYC again this Friday (3/12) at Eyebeam's Mixer: Olympiad (540 W 21st St) with Maluca and many many visual artists ("Artists, designers, musicians, engineers, and hackers alike will stage events that evoke the passion, the drive, the danger, and the majesty of competitive sport and mass spectacle. Join one of the five competing nations, and race for Olympic glory!") Tickets are on sale.
Most of the band mentioned here are heading to SXSW. Delorean, Lemonade, and Tanlines all play the True Panther showcase Todd P is hosting at Cheer Up Charlie's on March 18th. Tour dates for all of the above bands and more pictures are below...
by Andrew Frisicano
DOWNLOAD: Micachu & The Shapes - Lips (MP3)
Micachu & The Shapes @ Pop Montreal 2009 (more by Ryan Muir)
In addition to being at SXSW and MtyMx, Tanlines is playing a release party for its Settings EP (out March 9th on True Panther Sounds) on March 5th at Monster Island Basement. Also on the bill are Lemonade, Janka Nabay and Blondes. (It's not just a release party for Tanlines, you can get entry and 3 new 12"s from Tanlines, Lemonade and Janka Nabay for $25.)
Raisa Khan of Micachu & The Shapes sat in on keys and vocals with her friends UK band Laurel Collective at Hindenburg Mile High Club in London on Saturday, February 6th. The show was part of the band's monthly residency at the spot. Laurel Collective's debut album (actually a mini-album), Feel Good Hits Of A Nuclear Winter, came out in 2008 on Domino. Their more recent material (including a free cover of Micachu's "Golden Phone") is available online. They live up to the collective part of their name with a youthful group feel similar to Los Campesinos or Nana Grizol. Laurel Collective will be at SXSW this year for shows throughout the festival. Videos of their show with Raisa, tour dates and more are below...
photos by Natasha Ryan
Everything in Casablancas's long, hard year as a soloist has carried a steep learning curve, from touring by himself to getting the album into stores. For example, RCA is co-releasing his solo album, yet, he says, "they're not the label I signed with. The people change all the time. They're nice, they're cool, but honestly they don't do shit." So he did most of the work through Cult Records, the label he started for Phrazes and financed himself, and it didn't turn out much better. "You have all these dreams. I still like the plan, but it was executed terribly."Julian Casablancas, Telepathe & Tanlines played their second show together in a row at Terminal 5 on Friday night (1/15). Pictures from the first night, HERE. Pictures from Friday continue below...
And then there's the Strokes. Theoretically, they are putting out a fourth album. "It's coming!" he says. [NY Mag]
photos by Chris La Putt
"Ok, so in talking about the show with some old Strokes fan friends, people have express surprise at the fact that I enjoyed the show so much because...well, it's just not the same without all the other Strokes. To that point I say this: No, it's not The Strokes, but in my opinion, Julian is pretty much one of the best things about the band in the first place, so going to see a Julian Casablancas show is kinda like a Strokes show, but without all the other distractions.As I was saying (and the videos previously proved), Julian Casablancas headlined his first of two nights in a row at Terminal 5 last night (1/14). He, and his two openers (Brooklyn's Tanlines & Telepathe), do it again tonight (1/15). More pictures and the setlist from last night, below...
That said, Julian's music is much different than the regular Strokes fare. I like to think his solo work is more pop-based, and a little bit more carefree than Strokes songs. I also think his lyrics are more playful, the song structure more complicated and interesting, and the imagery more vivid. Perhaps that's more of a reflection of his maturation as a songwriter than anything else, but any way you slice it, the solo stuff is great and you should be so lucky to see him perform it live.
The show last night wasn't as elaborate as the ones he did in his LA residency (you know, the one that he felt were a fiasco) which included set pieces, costume changes, and an intermission, but it was polished, smooth, and successful. He truly seemed like he was having fun, and the crowd was enjoying it.
He seemed relaxed and at ease with himself and the songs -- a very different energy than the one I remember when he plays with The Strokes. At Strokes shows, so much of the show is propelled by each of the band member's energy bouncing off and pushing one another forward. At a Julian Casablancas show it seems much more like Julian is puttering along, guiding his backup band, and the pace of the show with the slow and steady push of his own internal performance propeller." [The Modern Age]
DOWNLOAD: Salem - Frost (MP3)
"If we wanted to, we could go on about how this is a perfectly timed reaction to all the beach jams released this summer, but we know it's not like that. No, it's just Salem pumping out another ultra-creepy windswept song, no matter what the temperature, only this time they've added some complexity to the drum programming, unscrewed the vocals and turned the whole thing into a battle between lush misery and the kind of marching band drum machine claps we expect from Mannie Fresh. We're more or less watching this band go from good to really awesome, and that's a good situation to be in. "Frost" is the a-side from Salem's 7-inch release with Audraglint." [Fader]Salem, the dark electro trio of John Holland, Heather Marlatt and Jack Donoghue, play a show at Glasslands in Brooklyn tonight (1/5) with synthy Gatekeeper. DJs play "new+classic-dark-electro-synthpop hits". Tickets are available at the door.
