Entries tagged with: The Antlers
most photos by Josh Darr
Dodos w/ special guest Neko Case / The Antlers
"There were no special effects during Soundgarden's performance on the last night of Lollapalooza -- no lasers, no costume changes, no props or hydraulics. Even the video screens switched over to black and white. But the band didn't need any added visuals: Soundgarden delivered an explosive set of classic '90s songs in front of their biggest audience since their breakup 13 years ago. Chris Cornell underplayed the band's return, suggesting their decade-plus break was more like a few years. "It's good to be back!" said Cornell, who's grown his hair back out to its late-'80s length. "We just took a little break, but now we're back."" [Rolling Stone]Soundgarden's Sunday night setlist (they played against Arcade Fire), a bunch of of videos and the rest of our 2010 Lollapalooza pictures, below...
photos by Chris La Putt
melophobe: From your experience, what's the best way to blow away a live audience?The Antlers, who you can catch at Osheaga in Montreal this weekend (with Arcade Fire, Weezer, Metric, The National Sonic Youth, Devo, Pavement, The Black Keys, Stars, Owen Pallett, Beach House, Robyn, Seu Jorge, Avi Buffalo, Jamie Lidell and more) played a NYC show with Dinosaur Feathers at Pier 54 back on Thursday, 7/22. A second set of pictures from that show continue below...
Peter Silberman: Oh I don't know. It's tricky; it's in their hands. I've found that we've had the best experience when we feel connected to the audience and we feel like they're listening. You can't necessarily control that, but you can make the effort. A lot of bands definitely don't acknowledge the audience, they don't seem appreciative of them. And I think it's really important to appreciate the audience. They don't have to be there. They don't have buy tickets, they don't have to buy your record, they don't have to do anything, they don't have to give a shit about you. The fact that they do, is really cool. And it should not go unthanked.
melophobe: And honestly, as someone who is in the audience a lot, it seems like at the end of the day we are all there to share something. It's not just give and take, we all just supposed to come together and have a good time together. And go inside our heads or do whatever.
PS: Yeah. And if everybody feels like they are sharing something, then hopefully that will lead to a good show. If they like what you are doing. And I don't talk a lot on stage. The more I talk the less sense I make on stage for some reason, so I don't really talk that much, but I try to get across that...how important they are to us.
melophobe: What's a perfect record to you and do you aim for perfection when you write?
PS: Let me think for a minute. Well, I would say like Kid A is a perfect record, and that's an understatement. Not just perfect because every song is really good, it's perfect because it achieves this really, REALLY difficult thing of being incredibly strange, but being so listenable. And I've been working on just trying to, I mean I've been listening to that record for so long now. And I'm only now just starting to understand it. And these new kind of revelations I'm having about are making it better than I ever could have imagined.
photos by Dominick Mastrangelo
"The Antlers sound so good right now" - James Cross
I arrived a bit too late to see this happen, but after Dinosaur Feathers started playing their opening set on Pier 54 in Manhattan last night (7/22), a generator blew. That in turn caused much of the electricity on stage to stop working. When I got there, the opening band was playing again, but sans generator, monitors and drum machine. According to their own banter, they played 3.5 songs total (it was 2.5 songs, but then they were surprised when they were told to play one more after that). The Brooklyn band is now on tour with Lonnie Walker until August 28th when they conclude things at Littlefield (DF also have a show on September 7th at Bruar Falls).
Half way through the last song of Dinosaur Feathers' short set, a truck came blazing down the side of the peer with yellow lights flashing and a generator in tow. The crowd, aware of exactly what that was zooming by, cheered loudly. The Hudson River Park staff quickly got things up and running and The Antlers took the stage for their headlining set. It was around 9pm. That meant there was plenty of time for the band to play a full set that ran until not long past 10pm, 1-song encore included.
The wooden pier is a beautiful place, right off the West Side Highway. You're literally surrounded by the Hudson River on three sides as you're watching the band play in front of the NJ skyline (I'm not being sarcastic!). The breeze off the water, and nice night in general, made it even better.
The Antlers are one of my favorite new bands, and as usual, they didn't disappoint. Frontman Peter Silberman somehow manages to simultaneously channel so much emotion while completely playing it cool, and shredding on guitar. His backing band of Michael Lerner and Darby Cicci are completely able, and together they, well to quote James above, sound so good.
As a bonus we got two new songs, one of which was a falsetto-heavy number that they were playing for the very first time. I'm really looking forward to hearing them on record (especially the new song they played earlier in the set). The next show on Pier 54 is Deerhunter and Real Estate on August 12th. More pictures from the Antlers show, with more Antlers dates, and two videos including a video of one of the new songs (the one they played later in the set for the first time), below...
