Entries tagged with: The Antlers
Peter preparing backstage (photo by Dominick)
the new guy on stage (photo by Amanda)
The Antlers are one of the many artists now over in Brighton to play a showcase at the Great Escape. It's like SXSW, but smaller, but in England by the sea. The Antlers play their showcase on Saturday, which means if you're there you can see that without having to miss the BrooklynVegan/M For Montreal showcase happening tonight (5/13) (well, happening like now). The UK festival kicked off yesterday (5/12), and we have Tim Griffin over there covering. His pictures of PS I Love You, Warpaint, Twin Shadow, DJ Shadow, The Joy Formidable, Emika and more, are currently posted over at the BrooklynVegan Facebook page.
Exactly one week ago today, or technically one week ago tomorrow, The Antlers played a FREE, BrooklynVegan-presented show at Knitting Factory in Brooklyn at 1am. Somehow it worked out perfect - I think exactly the right amount of people showed up. I don't think anyone got turned away, and we were at capacity. And the show was extra special because the Antlers played their entire new, Best New Music-winning (take that Tyler!) record Burst Apart from start to finish (like they did at SXSW/on NPR), in addition to an epic two-song encore. Their sound is also fuller than ever due to the addition of a fourth member, which, like the show in general, was a great thing. Listen to the whole show courtesy of NYC Taper who taped it and posted the MP3s (and FLAC).
If you miss them, don't worry. The Antlers will return to the states soon to kick off their tour with Little Scream in DC on May 17th. Though if you waited to get tickets to either of the two NYC shows, you are now out of luck.
More pictures from the Knitting Factory show (two sets of them) and all dates, below...
... after the Holly Golightly show at the same venue (Friday night).
If you can't make it, tickets are still on sale for The Antlers' May 19th show at Music Hall of Williamsburg. Their May 20th show at Bowery Ballroom is sold out. Both shows are part of their May tour with Little Scream in support of their new album 'Burst Apart', which is currently streaming over at NPR, and which has cover art that looks a lot like the flyer above (Burst Apart is out May 10th on Frenchkiss. above flyer designed by Tonally Dude).
Meanwhile... come drink and then see BOBBY, Alex Bleeker & Prussia at Knitting Factory tonight (5/5).
Tickets go on sale at noon for the Antlers shows happening at Bowery Ballroom and Music Hall of Williamsburg in May. The shows are in support of the band's new album "Burst" which is out via Frenchkiss on May 10th. That's the cover art above. The track list and all tour dates are reposted below...
The Antlers @ The Parish
One of the highlights of my day on Thursday at SXSW was the NPR showcase at The Parish. Though I didn't arrive in time to see Colin Stetson or tUnE-yArDs (I saw the latter the following day), I stuck around for the rest of the line-up, including the grand finale: The Antlers, who, as advertised, played their unreleased upcoming album (Burst Apart) in its entirety for the first time in public. But more on that later.
I arrived to the sounds of Malian singer Khaira Arby, who Jon Pareles of the New York Times later confessed to me was his go-to recommendation for the festival. I don't typically see much world music, but there's no denying Arby's effortless ability to captivate the audience with her rich vocals and rhythmic percussion.
The Joy Formidable @ the Parish
Up next were The Joy Formidable/ I confess it was hard to get past singer/guitarist Ritzy Bryan's wild stare, but if anything, the sheer intensity of her gaze was well suited to the tough indie rock strains of the London-based trio.
The energy level in the room continued to climb as Wild Flag took the stage. Not only does singer/guitarist Carrie Brownstein have a dedicated fan base thanks to her past band - Sleater-Kinney, she also received quite a warm welcome from NPR Music's Stephen Thompson due largely to the time she spent blogging and contributing to the site. This familiarity imbibed an otherwise strictly rock performance with a genuine warmth that made for a compelling combination on stage. Though their current musical project is young, these veteran lady rockers put on a triumphant and confident performance. Of course, it helps that the remaining three band members (Mary Timony, Rebecca Cole, and Janet Weiss) each have quite an impressive musical ability (and resume), themselves.
Wild Flag @ The Parish
Next came the part of the showcase that I was most anticipating - the preview of Burst Apart. After the Antlers' 2009 release, the cinematic and harrowing concept album Hospice, I was eager to hear what course they would take in their follow-up. Apparently, one of the biggest challenges the band faced leading up to the show was figuring out how to effectively translate all of the layers and effects found in the studio recording into a live setting. Being unfamiliar with the material, it's hard to tell if they achieved this goal.