As far as we can tell, Salem only has a handful of releases to their name. Recently they released a single for the track "Frost/Legend" on Audraglint. The video for the "Legend" is below; "Frost" and more are streaming on their MySpace. Salem split a 7" with Tanlines as the December pick for the Fader/SoCo single series. That's streaming.
Flyer and videos are below...
photos by Erez Avissar
"Leichtung moved from San Francisco four years ago to study music technology at NYU's Steinhardt School. While perfecting his scruffy college boy look - think black-framed glasses, beat-up Converse sneakers, lots of band t-shirts and a permanent five o'clock shadow - Leichtung also found himself getting sucked into the DIY scene. He started out interning for Todd P, but now lives and works at the Market Hotel along with four friends and a revolving door of artists who rent out storage and rehearsal space for $394 a month. Though the Warhol's Factory aura of the Market is creatively appealing, Leichtung confesses, "Trying to go to bed before 4 a.m. around here can be a problem."" [The Brooklyn Ink]More pictures from Friday's show, below...
Neon Indian @ Mercury Lounge (more by Erez Avissar)
Neon Indian finished their three-night NYC run with a show at Brooklyn Bowl last night (12/17). Toro y Moi didn't open that show like he did at the two previous gigs which were both at Mercury Lounge, but he will play Brooklyn Bowl on March 26th when he opens for The Ruby Suns. Tickets are now on sale...
"[At Brooklyn Bowl, the] electronic musician known also known for his recordings under the name VEGA, blasted off into the lo-fi synthy stratosphere along with his three compadres, including what looked like a 17 year-old D&D player (cape included) and a cute girl in hot shorts that acted as band cheerleader. Playing tracks exclusively from their excellent debut LP Psychic Chasms while doctored images from teen-angst film The Doom Generation played behind them, Neon Indian had fun and looked good doing it. Their brand of dance music has a whimsical, nostalgic feel to it without sounding forced." [NY Press]Pitchfork just named Psychic Chasms the 14th best album of 2009. VEGA was just added to tonight's show (12/18) at Market Hotel with Tanlines. Future Islands canceled due to illness.
And the Market Hotel show is actually one of two appearances Neon Indian band members are making in Brooklyn tonight. Neon Indian (aka drummer Jason Faries) is also listed as a DJ at the new Germs party at Europa. More details on both shows below...
Crystal Fighters looking sexy in the woods
Crystal Fighters - 2009 NYC Tour DatesThe Kitsune-signed, London-Based (but from Spain) electronica band Crystal Fighters (not to be confused with Crystal Castles, Stilts, Antlers, or Skulls) are kicking of a three night run of shows in NYC tonight (11/19). NYC dates above. Videos, flyers and all tour dates below....
Thursday Nov 19 @ Santos Party House
Friday Nov 20 @ Glasslands w/ Tanlines & Lemonade
Saturday Nov 21 @ Le Poisson Rouge w/ Little Dragon & Body Language
After months of speculation (much of it in our own corridors), we can happily announce that Matador Records has purchased the True Panther Sounds label. TPS, best known to many of you as the imprint behind Girls' recent rise to prominence, will continue to be managed by label founder Dean Bein. What would possess Matador to become involved with another label in this capacity? As Victor Kiam once explained his decision to purchase the Remington Shaver operation, "I liked it so much, I bought the company." Needless to say, we like Dean, Girls, Glasser, Tanlines, Lemonade and Hunx & His Punx much more than than Mr. Kiam appreciated those razor blades.Girls, who Amazon says put out the 6th best album of 2009, are on tour with Real Estate. They play a sold out show at Bowery Ballroom in NYC tonight (11/6).
At the moment, Girls' 'Album' is the only True Panther Sounds title to be worked through Matador's fearsome promotional & marketing machinery (ie. Hunx' recent 'Gay Singles' LP, was not). However, in the months to come, additional offerings from TPS' impressive roster (prior releases have included titles from The Fly Girlz, Ty Segall, Rainbow Bridge, The Standing Nudes amongst others) will receive similar treatment. Stay tuned! [Matador]
Girls were not here for CMJ when Matador and True Panther teamed up for a showcase at The Suffolk.
