Entries tagged with: Terminal 5
photos by Chris La Putt
Friendly Fires @ Terminal 5
"By the second song, the soaring, drum-heavy hit "Jump in the Pool," Macfarlane had jumped into the crowd, carrying the handbells he was playing. He was back in the crowd two songs later for "True Love," singing from the middle of the audience, then pushing back to stage.Friendly Fires played their 2nd-to-last tour date with Theophilus London last night (10/26) at Terminal 5 (they finish tonight at Paradise in Boston). More pictures from the NYC show below...
If Macfarlane's antics were reminiscent of a younger Bono, it was no surprise: Some of Friendly Fire's songs clearly echoed U2 - especially "Chimes," with its soaring guitars and two drummers pounding out military beats. They also were incredibly tight.
Other songs were downright disco - "On Board" and "Skeleton Boy" -- again appropriate, with the enrapt crowd essentially becoming the throbbing mass of a rave, jumping and clapping as much as dancing -- by halfway through the set." [Lehigh Valley Music]
photos by Chris La Putt
Crystal Castles @ Terminal 5 in March
The New York Photo Festival's Fall invitational presents a selection of images that capture the powerful relationship between photography and music in all its forms, be it solo musicians, bands, rock concerts, grand operatic productions, or intimate one-on-one sessions.BV photographer Chris La Putt has two photos in the exhibition, one of Amy Winehouse, and the you one see of Alice Glass from Crystal Castles above. More pictures from that March Terminal 5 show, and the full list of photographers in the exhibition, below...
From Herman Leonard's jazz portraits, which defined an era of cool, to Pennie Smith's explosive shot of Paul Simonon smashing his bass. From Mapplethorpe's intimate portraits of Patti Smith, to the iconic photography of Anton Corbijn and Laura Levine, photography has long been instrumental in how we experience music.
Strip away the music, and what you have is an image that defines a moment, an emotion. An image that tells a story.
The photographs selected for "Audio/Visual" capture the unique relationship between photography and music - be it solo musicians, bands, rock concerts, grand operatic productions, or intimate one-on-one sessions.
"Audio/Visual: An exhibition of music photography" will feature over 100 photographs by 70 artists - on view at the famed gallery and event space The PowerHouse Arena in Dumbo (Brooklyn), from October 19 to November 3.
photos by Dana (distortion) Yavin
"This is the craziest time for The Smashing Pumpkins since the mid-'90s," says Billy Corgan over a cup of tea in his dressing room at New York's Terminal 5. "We just finished Oceania, but we don't know when it's coming out. We don't have management, and we don't have a record label. We don't know what we're doing or when we're doing it." [Music Radar]Billy Corgan brought the latest iteration of Smashing Pumpkins to Terminal 5 in NYC on Tuesday (10/18), part of an ongoing October tour. More pictures & the setlist below...
photos by David Andrako
Hot, packed and dancing on Friday, New York's Terminal 5 was a scene rarely seen, in which nearly everyone in attendance was engaged and enthusiastic, their pretensions left at the curb. With Fredrik Källgren Wallin and Håkan Wirenstrand making melodies on either side of the stage and Erik Bodin hemmed in behind the raised drum kit, the job of crowd engagement rested squarely with Yukimi Nagano, and she carried its weight effortlessly. Barefoot and at ease onstage, flitting between impassioned and lackadaisical, Nagano is less charismatic than instructional, a how-to on letting go, or just never needing to, like a Sesame Street moral come to life. Her face has a sleepy, calming contour that's easily stared-at, and her dancing is carefree and natural, punctuated by timed punches to an immaculately choreographed and deceptively gigantic light show. Nagano's voice has a full, wavy heft that's remarkable to witness, strained at times and mathematically precise when required.- [Rolling Stone]Little Dragon headlined Terminal 5 on Friday (10/14), joined by Javelin, Donn T and a DJ set by Brooklyn Bowl regular Questlove (he plays this Thursday!). Pictures from the big show are in this post.
Little Dragon's appearance was part of a larger stretch of US dates that extends until the end of October, and included a DJ set the following night (10/15) at Yotel with Free Magic and Faso. Many of Lil Dragon's upcoming dates are with Tycho who played his own NYC show at Music Hall of Williamsburg over the weekend.