I enjoyed the chance to hear the new material without having read any spoilers online, but at first listen, it seems that Burst Apart does not boast the same kind of sparse, sweeping intensity and catharsis that distinguished Hospice... but maybe that's a good thing.
In an interview with Pitchfork a few months ago, chief singer/songwriter Pete Silberman confessed:
For a while, I thought the next logical step from Hospice was to make some very sad, post-Hospice concept record. But thinking in those terms started to feel really manipulative and gimmicky. So I just let go of that idea and, from that point on, I was much happier. In a lot of ways, this album is an easier record to listen to than Hospice; you can put it on and not feel like it has to be a severe emotional experience. It might be. But it could also be on in the background.Like Hospice, portions of the new album seem to project a dark kind of resignation to pain, sickness, and heartbreak. But in addition to the darker songs, it ended in a surprisingly hopeful, (albeit Gothic) vein as Silberman sang, "I'm not going to die alone. I stitched the stuff up so to close up the hole" in a particularly Hospice-like song.
Burst Apart will be releaesd by Frenchkiss Records on May 10th. The Antlers will head out on tour a week later with stops at both Music Hall of Williamsburg (May 19th) and Bowery Ballroom (May 20th). Both shows and much of the tour is with Little Scream who meanwhile is on tour with Sharon Van Etten. Tickets for both NYC shows go on AmEx presale Wednesday at noon, and then general sale Friday at the same time.
All tour dates and more pictures from the NPR show at the Parish, below...
R&B great Raphael Saadiq is one of a few notable names playing Stubb's on 3/16 as part of the Time Out North America NPR SXSW showcase. If you can't be in Austin, NPR will be streaming the show (which also includes sets by James Blake, Bun B, and the Smith Westerns) on their website.
NPR will also be streaming a show happening the next day at the Parish where the Antlers will play their entire new album, Burst Apart, from start to finish! More details on that new album are below.
Raphael has other dates lined up as well. After a sprinkle of shows in the Lone Star, Saadiq will hop on a plane to Europe. Not long after he gets back, he releases his new album, Stone Rollin, on May 10th (it's currently up for pre-order on iTunes). That same day you can catch him live at Webster Hall in NYC. Tickets for that show are on AmEx presale now. Regular sale begins Friday at noon.
And speaking of rolling stones, a video of Raphael performing with Mick Jagger, all tour dates, and other stuff, below...
As mentioned in "What's Going on Sunday," 1,2,3 band were scheduled to play the next installment of 'Communion' at Public Assembly in Brooklyn tonight (3/8), but their label Frenchkiss Records reports that they have cancelled. Savior Adore, Keegan Dewitt, Lachi, and Paul Dempsey are still on the bill though.
Tonight's show will be Communion's third party at Public Assembly since they kicked off in early January, and their second unlucky cancellation. Laura Marling pulled out of the second one.
For Savoir Adore, tonight's Communion appearance will be their last NYC show before they head to Austin for SXSW. If you're going to be in Austin, make sure to stop by and see them play a BrooklynVegan party right at noon on Thursday, March 17th at Swan Dive/Barbarella (full lineup TBA). They play their official showcase one day later at Easy Tiger.
1,2,3 are also headed to SXSW where they'll play at least six shows including the Frenchkiss Showcase at The Parish on Wednesday, March 16th with The Antlers, The Dodos, Young Man, Fidlar & Ivan & Alyosha. More dates are listed below....
Big names and regulars aside, there are a few bands I want to highlight on the just-announced Sasquatch lineup: Wolf Parade ("indefinite hiatus" rumors be damned), The Flaming Lips (performing "The Soft Bulletin"), Death From Above 1979 (now three reunion shows total), Guided By Voices (they're not done yet), and... Archers of Loaf (!). The full lineup of the fest that goes down in Gorge, Washington in May (Memorial Day Weekend), is below...
photos by Jessica Amaya
Though I only caught Sharon Van Etten due to dinner plans that went longer than expected (everyone was raving about opener The War on Drugs though), I can say that Saturday night's show at Bowery Ballroom was an amazing and extremely emotional one. I knew it would be a special show. Headlining, not to mention selling out, the approx-600-capacity Bowery Ballroom is a milestone in an artist's career. It means even more when it happens to a beloved, local and talented artist who has worked her way up and truly deserves it. I didn't want to miss it.