Kyp Malone & Holly Miranda @ Bowery Ballroom in May (more by Kyle Dean Reinford)
Before then, you can catch Holly at a special performance/video shoot at Littlefield on Wednesday, July 7th (622 Degraw Street, between 3rd and 4th Ave in Brooklyn). The show will be recorded for Baeblemusic for their The Guest Apartment video series. They're hosting the concert along with Brooklyn Vegan (us) and her label, XL Recordings. The show is 21+ and tickets ($8) are on sale and we have a bunch of tickets to give away - details below. If you miss the show, look for the videos online soon after (we'll post them). If you make it, doors are at 7:30, there will be drink specials and a Baeble video screening and then Holly plays at 9pm.
Holly Miranda's headlining-tour-closing Bowery show in May featured a full slate of special guests (as well a horn section), so who knows who'll show up. Holly is a guest vocalist herself on the forthcoming David Sitek/Maximum Ballroom album.
Between those two shows she'll be going on tour in Europe. Those dates and a cover of Holly's song "Waves" by the Antlers' Peter Silberman are posted, with contest details, below...
It's hard to believe that The National headlined last night at Radio City Music Hall (they were the opener a few years ago when the Arcade Fire played there) and harder to believe that the massive space sold out. Sure, their last two albums have done especially well, but really? Radio City? I mean Lady Gaga is playing there in July. In "Little Faith," Matt Berninger sings, "I know what you think. You're waiting for Radio City to sink." Yes, ominous indeed.
The evening began with a rousing set by The Antlers. As if to echo the themes of hospitals, sickness, and funerals found in their solid debut, Hospice, white flowers decorated the stage. The Antlers' performance was bolstered by the addition of a two-man brass section (courtesy of Tim Cronin and Jon Natchez) and lovely female vocalist Sharon Van Etten. They played an extended version of the standout track "Sylvia" in addition to an unnamed new song. After playing a short string of songs from Hospice roughly in chronological order, The Antlers concluded their set with "Wake."
Walking into Radio City, I admit that the prospect of seeing two praise-worthy bands in such a huge space had me both exhilarated and fearful. Would they be able to master the space and overcome the obstacles posed by a seated show? How would they make the experience personal?
Though majestic, the space was a bit stifling. But to help cut down on the formality of a seated show, the majority of the orchestra section stood up when the band walked on stage and remained standing for the entirety of the evening. The National's front man, Matt Berninger, hopped off the stage to cavort with the audience in front during the third song, "Bloodbuzz Ohio." Sure, he only stayed down there for a few seconds, but it boded well for the rest of the show. The third wall came crashing down early.
The National also had some additional musicians on stage to help fill out their sound. Throughout the show, a small brass section again consisting of a trumpet and trombone contributed to the mix. Additional treats came on the seventh song, "Squalor Victoria," when a string section walked on stage. After that, it got almost ridiculous. St. Vincent's Annie Clark hopped on the piano for "Vanderlye Crybaby Geeks" and shared backing vocal responsibilities with Sufjan Stevens for the following song, "Afraid of Everyone." "I'm sorry they're so plain looking. We try to set a standard," Berninger wryly joked. "I wish we could have them on stage all night," replied a Dessner brother.
But the real magic happened during "Abel." At least, it did for me. Berninger jumped off the stage once again and started pulling that oh-so-long mic chord behind him as he walked up the aisle in the theatre. For a few seconds, I lost sight of him. And then, there he was, right outside my row. And then... what? Berninger started climbing over the seats and ended up stumbling right into Row WW, Seat 409 - my seat. As he stood haphazardly balanced on the seat behind me, he leaned over, grabbed my shoulder to steady himself and put the mic right in my face as he sang. And, though I know nearly all of the lyrics to their songs and the chorus to "Abel" in particular is embarrassingly simple, I admit I froze a little and was too stunned to sing along. After my moment had passed, Berninger continued on his way, climbing over the seat in front of me and then heading back to the stage. It's almost as if he knew that this was only going to be a one-paragraph review (since I recently wrote a lengthy one for the BAM show) and wanted to spice it up. After Berninger fled the scene, BrooklynVegan photographer Matt Eisman and I stared at each other in disbelief. Did that just happen?
The show continued with a few more songs and a solid four-song encore that (of course) included "Mr. November". This time when he wandered into the crowd, Berninger climbed the stairs to the first tier of the balcony where people encircled him and furiously sang along. Berninger proceded to walk to the far side of the balcony and back down again, his mic chord dangling over the crowd in the orchestra section below. After over an hour and a half of play, The National concluded their encore with "Terrible Love."