All dates, more pictures from Terminal 5 and the setlist, below....
Girls at Bowery Ballroom last month (more by Ryan Barkan)
Girls did us a favor last month and decided to play two shows at Bowery Ballroom (9/23, 9/24) even though they had previously headlined the bigger Webster Hall. Well, don't get used to it because Girls' next NYC show is happening, not down at the small Mercury Lounge or even back at Webster or Irving, but instead at the massive Terminal 5 on January 14th. Tickets go on sale Friday (10/21) at noon.
It's their only currently scheduled US show besides Fun Fun Fun Fest in Austin next month. All international dates are listed, with their recent video for "Honey Bunny", below...
photos by David Andrako
"Iron & wine at T5 was incredible, duh. Full band serves him well. Also, 3 from Woman King!" -davidsankey
Iron & Wine return to Terminal 5 TONIGHT (10/13), after blessing the venue with Low last night as part of their two-night stay. The Low Anthem will do warm 'em duties tonight and tickets are still available for all of you procrastinators. Pictures from last night are in this post.
No word on if Marketa Irglova will join Iron & Wine like she did last night, but we'll let you know if that changes. You CAN catch her at her confirmed appearance on 11/30 at Bowery Ballroom though. Tickets are still available.
More pictures from night one are below.
Gogol Bordello at Newport Folk Fest 2011 (more by Jim Brueckner)
Gypsy punks Gogol Bordello have various internationl dates scheduled in November and December, and will be returning to NYC to celebrate the new year like they've done for the past few years. These shows will take place on December 30 and 31 at Terminal 5. Tickets go on sale Friday (10/14) at noon with an AmEx presale starting Wednesday (10/12) and the band are giving you an option to donate $1 to Doctors without Borders with the purchase of a ticket.
All dates and a video of Gogol playing "Immigraniada" at Brooklyn Bowl last year below...
photos by Vincent Cornelli
Over the last five years -- since Mr. Condon began recording as Beirut, at an earnest 19 -- it has been easy to accuse him of cultural tourism, and easy to forgive him for it. Early on he was deep in his Balkan folk phase, which still defines Beirut's instrumentation, if not always the expression of its style. Later there came an infatuation with French chanson, and later still a fascination with Mexican funeral bands and electronic music.Like they did last Wednesday, Beirut & Laetitia Sadier played a show together on Terminal 5 on Thursday (the next time). Here are pictures from that show. They continue, with most of the setlist, and new tour dates, below...
Last month brought us "The Rip Tide" (Pompeii/Revolver), an album of more sustained clarity and concision than anything else in the band's catalog. (In addition to two previous full-length albums, there has been a handful of EPs.) Recorded in Brooklyn and in the Catskills, it's an album of modest self-possession, from a band known for only one of those qualities. Small wonder that the songs from the new album in Wednesday's set list -- "Vagabond" and four others, including "Santa Fe," a chirpy love note to Mr. Condon's hometown -- sounded so breezy and right. [NY Times]
photos by Greg Cristman
Kyuss Lives! @ Terminal 5
The Aquarian Weekly: You're doing rehearsals?Kyuss Lives!, and apparently so does bassist Nick Oliveri. He was in the band, despite his recent troubles, when the reunited desert stoners hit Terminal 5 on Friday (9/23). Pictures are in this post.
John Garcia: It's pretty much pre-production for the next record has already started and we're just trying to get all of our ducks in a row and whatnot.
Wow. That seems really quick. Do you have new material already, or is pre-production writing it?
Yeah, it's more pre-production writing it, sitting in the room and bouncing ideas back and forth, talking about tones and drum sounds, guitars, whether it be sitars or 12-string baritones or whatever it may be. We're kind of ironing out all the logistics of it all. It's an exciting time.
Is Brant taking the lead role in writing the music?
One thing for certain is it's everybody's responsibility to come to the table with something. This is a group thing, and Brant expects that. Brant expects that out of everybody. Whoever brings something to the table, music-wise, he needs to put his 25 percent in there, I need to put my 25 percent in there, and Bruno does, so we all have to. Nick does. So it's definitely a planned thing, where the song deserves everybody's input. That's the good thing about it. It's not just one person, it's the whole band thing, whether it be writing lyrics--Brant's gonna come to the table with melodies, I'm gonna come to the table with music. There's switched roles, and I look forward to that. It's definitely a group project, though.