The moment was not lost on Sharon either. In the most sincerest of ways, Sharon fought back crying (the crowd didn't always have as much luck) and often addressed her family, who not only seemed to be taking up one side of the entire balcony (with her parents in front), but were also peppered throughout the front of the crowd (most notably her cousin who made her voice heard more than one). Sharon often spoke to and thanked the entire crowd, and she played songs - new songs, very old rare and solo songs, and the 'hits' off her 2010 Badabing release 'Epic.'
If you've seen her lately, you know about the full band she now plays with (she mentioned that it was the band's first time playing Bowery Ballroom) (she has opened for other people there). The band, complete with a new keyboard player and the similarly-hair-styled Cat Martino on backing vocals, really round out her sound in a grand way. Megafaun's Brad Cook also played on some songs, and the Antlers' Peter Silberman sang one with her as the rest of the Antlers watched from the audience (she sang with the Antlers when she opened for them on the same stage, and she mentioned that Megafaun was the first band to ever back her on her transition from solo artist to full band).
But don't take my word for it... listen to/relive the whold show courtesy of NYC Taper's recording that you can download now.
The show closed with the most perfect cover of R.E.M.'s "Strange Currencies". Video of that, with more pictures from the whole show, and her (and opener Sebastian Blank's) setlist, and an updated set of Sharon's tour dates, below...
photos by Tim Griffin
The 2010 edition of Fun Fun Fun Fest is now complete. You saw pictures from the first night. We have lots of possitive things to say coming up, but for now here is a part two of our photos - all from day two aka Saturday (11/6). They continue below...
Devo, Crocodiles, and Dum Dum Girls have all cancelled their appearances at Fun Fun Fun Fest in the past few days. Sucks, yes. But the evil geniuses at the Austin, Texas Festival (November 5-7, 2010) have already drummed up some replacements. New bands include Cults, and Margot and the Nuclear So and Sos (who were originally on the fest, but had to drop off a few weeks ago and were replaced by The Antlers, and now are back but on a different day). Washed Out also recently replaced Cold Cave, and the Nortec Collective was a recent addition too. Oh, and to replace Devo: new headliner Descendents!
"I really can't believe it. The Descendents were one of those bands on my dream list that I thought I would never get to book" Says Graham Williams, FFF Founder. "A week ago, we had no idea what we were going to do, and now we couldn't be more happy".The show is The Descendents' lone US scheduled appearance, and only appearance before the re-reunited band heads down under in December for some dates in Australia. Get your Fun Fun Fun Fest tickets at their site.
Speaking of Cults, they recently played a gang of shows during CMJ, and their only other show at the moment is with The Morning Benders and Twin Sister at Webster Hall in NYC on 11/18 instead of Oberhofer (tickets).
I'm preparing to head down to Fun Fun Fun Fest in Austin next weekend as well, and along with all of the incredible heavy music that's already going on at the festival (Mastodon, Floor, Snapcase, High on Fire, Kylesa, Municipal Waste, Suicidal Tendencies, Hatred Surge, Ringworm... the list is endless) we'll be hosting an event of our own. On Sunday, November 7th BrooklynVegan will host a killer after-party at Red 7 (doors at 9) with incredible secret guests, along with Landmine Marathon, Mammoth Grinder, and Ratking (mems MOoB, Gorilla Biscuits). The show will be FREE to Fun Fun Fun Fest wristband holders and a measly $5 at the door for those of you without.
Not into metal or need something to do on the other nights of that weekend in Austin? Not to worry. Like the lineup of the festival itself, the selection of bands playing other afterparties on each night of the fest is diverse. There are plenty of options including a November 5th Gorilla Vs Bear shindig (also with secret guest), and many more.
BrooklynVegan show flyer, some video of those bands in action, info on the fest's 2010 Circus Stage, and more, below...
Bell Horses (Jenny and Sybarite)
"Bell Horses is a left-field pop outing from Xian Hawkins & Jenny Owen Youngs. The 8 songs that comprise their debut album [This Loves Last Time] work together to create a world of contrasts both challenging & familiar. Arrangements blend acoustic instruments (guitars, strings, piano, percussion) with synthetic textures and samples while vocals sit up front in the mix, often doubling as instruments themselves...Grab Sybarite's Antlers remix, courtesy of Hob Nob Wines where the track first premiered, above. A Bell Horses track, which features The Antlers' Michael Lerner on drums, is up there too.