More pictures, a video and the setlists from Radio City, below...
photos by David Andrako
The Antlers, Phosphorescent, and Sharon Van Etten each played 20-25 minute sets at the High Violet Annex last night (5/13). That was followed by members of The National improvising over projected movies by Margarita Jimeno, Sufjan Stevens, Jonathan Dueck, Deborah Johnson, Ryan Irvin, and Justin Anderson.
The first National-related group was Bryan & Scott Devendorf, trumpet player Kyle Resnick and guitarist/trombonist/Beirut member Ben Lanz (both who also played on Letterman with the National yesterday). The second group was The Dessner Brothers who played along with an 11 minute experimental film that Sufjan Stevens made "using a digital camera while I had insomnia." Sufjan was in attendance (if you haven't figured that out yet) and introduced the song.
It was the third night of the National's temporary venue next door to Other Music. Even more people played live on the second night. It continues for a fourth night tonight/Friday (and ends Saturday) (lineups for those are both TBA, but expect some actual National songs to be played at at least one of them). More pictures from Thursday, below...
DOWNLOAD: Phosphorescent - The Mermaid Parade (MP3)
The National did not play the High Violet Annex last night (5/12), but many others did. A full report is coming shortly, but in the meantime I didn't want to hold back the information that tonight (5/13) will include films by Margarita Jimeno, Sufjan Stevens, Jonathan Dueck, Deborah Johnson, Ryan Irvin, and Justin Anderson. More importantly, there will also be live performance by The Antlers, Phosphorescent, Sharon Van Etten "and more".
For Phos, it will be his first of two shows tonight, though the second one at Mecury Lounge will be a much longer set (tickets are still available). It will also be his second of two shows this week on East 4th Street. High Violet Annex is right next door to Other Music where he played an in-store the other day (5/10). That's four NYC shows total if you count Union Pool in Brooklyn which he/they played one day after that. The Brooklyn gig was packed and front-man Matthew Houk expressed his joy more than once at playing a hometown show. They played almost the entire new album, Here's to Taking it Easy, which is out now. The crowd was singing along to new song "The Mermaid Parade" which you can download above for free.
A video of Martha Wainwright playing the High Violet Annex last night below...
photos by Angelina Castillo, words by Andrew Frisicano
Yeasayer, Man Man and The Antlers played a free show at Ithaca College on Friday, May 7th. The show was on a field in the middle of campus, and was advertised as students only but ending up being open to anyone. The opener was Zgress and Snack Attack, a local spazzy piano-pop group who previously won a battle of the bands.
Thanks to Angelina Castillo, who took these pictures and writes: Man Man played mostly new songs, and they all sounded totally nuts and awesome. Yeasayer and Antlers both killed it as well, and you could tell Antlers made a lot of converts. Yeasayer split the set pretty even between All Hour Cymbals and Odd Blood, but the AHC songs were definitely the crowd pleasers. Except for "Ambling Alp." People went fucking nuts for "Ambling Alp." Great singalong song. The whole shebang was put on by IC (more specifically the Bureau of Concerts) for an end-of year festival. BOC also brought Dan Deacon, Mountain Goats, Black Joe Lewis and others this year. Most all the bands went out into the field and ate/talked with the crowd afterwards. Ryan Kattner of Man Man [aka Honus Honus] was a total doll, and was seen sweeping many a college chick into his arms for photo ops.
The Antlers tour Europe this May and play with Phantogram and the National in North America afterwards (including the National's Radio City show). They also play NYC's Pier 54-Hudson River Park on July 22nd
More pictures are below...
The free outdoor concert series kicks off Thursday, July 8, with the infectious indie folk/alt country band Phosphorescent on a co-bill with the "authentically vintage" sounding L.A.-based Dawes.Three amazing free shows this year! Hopefully the rain stays away.
The Antlers, the meteoric post-rock artists take the stage Thursday, July 22, with fellow Brooklyn-based Dinosaur Feathers and its tropical surf pop sound opening the show.
RiverRocks concludes the 2010 summer season on Thursday, August 12, with Atlanta's Deerhunter, led by Bradford Cox -- among the most talented and hardest working indie artists in the business. Opening for Deerhunter is Brooklyn's Real Estate.
RiverRocks is Hudson River Park's signature concert series staged on the Pier 54 waterfront adjacent to New York City's Meatpacking District (at 14th Street). With the setting sun and the Hudson River serving as the backdrop, each show is expected to draw capacity audiences.
Gates open at 6 p.m. for all RiverRocks shows, which are scheduled to begin at 7 p.m. More information is available at www.riverrocksnyc.com.