...Now, obviously, a huge, integral part of Kyuss is not there, and it's going amazingly well without Josh. Now, a lot of people think that there's--a lot of people want there to be a lot of animosity between Josh and Kyuss Lives! The flipside of the coin is that there's no animosity. We all love and respect Josh, and it goes both ways, so it's very, very interesting, how the process is going.
The show was the first reunion show in NYC for touring quartet, which features John Garcia, Brant Bjork, Nick Oliveri and Bruno Fevery in place of Josh Homme. The setlist, as you can see below, stuck to the classics (despite the new material discussed above).
If you arrived early, you may have seen support from The Sword and MonstrO, the latter of which is the new project from ex-Torche member Juan Montoya and Kyle Sanders of Bloodsimple (and brother of Mastodon bassist Troy Sanders). Their debut LP is out now via Vagrant Records.
More pictures from the T5 show below...
photos by Redboy
"Elbow. Slightly different audience from the Kyuss show. (@ Terminal 5)" - Andrew Cove
"Concert #3 this week: Elbow. Everybody here has a British accent." -Jackie Balzer
Elbow played a show at NYC's Terminal 5 last night (9/25) as part of a short American tour in support of their Mercury Prize-nominated album Build a Rocket Boys!. Glasser opened, but we missed her. Some more pictures of Elbow and video from their set, below...
Chromeo and DJ Mehdi
It's been almost a week since we found out about the tragic death of the too-young Ed Banger DJ Mehdi. One of the first confirmations of the awful news, as we pointed out in our post, came from Mehdi's friends in Chromeo via Twitter. Dave One has since posted a lengthy memorial to their friend on Facebook along with the above picture. You can read the whole thing below.
Earlier this month, Chromeo added a 11/4 Terminal show to their tour with Mayer Hawthorne and Breakbot. That Terminal 5 show has since sold out, but they've since added a second show at the same venue the next night. Tickets for the 11/5 Terminal 5 show are available for AmEx presale and Internet presale (username: chromeo, password: tickets) now and go on sale to the general public on Friday (9/23) at noon.
Updated dates and the words on Mehdi, below...
Stephen Malkmus @ Other Music in Aug (more by Dana (Distortion) Yavin)
Terminal 5 haters rejoice. Stephen Malkmus & The Jicks had to do some rearranging...
The New York show is being moved from Terminal 5 to Webster Hall, and will now take place on Sunday, September 25 instead of Monday, September 26. All tickets purchased for the Terminal 5 show will be honored at Webster Hall.Updated Malkmus dates below...
The Chicago show originally scheduled at the Vic Theatre has been moved to Metro, 3730 N. Clark. Tickets purchased for the Vic Theatre will be honored at Metro. Showtime is 8:00pm; Holy Sons will open the show. Tickets for the Metro show are $22.50 and are on sale now through etix.com and jamusa.com. Ages 18 & Over.
photos by Diana Wong
Girl Talk and tennis fans @ Terminal 5
"When New York lifts the curtain on the 2011 U.S. Open, a brilliant rivalry among an uncommonly gifted generation of men's tennis players will take center stage.After the earthquake, but before the hurricane, Girl Talk and Matt & Kim played a private U.S. Open party, sponsored by Heineken, at Terminal 5 (on Wednesday, August 24). Diana Wong was among those in attendance, and she took some pictures. They continue below...
The chief protagonists: Roger Federer, at 30, fighting time and more physical foes in pursuit of a 17th major title; Rafael Nadal, whose victory last year completed a career Grand Slam; and Novak Djokovic, on track, with a 57-2 record, for the best season in the history of the men's game....
...But first comes a more daunting name: Hurricane Irene, whose strong winds and torrential rains are due to hit Long Island on Sunday, the day before the U.S. Open is scheduled to begin.
Tournament officials took the unprecedented step of canceling Arthur Ashe Kids' Day on Saturday and announced they'll shutter the Billie Jean King Tennis Center altogether on Sunday, scuttling the customary pre-event practice sessions and interviews. Meantime, New York Mayor Michael Bloomberg ordered an evacuation of the city's low-lying areas, and all Broadway shows were canceled for the weekend.