...Xian Hawkins records as Sybarite - making distinct & lauded electronica for a variety of labels, most notably 4AD, Temporary Residence & Ghostly International. His music has been featured in film & television. Jenny Owen Youngs is a singer songwriter who signed to Nettwerk Records in 2006 and recently released her sophomore record, Transmitter Failure, to critical acclaim. Also on the album is Alexander Ericson (Alberta Cross, Stjarna) contributing vocals to three of the tracks, Michael Lerner, drummer for NYC band The Antlers (Frenchkiss) & classical string player Eve Boltax." [Bell Horses]
most photos by Josh Darr
Dodos w/ special guest Neko Case / The Antlers
"There were no special effects during Soundgarden's performance on the last night of Lollapalooza -- no lasers, no costume changes, no props or hydraulics. Even the video screens switched over to black and white. But the band didn't need any added visuals: Soundgarden delivered an explosive set of classic '90s songs in front of their biggest audience since their breakup 13 years ago. Chris Cornell underplayed the band's return, suggesting their decade-plus break was more like a few years. "It's good to be back!" said Cornell, who's grown his hair back out to its late-'80s length. "We just took a little break, but now we're back."" [Rolling Stone]Soundgarden's Sunday night setlist (they played against Arcade Fire), a bunch of of videos and the rest of our 2010 Lollapalooza pictures, below...
photos by Chris La Putt
melophobe: From your experience, what's the best way to blow away a live audience?The Antlers, who you can catch at Osheaga in Montreal this weekend (with Arcade Fire, Weezer, Metric, The National Sonic Youth, Devo, Pavement, The Black Keys, Stars, Owen Pallett, Beach House, Robyn, Seu Jorge, Avi Buffalo, Jamie Lidell and more) played a NYC show with Dinosaur Feathers at Pier 54 back on Thursday, 7/22. A second set of pictures from that show continue below...
Peter Silberman: Oh I don't know. It's tricky; it's in their hands. I've found that we've had the best experience when we feel connected to the audience and we feel like they're listening. You can't necessarily control that, but you can make the effort. A lot of bands definitely don't acknowledge the audience, they don't seem appreciative of them. And I think it's really important to appreciate the audience. They don't have to be there. They don't have buy tickets, they don't have to buy your record, they don't have to do anything, they don't have to give a shit about you. The fact that they do, is really cool. And it should not go unthanked.
melophobe: And honestly, as someone who is in the audience a lot, it seems like at the end of the day we are all there to share something. It's not just give and take, we all just supposed to come together and have a good time together. And go inside our heads or do whatever.
PS: Yeah. And if everybody feels like they are sharing something, then hopefully that will lead to a good show. If they like what you are doing. And I don't talk a lot on stage. The more I talk the less sense I make on stage for some reason, so I don't really talk that much, but I try to get across that...how important they are to us.
melophobe: What's a perfect record to you and do you aim for perfection when you write?
PS: Let me think for a minute. Well, I would say like Kid A is a perfect record, and that's an understatement. Not just perfect because every song is really good, it's perfect because it achieves this really, REALLY difficult thing of being incredibly strange, but being so listenable. And I've been working on just trying to, I mean I've been listening to that record for so long now. And I'm only now just starting to understand it. And these new kind of revelations I'm having about are making it better than I ever could have imagined.
photos by Dominick Mastrangelo
"The Antlers sound so good right now" - James Cross
I arrived a bit too late to see this happen, but after Dinosaur Feathers started playing their opening set on Pier 54 in Manhattan last night (7/22), a generator blew. That in turn caused much of the electricity on stage to stop working. When I got there, the opening band was playing again, but sans generator, monitors and drum machine. According to their own banter, they played 3.5 songs total (it was 2.5 songs, but then they were surprised when they were told to play one more after that). The Brooklyn band is now on tour with Lonnie Walker until August 28th when they conclude things at Littlefield (DF also have a show on September 7th at Bruar Falls).
Half way through the last song of Dinosaur Feathers' short set, a truck came blazing down the side of the peer with yellow lights flashing and a generator in tow. The crowd, aware of exactly what that was zooming by, cheered loudly. The Hudson River Park staff quickly got things up and running and The Antlers took the stage for their headlining set. It was around 9pm. That meant there was plenty of time for the band to play a full set that ran until not long past 10pm, 1-song encore included.
The wooden pier is a beautiful place, right off the West Side Highway. You're literally surrounded by the Hudson River on three sides as you're watching the band play in front of the NJ skyline (I'm not being sarcastic!). The breeze off the water, and nice night in general, made it even better.
The Antlers are one of my favorite new bands, and as usual, they didn't disappoint. Frontman Peter Silberman somehow manages to simultaneously channel so much emotion while completely playing it cool, and shredding on guitar. His backing band of Michael Lerner and Darby Cicci are completely able, and together they, well to quote James above, sound so good.