Meanwhile, catch Real Estate 3 times this month including @ Monster Island tonight (4/16).
Phosphorescent also has a few shows coming up sooner.
Deerhunter recently was in town to open for Spoon.
photos by Kyle Dean Reinford
The Antlers helped kick off the first "Viewtopia in Vino" event at In Vino Wine Bar in NYC Sunday night (4/11). Crowd members tasted two white wines with commentary from the Wente Vineyards representative. Then The Antlers played three songs (sylvia, shiva, bear). Then there was more wine drinking. Then In Vino owner Keith Beavers had a discussion with the band. Then two red wines were tasted. Then the band played three more songs (atrophy, two, cold war). Then more drinking. Pictures below...
"The 2010 Lollapalooza line-up is official: Soundgarden, Green Day, Lady Gaga, Arcade Fire, The Strokes, and Phoenix will headline, joined by Social Distortion, MGMT, Jimmy Cliff, Hot Chip, and The Black Keys. With 130 bands on this year's bill, its sure to be a weekend long feast for the ears.After extremely accurate early leaks and then much teasing, Lollapalooza oficially announces this year's lineup. Check it out below...
It's a monumental year for Lollapalooza, filled with homecomings, reunions, and first-times. Soundgarden, 1992 and 1996 Lollapalooza alumni, return to the Lollapalooza stage for their first performance since 1997. Green Day will rock Grant Park sixteen years after their first Lollapalooza appearance. While Lady Gaga will headline the festival only three short years after playing the BMI stage at Lollapalooza 2007.
Arcade Fire returns to Grant Park, having played the reincarnated Lollapalooza in 2005. This is the first Lollapalooza for The Strokes - and also their first show in four years. And making their Lollapalooza debut: Phoenix." - Lollapalooza
photos by Tim Griffin
"...The bands were running late at Club Deville, but I was pleased to hear Centromatic on the stage. They sounded like classic rock and when Steve Miller Band's "Rock'N Me" came on after their set, it was in the same vein, but Centromatic was above and beyond....It was a perfectly rowdy ending to the BrooklynVegan/DailyMotion day party at Club DeVille on Friday, March 19th (one of our seven shows this year). The day's eclectic lineup ranged from country to electro to singer-songwriter to comedy. We also made a huge effort to feed people and give away free stuff this year. Those who stopped by the free show got free Ear Piece ear plugs, Magic Hat beer, Firefly Sweet Tea vodka (that lasted the entire 6+ hours), Gundlach Bundschu wine, Raw Rev bars, Nadamoo ice cream, Hail Merry "Grawnola", breakfast tacos and Daily Juice catering. Action For Animals was on hand with baked goods for sale that helped raise $800 for charity. Somebody (and every band and comedian) won some Original Penguin clothes. Members of Passion Pit (aka the Wet Bandits) played the music between bands. KEXP was filming video. All in all an amazing day.
Lucero came on next and killed it. Nichols' voice is like sandpaper on gravel and it has a booze-soaked and sorry quality that makes it sound like the hard nights and heartbreaks that he sings about are real experiences. Lucero is one of the few bands that I've seen (Free Energy comes to mind as well) that broke through to fans. Quite a few folks were dancing, jumping, singing and generally rocking out during their set..." [Rock Candy]
Catch Lucero in NYC at Music Hall of Williamsburg this Tuesday, March 30th with Glossary (tickets are still on sale). Centro-matic kicks off a house tour in Houston the same day.
"Hello, and welcome to Portland, Oregon," quipped James Mercer, as he and Danger Mouse greeted the freezing crowd at Mog Day Party on the final day of SXSW. A 40-degree drop in temperature from Friday caused flip-flops and t-shirts to be replaced by hoodies, coats and gloves. Broken Bells were just one of several excellent bands that filled the indoor and outdoor venues of the Mohawk.
I finally made it downtown before 2pm by taking the rather efficient Metro Capitol bus. Traffic along I-35 into downtown took almost an hour the day before from just 10 minutes north. Arriving a little after noon Shilpa Ray and Her Happy Hookers were already on inside. Ray was squeezing the hell out of that squeezbox and her raspy, scowling voice was alarming so early in the day. It certainly set a tone. And Free Energy complete with free cassettes started things outside with their unabashed good times garage rock.
Back inside The Dum Dum Girls were up next with more of the same hazy lo-fi pop that drummer Frankie Rose was laying down the night before on the same stage with her band. I skipped back outside for Demolished Thoughts though Andrew WK (an advertised member along with Thurston Moore and J Mascis) was absent and the bassist for Fucked Up was filling in. It was thrashing punk stuff with silly songs like the 45-second "I Hate Kids" (those were the lyrics) followed by the 45-second "I Hate Sports" (some videos below).