All told, it's an ominous beginning for the season's final major, which is scheduled to conclude on a somber note, with the men's championship to be contested on the 10th anniversary of the September 11 terrorist attacks. [Wall Street Journal]
photos by Dana (distortion) Yavin
The Kills, fresh from Lollapalooza, played two Terminal 5 shows with The Pains of Being Pure at Heart and A Place to Bury Strangers. The first show was on Monday (8/8) and the second happened last night (8/9). The Kills focused on material off the recently released Blood Pressures, but also saved time for a few older cuts and a cover of Marilyn Monroe's "One Silver Dollar," which NY Times point out is from what singer Alison Mosshart declared Monroe's "worst movie."
Though not on the bill, BP Fallon, who played Escape to NY over the weekend, also made a surprise appearance at the Terminal 5 shows. According to Barbara S, he made "T5 a whole lot less shitty." Amber Kim says he did "I Believe in Elvis Presley" which is a Jack White-produced song.
We've got pictures from the first night. They continue below...
photos by Dana (distortion) Yavin
Jane's Addiction played their first concert in NYC in a really long time on Monday night (7/25). The reunited band did hit NJ and Long Island as part of their 2009 tour with Nine Inch Nails, but not NYC proper, not to mention not at a venue as small as Terminal 5 where this one took place.
Unlike in 2009 though, original bassist Eric Avery is not playing with them anymore. His return to form the complete original lineup was shortlived. Chris Chaney was back on bass for the show along with original members and reality TV stars Perry Farrelll & Dave Navarro and original drummer Stephen Perkins. TV on the Radio's Dave Sitek is playing bass on, and helping produce, a new album. I didn't notice him anywhere though, but maybe he was in the house.
The free show was the "world's first 3D user-generated concert event". The concert itself wasn't in 3-D, but it was being filmed (and streamed live on Youtube), and the footage is going to be turned into "one special 3D 60-minute documentary film which will be premiered on the LG Thrill 3D YouTube channel on August 4." Those in attendance at the show were able to get their free tickets from various sources including Brooklynvegan, from LG, and via an allotment the band gave out via Ticketmaster.
Jane's played a 12-song set (encore included) including classics and hits like "Ocean Size", "Three Days", "Been Caught Stealing", "Stop!", and crowd favorite "Mountain Song" which spawned the most moshing and ended with the loudest applause. They also played "Just Because," off their first reunion album, and new track "Irresistible Force," off the upcoming album The Great Escape Artist. When the band returned for an encore, they played the great "Jane Says" acoustic at the front of the stage, complete with bongos, though everyone's attention was mostly on the massive amounts of confetti, regular balloons, and balloon animals that were falling from the ceiling. Two scantily clad female dancers, on stage for parts of the show, added to the glam of it all. The show probably could have been a bit longer, but it was free (and they got their footage).
More pictures, videos, and the setlist from the show, with more dates, below...
photos by Diana Wong
Honestly, I'm a little mind-blown right now. Phantogram and RJD2 opened for The Glitch Mob, and they were nothing short of incredible. I was surprised by how people didn't really seem to know RJD2 though, because when we got there, there was a lot of talking going on and not much dancing. It was still really beautiful, but I'm just surprised more people weren't dancing...The Glitch Mob headlined the dance party (well, sort of) at Terminal 5 on Friday 7/22 with RJD2 and Phantogram. The show is part of The Glitch Mob's current and ongoing set of dates with Phantogram that puts them in Montreal tonight (7/27) at SAT.
Phantogram also blew me away, with their fly lead singer, Sarah Barthel. Rocking a Karen O. hairstyle, she headbanged, and played the hell out of the keyboard. It was really hard to not dance to.
All I can say is that the Glitch Mob was able to make me dance way more than I expected, and that's all I'm ever trying to do. Their sound was perfect too, not too heavy on the bass. They also opened their set with Daft Punk, which was probably the wisest move they could've made because it was such a crowd pleaser. -[Et Musique Pour Tous]
The Glitch Mob recently released their new We Can Make The World Stop EP. Stream all three tracks at their site. All tour dates are below.