As a bonus we got two new songs, one of which was a falsetto-heavy number that they were playing for the very first time. I'm really looking forward to hearing them on record (especially the new song they played earlier in the set). The next show on Pier 54 is Deerhunter and Real Estate on August 12th. More pictures from the Antlers show, with more Antlers dates, and two videos including a video of one of the new songs (the one they played later in the set for the first time), below...
Kyp Malone & Holly Miranda @ Bowery Ballroom in May (more by Kyle Dean Reinford)
Before then, you can catch Holly at a special performance/video shoot at Littlefield on Wednesday, July 7th (622 Degraw Street, between 3rd and 4th Ave in Brooklyn). The show will be recorded for Baeblemusic for their The Guest Apartment video series. They're hosting the concert along with Brooklyn Vegan (us) and her label, XL Recordings. The show is 21+ and tickets ($8) are on sale and we have a bunch of tickets to give away - details below. If you miss the show, look for the videos online soon after (we'll post them). If you make it, doors are at 7:30, there will be drink specials and a Baeble video screening and then Holly plays at 9pm.
Holly Miranda's headlining-tour-closing Bowery show in May featured a full slate of special guests (as well a horn section), so who knows who'll show up. Holly is a guest vocalist herself on the forthcoming David Sitek/Maximum Ballroom album.
Between those two shows she'll be going on tour in Europe. Those dates and a cover of Holly's song "Waves" by the Antlers' Peter Silberman are posted, with contest details, below...
It's hard to believe that The National headlined last night at Radio City Music Hall (they were the opener a few years ago when the Arcade Fire played there) and harder to believe that the massive space sold out. Sure, their last two albums have done especially well, but really? Radio City? I mean Lady Gaga is playing there in July. In "Little Faith," Matt Berninger sings, "I know what you think. You're waiting for Radio City to sink." Yes, ominous indeed.
The evening began with a rousing set by The Antlers. As if to echo the themes of hospitals, sickness, and funerals found in their solid debut, Hospice, white flowers decorated the stage. The Antlers' performance was bolstered by the addition of a two-man brass section (courtesy of Tim Cronin and Jon Natchez) and lovely female vocalist Sharon Van Etten. They played an extended version of the standout track "Sylvia" in addition to an unnamed new song. After playing a short string of songs from Hospice roughly in chronological order, The Antlers concluded their set with "Wake."
Walking into Radio City, I admit that the prospect of seeing two praise-worthy bands in such a huge space had me both exhilarated and fearful. Would they be able to master the space and overcome the obstacles posed by a seated show? How would they make the experience personal?
Though majestic, the space was a bit stifling. But to help cut down on the formality of a seated show, the majority of the orchestra section stood up when the band walked on stage and remained standing for the entirety of the evening. The National's front man, Matt Berninger, hopped off the stage to cavort with the audience in front during the third song, "Bloodbuzz Ohio." Sure, he only stayed down there for a few seconds, but it boded well for the rest of the show. The third wall came crashing down early.
The National also had some additional musicians on stage to help fill out their sound. Throughout the show, a small brass section again consisting of a trumpet and trombone contributed to the mix. Additional treats came on the seventh song, "Squalor Victoria," when a string section walked on stage. After that, it got almost ridiculous. St. Vincent's Annie Clark hopped on the piano for "Vanderlye Crybaby Geeks" and shared backing vocal responsibilities with Sufjan Stevens for the following song, "Afraid of Everyone." "I'm sorry they're so plain looking. We try to set a standard," Berninger wryly joked. "I wish we could have them on stage all night," replied a Dessner brother.
But the real magic happened during "Abel." At least, it did for me. Berninger jumped off the stage once again and started pulling that oh-so-long mic chord behind him as he walked up the aisle in the theatre. For a few seconds, I lost sight of him. And then, there he was, right outside my row. And then... what? Berninger started climbing over the seats and ended up stumbling right into Row WW, Seat 409 - my seat. As he stood haphazardly balanced on the seat behind me, he leaned over, grabbed my shoulder to steady himself and put the mic right in my face as he sang. And, though I know nearly all of the lyrics to their songs and the chorus to "Abel" in particular is embarrassingly simple, I admit I froze a little and was too stunned to sing along. After my moment had passed, Berninger continued on his way, climbing over the seat in front of me and then heading back to the stage. It's almost as if he knew that this was only going to be a one-paragraph review (since I recently wrote a lengthy one for the BAM show) and wanted to spice it up. After Berninger fled the scene, BrooklynVegan photographer Matt Eisman and I stared at each other in disbelief. Did that just happen?