Then it was back inside for a little dance - hip hop with Rye Rye and then back outside for Broken Bells - who kept busy at the festival. For a band only a couple months old they were tight and the songs sounded great. Inside again for Freelance Whales and then back outside for The Antlers, back inside for Real Estate and finally back outside for the Black Keys who straight up killed. Mercer and Danger Mouse (who produced the Keys' Attack & Release) and members of the Antlers were sidestage rocking out. The crowd was hanging over rails and pushing in toward the stage. Dan Auerbach and Patrick Carney had everyone riveted and rocking. Certainly the most polished performance of the day, perhaps the festival.
Unexpectedly, as I ventured back to the convention center, I stumbled upon Fanfarlo about to perform in Brush Square with free drinks (Shiner Bock!) and heaters to keep the tent warm. Fantastic live show. "If we knew there were going to be so many photographers, we'd have done better," quipped multi-instrumentalist Cathy Lucas about the the band's appearance.
For the evening it was all about finishing strong. I made my way to the Victorian Room at the Driskill for Miss Li who was great and her band was stellar, over to St. David's Bethel Hall to see some Texas bands as part of the Western Vinyl Showcase, including an unimpressive Matthew and the Arrogant Sea. I decided to go all out and dashed over to Barbarella for the excellent Best Coast who also played a couple of new songs that sounded really good. Back to St. David's for the ambient Sleep Whale (formerly MOM) from Denton, TX down to Paradise for crazy afro-beat inflected dance music courtesy of New York's Tanlines (it was a full-on dance party.) Finally, it was back over to St. David's for the beautiful, classical-leaning experimental band Balmorhea.
SXSW Day Three started over at the free Dickies Sounds Day Party. Free silk-screened posters with all the bands playing that day (including She & Him and Surfer Blood at the official showcase that night) were printed up and handed out on the spot. People played ping pong next to the house while around the corner Greg Laswell played a few new songs, several old ones, as well as his incredibly depressing take on Cyndi Lauper's "Girl's Just Wanna Have Fun". After a quick dash over to the convention center it was back to Dickies, where there was suddenly a long line, to catch the all-girl quartet, Warpaint, who were fantastic. Then Rogue Wave closed out the day portion. I still can't get excited about their new record, but live Zach Rogue and his newly configured lineup have it down and the crowd we're into it from the start. The highlight being "Lake Michigan" and a slow-building, two-minute intro.
For the evening I set up camp at the Mohawk for the Slumberland/Cake Shop Showcase. Sheffield's indiepop trio Standard Fare opened inside and their performance was great. A better batch of indie pop songs you'll be hard-pressed to find this year. Philadelphia drum-guitar duo Reading Rainbow were next and another indie pop band, the excellent Summer Cats (from Australia), followed. Frankie Rose and the Outs were up next with their hazy, lo-fi rock. I skipped out after that to nip over to the Galaxy Backyard to catch The Antlers (completely forgetting I would see them the following afternoon at another Party.) Their third show of the festival and they just nailed it. People around me who had not heard of them were won over after just one song (the increasingly uptempo "Sylvia".) By the end, one girl put her hands up in the shape of a heart right in front of Peter Silberman, eliciting a smile from the frontman mid-verse. From there it was a quick dash back up Red River to the Mohawk where both inside and outside were at capacity with Miike Snow about to go on outside (followed by Mayer Hawthorne, neither of who I caught) and Pains of Being Pure at Heart inside. "Welcome to the Cake Shop," said Kip Berman at the start of the New York indie pop band's set, pointing at the Cake Shop banner on the wall behind them.
The Antlers @ SXSW 2010 (by Dominick Mastrangelo)
Viewtopia In Vino is a new series that "features well known bands performing acoustically followed by a conversation with a moderator and the audience." Each event will also include a wine tasting and be located at the small In Vino Wine Bar in the East Village in NYC. The first one takes place Sunday, April 11th and features a 4-glass wine tasting led by Wente Vineyards head wine maker Karl Wente followed by a 3-song performance by The Antlers followed by a 25 minute conversation with the band followed by at least 3 more songs. The event will be super intimate and there are only 40 tickets available and they're on sale now ($25).
The Antlers just played a four shows at SXSW including the official Frenchkiss showcase and our day party at Club DeVille on Friday. I was at the latter and loved them as much as always despite a few technical issues. Holly Miranda, who played right before them, also came up and sang with them for the last song. I took video of that and will upload ASAP, but in the meantime you can watch a clip of "Two" below.