RJD2 returns to NYC to hit Webster Hall on September 2nd. The DJ/producer also has some other tour dates as well as a new project on the way:
Hey folks, I wanna let you all know that I've got a new group called Icebird, and my label is putting out our album on Oct. 11. I did all the production, and this awesome singer named Aaron Livingston (who sang "Crumbs off the Table" on The Colossus) did all the vocals. I'm pretty damn excited about how the album came out; we'll be giving away tracks starting august 2nd to preview. Stoked for you to hear it!Look out for that LP on 10/11, and check out more pictures from Terminal 5, with all dates, below.
1. Regular Event TicketsI don't personally see Little Dragon fans paying $25 to get early admission to Terminal 5 and an autograph, but hey, it's an option. Tickets for the Terminal 5 show also go on AmEx presale today at noon (general sale starts Friday). More dates HERE.
2. Little Dragon Premium Ticket Bundle is $25 above face and includes:
- One General Admission Ticket
- Early Entry into the venue the night of the show
- One Limited Edition Autographed Poster
- One Commemorative Tour Laminate
*Information regarding the Early Entry will be emailed to buyers about one week before the show.
**VIP Packages are non transferable. The name in the billing information will be the name on the VIP list.
Little Dragon, who are playing the sold out BV presented 'Ritual Union' album release show on August 16 at Music Hall of Williamsburg, have announced an extensive international fall tour in support of the album. That tour mainly includes overseas dates but there are a few stops in the US including Moogfest and one on October 14 at Terminal 5. Tickets for the large NYC show go on sale Friday (7/29) with an AmEx pre-sale starting Wednesday (7/27) at noon. All dates, including an LA show at Avalon, are listed below.
Ritual Union, the band's 3rd LP, was released on Peacefrog/EMI today (7/26). Purchase the album as LP/MP3/CD on Amazon. You can listen to a track below.
"I’ve been listening to their albums for a while and I've been a big fan. They seem to have a real, original direction. Every time they put out new material, it's always forward-thinking and changing up and doing something which no one thinks they’ll do. They're not conforming to what other people think is pop music or electronic or any particular genre. Even in terms of live shows, they’re pretty exciting. I was really keen on working with Yukimi, and they were really up for it."Yukimi's vocals have also been featured on albums by Maximum Balloon (Dave Sitek) and Gorillaz. All Little Dragon tour dates below...
As previously mentioned, Jane's Addiction, the band (give or take a member) responsible for 1988's Nothing's Shocking and 1990's Ritual de lo Habitual, not to mention 1987's Jane's Addiction, are playing a free show at NYC's Terminal 5 on July 25th (7:30pm doors, 9:00pm show).
The show is free, but you need a ticket to get in. There were a bunch of Ticketmaster-based "presales" this morning, but they "sold out" quick. Around 1pm today Jane's posted this message to Facebook: "Terminal 5 tickets are officially gone! Sorry to those who couldn't get them, and to those that did, see you on the 25th."
Well, that's not completely true. We have a bunch to give away, and we're offering two ways for people to win a pair (if you are 21+, not our rules). You can email us an entry (instructions below), or enter via the BrooklynVegan Facebook (via a contest post which will be up soon - keep an eye out for it).
So why this concert? Well in the words of show sponsor LG:
The technological force of LG is uniting with YouTube, the largest video-sharing site on the web, to create a one-of-a-kind concert experience that will push senses into another dimension. On July 25, LG Mobile Phones and YouTube will give Jane's Addiction and tech fans the exclusive opportunity to watch and be a part of the World's First 3D User-Generated Concert event. Adding a whole new dimension to the concert experience, attendees will use LG Thrill 4G devices to shoot their own 3D video of what is sure to be an electrifying performance. The 3D creations will then be collected and combined by LG into one 60-minute documentary - culminating in what will soon be known as the World's First 3D User-Generated Concert. Consumers watch the concert live on YouTube (7/25) or at an AT&T store on the new LG Thrill 4G. Fans can tune back into the LG Thrill YouTube 3D channel on August 4th to view the premiere of the 3D documentary. Visit LGThrill4G.com for more information about the concert and the awe-inspiring glasses-free 3D LG Thrill 4G exclusively on AT&T.So there you have it. Sounds pretty cool. Contest details below...