The show continued with a few more songs and a solid four-song encore that (of course) included "Mr. November". This time when he wandered into the crowd, Berninger climbed the stairs to the first tier of the balcony where people encircled him and furiously sang along. Berninger proceded to walk to the far side of the balcony and back down again, his mic chord dangling over the crowd in the orchestra section below. After over an hour and a half of play, The National concluded their encore with "Terrible Love."
More pictures, a video and the setlists from Radio City, below...
photos by David Andrako
The Antlers, Phosphorescent, and Sharon Van Etten each played 20-25 minute sets at the High Violet Annex last night (5/13). That was followed by members of The National improvising over projected movies by Margarita Jimeno, Sufjan Stevens, Jonathan Dueck, Deborah Johnson, Ryan Irvin, and Justin Anderson.
The first National-related group was Bryan & Scott Devendorf, trumpet player Kyle Resnick and guitarist/trombonist/Beirut member Ben Lanz (both who also played on Letterman with the National yesterday). The second group was The Dessner Brothers who played along with an 11 minute experimental film that Sufjan Stevens made "using a digital camera while I had insomnia." Sufjan was in attendance (if you haven't figured that out yet) and introduced the song.
It was the third night of the National's temporary venue next door to Other Music. Even more people played live on the second night. It continues for a fourth night tonight/Friday (and ends Saturday) (lineups for those are both TBA, but expect some actual National songs to be played at at least one of them). More pictures from Thursday, below...
DOWNLOAD: Phosphorescent - The Mermaid Parade (MP3)
The National did not play the High Violet Annex last night (5/12), but many others did. A full report is coming shortly, but in the meantime I didn't want to hold back the information that tonight (5/13) will include films by Margarita Jimeno, Sufjan Stevens, Jonathan Dueck, Deborah Johnson, Ryan Irvin, and Justin Anderson. More importantly, there will also be live performance by The Antlers, Phosphorescent, Sharon Van Etten "and more".
For Phos, it will be his first of two shows tonight, though the second one at Mecury Lounge will be a much longer set (tickets are still available). It will also be his second of two shows this week on East 4th Street. High Violet Annex is right next door to Other Music where he played an in-store the other day (5/10). That's four NYC shows total if you count Union Pool in Brooklyn which he/they played one day after that. The Brooklyn gig was packed and front-man Matthew Houk expressed his joy more than once at playing a hometown show. They played almost the entire new album, Here's to Taking it Easy, which is out now. The crowd was singing along to new song "The Mermaid Parade" which you can download above for free.
A video of Martha Wainwright playing the High Violet Annex last night below...
photos by Angelina Castillo, words by Andrew Frisicano
Yeasayer, Man Man and The Antlers played a free show at Ithaca College on Friday, May 7th. The show was on a field in the middle of campus, and was advertised as students only but ending up being open to anyone. The opener was Zgress and Snack Attack, a local spazzy piano-pop group who previously won a battle of the bands.
Thanks to Angelina Castillo, who took these pictures and writes: Man Man played mostly new songs, and they all sounded totally nuts and awesome. Yeasayer and Antlers both killed it as well, and you could tell Antlers made a lot of converts. Yeasayer split the set pretty even between All Hour Cymbals and Odd Blood, but the AHC songs were definitely the crowd pleasers. Except for "Ambling Alp." People went fucking nuts for "Ambling Alp." Great singalong song. The whole shebang was put on by IC (more specifically the Bureau of Concerts) for an end-of year festival. BOC also brought Dan Deacon, Mountain Goats, Black Joe Lewis and others this year. Most all the bands went out into the field and ate/talked with the crowd afterwards. Ryan Kattner of Man Man [aka Honus Honus] was a total doll, and was seen sweeping many a college chick into his arms for photo ops.
The Antlers tour Europe this May and play with Phantogram and the National in North America afterwards (including the National's Radio City show). They also play NYC's Pier 54-Hudson River Park on July 22nd
More pictures are below...
The free outdoor concert series kicks off Thursday, July 8, with the infectious indie folk/alt country band Phosphorescent on a co-bill with the "authentically vintage" sounding L.A.-based Dawes.Three amazing free shows this year! Hopefully the rain stays away.
The Antlers, the meteoric post-rock artists take the stage Thursday, July 22, with fellow Brooklyn-based Dinosaur Feathers and its tropical surf pop sound opening the show.