The band's next show is even sooner than the wine thing and is also in NY (at/in Stony Brook). In June they play dates with the National including the gig at Radio City. All dates below...
*Friday, March 19, 2010*If you've been following along, both on this site and at our @bvSXSW Twitter account, you probably pieced most this lineup together already. And I'm extremely happy to report that this is the final BrooklynVegan party lineup we have left to announce this year. We'll see you on Wednesday at Emo's and Club DeVille, Thursday at Hoek's and Spider House, Saturday at Red 7 and Galaxy Room and on Friday right here at Club Deville from noon-6pm (on TWO stages) (the second stage is inside).
BrooklynVegan Free Day Party Presented by DailyMotion
@ Club DeVille - 900 Red River St, Austin, TX (NOON - 6 PM)
*free and open to the public, no RSVP necessary
12:45 Twin Sister
01:30 Nicole Atkins
02:15 Sondre Lerche
03:00 Holly Miranda
03:45 The Antlers
DJs: Passion Pit
12:30 - Active Child
01:15 - Pearly Gate Music
02:00 - Tig Notaro (comedian)
02:15 - Katie Stelmanis
03:00 - Joe Mande (comedian)
03:15 - Zola Jesus
04:00 - Abe Vigoda
04:45 - MNDR
05:30 - The Wave Pictures
FREE DRINKS COURTESY OF: Magic Hat & Firefly Vodka
(while supplies last)
FREE VEGAN BREAKFAST TACOS FROM: Izzoz Austin
(starting @ noon. while supplies last)
VEGAN BAKE SALE FOR CHARITY BY: VegAustin & Action for Animals
MORE FREE FOOD COURTESY OF: Daily Juice (catering from 2-5)
MORE FREE FOOD COURTESY OF: Raw Revolution Bars
MORE FREE FOOD COURTESY OF: Hail Merry
FREE EAR PLUGS FROM: Ear Peace
+ more TBA
Thanks to DailyMotion for helping make this all possible. They're not only our presenting partner on this party, but we'll be uploading live footage from SXSW all week long to our account at their site. Some of that footage, including from this party will be shot by our official radio partner, KEXP.
Thanks to also to Original Penguin clothing for providing some clothes to giveaway to a few lucky attendees at the show.
Like at Emo's and Red 7, we'll have 10 kegs worth of Magic Hat beer to give out at this show, not to mention lots of Firefly Sweet Tea Vodka to pour. And like at Emo's and Galaxy Room, we'll have free breakfast tacos and then late afternoon free catering by Daily Juice. All of our parties will be stocked with free Raw Revolution bars and Hail Merry Grawnola as well. And as if that's not enough, we're hosting a vegan bake sale for charity, courtesy of the fine folks at VegAustin.com and Action for Animals at this show. All money raised goes to Food for Life, an organization feeding Haitian and Chilean earthquake survivors.
Flyer design by Tammijean Triplett. Videos below...
photos by Dominick Mastrangelo
Antlers / Editors
"People don't mean any harm,'' the Antlers singer said from Brooklyn in a recent phone interview. "But they'll ask, 'Is the song 'Bear' about abortion?' before they even say hello. Whoa, what? It's like going up to a stranger and asking how their mom died. I don't know how I feel about it.''That tour brought the two bands to Terminal 5 on Friday night (2/19). Pictures and setlists from that show are in this post. Editors were supporting their new album, out now in the U.S. on the Fader label. The tour ended last night (2/21) at 9:30 Club in DC. The tour started right after The Antlers played BAM with Ra Ra Riot which wasn't long after the Antlers played a Haiti benefit at City Winery with Patti Smith.
But you can't blame fans for feeling close enough to the heartbroken narrator of the band's breakout record, "Hospice,'' to ask for details. The lo-fi concept album, centered on a terminally ill patient and her caregiver, is intimate and haunting. The 10 tracks deal with loss, death, guilt, and even Sylvia Plath ("Sylvia, get your head out of the oven / Go back to screaming and cursing, remind me again how everyone betrayed you.'') The stuff of nightmares, really.
"Hospice,'' self-released by Silberman last March, garnered serious buzz and ended up on several best-of-2009 lists. Venerable indie label Frenchkiss Records re-released the album in August. The Antlers headlined a sold-out show at the Bowery Ballroom in December and are on a tour with Editors.... [Boston Globe]
Coming up for The Antlers: a tour of Europe, a headlining tour with Phantogram, an opening slot on The National's upcoming dates (including Radio City Music Hall, but not Prospect Park), and... the BrooklynVegan day show at Club DeVille in Austin on Friday, March 19th with Lucero and more bands TBA. They then play the Frenchkiss & Mom+Pop official SXSW showcase at Galaxy Room (formerly Radio Room & Borboun Rocks) that same night (with Freelance Whales, Local Natives, An Horse, Suckers, and Les Savy Fav).