We'll also be giving away a bunch of tickets for this show today on BrooklynVegan.com, but our post isn't ready yet and this Jane's Addiction promotion is going on now, so get your tickets via Ticketmaster if you can and stay tuned for more info and more chances to win coming later today. UPDATE: Here is our contest.
photos by Louie Abellera
Iron & Wine in Chicago on June 6th
Iron and Wine have been pretty busy after the release of their major label debut Kiss Each Other Clean back in January. They kicked off the year with a tour that hit Radio City, have hit a bunch of festivals, and have more coming including ACL and MusicfestNW, in addition to other international summer shows. There's no evidence they'll keep this up and do a full fall tour, but it doesn't seem entirely out of the question considering they've just announced two NYC dates (and a show in Toronto).
Iron & Wine will play NYC's Terminal 5 on October 12 and 13. Tickets for both NYC shows go on sale Friday (7/15) at noon with an AmEx presale starting Wednesday (7/13) at noon. No openers have been announced for the shows yet.
Back on June 6th, Iron & Wine played a free show as part of the Downtown Sound Summer Music Series in Chicago. A set of pictures and the setlist from that show are in this post. More of the pics along with all tour dates, below...
photos by Jessica Amaya
Beirut @ Northside Festival
Beirut is currently on tour in support of the release of the upcoming album The Rip Tide (album art below), which is available for pre-order. That tour has been expanded and now includes two NYC dates at Terminal 5 on September 21 and 22. Tickets go on sale Friday (7/8) at noon.
Beirut's last NYC show was in McCarren Park with Sharon Van Etten and Yellow Ostrich as part of the Northside Festival. We already talked about that, but here's a second set of pictures from the event in this post.
The rest of those pictures, all tour dates and Rip Tide album art below...
photos by Tamara Porras, words by Andrew Sacher
J & Henry
Off!, lead by former Circle Jerks/Black Flag frontman Keith Morris, kicked off night four of Dinosaur Jr's Bug tour at Terminal 5 last night (6/23). Keith prefaced the show with an introduction of Off!'s veteran lineup that includes Dimitri Coats (Burning Brides), Mario Rubalcaba (Earthless/Hot Snakes/Rocket From the Crypt) and Steven McDonald(Redd Kross). Off! launched directly into album opener "Black Thoughts" and immediately met and exceeded the expectations set by the impressive lineup. With some of the crispest tones and sharpest hits, the band thrashed along ruthlessly as they pummeled through minute-long blasts, which acted as the perfect backdrop for Keith's piercing screams and powerful on-stage force. Despite the fact that the large venue was only about half-full at this point, Off! delivered as if the room was packed. Keith Morris, with Black Flag's Nervous Breakdown EP and a long stint in Circle Jerks under his belt, had every right to act like he knew he was a legend, but instead he modestly expressed how grateful he was for the people that came out early to catch their set.
Keith and band
Though Off! were certainly a difficult to act to follow, Fucked Up took a stab at it with almost the exact opposite approach to punk. While Off!'s songs rarely reach the 2-minute mark, Fucked Up's usually double or triple it, and explore much artier territories. Their set consisted mainly of material off their recent epic David Comes to Life, and though the set wasn't especially long, they hit most of the album's high points. Fucked Up played as hard as ever, and the new songs really pulled through live. The only downside was the size of the venue. Damian's usual antics, like going into the crowd and holding the mic out over the audience work well in smaller clubs, but if you weren't in the first few rows at Terminal 5, it came off less successfully than the band deserved. Things should be a little better at 285 Kent on Saturday night.
Before Dinosaur Jr. took the stage, Henry Rollins (aka the second Black Flag frontman on stage that night) conducted a much-anticipated interview with the band. Henry was a great person to interview Dinosaur Jr. Not only is he arguably the best speaker in punk rock, but the admiration between Dinosaur Jr. and Henry Rollins for each other was so clear. Henry opened his interview by telling us he is a "XXXL Dinosaur Jr. fan," and during the interview, when asked which live shows were influential on them, Murph mentioned Black Flag. In the interview they discussed things like how Dino got their start, the independent music industry, Husker Du (whose frontman Bob Mould should have been at Terminal 5 instead of 92YTribeca), Lou's departure from the band, and other related topics.