RiverRocks concludes the 2010 summer season on Thursday, August 12, with Atlanta's Deerhunter, led by Bradford Cox -- among the most talented and hardest working indie artists in the business. Opening for Deerhunter is Brooklyn's Real Estate.
RiverRocks is Hudson River Park's signature concert series staged on the Pier 54 waterfront adjacent to New York City's Meatpacking District (at 14th Street). With the setting sun and the Hudson River serving as the backdrop, each show is expected to draw capacity audiences.
Gates open at 6 p.m. for all RiverRocks shows, which are scheduled to begin at 7 p.m. More information is available at www.riverrocksnyc.com.
Meanwhile, catch Real Estate 3 times this month including @ Monster Island tonight (4/16).
Phosphorescent also has a few shows coming up sooner.
Deerhunter recently was in town to open for Spoon.
photos by Kyle Dean Reinford
The Antlers helped kick off the first "Viewtopia in Vino" event at In Vino Wine Bar in NYC Sunday night (4/11). Crowd members tasted two white wines with commentary from the Wente Vineyards representative. Then The Antlers played three songs (sylvia, shiva, bear). Then there was more wine drinking. Then In Vino owner Keith Beavers had a discussion with the band. Then two red wines were tasted. Then the band played three more songs (atrophy, two, cold war). Then more drinking. Pictures below...
"The 2010 Lollapalooza line-up is official: Soundgarden, Green Day, Lady Gaga, Arcade Fire, The Strokes, and Phoenix will headline, joined by Social Distortion, MGMT, Jimmy Cliff, Hot Chip, and The Black Keys. With 130 bands on this year's bill, its sure to be a weekend long feast for the ears.After extremely accurate early leaks and then much teasing, Lollapalooza oficially announces this year's lineup. Check it out below...
It's a monumental year for Lollapalooza, filled with homecomings, reunions, and first-times. Soundgarden, 1992 and 1996 Lollapalooza alumni, return to the Lollapalooza stage for their first performance since 1997. Green Day will rock Grant Park sixteen years after their first Lollapalooza appearance. While Lady Gaga will headline the festival only three short years after playing the BMI stage at Lollapalooza 2007.
Arcade Fire returns to Grant Park, having played the reincarnated Lollapalooza in 2005. This is the first Lollapalooza for The Strokes - and also their first show in four years. And making their Lollapalooza debut: Phoenix." - Lollapalooza
photos by Tim Griffin
"...The bands were running late at Club Deville, but I was pleased to hear Centromatic on the stage. They sounded like classic rock and when Steve Miller Band's "Rock'N Me" came on after their set, it was in the same vein, but Centromatic was above and beyond....It was a perfectly rowdy ending to the BrooklynVegan/DailyMotion day party at Club DeVille on Friday, March 19th (one of our seven shows this year). The day's eclectic lineup ranged from country to electro to singer-songwriter to comedy. We also made a huge effort to feed people and give away free stuff this year. Those who stopped by the free show got free Ear Piece ear plugs, Magic Hat beer, Firefly Sweet Tea vodka (that lasted the entire 6+ hours), Gundlach Bundschu wine, Raw Rev bars, Nadamoo ice cream, Hail Merry "Grawnola", breakfast tacos and Daily Juice catering. Action For Animals was on hand with baked goods for sale that helped raise $800 for charity. Somebody (and every band and comedian) won some Original Penguin clothes. Members of Passion Pit (aka the Wet Bandits) played the music between bands. KEXP was filming video. All in all an amazing day.
Lucero came on next and killed it. Nichols' voice is like sandpaper on gravel and it has a booze-soaked and sorry quality that makes it sound like the hard nights and heartbreaks that he sings about are real experiences. Lucero is one of the few bands that I've seen (Free Energy comes to mind as well) that broke through to fans. Quite a few folks were dancing, jumping, singing and generally rocking out during their set..." [Rock Candy]
Catch Lucero in NYC at Music Hall of Williamsburg this Tuesday, March 30th with Glossary (tickets are still on sale). Centro-matic kicks off a house tour in Houston the same day.
"Hello, and welcome to Portland, Oregon," quipped James Mercer, as he and Danger Mouse greeted the freezing crowd at Mog Day Party on the final day of SXSW. A 40-degree drop in temperature from Friday caused flip-flops and t-shirts to be replaced by hoodies, coats and gloves. Broken Bells were just one of several excellent bands that filled the indoor and outdoor venues of the Mohawk.