All dates and more pictures below...
words & photos by Dominick Mastrangelo, more words by Zach Pollack
Ra Ra Riot
Ra Ra Riot played to a sold-out crowd at the Howard Gilman Opera House in Brooklyn on Friday (2/5). The Syracuse-based band played an energetic set and threw in a couple of Kate Bush covers (finishing the show with "Hounds Of Love".) "Suspended in Gaffa" appeared on 2008's critically acclaimed The Rhumb Line of which the band played all of its songs.Peter Silberman, Michael Lerner, and Darby Cicci collectively known as The Antlers took the stage at BAM's Howard Gilman Opera House at a prompt 8:10pm. This kicked off the 4th night of BAM's Sounds Like Brooklyn Festival. Silberman commanded audience attention with his sweeping falsettos, and impressive guitar tones coming from his daisy chain of pedals. They had a two man horn section join them (Tim Cronin and Jon Natchez), adding depth to their already dense sound. The band's set largely consisted of songs off of Hospice.
The Antlers, architects of one of last year's critically acclaimed records, Hospice, opened with a taut, haunting set, placed in stark contrast to the headliner's flowing, uptempo pop songs. - Dominick
Ra Ra Riot headlined the show, featuring a string quartet and a four man horn section. The band sounded impeccable live, and carried though their set with the poise, grace, and energy of a well practiced rock band. In four short years since forming the band Ra Ra Riot has grown a large fan base, which was certainly apparent at The Howard Gilman Opera House Friday night. Cellist Alexandra Lawn and violinist Rebecca Zeller add to the already dense rhythms of the band with their sweeping string section.
Friday night's show was the third and last 'Sounds Like Brooklyn' show at BAM this year. The first two were Les Savy Fav / Vivian Girls and Rain Machine / Anti-Pop Consortium. More pictures from Ra Ra / Antlers, below...
tonight in NYC
* Haiti benefit @ SOB's
* Matthew Shipp @ Roulette
* Toshi Reagon @ Joe's Pub
* Hiromi @ Highline Ballroom
* Questlove (DJ) @ Brooklyn Bowl
* The Necks @ Issue Project Room
* Suzanne Vega @ Lincoln Center Allen Room
* The Felice Brothers @ Mexicali Live (Teaneck, NJ)
* Cold War Kids, Alec Ounsworth @ Music Hall of Williamsburg
* Dinosaur Feathers, Carnivores, Shark?, Backwords @ Cake Shop
* Monuments, Violent Soho, Glint, Majority Rules @ Mercury Lounge
* Oh No Ono, The Depreciation Guild, Hooray For Earth @ Union Hall
* The Silent League, New Numbers, Ludlow Lions, Youngman Grand @ Bruar Falls
* Deadbeat Darling, Black Taxi, The London Souls, TAB the Band @ Bowery Ballroom
* Team Robespierre, Truman Peyote, Total Slacker, Ana Lola Roman, Easter Vomit @ Don Pedro
* Jonte', Bad Brilliance, Narcissister, Roxy Cottontail (DJ), Andrew WK (DJ) @ Santos Party House
* Haiti benefit w/ Flanagan Smith, Matt Jones, Alyson Greenfield, Charlene Kaye, Outernational, Automa @ Public Assembly
* Mandy The BandiT & The iT Band, A Big Yes...and a small no, Dave Doobinin, Mieka Pauley, David Jacobs-Strain, Chris Ayer, Walter Parks @ Rockwood Music Hall
Tragedy: All Metal Tribute to the Bee Gees was scheduled to play at Maxwell's, but it was canceled.
Cold War Kids & Alec Ounsworth do MHOW tonight and then Terminal 5 on Friday.
Mission of Burma kick off a two night run at Bowery Ballroom on Friday.
Les Savy Fav and Vivian Girls kick off the Sounds Like Brooklyn fest at BAM on Friday.
The Antlers also play one of those BAM shows. Check out an interview they did with Joe Walker from Breakfast at Sulimay's below...
photos by Tim Griffin
City Winery's series of Haiti benefit concerts kicked off last night (1/20) with an all-star lineup that included Patti Smith, The Swell Season (they headlined Radio City Music Hall one night earlier), The Antlers, John Wesley Harding, Carolina Chocolate Drops, Yo La Tengo, Young People's Chorus of New York City, Tiempo Libre and Joshua Bell. Everyone played short sets, especially the unannounced guest Michael Stipe who actually only read something and introduced his friend Patti Smith.