After the interview concluded, the members of Dinosaur Jr. left the stage shortly before returning to play Bug in its entirety. J Mascis began the show by saying, "We opened the other night with 'Freak Scene' and it was kinda weird so we're gonna play 2 songs that aren't on Bug first." The band quickly jolted through "In a Jar" and "The Wagon" before taking on their 9-track masterpiece Bug. The opening chords of "Freak Scene" rang throughout Terminal 5 as the crowd responded with cheers of admiration for the album's powerful opener. In typical Dinosaur Jr. fashion, J. Mascis stayed virtually still for the majority of the set, even when ripping through noisy, intricate solos, as Lou Barlow was bashing around stage. Though "Freak Scene" is by and large the album standout, some of the most exciting moments of the show came later on in the set. The band's energy on "Yeah We Know" and "Budge" was especially dead on. For the album closer, "Don't," Lou admitted that he had blown his voice out screaming the song on the first night of the tour so he invited a friend up to perform vocals. Dino turned the song into an extended jam as their guest vocalist writhed on stage and executed a frenzied rendition of Lou's screams on the track. Same story, same special guest at the Northampton show.
After the jammed out track subsided and Bug was over, the band performed an encore with three more tracks. The last one, a cover of "Chunks" by Last Rights, invited Fucked Up's Damian Abraham out to perform lead vocals. Once starting the song, it only took Damian a few seconds to end up back in the crowd, and for their guest vocalist who had performed on "Don't" to run back on stage, grab J's mic, and join Damian in the song. After the encore and much praise for the band from Damian, Dinosaur Jr. left the stage again, putting an end to a truly unforgettable night.
More pictures, video of the Henry Rollins interview, and Dino Jr.'s setlist below...
Sleep played Terminal 5 last night (6/22) with help from death-doom pioneers Winter and Brooklyn's own White Hills. It was one of only a few dates scheduled for the legendary stoner doom gods.
Similar to their appearances at Brooklyn Masonic Temple (pics from night 1, night 2) and ATP New York (photo set 1, set 2), Sleep kicked off their set with a segment of "Dopesmoker" before moving into faves like "The Druid", "Dragonaut", and "Holy Mountain". I've heard the complaints about Terminal 5 sound and while they can be somewhat warranted, I must say that from all three levels and every vantage point Sleep sounded incredible in that space.
Supporting bands were impressive too. Winter's set seemed more relaxed and (naturally) larger in the Terminal 5 space vs Union Pool, while White Hills (which featured Liturgy drummer/phenom Greg Fox for the evening) were the best I had ever seen them. Catch White Hills at their record release party on 7/14 at Union Pool. Excellent three band bill, and the perfect way to come in from the downpours that drenched the folks waiting in line as doors opened.
More pictures from Terminal 5, including Sleep's setlist, are below.
photos by Toby Tenenbaum
Yeasayer @ Terminal 5
Yeasayer ended their tour with Smith Westerns and Hush Hush back home at Terminal 5 on Saturday (6/18).
If the pictures below don't speak for themselves, Toby describes opener Hush Hush as very "entertaining. Filthy lyrics over heavy R&B beats from a skinny, tattooed redhead with a beard clearly off his face." (see below).
Yeasayer's 13 song set (with encore) included the three new songs they've been playing on tour, "Henrietta," "The Devil and the Deed," and "Demon Road." They debuted "The Devil and the Deed" on Conan last month. Check that video out below. The rest of Yeasayer's set was pretty hits-heavy with a slightly greater emphasis on the Odd Blood material.
You can catch Yeasayer at a much larger show in late July when they play PNC Bank Arts Center (7/28) and Nikon at Jones Beach (7/29) with The Flaming Lips and Weezer. Tickets are still on sale for both shows.
Smith Westerns @ Terminal 5
You can catch the Smith Westerns this Saturday at the House of Vans if you RSVP'd in time. According to a Van rep, "if you haven't received confirmation emails for Vans' Saturday night show, you should shortly."
More pictures from the T5 show, with both the Yeasayer & Smith Westerns setlists, below...