Tanlines' last NYC show was at the Guggenheim with Yeasayer.
photos by Chris La Putt
"[Friday] night the Guggenheim hosted another event for their It Came From Brooklyn series, which brings talented Brooklynites all the way to the Upper East Side. The evening was hosted by Max Silvestri, and featured a (bit too maudlin) reading from Rachel Sherman, and live sets from Tanlines and Yeasayer. A 3-D light show was also advertised, but as the evening went on we were told the glasses were merely for "enhancement" purposes.Yeasayer's new and free single is out now. More pictures from the Guggenheim below...
The $45 ticket price is a bit high, but those in attendance were also able to check out the Kandinsky retrospective while there... just so long as they didn't have their 3-D enhancement glasses on. The guards were unusually strict about this.
There was a bar set up, with a ticket system in place (one wine was 3 tickets, aka $6); and the museum served as a gorgeous venue, with plenty of great sightlines. Frank Lloyd Wright, however, didn't design it to be acoustically perfect for future indie bands -- leaving Yeasayer sounding more like Mehsayer (sorry). That said, we sort of prefer these museum rock shows over the status quo -- so we hope there are many more to come!" [Gothamist]
photos by Tim Griffin
"Cold Cave was one of the most hyped CMJ acts to hit New York last week. Their dark, almost industrial music went well with the extremely dark stage [at The Suffolk] and with their look- all black clothes and somber faces. I felt like a vampire or a bat in a cave. But I wasn't scared. Cold Cave's music is both slow and aggressive, moody and somehow poppy. While the crowd brooded I bet inside they were ecstatic. The music of Cold Cave is powerful and visceral. Maybe a little boring in a live setting, but something tells me that's the point. Enjoy the darkness." [Microphone Memory Emotion]Cold Cave played before Ted Leo at The Suffolk on Friday night. Tanlines, Glasser (backed by Tanlines), Harlem, and Lemonade also played the True Panther / Matador bill. More pictures from the show below...
DOWNLOAD: The Very Best - Warm Heart of Africa (Violens remix) (MP3)
Ted Leo @ Pier 54 in July (more by Chris La Putt)
Ted Leo is one of many the acts lined up for the space at 107 Suffolk St (alternately called The Suffolk, Flamboyán Theater and Clemente Soto Vélez Cultural Center) during this year's CMJ Festival. The space, which also has a "beach" bar, isn't unaccustomed to shows - it hosted Ponytail in April - but around this time of year its usually set up as a haunted house (now housed elsewhere).
Ted Leo (now on Matador) will be headlining a True Panther/Matador Records showcase at the Suffolk on Friday, October 23rd. The impressive lineup for that night includes Glasser, Harlem, Cold Cave (who just played NYC with Faust) and Lemonade (who have many other CMJ shows, listed below). It's one of the official CMJ shows there (full schedule is below).
That gig is one of two shows set up by True Panther - on Saturday, October 24th they're also putting on a show at Pianos with Restless People (mems. of Professor Murder/Tanlines who debut five days earlier at Santos), Janka Nabay (backed by Javelin), Glasser (backed by Tanlines), Delorean and Lemonade. Flyer below.
Ted Leo also has some other upcoming dates scheduled including a post-CMJ headlining gig at Bowery Ballroom
The Suffolk is also playing host to unofficial, non-badge, first-come, first-served parties. AAM has one on Thursday, October 22nd (10pm) with Surfer Blood, Air Waves, Surf City, Violens (Very Vest remix MP3 reposted above), Lemonade and New York Night Train DJ Jonathan Toubin (who has his own showcase at Santos on Tuesday).
Schedules and flyers for all of the above shows are below...
Yeasayer @ Hudson River Park in August (more by Bao Nguyen)
Yeasayer recently revealed in an interview with Pitchfork that they had finished their sophomore album and it would be released on January 19, 2010. There are four new songs they've been playing live; the four new songs are "Madder Red," "O.N.E.," "I Remember," and "Amblin' Alp." Yeasayer has also hinted that they would do something big in October.... [Wikipedia]One "big thing" Yeasayer will definitely be doing in October is playing the next date of Guggenheim's It Came From Brooklyn Series on Friday, Oct. 30th. Rounding out the lineup are Tanlines (their only scheduled show as of now), author Rachel Sherman and comedian Max Silvestri as MC. Tickets are on sale.