Tonight's City Winery show (1/21) features Lewis Black, Vernon Reid & Corey Glover of Living Colour, Rich Pagano & The Sugarcane Cups, Marshall Crenshaw, and David Johansen. More pictures adn some videos from last night, below...
photos by Bao Nguyen
Holly Miranda @ Webster Hall - 1/18/2010
Hello,Holly Miranda, who was joined on stage at one point by her friends The Antlers, opened for her labelmates Vampire Weekend at Webster Hall last night (1/18). It was the headliner's 2nd of three NYC shows in a row. The first night was uptown at United Palace with Titus Andronicus. The third is tonight (1/19) at Bowery Ballroom with Nat Baldwin.
I'm am writing to you from lovely California [on December 30, 2009]. I have been here since finishing my last tour of 2009 with The XX and The Friendly Fires on the West Coast in early December.
Being as it is two days before New Years Eve, I have been reflecting on the year that has past. I cannot begin to say how grateful I am to everyone who has come out to support Timmy and I on the road. To those of you who have given us warm, home cooked meals; a cozy bed to sleep in or visited me at the merch table and kept me company. We could not have done it with out you.
From the Midwest tour with AA Bondy, the East Coast with The Antlers, Europe with The XX, and then again with The XX and The Friendly Fires on the West Coast. We have been busy, but there has been no shortage of good music and amazing people surrounding us at all times.
I am happy to announce that it looks like the coming year will be more of the same...
First I am so excited to say that we will be opening for Vampire Weekend in New York on January 18th at Webster Hall!
Secondly, beginning in February, we will be touring across the continental United States with Tegan & Sara!!! The tour dates are below.
Last, but not least, I'm happy to announce that my full-length album The Magician's Private Library will be out on XL Recordings February 23rd!
Cheers! Here's to 2010!
I hope this finds everyone safe and warm and having a happy holly day!
See you in the new year!
Holly's new cover art and tour dates and more pictures from Webster Hall, below...
photos by Joseph Xu
Happy Holidays! I take on more than I can handle. That results in a lot of unposted content. In the name of catching up, while also taking it easy during this final week of the year, here's some of that lost material.
More pictures from the 2009 Pitchfork Music Festival, below...
photos by Kyle Dean Reinford
"In an enthralling concert at the Bowery Ballroom on Tuesday night, playing the songs from "Hospice" to a rapt audience, the Antlers (from Brooklyn) made clear that the music was not just a vehicle for the story. It was its own molten element, moving at its own pace. Songs emerged from, and sometimes dissolved back into, stretches of abstract sound: Mr. Silberman's guitar feedback darkening like storm clouds, Darby Cicci's hissing or whooshing keyboard sounds, Michael Lerner's atmospheric cymbals, the band's loops and layers of static and effects that only gradually led into chords and rhythms. Eventually they were topped by the words." [NY Times]Check out our 'end of 2009' interview with Peter Silberman of the Antlers, and the one with Annie of Uninhabitable Mansions, and more pictures from their December 15th show at Bowery Ballroom, below...
After a decade in which private lives basically became public domain-- think confessional emo, YouTube, reality TV, and social networking updates-- you would think that we'd have become inured to the private pain of semi-autobiographical songwriting. But as the debut album by Peter Silberman's former solo project (it's now a trio) proves, with the right blend of earnest, whispery vocals, delicate, gauzy melodies, and strangely smothering scratchy effects, a desperately delivered concept album about personal loss still has the power to emotionally destroy listeners. Hospice, as its name implies, is not an easy album to take-- the haunting songs' plainspoken prose tells of mental illness, abortion, cancer, and death-- but couched in soaring anthems and swathed in layers of ambient noise, its heartbreaking stories are easy to love. --Rebecca Raber, Pitchfork.comPeter Silberman of The Antlers answered our end-of-year questionnaire...
Animal Collective @ ATP NY (more by Ryan Muir)
So how the hell did Merriweather Post Pavilion-- an album closer in spirit to the sub-aquatic psychedelia of 2005's Feels and Panda Bear's 2007 solo Person Pitch than its predecessor-- wind up in the Billboard Top 20 and outsell both the Arctic Monkeys and Franz Ferdinand's most recent albums in North America? That mystery is ultimately the most wonderful thing about the album. Unlike so many indie-rock crossover artists before them, Animal Collective did not breach the mainstream by cleaning up their act, or adopting classic-rock conventions, or scoring a strategic soundtrack or iPod-commercial placement. And, above all, they did little to formalize their defining mercurial quality. [Pitchfork]Pitchfork posted their Top 50 Albums of 2009.
Animal Collective is DJing the Museum of Natural History in January.