I finally made it downtown before 2pm by taking the rather efficient Metro Capitol bus. Traffic along I-35 into downtown took almost an hour the day before from just 10 minutes north. Arriving a little after noon Shilpa Ray and Her Happy Hookers were already on inside. Ray was squeezing the hell out of that squeezbox and her raspy, scowling voice was alarming so early in the day. It certainly set a tone. And Free Energy complete with free cassettes started things outside with their unabashed good times garage rock.
Back inside The Dum Dum Girls were up next with more of the same hazy lo-fi pop that drummer Frankie Rose was laying down the night before on the same stage with her band. I skipped back outside for Demolished Thoughts though Andrew WK (an advertised member along with Thurston Moore and J Mascis) was absent and the bassist for Fucked Up was filling in. It was thrashing punk stuff with silly songs like the 45-second "I Hate Kids" (those were the lyrics) followed by the 45-second "I Hate Sports" (some videos below).
Then it was back inside for a little dance - hip hop with Rye Rye and then back outside for Broken Bells - who kept busy at the festival. For a band only a couple months old they were tight and the songs sounded great. Inside again for Freelance Whales and then back outside for The Antlers, back inside for Real Estate and finally back outside for the Black Keys who straight up killed. Mercer and Danger Mouse (who produced the Keys' Attack & Release) and members of the Antlers were sidestage rocking out. The crowd was hanging over rails and pushing in toward the stage. Dan Auerbach and Patrick Carney had everyone riveted and rocking. Certainly the most polished performance of the day, perhaps the festival.
Unexpectedly, as I ventured back to the convention center, I stumbled upon Fanfarlo about to perform in Brush Square with free drinks (Shiner Bock!) and heaters to keep the tent warm. Fantastic live show. "If we knew there were going to be so many photographers, we'd have done better," quipped multi-instrumentalist Cathy Lucas about the the band's appearance.
For the evening it was all about finishing strong. I made my way to the Victorian Room at the Driskill for Miss Li who was great and her band was stellar, over to St. David's Bethel Hall to see some Texas bands as part of the Western Vinyl Showcase, including an unimpressive Matthew and the Arrogant Sea. I decided to go all out and dashed over to Barbarella for the excellent Best Coast who also played a couple of new songs that sounded really good. Back to St. David's for the ambient Sleep Whale (formerly MOM) from Denton, TX down to Paradise for crazy afro-beat inflected dance music courtesy of New York's Tanlines (it was a full-on dance party.) Finally, it was back over to St. David's for the beautiful, classical-leaning experimental band Balmorhea.
SXSW Day Three started over at the free Dickies Sounds Day Party. Free silk-screened posters with all the bands playing that day (including She & Him and Surfer Blood at the official showcase that night) were printed up and handed out on the spot. People played ping pong next to the house while around the corner Greg Laswell played a few new songs, several old ones, as well as his incredibly depressing take on Cyndi Lauper's "Girl's Just Wanna Have Fun". After a quick dash over to the convention center it was back to Dickies, where there was suddenly a long line, to catch the all-girl quartet, Warpaint, who were fantastic. Then Rogue Wave closed out the day portion. I still can't get excited about their new record, but live Zach Rogue and his newly configured lineup have it down and the crowd we're into it from the start. The highlight being "Lake Michigan" and a slow-building, two-minute intro.
For the evening I set up camp at the Mohawk for the Slumberland/Cake Shop Showcase. Sheffield's indiepop trio Standard Fare opened inside and their performance was great. A better batch of indie pop songs you'll be hard-pressed to find this year. Philadelphia drum-guitar duo Reading Rainbow were next and another indie pop band, the excellent Summer Cats (from Australia), followed. Frankie Rose and the Outs were up next with their hazy, lo-fi rock. I skipped out after that to nip over to the Galaxy Backyard to catch The Antlers (completely forgetting I would see them the following afternoon at another Party.) Their third show of the festival and they just nailed it. People around me who had not heard of them were won over after just one song (the increasingly uptempo "Sylvia".) By the end, one girl put her hands up in the shape of a heart right in front of Peter Silberman, eliciting a smile from the frontman mid-verse. From there it was a quick dash back up Red River to the Mohawk where both inside and outside were at capacity with Miike Snow about to go on outside (followed by Mayer Hawthorne, neither of who I caught) and Pains of Being Pure at Heart inside. "Welcome to the Cake Shop," said Kip Berman at the start of the New York indie pop band's set, pointing at the Cake Shop banner on the wall behind them.