Yeasayer is currently in the UK, on tour with Bat for Lashes (who played NYC in August).
Yeasayer's Anand Wilder and Ira Wolf Tuton worked on Bat for Lashes' new record, Two Suns, which came out in April. As for their own still-untitled CD, Yeasayer's new disc is expected early next year (see above). Pitchfork called their last album, All Hour Cymbals, the 197th best album of the decade.
At least one member of Tanlines (also playing the Guggenheim show) is in a new group with members of Professor Murder called Restless People.
DOWNLOAD: Real Estate - Beach Comber (MP3)
Real Estate @ Brooklyn Bowl in August (more by Oren Loloi)
Real Estate have only been around short time, but it seems like hardly a week goes by without a show from the band or one of its member's solo projects (Ducktails, Predator Vision, etc.). They'll finally get around to releasing their debut LP, a self-titled record, on November 17th on the Woodsist label. The first track from that is posted above and two other "album versions" are up on their Myspace.
Real Estate play a tour send-off/Showpaper benefit on October 14th at Monster Island Basement with Big Troubles and Honeydos. The tour in question is a short jaunt down South, before they return for a slew of CMJ-related shows. The first of those happen October 21st at Pianos and Santos (the later of which is an Oh My Rockness party with The Drums and others). Their other CMJ gigs include an Underwater Peoples showcase at The Delancey, a Death & Taxes show at Glasslands on October 22nd with Japandroids (one of many CMJ gigs for that band) and a Mexican Summer/Kemado Showcase at Music Hall of Williamsburg on October 24th. Joining them at MHOW will be Farmer Dave Scher (his first in NYC since opening for Jenny Lewis in June), Young Prisms, The Smith Westerns who have other CMJ shows TBA), and The Amazing, a Swedish group with members of the Kemado-signed Dungen, Anna Jarvinen and Sagor & Swing (streaming tracks at their MySpace). Tickets for that Music Hall show are on sale.
One artist who's not playing that show or any CMJ shows at all is Washed Out (Georgia's Ernest Greene). He'll play just one NYC show (his second live show ever) one day before CMJ at Santos Party House on October 19th with Restless People. Tickets are on sale. I tried to get him to open the BrooklynVegan CMJ show at Music Hall on October 20th (one day later), but he said he can't even stay in town that long due to personal commitments back home.
Rising, Breaking, Band to Watch vs Bear, Washed Out (the next Neon Indian even), though fairly new to the scene, already appears on a free Outfitters compilation that also includes tracks by Girls, Vivian Girls, A Place to Bury Strangers, No Age, Le Loup, Rain Machine, The xx, The Very Best, Kurt Vile and The Dodos (who have two NYC shows this week). Washed Out's "Life of Leisure" 12" is out on Mexican Summer now.
One day after CMJ (10/25), Real Estate play a 1:00PM NYC show just for kids (Kidrockers) at The Living Room with... Neon Indian. Tickets are on sale ("Adults must be accompanied by a kid and vice versa").
Real Estate will follow up their CMJ with a November tour with Girls. That hits Maxwell's on November 2nd and Bowery Ballroom on November 6th. Real Estate album, tour dates and flyers below...
DOWNLOAD: Suckers - It Gets Your Body Movin' (MP3)
ARTIST: SuckersHelp Suckers celebrate the release of the EP at Glasslands in Brooklyn tonight (4/23). Tanlines and Suckers are both on the bill ($5 at the door, free Colt 45 from 8-9 PM). Flyer below. Grab one of the four tracks for free above.
TITLE: Suckers EP
IAM 026 | Release Date: 04.14.09
Produced by Yeasayer's Anand Wilder
01. Beach Queen
02. Afterthoughts & TV
03. Easy Chairs
04. It Gets Your Body Movin'
And if you miss the show, or even if you don't, there are plenty more chances to see Suckers in town. Their current schedule includes an opening slot on the May 12th Pains of Being Pure at Heart show at Bowery Balllroom, and an opening slot at the MGMT show in Prospect Park, and four shows at Pianos in July (a residency). All dates below...
photos by Ryan Muir
DOWNLOAD: Casiokids - Fot I Hose (Axemax Remix) (MP3)
Sunday (3/15) night's pre-SXSW show at the new venue Cameo in Brooklyn had the impressive lineup of Norway's Casiokids, and England's Mumford and Sons and Slow Club with support from local bands Apache Beat and Tanlines. We posted the pictures of Casiokids already. The rest are below...